logo
‘He blew my mind': Back-flipping B.C. brothers inspired by silent film star

‘He blew my mind': Back-flipping B.C. brothers inspired by silent film star

CTV News2 days ago
"He blew my mind": Adam finds out how a pair of brothers are being inspired by superheroes and century-old cinema.
If this were a decade or so ago, Graeson Cole-Murphy and his brother Caellan would likely be watching something with superheroes.
'When I was a little kid, I wanted to be the Incredible Hulk,' Graeson smiles.
While Graeson was mesmerized by the Hulk's strength, his younger brother Caellan thought it would be wonderful to be a web slinger.
'Spider Man's cool,' Caellan recalls thinking. 'He can do flips, so I want to do flips.'
But instead of turning to a YouTube tutorial, Caellan taught himself how to move like he was in a Marvel movie.
'He blew my mind,' Graeson says of his brother. 'And he inspired me.'
So, Graeson asked his little brother to start teaching him. Today they are practising backflips in the park.
'It's scary,' Graeson says after flipping in the air. 'You kind of feel sick in your stomach because you don't know if you're going to land on your head.'
Yet Graeson perseveres. But not to emulate some old superhero, not since he discovered the work of one particular old movie star.
'It's a video of Buster Keaton and his famous stunts,' Graeson points to the black and white video they're watching on his phone between flips.
Buster Keaton was one of the 1920s' biggest stars. Before movies had sound, he made audience's laugh. Before CGI was even an idea, he made them gasp.
'I think it's incredible,' Graeson points to Keaton jumping between buildings, hanging off a train, and surviving a house almost hitting him. 'One guy who revolutionized stunting!'
And now, more than a century later, Keaton is inspiring Graeson to pursue stunt work professionally.
Caellan, on the other hand, is practising his super flips because he's been invited to play with a professional soccer team in Europe over the summer.
'Maybe I'll do it as a celebration when I score,' Caellan says.
But there's one things Caellan and Graeson know definitely – no matter who inspires them to do cool things, being brothers encourages them to be better people.
'He's taught me about being responsible for myself,' Caelan says. 'And being able to self-reflect.'
'He teaches me not to give up,' Graeson adds.
And they've both learned that even better than growing up to be like a comic book dynamic duo, is actually being real-life best friends.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Fantastic Four' and ‘Nip/Tuck' star Julian McMahon dead at 56
‘Fantastic Four' and ‘Nip/Tuck' star Julian McMahon dead at 56

CTV News

time3 hours ago

  • CTV News

‘Fantastic Four' and ‘Nip/Tuck' star Julian McMahon dead at 56

Actor Julian McMahon, one of the two leads of seminal FX television series 'Nip/Tuck' who also played Dr. Doom in the 'Fantastic Four' movies from the 2000s, has died. He was reportedly 56. (CBS/Getty Images via CNN Newsource) Actor Julian McMahon, one of the two leads of seminal FX television series 'Nip/Tuck' who also played Dr. Doom in the 'Fantastic Four' movies from the 2000s, has died. He was reportedly 56. The news was confirmed by a statement on the official 'Nip/Tuck' Facebook page, and an additional statement from his wife Kelly McMahon who told Deadline on Friday that her husband 'died peacefully this week after a valiant effort to overcome cancer.' McMahon starred opposite Dylan Walsh in the Ryan Murphy-created 'Nip/Tuck' following two upscale plastic surgeons and their exploits. The series ran for six seasons between 2003 and 2010, and was nominated for 18 Primetime Emmys, winning one for best prosthetic makeup. Concurrently, he played Dr. Victor Von Doom in the 'Fantastic Four' movies costarring Jessica Alba and Chris Evans from 2005 and 2007. (Dr. Doom is the villain soon to be portrayed by Robert Downey Jr. in the upcoming 'Avengers: Doomsday.') McMahon's notable additional credits include recurring characters on TV's 'Charmed' and 'Profiler.' The Australian-American actor also recently appeared in 'FBI: Most Wanted' and Netflix's 'The Residence.' With a resume of credits that began in the late 1980s, McMahon worked up until recently, with a role in the new Nicolas Cage movie 'The Surfer,' out this summer. Dan Heching, CNN

Mark Snow, composer of ‘X Files' theme, dead at 78
Mark Snow, composer of ‘X Files' theme, dead at 78

CTV News

time15 hours ago

  • CTV News

Mark Snow, composer of ‘X Files' theme, dead at 78

Los Angeles, U.S. — Mark Snow, a composer of music for television - including the distinctively eerie theme for 'The X Files' - has died at age 78, his agent confirmed. A cause of death was not provided, but Hollywood trade publication Variety said Snow died Friday at his residence in the northeastern state of Connecticut. In addition to 'The X Files' main theme, which was released as a single in 1996 and charted internationally, Snow composed the music for over 200 episodes and both feature films of the hit science fiction show about a pair of paranormal FBI investigators. Born Martin Fulterman on August 26, 1946, Snow grew up in Brooklyn, New York and attended the prestigious Juilliard School. He began composing music for television in the late 1970s, garnering 15 Emmy nominations over the course of his career. In addition to 'The X Files,' Snow composed the music for other US television series, including 'Blue Bloods,' 'Smallville' and 'Hart to Hart.' He is survived by his wife Glynnis, three daughters, and grandchildren, Variety reported.

