
Larry David teaming with the Obamas for first show since 'Curb Your Enthusiasm'
The "Curb Your Enthusiasm" creator, 78, is set to star in a new HBO "American history sketch comedy" series, which will be produced by former President Barack Obama and former first lady Michelle Obama with their company Higher Ground, the network announced Thursday, July 10.
The six-episode limited series will also be written and produced by David.
"I've sat across the table from some of the world's most difficult leaders and wrestled with some of our most intractable problems. Nothing has prepared me for working with Larry David," Barack Obama joked in a statement.
In his own statement, David quipped that it is "with a heavy heart that I return to television." The show is timed to the United States' Semiquincentennial, which is in 2026. "President and Mrs. Obama wanted to honor America's 250th anniversary and celebrate the unique history of our nation on this special occasion," the official logline said. "...But then Larry David called."
Amy Gravitt, head of comedy programming at HBO and HBO Max, said the series will "give us a glimpse at our shared history as we celebrate our Semiquincentennial," while executive producer Jeff Schaffer said, "The characters Larry is playing didn't change history. In fact, they were largely ignored by history. And that's a good thing."
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The project marks David's first new television show since his long-running HBO series "Curb Your Enthusiasm," on which he starred as a fictional version of himself, ended in 2024 after more than two decades on the air. David previously created "Seinfeld" with Jerry Seinfeld.
According to HBO, the new show, which does not yet have a title or release date, will feature some actors from "Curb Your Enthusiasm" mixed with "noteworthy guest stars."
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On "Sunday Today" in 2024, David joked he was ending "Curb Your Enthusiasm" because he's "too old to really be on camera every single week" — especially playing someone like his "Curb" character, who was known for his constant social faux pas.
"To act the way I do on this show, how can I continue to act like that? It's insane," he said. "Yeah, I can do it in my 50s and 60s to mid-70s. I'm not going into the 80s acting like that!"
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Boston Globe
33 minutes ago
- Boston Globe
The New England Poetry Club's new summer series is reframing Americana
This Sunday, Aug. 3, lovers of verse will return to Longfellow House for the third installment of the series with a reading from Richard Blanco, the fifth inaugural poet, who was selected by President Obama in 2013, and a performance by Venezuelan trombonist Angel Subero. Ratiner said he had the idea for the series six months ago; it was a response to being 'worried about the health and vitality of our democracy.' 'I wanted a program that would reaffirm the range of voices, backgrounds, histories that come into play in American society and American culture,' Ratiner said. The series began July 6 with Robert Pinsky, a three-time poet laureate and Boston University professor emeritus, accompanied by Berklee associate professor and multi-instrumentalist Stan Strickland. It was followed by July 20 readings by poets Stephanie Burt and Diannely Antigua. Burt is a Harvard professor and Antigua is the 13th poet laureate of Portsmouth, N.H., and the University of New Hampshire's inaugural Nossrat Yassini Poet in Residence. The musical guest was Todd Brunel, a critically acclaimed clarinetist and saxophone player. Advertisement Before Pinsky took the stage, Ratiner introduced the event as a 'celebration of the big encompassing 'We.'' He noted that the Constitution preamble's use of 'We' did not necessarily consider diverse voices. Still, he believed there was an aspiration from the Founding Fathers for a more inclusive 'We' that has slowly developed in America. 'I believe that 'we' has to be the guiding spirit in this country, if we are to continue prospering,' Ratiner said in an interview with the Globe. ''We' makes a place for everyone, all our backgrounds, all our histories, and I believe poetry is very often the spearhead to doing that.' Ratiner said each featured poet had agreed with this sentiment, which showcased to him 'the same sort of urgency to affirm what is really important in American culture.' Blanco said the series' name struck him because it underscores that 'we' means everybody, a through line also seen in his work as a poet. Through Blanco's poetry, he states claim on his 'Americanness as a gay Latino immigrant not only personally but for anyone who has felt marginalized and not fully included in the narrative of this country.' In each reading, the poets relay what 'We' means to them. Pinsky read his work as well as poetry by Allen Ginsberg before inviting Strickland up for an impromptu collaborative freestyle. Several dozen people sat in black folding chairs or on the grass while a second crowd watched the reading's livestream. Each reading will be available for streaming and playback via the Advertisement During the second event, Burt discussed Walter Mondale, Vermont, and Cambridge while reading from her 2022 collection, 'We Are Mermaids,' and forthcoming collection 'Read the Room' — while Antigua explored topics such as mental health and the American dream in her books 'Ugly Music' and 'Good Monster.' Antigua then invited Somerville's poet laureate Lloyd Schwartz to read a poem named 'The Gardner's Song.' This summer's final event will feature award-winning poet and founder of UMass Boston's creative writing MFA program Martha Collins on Aug. 10. The 2026 readers and performers will be announced at a later date. For Blanco's Sunday reading, he said he hopes listeners leave with a sense of faith and cautious optimism for the future. Blanco said he thinks poetry helps us better understand issues that are 'abstracted and distorted by news channels and social media.' 'Poetry gives these issues real stories — real faces, real names. In doing so, poetry grounds those issues in a way that helps us better understand them and deal with them,' Blanco said in an email statement. 'But, besides that, in times like these, it's even more important to gather in community so that we don't feel as alone, frustrated, fearful, but rather more empowered, uplifted, rejuvenated.' WE (TOO) THE PEOPLE Sunday, Aug. 3, 3-4 p.m. Longfellow House-Washington's Headquarters, 105 Brattle St., Cambridge. Free. Advertisement


