logo
Cazzu Adds Second Week at No. 1 on Billboard Argentina Hot 100 With ‘Con Otra'

Cazzu Adds Second Week at No. 1 on Billboard Argentina Hot 100 With ‘Con Otra'

Yahoo01-05-2025
Cazzu leads the Billboard Argentina Hot 100 chart for a second consecutive week as 'Con Otra' holds steady at No. 1 on the chart dated May 3. The song, released on DALE Play March 19, has remained strong in the chart's top 10 since its debut at No. 2 (April 5 dated list).
In addition to her recent leader, the Argentinian previously reached a No. 5 high through her Maria Becerra collab, 'Animal,' in 2021.
More from Billboard
Fans Choose Cazzu's 'Latinaje' as Their Favorite New Latin Music of the Week
Is Rose from 'Gypsy' the Greatest Role in Broadway History? That's What Tony Awards History Suggests
'Buena Vista Social Club,' 'Death Becomes Her' and 'Maybe Happy Ending' Lead 2025 Tony Award Nominations: Full List
W Sound, better known as Westcol, Béele and Ovy On The Drums nearly miss the top slot as 'W Sound 05: La Plena,' rises 4-2, marking the acts' highest entry to date. Meanwhile, Emilia, TINI, and Nicki Nicole's 'Blackout' dips 2-3, after topping the ranking for two consecutive weeks in April. Emilia also places another top 10 track on the Billboard Argentina Hot 100: 'Bunda,' with Luísa Sonza, which slips 7-8.
Back in the top five, La T y La M's 'Amor De Vago,' featuring Malandro de América, falls 4-3. Alleh and Yorghaki's 'Capaz' holds at No. 5 for a second week, for its eighth week in the upper region during its 13th week run so far.
Karol G's 'Si Antes Te Hubiera Conocido' adds a fourth week at No. 6, after the song dominated for 16 consecutive weeks between 2024-25. Plus, Bad Bunny's 'Baile Inolvidable' jumps 8-7, following two consecutive weeks in the runner-up slot in March.
Ecuadorian Jombriel closes the top 10 with two entries. 'Parte & Choke,' with Ryan Castro, Jotta and Alex Krack, holds at No. 9 for the third consecutive week, after it ruled for one week in March. Plus, Jombriel's most recent single, 'Vitamina,' with DFZM, breaks into the top 10, climbing 15-10. The move gives Jombriel his second top 10, while Colombian DFZM earns his first.
The week's Greatest Gainer honors goes to Pablo Chill-E, whose single 'Resentía' leaps 28 positions, surging from No. 49 to No. 21.
Elsewhere, Mattei's 'Pa Las Girlas' becomes the Hot Shot Debut of the week, entering at No. 50.
Lastly, Tobal MJ and Lucky Brown's 'Tiene' opens at No. 78, while rock band Estelares add its third entry with 'Ella Dijo' at No. 91. It's the group's first appearance in over two years, following 'Encantan,' featuring Enjambre, in 2022.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts
Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Barbra Streisand's New Album Consists of 11 Collaborations. Here's What Her Camp Is Entering in the Upcoming Grammy Race
Barbra Streisand's New Album Consists of 11 Collaborations. Here's What Her Camp Is Entering in the Upcoming Grammy Race

Yahoo

time34 minutes ago

  • Yahoo

Barbra Streisand's New Album Consists of 11 Collaborations. Here's What Her Camp Is Entering in the Upcoming Grammy Race

