
'Legacy Alive' keeps the flame going for three late Malaysian creatives
Project Future Malaysia, a community arts initiative, presents Legacy Alive – a tribute showcase honouring three visionary Malaysian figures: novelist K.S. Maniam (1942–2020), musician and drummer Lewis Pragasam (1957–2023), and visual artist Nirmala Dutt (1941–2016).
Through this programme, Project Future Malaysia aims to inspire a new generation of artists by celebrating the enduring impact and creative legacies of these trailblazers.
The showcase, to be held at Five Arts Centre, GMBB in Kuala Lumpur on June 28, features original works by Melizarani T. Selva (literature and theatre), Blank Malaysia (visual art), and Stan Calvin (music), fostering intergenerational dialogue through contemporary expression.
Project Future Malaysia founder Kevin Bathman, who conceptualised the show, drew inspiration from his work with Australian arts NGO Diversity Arts Australia, where he worked on projects spotlighting culturally diverse artists.
'That experience made me reflect on how, in Malaysia, we often overlook our own creative figures until after they are gone. Even then, their names are rarely mentioned and their works quickly fade from public memory,' says Bathman.
'Over the years, other than Nirmala Dutt's retrospective exhibition at Ilham Gallery (in KL) in 2023, I have seen how easily these three artists' legacies have been forgotten, despite their significant and sometimes award-winning contributions to Malaysia's creative scene. This project is a way to honour their work and keep their stories alive,' he adds.
Last year, Maniam's posthumous novel The Cry , published by Maya Press, was finally released.
Bridging generations
In Legacy Alive , writer and performer Melizarani reinterprets Maniam's 1990 play, The Sandpit: Womensis , through a theatrical playlet.
'I was drawn to the women in Maniam's writing. This piece lets them speak to each other, and to us, across time. It is a chance to rescue themselves from what once seemed inevitable,' she says.
Maniam, best known for his novels The Return and In A Far Country , was also a founding member of the arts collective Five Arts Centre.
His The Sandpit: Womensis is considered a significant contribution to the Malaysian performing arts canon, alongside The Cord (1983) and The Skin Trilogy (1995).
Melizarani will reinterpret Maniam's 1990 play 'The Sandpit: Womensis' through a theatrical playlet.
Visual artist A.J. Roberts, better known as Blank Malaysia, will unveil a new installation inspired by Nirmala's ecological concerns.
'Nirmala challenged systems and aesthetics. I want to echo her urgency for environmental justice, but in the language of today's climate crisis,' says Blank Malaysia.
In music, Calvin continues the legacy of the immensely talented Pragasam, blending Carnatic drumming with contemporary bass lines.
'Lewis was a rhythm innovator. This piece is my way of keeping that pulse alive, by remixing heritage into something new,' says Calvin.
Digging deeper
Supported by the 2024 Hai-O Arts and Culture Grants, the project also received support from Cipta Seni Incubator, which provided mentorship and feedback to the artists during the development of their pieces.
The Cipta Seni Incubator is part of the British Council's 2023–24 'Connections Through Culture' initiative.
Bathman says that the involvement of the incubator programme really benefited the three artists.
'It gave them the space to experiment with new mediums and explore themes they may not have previously worked with. The feedback sessions allowed them to refine their ideas and push their work further.
'That kind of structured support is rare, and it made a real difference in shaping the direction and depth of their final pieces,' he says.
Blank Malaysia notes that the lessons gained from this project have laid a strong foundation for his continued research-based approach to art.
'The advice given by the team helped refine ideas and find new approaches that would be a better fit to convey the information needed in a research-based art project,' he says.
For Melizarani, the feedback and perspective from Cipta Seni Incubator founders Tom Curteis and Sharmilla Ganesan were valuable to her writing process.
'They were able to see how the playlet could live beyond being solely a tribute. Their feedback inspired me to consider the possibility of turning it into a full length play and flesh out the characters' even more,' she says.
Remembering local talents
Malaysia often fails to recognise its own talents until it is too late, says Bathman.
'Even after a veteran artist passes on, there is rarely a moment of collective reflection on the body of work they have contributed. We tend to look abroad for inspiration or chase the next big thing, without pausing to acknowledge the Malaysians who have spent decades working within local communities or highlighting issues that matter to Malaysians, he says.
Despite its modest beginnings in an experimental theatre space, the Legacy Alive showcase stands as a significant platform for sparking dialogue and encouraging reflection.
'I hope this project serves as a call to commemorate and spotlight our local talent. It is about appreciating the work that has already been done, often quietly and without much recognition, but with lasting impact,' he concludes.