Tom's Guide
33 minutes ago
- Tom's Guide
5 best new movies to stream this weekend on Netflix, HBO Max, Peacock and more (Aug. 2-3)
We're smack dab in the middle of summer, and the best streaming services are keeping things hot with a fresh slate of must-watch movies. If you're looking for what to watch this weekend, you're in the right place. This week marked the streaming premiere of two long-awaited 2000s horror series revivals: "Final Destination: Bloodlines" on HBO Max and "28 Years Later" on paid video-on-demand platforms. Over on Netflix, you can find the streamer's latest romance, "My Oxford Year," which promises to be a familiar escape if you're in the mood for a feel-good watch. Meanwhile, Hulu just got the riveting new historical epic "William Tell," while Peacock has a slept-on sci-fi gem starring Tom Cruise with "Edge of Tomorrow." Not feeling these picks? Check out our round-up of all the best new shows and movies on streaming in August for more recommendations on what to watch. Now, let's dive into the best new movies on streaming this week that deserve a spot on your watchlist. "The Life List" was one of my biggest surprises of the year so far, so Netflix's newest romantic drama, "My Oxford Year," is near the top of my watchlist. Based on the novel of the same name by Julia Whelan, it follows Anna De La Vega (Sofia Carson), a driven American student who earns a coveted Rhodes Scholarship to study at Oxford. However, her carefully-considered plan falls by the wayside in the face of her witty and charming tutor, Jamie Davenport (Corey Mylchreest). As they get to know each other, sparks fly, forcing Anna to question her ambitions — especially when Jamie's hidden secret threatens to upend everything. Like many entries in this genre, it's bound to be chock-full of coming-of-age lessons about balancing the life you've planned with the one you never saw coming. Watch 'My Oxford Year' now on Netflix Doubling as both a prequel and a sequel, the sixth "Final Destination" film injects some new life into the campy, blood-drenched franchise by taking its premise to a haunting new level. I put it right up there with "Final Destination 2" as one of my favorite entries in the series. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Like every "Final Destination" movie, "Bloodlines" kicks off with a jaw-dropping premonition that catastrophe is about to strike. The difference is that this time it plays out decades ago instead of in the present, when a young Iris (Brec Bassinger) foresees the collapse of a luxurious observation tower and restaurant. Though she manages to save a few people from their grisly fate, it sets off a chain reaction that puts their children, including her granddaughter Stefani (Kaitlyn Santa Juana), in death's crosshairs. Watch 'Final Destination: Bloodlines' on HBO Max now Director Danny Boyle and writer Alex Garland popularized the concept of fast zombies over two decades ago with "28 Days Later," and this year brought a long-awaited third installment to the beloved horror series: "28 Years Later." I like how it nailed the gritty spirit and visual style of the original, but it was too all over the place for me. (Ralph Fiennes showing up, covered in iodine, talking about the "magic of the placenta" is as baffling with context as it is without). Nearly 30 years after the Rage Virus turned Britain into a quarantined wasteland, whatever hope remains has long since rotted. A few survivors have carved out a fragile community walled off from the undead hordes on a remote island off England's coast. When 12-year-old Spike (Alfie Williams) embarks on a rite of passage to the zombie-plagued mainland with his father Jamie (Aaron Taylor-Johnson), they learn the infected have mutated into a terrifying new threat that's more human than they thought possible. Rent or buy now on Amazon or Apple I have to confess I don't know much about William Tell. I vaguely remember a children's story about him shooting an apple off his son's head, but that's where my knowledge begins and ends. Though after watching director-writer Nick Hamm's new historical action epic "William Tell," which reimagines the story of the legendary 14th-century Swiss huntsman with a cinematic flair, I'm keen to learn more. Claes Bang stars as Tell, a disillusioned Crusades soldier turned huntsman, who refuses to submit when the Austrian Empire, led by evil King Albrecht (Ben Kingsley), marches into his country. To fight back, he joins a burgeoning rebellion determined to reclaim Swiss independence. It's a good old-fashioned tale of folk heroism and hardy underdogs, but I can't help but think it would have worked better as a miniseries than a bloated 134-minute film. Watch 'William Tell' on Hulu now Between its star power, action-packed set pieces, and clever premise, "Edge of Tomorrow" had all the ingredients of a box office hit. But for reasons beyond me, it fell flat when it hit theaters over a decade ago, earning less than half of its $370 million budget. Thankfully, it's seen a well-earned revival on streaming platforms, and now Peacock subscribers can check out this slept-on sci-fi gem starring Tom Cruise. Set in a future where Earth is being overrun by alien invaders, a cowardly major (Cruise) is thrust onto the front lines after being demoted. With zero combat experience under his belt, he doesn't last long — but instead of dying, he wakes up to the start of the same day. He realizes he's caught in a time loop that resets with every death, and he sets out to escape his grim fate. With the help of Sergeant Rita Vrataski (Emily Blunt), a renowned soldier rumored to have gained similar abilities after experimenting with the alien's blood, the two set out to defeat the alien horde and save humanity. Watch 'Edge of Tomorrow' now on Peacock Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.