Barbra Streisand's new album, The Secret of Life: Partners, Volume Two, consists of 11 collaborations, just about any of which would be a strong entry in the upcoming Grammy competition for best pop duo/group performance. The album includes collaborations with Paul McCartney, Bob Dylan, James Taylor, Sting, Sam Smith and a three-way collab with Mariah Carey and Ariana Grande. And that's just for starters. Streisand and her featured artists have won a combined 80 Grammys – and that's not counting honorary awards, such as the lifetime achievement awards that Streisand, McCartney and Dylan each received from the Recording Academy in the 1990s. Streisand and her featured artists have received a head-spinning 333 nominations. More from Billboard Barbra Streisand Announces 'The Secret of Life: Partners, Volume Two' – Featuring a Collab With Mariah Carey & Ariana Grande Will Barbra Streisand Win Her First Grammy in 39 Years for 'The Secret of Life: Partners, Volume Two'? 'Hello, Gorgeous': 22 Times Barbra Streisand Made Awards Show History In categories where the artist is a nominee, Grammy rules allow 'up to two nominations per artist provided at least one is with a co-nominee(s).' So no more than two of the collaborations can be nominated for best pop duo/group performance. So, what did Streisand's team decide to go with? They are entering 'One Heart, One Voice,' a collab with Carey and Grande, for record of the year, song of the year and best pop duo/group performance. They're entering 'The First Time Ever I Saw Your Face,' a collab with Hozier that is the opening track on the album, for best arrangement, instruments and vocals. 'I can share that it was a tough decision!,' Jay Landers, Streisand's long-time A&R advisor, tells Billboard over email. He ticks off these five factors which played into the decision (which he agreed that we could print): 'An abundance of riches: With the exception of two guests, Josh Groban and Hozier, all the other guests are past Grammy recipients. (Josh and Hozier are previous nominees but have yet to win. According to the Grammy website, Josh has five nominations and Hozier has one.) 'Barbra's picks: Barbra had her personal favorite choices which, of course, we seriously factored into the final selections. 'Track popularity: We did consider this relative popularity based on the number of streams and downloads for individual tracks on Spotify, iTunes, etc. ' 'Cannibalization': The recognition that it's historically unwise to submit two songs in the same category for fear of splitting the vote. This made the [best pop duo/group performance] category particularly challenging — weighing legacy artists like Dylan, McCartney, Sting, and James Taylor vs. highly regarded 'newer' artists like Hozier, Laufey, and Sam Smith for example. 'Current taste: Trying to second-guess what 'contemporary' vs. 'seasoned' Grammy voters might think — including their taste and 'demographics' — was something that crossed my mind but [was] not seriously explored.' 'One Heart, One Voice' features three of the greatest singers of their respective generations: Streisand, 83; Carey, 56; and Grande, 32. In a way, it echoes a three-way collab on The Judy Garland Show in October 1963, when Streisand, then just 22, teamed with Judy Garland, then 41, and Ethel Merman, then 55, to sing Irving Berlin's 'There's No Business Like Show Business.' Three-way collaborations among female artists are relatively rare, but Grande has been nominated for best pop duo/group performance with two such collabs over the years – 'Bang Bang' (with Jessie J and Nicki Minaj) in 2015 and 'The Boy Is Mine' (with Brandy and Monica) earlier this year. Grande won a Grammy in that same category in 2021 for a collab with another female superstar, Lady Gaga, on 'Rain on Me.' Streisand won a Grammy in a predecessor category (best pop performance by a duo or group with vocal) in 1981 for 'Guilty,' a collab with Barry Gibb. She was also nominated in that category (as well as record of the year) the previous year for 'You Don't Bring Me Flowers,' a collab with Neil Diamond. Over the years, Streisand has also been nominated for collaborations with Michael Crawford ('The Music of the Night'), Celine Dion ('Tell Him') and Bryan Adams ('I Finally Found Someone'). Carey has yet to win a Grammy for a collab, but she has been nominated for collabs with Trey Lorenz ('I'll Be There'), Luther Vandross ('Endless Love'), Boyz II Men ('One Sweet Day'), Whitney Houston ('When You Believe), Joe and 98° ('Thank God I Found You') and Kim Burrell, Rance Allen and BeBe Winans ('I Understand'). The Secret of Life… will be entered in album of the year, best traditional pop vocal album, best engineered recording (for Jochem van der Saag) and best album notes (for Streisand and Landers). The album is a likely nominee for best traditional pop vocal album – an award Streisand has yet to win, despite 13 nominations. (Three of her featured artists have won in the category: McCartney won in 2013 for Kisses on the Bottom, Taylor in 2021 for American Standard and Laufey in 2024 for Bewitched.) If Streisand is nominated for a Grammy this year, she will tie composer John Williams for the longest span of Grammy nominations – 62 years. He received his first nod in 1962 and his three most recent nods in 2024. If Streisand wins when the 68th annual Grammys are presented on Feb. 1, she would set a new record for the longest span of Grammy wins. Streisand won her first two Grammys in 1964, so a win early next year would give her a 62-year span of Grammys. The current record-holder is Tony Bennett, whose wins spanned 59 years, from 1963 to 2022. If Streisand wins, it would be her first Grammy win in any category in 39 years, since she won best pop vocal performance, female for The Broadway Album in 1987. That would be an extraordinarily long gap between Grammys for an artist of Streisand's stature, but she has endured it without complaint. Walter Afanasieff and Peter Asher teamed to produce the album. Both are past winners of the Grammy for producer of the year, non-classical. Afanasieff (who worked on many hits for Carey) won in 2000. Asher won in both 1978 and 1990. Afanasieff and William Ross arranged the Hozier duet, which is being entered for best arrangement, instruments and vocals. Three Streisand recordings have won in that category over the years. Peter Matz won for his arrangement of 'People' (1965), Ian Freebairn-Smith for 'Evergreen (Love Theme From A Star Is Born)' (1978) and David Foster for 'Somewhere' (1987). First-round voting for the 2026 Grammys runs from Oct. 3 to Oct. 15. The nominees will be announced Nov. 7. Final-round voting will be held Dec. 12 through Jan. 5, 2026. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword

How Fat Joe Channeled the Spirit of Big Pun at WWE SummerSlam 2025: ‘I Did the Ozempic Joe'
How Fat Joe Channeled the Spirit of Big Pun at WWE SummerSlam 2025: ‘I Did the Ozempic Joe'

Yahoo

time34 minutes ago

  • Yahoo

How Fat Joe Channeled the Spirit of Big Pun at WWE SummerSlam 2025: ‘I Did the Ozempic Joe'

In 1999, Big Pun and Fat Joe attended WrestleMania 15 in Philadelphia — a night that flipped the First Union Center into a battleground for some of wrestling's most brutal showdowns. Stone Cold and The Rock clashed in a no-disqualification classic. The Undertaker and Big Boss Man brutalized each other in a Hell in a Cell match. Pun, an avid wrestling fanatic, reveled in the chaos. And when the camera panned to him during commercial breaks, the husky locomotive struck a mean flex for the fans — the kind of pose that would've made Lex Luger beam with pride. Fast forward twenty-six years to SummerSlam at MetLife Stadium this past Saturday (Aug. 2), and Fat Joe found himself in a similar position. With the camera squarely on him, he delivered that very same pose, a tribute to his late brother-in-bars. More from Billboard Australian Rockers The Angels Honored With Laneway & Mural in Hometown Lady Gaga's 'Wednesday' Role Will Also Include a Spooky New Song for Season 2 Metro Boomin Blames Social Media for Music Not Being Regional Anymore: 'Let's Get Back to Actual Culture' 'When they put the camera on me [and I started flexing], that was a tribute to Pun,' Joe tells Billboard on Zoom Monday morning. 'In that WrestleMania that we went to in Philly, when they put the camera on Pun, he [flexed]. He had the muscles. I did the Ozempic Joe.' As the WWE continues tightening its grip on hip-hop — especially its legacy acts — the synergy is too hard to ignore. This past Monday Night Raw in Brooklyn, Netflix hosted Method Man, Joe Budden, and Havoc, cementing the bond and how deep the cultural crossover runs. 'It was an incredible vibe, incredible time. I mean, so much fun,' Joe says of his SummerSlam experience. 'It's crazy to see so many guys from my era still support and fill up stadiums. I'm walking through and I'm like, 'This is my era.' It was a great time.' For 009 of Mic Drops and Elbow Drops, Fat Joe reflects on the golden memory of WrestleMania 15, breaks down Jelly Roll's in-ring debut and recounts the time Hulk Hogan bodyslammed a studio engineer mid-session. Your first real wrestling moment came at WrestleMania 15 in Philly, when you pulled up with Big Pun. How would you compare that experience to SummerSlam this year? Everything that I do with Pun is priceless — we ain't got him here no more. It's always that. As a wrestling fan since a little kid, you couldn't have had a better seat. Jelly Roll's my guy. I was suckered back in. [WWE] got me. I was like, 'Come on, Jelly Roll!' He's family, bro. To see him on the floor getting beat up, I was like, 'Aww, man.' I was all back in. Like you said, you paid tribute to Pun with your pose at SummerSlam. How deep did his love for wrestling run? Was he just as obsessed with it as he was with music? He loved wrestling. Me as well growing up. I'll never forget my first WrestleMania. My uncle took me to see it in a tent. They had a tent in Queens. It wasn't a stadium — it was a tent. My Uncle Willy. We went to watch WrestleMania on a movie screen — like a satellite. It was amazing. Hulk Hogan passed away. Rest in peace Hulkster. My Uncle hit me up like, 'Remember I took you the first time to go see Hulk Hogan?' I was like, 'Yeah, Unc.' We were definitely big, big wrestling fans growing up. Like practicing the moves, wrestling in the cribs, all that type of stuff. Is it true Bob Backlund actually put you in a crossface chicken wing back in the day? What's the backstory there? Yes! I thought I was gonna actually die. You know, Bob Backlund growing up, he was the first real champion. Bruno Sammartino I think was before him, but Bob Backlund had it for like five years. I'd see Bob Backlund and he was already old. I was like, 'Bob Backlund! What