Legacy Alive takes place at Five Arts Centre, GMBB, KL on June 28, 3pm-5.30pm. Free admission with RSVP (there are limited seats available). Open to ages 18 and above. The venue is wheelchair accessible; refreshments will be provided. Instagram: @projectfuturemalaysia.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Sinar Daily
5 hours ago
- Sinar Daily
Divided voices of Seribu Tahun reflect Malaysia's growing media maturity
In a local TV landscape often filled with predictable plots and familiar tropes, Seribu Tahun has quietly emerged as a bold outlier. The Malay-language drama, which has sparked conversations across social media, stepped into rarely explored territory, weaving LGBT themes into its storyline while firmly grounded in Malay-Muslim cultural contexts. Unlike shows designed to provoke controversy for attention, Seribu Tahun took a different path: it doesn't push agendas, it invites dialogue. Through emotional storytelling and layered characters, it challenges viewers to reflect, not react — offering a rare lens into conversations often left unheard in mainstream Malaysian media. Universiti Teknologi Mara (UiTM) Faculty of Film, Theatre and Animation lecturer, Ts Mastura Muhammad viewed this public discourse as a sign of progress rather than division. 'The polarised response to Seribu Tahun reveals the evolving state of public discourse in Malaysia. These reactions reflect a society negotiating its values, caught between maintaining traditional norms and grappling with modern complexities. 'Rather than viewing this division as a weakness, it signals the maturity of a media-literate public willing to critically engage with content,' she told Sinar Daily. The series stands out precisely because it refuses to offer simple answers or push a singular perspective. Instead, Seribu Tahun contextualises the struggles of its characters with nuance and care. This approach transforms mainstream media into a dynamic arena for national conversation, provided stories like these are handled with depth and ethical clarity. Mastura emphasised that the drama's layered storytelling offers multiple perspectives rather than promoting a specific ideology or identity. In Malaysia, television drama is often seen as light entertainment, an escape from daily life. But Seribu Tahun challenges this perception. Mastura pointed out that drama can and should serve as a platform for meaningful dialogue. The Seribu Tahun debates reflect a growing public willingness to think critically, engage deeply and confront complexity. Photo: Facebook 'Audience reactions, especially those expressed via platforms like TikTok, have offered thoughtful interpretations of the show's themes, drawing from both social and religious frameworks. These kinds of responses contribute to a richer and more constructive media environment than the usual reception given to formulaic romantic dramas. 'In contrast to other local productions that have mishandled sensitive themes, such as the casual acknowledgment of biological fathers in cases of children born out of wedlock, a portrayal that contradicts Islamic teachings, Seribu Tahun demonstrates a more ethically grounded narrative approach. 'Controversial issues in the series are carefully contextualised or resolved, reflecting a sincere effort to balance creative freedom with cultural and religious considerations,' she added. Malaysia's society is often labelled as conservative, but this simplification overlooks the rich diversity of moral and ideological standpoints held across its population. For filmmakers navigating this landscape, ethical storytelling becomes a tightrope walk. 'Directors and scriptwriters must navigate this complex terrain, shaped by regulation, religious sensitivities and public expectations. Ethical representation in such a setting demands commitment to narrative integrity without falling into sensationalism. 'When addressing taboo topics like LGBT identities, religion, or intersexuality (khunsa), it is crucial for filmmakers to craft portrayals that are contextually relevant, culturally respectful and ethically responsible,' she mentioned. The reach of television drama means these stories carry the power to amplify voices too often sidelined. More than just showing these identities or issues, such narratives invite society to listen and reflect rather than react in knee-jerk fashion. Through these stories, Mastura said that we can come closer to understanding Malaysia's heterogeneous social fabric, rather than perpetuating the illusion of cultural uniformity.


The Sun
16 hours ago
- The Sun
Selangor Sultan visits renowned Yusof Ghani's art gallery
SHAH ALAM: The Sultan of Selangor, Sultan Sharafuddin Idris Shah, today visited the TAPAK Gallery in Section 8, which is owned by renowned Malaysian artist Yusof Ghani. His Royal Highness spent nearly 40 minutes viewing the works of the Johor-born artist, whose paintings have featured in various local and international art exhibitions. Segerak, Biring, Wajah and Ombak were among the popular paintings on display at the gallery, which has been open since 2009 and captivated the interest of the Sultan, who is known for his strong appreciation of art. Sultan Sharafuddin also graced the unveiling of Yusof's latest book, titled Cenderawasih: Energy and Emotion, which has been in production since 2022. His Royal Highness also viewed a live painting demonstration by Yusof, featuring his newest creation inspired by Cenderawasih, or the Bird-of-Paradise. Yusof, a prominent national artist, began his career in the early 1980s. His paintings have since been exhibited at numerous international art exhibitions, including in Singapore, Indonesia, Thailand, Japan, the United Kingdom, Germany, Spain, the United States and Canada. Among his popular artworks are Tari, Protest, Topeng, Wayang, Hijau, Segerak, Biring, Wajah and Ombak.

Barnama
16 hours ago
- Barnama
Selangor Sultan Visits Renowned Artist Yusof Ghani's Art Gallery In Shah Alam
SHAH ALAM, June 28 (Bernama) -- The Sultan of Selangor, Sultan Sharafuddin Idris Shah, today visited the TAPAK Gallery in Section 8, which is owned by renowned Malaysian artist Yusof Ghani. His Royal Highness spent nearly 40 minutes viewing the works of the Johor-born artist, whose paintings have featured in various local and international art exhibitions. Segerak, Biring, Wajah and Ombak were among the popular paintings on display at the gallery, which has been open since 2009 and captivated the interest of the Sultan, who is known for his strong appreciation of art.