USA Today
38 minutes ago
- USA Today
'Sex and the City' spinoff 'And Just Like That' to end with Season 3, just like that
The HBO Max show, which revisits the "Sex and the City" ladies 20 years in the future, will wrap with a two-part finale in August. And now the "And Just Like That" stars are speaking out. "And Just Like That" is over, just like that. Michael Patrick King – an executive producer of the "Sex and the City" spinoff, which airs on HBO Max – revealed the show will abruptly end after the current season, in a note posted to the show's social media pages Aug. 1. "And just like that... the ongoing storytelling of the 'Sex And The City' universe is coming to an end," King wrote. "While I was writing the last episode of 'And Just Like That...' season 3, it became clear to me that this might be a wonderful place to stop." He said that he and franchise star Sarah Jessica Parker "held off announcing the news until now because we didn't want the word 'final' to overshadow the fun of watching the season." King said, "It's with great gratitude we thank all the viewers who have let these characters into their homes and their hearts over these many years." 'And Just Like That' Season 3: Date, time, how to watch new episodes The "SATC" revival premiered on HBO Max in late 2021, featuring three out of the four original stars, minus Kim Cattrall's audacious Samantha Jones. However, the fan favorite Manhattanite made an offscreen appearance through a text conversation with Parker's lead character, Carrie Bradshaw. In the spinoff, Miranda Hobbes (Cynthia Nixon) and Charlotte York (Kristin Davis) were back on the New York City streets and fans' TV screens. The cast is rounded out with appearances by characters old and new, including Anthony (Mario Cantone), Harry (Evan Handler), Aidan (John Corbett), Steve (David Eigenberg), Brady (Niall Cunningham), Seema (Sarita Choudhury), Lisa Todd Wexley (Nicole Ari Parker) and Charlotte's children Rock (Alexa Swinton) and Lily (Cathy Ang). 'And Just Like That' Season 3 finale date The show is set to end with a two-part finale on Aug. 7 and Aug. 14 on HBO Max. Sarah Jessica Parker speaks out on 'AJLT' ending In an Instagram post after the news broke, Parker said a heartfelt goodbye to a character she's loved for nearly 30 years. "Carrie Bradshaw has dominated my professional heartbeat for 27 years. I think I have loved her most of all. I know others have loved her just as I have. Been frustrated, condemned and rooted for her," Parker wrote. "The symphony of all those emotions has been the greatest soundtrack and most consequential companion. Therefore the most sentimental and profound gratitude and lifetime of debt. To you all." She echoed King's earlier message, writing, "MPK and I together recognized, as we have in the past, this chapter (is) complete." "AJLT was all joy, adventure, the greatest kind of hard work alongside the most extraordinary talent of 380 that includes all the brilliant actors who joined us," Parker said. "I am better for every single day I spent with you." Kristin Davis, Cynthia Nixon react to final season of 'And Just Like That' Davis chimed in with her own Instagram post: "I am profoundly sad. I love our whole beautiful cast and crew. 400 artisans working so hard on our show with deep love. And to our loyal fans, we love you forever and ever." Nixon paid tribute to her fellow cast members past and present by posting 20 photos and videos from early days of "Sex and the City" through the present day. "I can't believe our wild beautiful 'And Just Like That' ride is almost over. It has been such a delight from start to finish," she wrote in the caption. I will miss working with these people everyday SO incredibly much but know we will always be a part of each other's lives. "Get ready for a lot more carousels in the weeks to come! And don't miss these last few episodes: surprises in store! 🫢" 'And Just Like That' criticism Despite a loyal following of "SATC" fans and new viewers, the show has drawn criticism for its confusing plotlines and character development since Season 1. As USA TODAY TV Critic Kelly Lawler wrote in her review (★½ out of four): "Regretfully, the series is still as lightweight and shallow as a knockoff pair of Manolo Blahniks, unimaginative and dull. ... Three seasons in, 'That' has not lost its penchant for unrealistic dialogue and making its characters unlikable and inconsistent. "The scenes are exasperatingly stilted and awkward, as if they were scripted by aliens with only a vague idea of how humans behave and interact. It makes the deeply unnecessary series feel all the more inconsequential and flimsy." Lawler also took issue with the lost sensuality – "annoyingly bland and PG-13," she called the spinoff – and the lack of character development despite revisiting the "Sex and the City" ladies after they've had 20 years to learn life lessons. "It's maddening to watch Carrie make the same mistakes with Aidan she once made with Big (Chris Noth) and half a dozen men before. The most frustrating aspect of this revival is that, in spite of all the decades that have passed in these women's lives, the characters haven't learned," she wrote. Contributing: Anthony Robledo, KiMi Robinson and Kelly Lawler, USA TODAY (This story was updated to add new information.)