Artist Johannes Leak says Archibald Prize 'captured by the progressive left' after his portrait of Jewish leader Alex Ryvchin rejected
Mr Leak submitted a portrait of Mr Ryvchin, co-Chief Executive Officer of the Executive Council of Australian Jewry, to be judged by the 11-member Board of Trustees at the Art Gallery of NSW, but it was rejected as the 904 entries were whittled down to 57 finalists.
It is not the first time one of Mr Leak's submissions to the Archibald Prize has been overlooked.
In 2021, a portrait he painted of politician Jacinta Nampijinpa Price was also not selected as a finalist.
His late father Bill was also regarded one of the best painters to have never won the prize, after multiple submissions.
Mr Leak said he wasn't surprised the portrait, described by Sky News host Chris Kenny as "striking", did not progress to the finalist stage as he felt like it might not "fall in line" with the "particular agenda" of the Archibald.
"Oh, look, I wish I could say I was shocked, you know, but the Archibald, I suppose, as an institution... I think it's an open secret, it's been captured by the progressive left," he said.
"It's still an important portrait prize. It's still an Australian institution. And I thought, let's give it a go. But yes, I wish I could say I was shocked."
Mr Ryvchin suggested himself being a "strong Jewish leader" and Mr Leak being a cartoonist for The Australian would not have aligned with "the kind of culture of these institutions".
The prominent Jewish leader also said he felt for Mr Leak, and wished he got the recognition he "deserves", describing him as a "master".
"I wish I could say that these things are entirely done on merit, whether it's the Pulitzer Prize, or literary festivals and awards, the Archibald," he said.
"But I think we'd be kidding ourselves if we thought that politics and ideology didn't enter into it. I think it clearly does. But again, for me personally, regardless of the outcome, it's a huge honour.
Mr Ryvchin has been one of the most recognisable faces on the frontline for the Jewish community in recent years, especially after war began in Gaza between Hamas and Israel in October 2023.
As a result of his activism, Mr Ryvchin has been targeted in acts of antisemitism, including an incident where a Dover Heights property he previously owned was doused in red paint on January 17, 2025.
While two cars parked outside the home was allegedly graffitied with antisemitic slurs, with at least one vehicle scrawled with "f**k the Jews", and then set on fire.
Police confirmed they arrested and charged a 37-year-old man with accessory before the fact to damaging property by means of fire or explosion.
Julie Fragar won the 2025 Archibald prize for her portrait of Justene Williams, another artist.
Ms Fragar was announced as the winner on Friday, taking out the $100,000 prize at the Art Gallery of New South Wales for the piece titled 'Flagship Mother Multiverse'.
Among the 57 finalists were paintings of a number of celebrities including Nicole Kidman, Jackie 'O' Henderson, Katie Noonan and Hugo Weaving.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
29 minutes ago
- Sydney Morning Herald
Segal's antisemitism plan takes us down a path we should fear to tread
This week, the federal government joined 27 other nations in condemning Israel's 'drip-feeding of aid and the inhumane killing of civilians, including children, seeking to meet their most basic need of water and food'. That same government's own antisemitism envoy, Jillian Segal, also published a report which proposed that universities, arts organisations and perhaps even public broadcasters should have funding stripped if they 'engage in or facilitate antisemitism'. This raises a question: if the words of the Australian government came instead from an academic, or artist at a festival, would it risk their public funding? The government is making grave allegations against Israel – ones that enrage its Israeli and American counterparts. It's possible some people could misuse those allegations to bolster their hatred of Jews, especially in the cesspit of social media. Could the government's words be taken to 'facilitate antisemitism' under their own envoy's plan? Personally, I think not. Trump and Netanyahu might disagree. And that's a worry. The definition of antisemitism Segal wants used to determine when institutions fall foul of it – drafted by the International Holocaust Remembrance Alliance – states 'criticism of Israel similar to that levelled against any other country cannot be regarded as antisemitic'. Accordingly, those suggesting the envoy's report condemns all criticism of Israel as antisemitism overstate the position. But the trouble is it's very difficult to know by how far. By what criteria, exactly, is someone to determine when anti-Israeli commentary becomes antisemitic? It's a crucial question when you're specifically proposing to make research grants terminable if the academic receiving those funds 'engages in antisemitic … speech or actions'. Or when you propose to strip charities of their tax deductibility if they 'promote speakers' who 'promote antisemitism'. Define this too broadly and you silence perfectly legitimate debate. Define it too narrowly, and these proposals have no purpose at all. Either way, it would need to be defined extremely clearly. The IHRA definition doesn't quite match this brief in two ways. Firstly, it is deliberately drafted vaguely because it describes itself merely as a working definition: guiding, illustrative and non-binding. Its drafters intended it more for the purposes of data collection than meting out punishment: a filter, not a sword. Loading Secondly, the illustrative examples attached to the definition, which outline the kinds of criticisms of Israel that would amount to antisemitism, were not unanimously adopted by those drafting it. One drafter, Antony Lerman, recalls there was so much disagreement about them that they were severed from the part of the definition to be formally adopted, to obtain a consensus. That's significant because it is in the examples that most of the controversy resides. It leaves a breach, now flooded by the most febrile cacophony, largely because this has become a contest to draw sharp lines to define something that simply cannot be defined that way. Take one common example, most recently reiterated by the chair of one of Australia's most influential Jewish advocacy organisations: that it is antisemitic, amounting to a 'blood libel', to accuse Israel of genocide. Fine, if the allegation rests on some trope that Jews by their nature delight in slaughtering children and are merely searching for an excuse to do so. Or if the accusation is so wildly fanciful that only the most prejudiced, conspiratorial mind could entertain it.