up?' I don't even think he knew I was Fat Joe. He threw me in the joint, where I felt like he could crack my spine. That s–t was crazy, bro. You had front-row seats to Jelly Roll's debut match at SummerSlam. From your view, how'd he hold up in the ring and is there any chance we ever see Fat Joe crack someone with a steel chair? Bro, I can do that, but I can't do what Jelly did. I was watching. They were both body-slamming him. I'd be down for six months. The check won't be big enough. I can't work. I'm worried about Jelly's being today — today! You were right there when he went through that table. I'm standing here. I'm worried about Jelly Roll. The kind of ass-whipping…Man, I'm a big boy. So I know every nook and cranny I was like, 'Oh. There goes the elbow. There goes the tendonitis. There goes the knee.' Jelly Roll… look, I'm not trying to hype it, but out of all celebrities — even though Logan Paul is an amazing athlete — the Bad Bunnys, everybody that tried to ever get in the ring, I don't think nobody has done a better job than Jelly Roll. Jelly Roll being a big boy, the type of s–t they were doing to him, I was like, 'Awww.' They kept fighting and he came back. It was amazing and fun. We've seen hip-hop fully collide with WWE this year, with Travis Scott, Cardi B and Metro Boomin all stepping into the spotlight. Why do you think the bond between rap and wrestling is stronger than ever right now? Everybody's having fun. Cardi came out when the girls [Tiffany Stratton and Jade Cargill] was fighting. She was like, 'Get up. Get up.' I'm looking at Cardi and she was all in. I don't know. I think when you go to a wrestling match, you just get suckered in. Everybody loves wrestling, man. I got a quick Hulk Hogan story. Rest in peace to Hulkster. Hulk Hogan used to be in the studio because his daughter [Brooke] was recording an album. One day, Timbaland's engineer was talking about wrestling and calling it fake. Hulk Hogan used to hang out in the studio all the time with us. He got familiar with him to where he thought he could talk to him like that. Hulk Hogan happened to be in the studio and body slams the kid on top of the mixing board and called him a Jabroni. We was like, 'Yooo.' The kid was a good sport. [Hogan] was like, 'Is that fake?' The kid was a good sport. He didn't sue him or nothing like that. That s–t happened. Hulk Hogan body slammed him. If you could walk out at WrestleMania with one song from your catalog blaring through the speakers, which track are you choosing and why? I always pick the obvious: Me and Big Pun, 'Twinz (Deep Cover).' That gets me the most hype. I don't think 'My Lifestyle' is PG-13 enough. Some boxers would want me to walk them to 'My Lifestyle,' but the boxing [commission] would be like, 'It's too hardcore. It's too real.' I know wrestling would probably be like, 'It's too real. We can't do that one.' They'd obviously want me to do 'Lean Back' for sure. Steel Cage match. You and one WWE Superstar — past or present — are going to war as tag-team partners. Who's rolling with you? Man, I'd go with the past. I'd go with Andre the Giant. I'd take Andre the Giant with me, because he's the biggest. You seen your man's? Jelly Roll's partner [Randy Orton]? That guy is cocked-diesel. He's a different type [of dude]. I used to be a fan of Jim 'The Anvil' Neidhart, Macho Man Randy Savage and you know, that whole era. That reminds me of hip-hop. That reminds me of Big Daddy Kane, LL Cool J, Salt-N-Pepa and Heavy D — that golden era. From a rap perspective, who do you think has the charisma, mic skills, and star power to actually make it as a WWE Superstar? You need somebody like a Tyler, The Creator or a Busta Rhymes. Somebody that's just a walking movie, 'cause even the managers be over there beefing. The managers be beefing with the commentators and all that. You would need somebody animated, like a Busta Rhymes or Tyler, The Creator. You know Bad Bunny, he's already shown us how much he loves wrestling. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword

The Jesus Lizard Cancel 2025 Tour Dates Citing ‘Serious Health Incident'
The Jesus Lizard Cancel 2025 Tour Dates Citing ‘Serious Health Incident'

Yahoo

time7 hours ago

  • Yahoo

The Jesus Lizard Cancel 2025 Tour Dates Citing ‘Serious Health Incident'

Revered Austin noise-rock band The Jesus Lizard have announced the cancellation of their 2025 tour plans, with the group citing a 'serious health incident' affecting an unspecified bandmember as the cause. News of the band's axed tour was announced on social media on Monday (Aug. 4), with The Jesus Lizard revealing their scheduled October performances in New Zealand, Australia and Japan have been affected, in addition to their November dates in the U.S.. More from Billboard Australian Rockers The Angels Honored With Laneway & Mural in Hometown Lady Gaga's 'Wednesday' Role Will Also Include a Spooky New Song for Season 2 Metro Boomin Blames Social Media for Music Not Being Regional Anymore: 'Let's Get Back to Actual Culture' 'Upon the advice of medical professionals following a serious health incident affecting one of the band members, it is considered necessary as a precautionary measure,' the group wrote in a statement. 'The band would like to convey their apologies to disappointed fans and emphasize that the affected member's prognosis is excellent. Your understanding and support are very much appreciated as always.' The statement closed by noting that all ticketholders will be provided refunds for their purchases due to an inability to 'currently project replacement dates.' The band currently have no other planned shows apart from the affected dates. The forthcoming tour of Australia and New Zealand was to be the band's first appearances in these countries since 1998, while the Japan tour would have been their first since 1996. The Jesus Lizard first formed in 1987, issuing a handful of singles and EPs on Chicago indie Touch and Go ahead of four studio records for the label, including 1991's Goat and 1992's Liar. Signing to Capitol in 1995, a further two albums followed before the band's split in 1999. Following a two-year reunion in 2008, the band have again been active since 2017, issuing their first new album in 26 years – Rack – in 2024. Though largely avoiding any chart success (save for 1996's Shot peaking at No. 28 on the Heatseekers Albums chart), the group's legacy as one of the most prominent and revered bands in the U.S. underground music scene is well-documented, with acts such as Nirvana labeling them a noted influence. Following sporadic touring upon their most recent reformation, The Jesus Lizard increased their live appearances last year, with the group having already completed tours of the U.S., U.K. and Europe in 2025. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store