Do we really need another Jurassic Park movie?
Do we really need another Jurassic Park movie?

CBC

time16 hours ago

  • CBC

Do we really need another Jurassic Park movie?

Another summer comes and another Jurassic Park movie comes out. This installment, Jurassic World: Rebirth, follows Zora Bennett (Scarlett Johansson) as she leads a covert team (Jonathan Bailey, Mahershala Ali) to collect dinosaur blood for a new miracle drug. But do we need another dinosaur summer blockbuster film? Today on Commotion, guest host Rad Simonpillai sits down with film critics Alison Willmore, Jackson Weaver and Rachel Ho to review Jurassic World: Rebirth. listen and follow Commotion with Elamin Abdelmahmoud on your favourite podcast player. WATCH | Today's episode on YouTube: Rad: Alison, this is the fourth in the Jurassic World series, and then, of course, the seventh in this franchise that began 32 years ago with Jurassic Park. Does this installment justify its existence? Alison: I feel like several of these Jurassic Worlds have had trouble justifying their existence, except that they've all made over a billion dollars, which I guess is the actual justification from a most basic standpoint. A constant drumbeat in Jurassic World is that people just get bored of dinosaurs easily. You know, they have to keep coming up with mutant dinosaurs to please these fickle audiences…. But it's funny that this movie actually, I think, achieves being boring. You've done it, you have finally fulfilled the prophecy. I'm such a sucker for dinosaur action. I'm, like, "Is it going to eat that guy? It ate that guy!" But in this movie, it just really struggles to come up with a reason why ScarJo and her team will have to go. It's like a video game quest, for "reasons" we need to sample blood from a big flying dinosaur and a swimming dinosaur and all. It feels like [the film] itself is frustrated with having to come up with new scenarios, while also hitting the beats we expect from a Jurassic movie. So I think it'll probably make a lot of money anyway because people are also suckers for dino action, like me. But it is the least motivated of all of these movies that I've seen so far. Rad: Jackson, you have a cast here, Oscar winners, very celebrated actors. Do they elevate this from being the typical Hollywood sequel slot? Jackson: They definitely elevate it. But they elevate it from garbage to garbage with a bow on it — really that's as best as I can say. Because we do have one of the best actors, I think, in this movie, or best characters in this movie, played by David Iacono. He plays Xavier, the lazy layabout, Pete Davidson-type character. The actor himself does such a good job of making him interesting to watch, but the writing fails him at every turn. And it fails all of the actors, because Mahershala Ali kind of does the same thing. But when you get a formulaic movie, formulas work for a reason because they have a beginning, middle, end, an arc that makes you satisfied and interested. These character archetypes do not understand why they're character archetypes. Zora Bennett, the Scarlett Johansson character, is supposed to be an Indiana Jones clone, but there's no heart to her character, no reason to care what she's doing, so she's just gruff and mean to people for no reason. The doctor character played by Jonathan Bailey is basically just Milo from the Atlantis movies — except in those movies, he wanted to find Atlantis to prove his grandpa's legacy right and to change his connection to humanity in general and find out that these things are real living beings on the page. But this doctor just likes dinosaurs, sees a dinosaur, says, "Great, dinosaurs!" and the movie just goes forward. All of it is just pointless, bad writing. That great acting — I don't think Scarlett Johansson does great, but everyone else is really good — doesn't make the movie anything more than just: this is terribly written. Rad: The best gag in this movie — and I think Alison, you might have mentioned this in your review — is that Scarlett Johansson is playing a character who is very reluctantly signing on to this dino expedition because of how many zeros are in the cheque. Jackson: Art imitates life. Rad: She was committed to the character in that sense. Rachel, this is a movie that is clearly striking out with both Alison and Jackson. Are you going to find any redeeming quality about Jurassic World: Rebirth? Rachel: Yeah, I loved it. No, I'm kidding. It wasn't good. I will say: there's an incredible, impressively gratuitous use of John Williams's score in this, and it's one of the best scores that has ever been created for film, in my opinion. And every chance that they had to throw those notes in, they did it. And in a movie like this, I'll say that was probably the best part. I enjoyed listening to the score. It's a really beautiful score and I can listen to that over and over and over again. And that was probably the only thing that I went, "Oh that's really cool, I enjoyed listening to this." Other than that, though, I don't know why we're fighting heart disease in a Jurassic Park movie. I think that's very strange. The reasoning to go after the large dinosaurs? They go: "Because they have big hearts." And no one laughed in the theater. I thought that was really funny. But nobody laughed. At this point, it almost feels insulting. They're just actively trying to go on the offensive against the original movie. I don't know why Steven Spielberg's an executive producer on this one. But I fail to find enough good things to talk about it that would justify recommending it to anybody — unless you want to listen to the John Williams score again.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store