
Israel assassinates terrorist who held British hostage captive
The Israeli military said that Muhammad Nasr Ali Quneita, who was one of thousands of fighters who invaded southern Israel on Oct 7, was killed in Gaza City as operations in the besieged strip continue and ceasefire talks stall.
'Quneita was a terrorist in Hamas's Al-Furqan Battalions' military intelligence, who infiltrated Israel during the brutal Oct 7 massacre and held Emily Damari hostage in his home at the start of the war,' the Israeli Defence Forces (IDF) said while sharing footage of the deadly strike.
Ms Damari, a British-Israeli who is now 28, was one of 251 people taken captive on the deadliest single day for the Jews since the Holocaust. She was shot and abducted after Hamas gunmen stormed her home in the Kfar Aza kibbutz.
The terrorists killed Ms Damari's dog and shot her in the hand before blindfolding her and driving her into Gaza where she was held captive for 471 days. She subsequently lost two fingers.
She was released in January as part of a short-lived ceasefire in which 10 Israeli hostages were released in exchange for 400 Palestinians held in Israeli jails, many on terror charges.
She and her fellow hostages were denied sufficient food, which was rationed between them, and she also spoke of never seeing the sun during her time in captivity.
Speaking to an Israeli broadcaster in May, she recalled a physical altercation with a Hamas captor who had pushed a fellow hostage.
'I started speaking in Hebrew, not Arabic – 'What are you doing?' – and pushed him back,' she told Channel 12. 'He grabbed me by the arm, and I pushed his arm away, until others separated us.
'Would I have gotten a bullet? Fine, then I'll die and won't be in captivity, thank you very much,' she said. 'Sucks for my family, for my friends, but I'll be out of this nightmare.'
Ms Damari, who is gay, had to hide her sexuality from her captors during her time in Gaza, knowing that it could be fatal if the Islamist terror group found out. Homosexuality is illegal in Gaza, punishable by prison or even death.
'They can't know something like that, they consider it sick,' Ms Damari said. 'We once asked one of them, 'What if your brother were gay'? he said: 'I'd murder him'.'
She told the news channel that during her long captivity she had quizzed her captors on topics from how they built the tunnel to how much they cost to build, the terrorist nicknaming her 'Fuduli,' meaning curious in Arabic.
Ms Damari was from one of the worst hit communities on the Gaza border, the rural community of Kfar Aza.
In a phone call with Sir Keir Starmer after her release, she claimed she had been held in facilities belonging to the UN refugee agency UNRWA during her captivity. She said she'd been denied medical treatment during her time as a hostage.

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Powys County Times
42 minutes ago
- Powys County Times
Focus on Gregg Wallace, Glastonbury and Gaza as BBC releases annual report
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The Independent
an hour ago
- The Independent
Focus on Gregg Wallace, Glastonbury and Gaza as BBC releases annual report
The BBC is to face questions on Gregg Wallace, its Glastonbury Festival coverage and the Gaza: How To Survive A Warzone documentary as it prepares to release its 2024/2025 annual report. The corporation will highlight its successes over the past year and disclose the pay of its top talent, but focus is likely to be on a storm of stories about the BBC's shows and coverage of live events. It comes after Ofcom announced it would investigate the BBC's Gaza: How To Survive A Warzone documentary after a review found it had breached the corporation's editorial guidelines on accuracy. The regulator said it had examined the BBC report and would be investigating under its broadcasting code, which states factual programmes 'must not materially mislead the audience'. The programme was removed from BBC iPlayer in February after it emerged that the child narrator, Abdullah, is the son of Ayman Alyazouri, who has worked as Hamas's deputy minister of agriculture. An Ofcom spokesperson said: 'Having examined the BBC's findings, we are launching an investigation under our rule which states that factual programmes must not materially mislead the audience.' The review, conducted by Peter Johnston, the director of editorial complaints and reviews, which is independent of BBC News, said the programme was in breach of accuracy for 'failing to disclose information about the child narrator's father's position within the Hamas-run government'. But the review found no other breaches of editorial guidelines, including breaches of impartiality, and also found no evidence that outside interests 'inappropriately impacted on the programme'. The BBC will also face scrutiny after a total of 45 out of the 83 allegations of misconduct made against former MasterChef presenter Wallace during his time on the show were substantiated, including one allegation of 'unwelcome physical contact', in a report following an investigation into his behaviour. On Monday, Wallace's MasterChef co-host John Torode confirmed he had a standalone allegation of racist language upheld in the same report. He said had 'no recollection of the incident' and was 'shocked and saddened' by the allegation in an Instagram post. In November 2024 the show's production company, Banijay UK, announced Wallace would step away from his role on the BBC cooking show while historical allegations of misconduct were investigated. The report concluded that the 'majority of the substantiated allegations against Mr Wallace related to inappropriate sexual language and humour', adding that 'a smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated'. Also expected to be on the agenda is coverage of Glastonbury, which saw the broadcaster livestream a set by punk duo Bob Vylan, during which singer Bobby Vylan, whose real name is