Sydney Morning Herald
29 minutes ago
- Sydney Morning Herald
Minister pressed library leaders twice before sinking award ceremony
The news Arts Minister John-Paul Langbroek unsuccessfully pressed State Library leaders on two occasions before issuing a direction that led to the last-minute cancellation of a First Nations author's award ceremony in May. The previously unknown detail of a meeting between Langbroek, the library chief executive and board chair one week prior comes as the library launches a promised review into its award processes. The review's terms of reference say it will aim to 'strike a balance between the priorities and expectations of the Minister' and the role of the library as a publicly funded entity. Why it matters The library flagged the review in May, after Langbroek intervened to stop one of two black&write! fellowships going to Adelaide-based author K.A. Ren Wyld, whom he accused in parliament of 'glorifying terrorism'. One day before their presentation, Langbroek made a formal direction that the $15,000 award should not be given to Wyld in a state-owned venue due to a social media post praising slain Hamas leader Yahya Sinwar – flagged with him by his department, and now deleted. Langbroek's directive, which followed the May 12 meeting and a May 16 follow-up letter, led to the library cancelling Wyld's contract only after she flew to Brisbane and hours before the federally funded program's ceremony was set to begin. The decision sparked the resignations of several Queensland literary award judges in protest. It was praised by the state's peak Jewish body, and came amid a national debate about antisemitism and free speech.

Sydney Morning Herald
29 minutes ago
- Sydney Morning Herald
Why exploring this Sydney home is like finding an unplayed Mozart
Turning 89 on Friday, the Pritzker Prize-winning Australian architect Glenn Murcutt is still surprising fans who thought they knew all or most of his work. Another home in Sydney's St Ives by one of the world's most internationally recognised and important architects, but the least 'starchitecty' in style, has come to light. Discovering an unseen Murcutt was like hearing an unplayed Mozart, said one Sydney devotee. Architect Nick Sissons said it was like finding an unknown Shakespearean sonnet. Once found, the family home seems to disappear back into the steep bush block. That was Murcutt's intention, he said, visiting the home he designed 30 years ago for Dr Judith Preston and her husband, Brian Preston, the chief judge of the NSW Land and Environment Court. 'It's always been my view that you design buildings that you go past, and every now and again, one might say, 'Oh, better go back and have another look at that'. And I like that idea that there's that privacy to the street, and then you bite the apple and you have all the fruit inside.' Sissons, who worked with Murcutt on a book about his Unbuilt Works, estimates the architect has designed about 400 projects across 55 years. Murcutt has won gold medals from Australia and the US, and the Alvar Aalto Medal. As well as the Pritzker, he was the first Australian named a Praemium Imperiale laureate of architecture by the Japan Art Association. No two Murcutt homes are the same; Sissons said the Preston home was 'wonderfully subtle'. 'It blends seamlessly into the bushland context, responding to the steep topography, sliding, bending and dropping through the gully.' He said the slender terracotta-coloured blade walls – requested by Brian Preston to match the pink angophora he loves – allowed glimpses into the surrounding bushland. Sissons said it felt as if the house had always been there. 'It isn't a spectacular architectural statement, rather it feels like a logical and inevitable response to its unique context.' To mark Murcutt's 90th year, the foundation set up in his honour will launch the Murcutt Symposium from September 11 to 13 at the State Library of NSW. It includes Murcutt in conversation with his friend Francis Kéré, another Pritzker winner, visiting Australia for the first time. It will include visits with Murcutt to homes he has designed, and a panel of top architects discussing ideas such as healthy buildings and designing for climate that drove Murcutt's practice. One speaker, Carol Marra, an architect and Churchill Fellow, said Kéré and Murcutt seemed very different – Kéré has a mid-size practice, where Murcutt works solo. Yet both took time to understand what's unique about a place, including its cultural and social history, the landscape and people. 'It is not trophy architecture but has a dignified presence of its own,' Marra said. She said it was difficult to date Murcutt's work. 'They could be 40 years old or could have been built yesterday. 'It's deeply human work, you can sense … a love of people, care for place and nature. It is incredibly hard to achieve this in our market-driven commercial world, but it is a reflection of who Glenn is, a beautiful human being, brilliant and humble in equal measure.' Compared with nearby McMansions, the Preston home is modest and was unusual for its time because it incorporated a range of salvaged wood. 'I like that idea that there's that privacy to the street, and then you bite the apple and you have all the fruits inside.' Glenn Murcutt on Preston House Preston, a devoted gardener who also received the TAFE State Medal for Urban horticulture (1999), said it was a very therapeutic place. 'You think about the Japanese concept of forest bathing. You have that in your own house. We get all the birds, and we open the windows.' Murcutt said it was important to have a client who understood beautiful landscaping. 'And [Preston] has made a paradise. It is just paradise.' Murcutt is not looking for new work but trying to complete projects. That includes working with architect Angelo Candalepas on the new beachfront headquarters for Royal Far West at Manly. Asked if he thought about his legacy, he said he left it to those managing the Murcutt Foundation. 'I am having a few difficulties, health-wise, falling over. It is knocking me about a bit. I say to myself if I get to 90 or 95 I will be very lucky,' Murcutt said. 'I am very philosophical. I would like to be active until I have finished, and I don't like the idea of slowing down, that's been the curse of my life. I'm pretending I'm still 40. 'I don't want clients to be waiting, and I die in the middle of it. So I've said basically no to every new project.'