reportedly Pascal Robinson-Foster, led crowds in chants of 'death, death to the IDF (Israel Defence Forces)'. Director-general Tim Davie confirmed on Monday that staff at the festival had the authority to cut the stream Avon and Somerset Police have since launched an investigation into the group's set with the BBC issuing an apology for the live stream, and promising to no longer broadcast live acts they deem 'high risk' as they had with Bob Vylan in a pre-festival assessment. The Ipswich-formed duo, who are completed by drummer Bobbie Vylan, are also being investigated by the Met Police for alleged comments in a video of their performance supporting Iggy Pop at Alexandra Palace in May. In the video, Vylan appears to say: 'Death to every single IDF soldier out there as an agent of terror for Israel. Death to the IDF.' According to reports in The Times, the BBC's director of music Lorna Clarke was among a group of senior staff who have stepped back from their day-to-day roles after the broadcaster's decision to show Bob Vylan's set live. The salary of former Match Of The Day host Gary Lineker is expected to be included in the report, after he left his presenting role early following a social media row after he shared a post about Zionism which featured a depiction of a rat, historically an antisemitic insult. Lineker, who issued an unreserved apology, was the BBC's highest-paid presenter until his departure, with the annual report for 2023/24 showing his salary to be to around £1.35 million a year. The presenter will no longer front the BBC's coverage of the 2026 World Cup or the FA Cup next season, with his final appearance on Match Of The Day at the end of the last Premier League season. It comes as it was announced that Mr Davie and BBC chairman Samir Shah will face questions from MPs over the documentary, Wallace, and its Glastonbury coverage. The two will appear before the Culture, Media and Sport Committee on September 9.


Spectator
2 hours ago
- Spectator
The BBC Gaza documentary report is a cover-up
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According to the BBC, the production company hired to make the film was 'consistently transparent' in believing that the narrator's father held 'a civilian or technocratic position' and 'made a mistake' by not informing the BBC. This is absurd. The director, co-director, and one Gaza-based crew member were all aware of the father's identity. In my opinion, the notion that anyone could mistake a deputy minister in the Hamas government for a non-political figure is either wilful blindness or calculated deceit. Even more damning is the revelation that the production company met directly with both the narrator and his father in August 2024. And yet, the report states with astonishing credulity: 'I have been told by the Production Company that there was no discussion of the father's position at this meeting.' Somehow, though, the report's author considers this not to be evidence of concealment, but merely an unfortunate omission. The BBC claimed contributors' social media had been checked, yet it took just one independent journalist a single evening after broadcast to uncover everything they missed, and they still aired it again two days later. The narrator's family was paid around £1,817 in goods and cash. The report assures us that sanctions checks were performed and 'no positive results returned'. One wonders how the family of a senior Hamas official could possibly escape UK sanctions, given that Hamas is a fully proscribed terrorist organisation under British law, but then again the money was paid to the narrator's sister, intended for his mother. Even more startling is the admission that the BBC 'was only made aware of the disturbance fee paid for the Narrator after the broadcast of the Programme.' Aside from the Hamas minister's son, perhaps the most brazen deception in the film was also swept under the rug in just two short paragraphs of the BBC's report; its use of non-sequential editing in a sequence portraying a supposed mass-casualty incident. The programme presents us with a child volunteer paramedic (an entirely unbelievable notion anyway) responding to an Israeli airstrike. It opens with a graphic reading '245 days of war' signalling to viewers that the events depicted occurred on a single, specific date. The narration references a particular airstrike and location, accompanied by a map pinpointing the area, further reinforcing the impression that this is a chronological slice of a real event. And yet, the child appears in multiple shots wearing different shoes and with visibly different hair lengths. He looks freshly shorn in one scene and noticeably untrimmed in another. The only constant is a T-shirt, which the BBC admits created an illusion of continuity. The report concedes the sequence 'included scenes shot on different days', and that the impression of a continuous event was 'reinforced by the fact that the child was wearing the same clothes throughout'. Despite this orchestrated consistency, the report ludicrously claims: '[The sequence] did not make any assertions as to how what was shown fitted into the broader chronology of the Israel-Gaza war.' This seems to me to be indefensible. The film used date-stamped graphics, mapped coordinates, location-specific narration, and a carefully coordinated wardrobe, all designed to give the appearance of a single, continuous event. Yet the BBC insists that audiences were not materially misled, and that no editorial breach occurred. It is a blatant exercise in gaslighting, and an affront to even the most basic principles of journalistic integrity. The mistranslation of the Arabic word Yahud, 'Jew', as 'Israelis' is another glaring deception. The report flatly states: 'I do not find there to have been any editorial breaches in respect of the Programme's translation.' Instead, it claims: 'The translations in this Programme did not risk misleading audiences on what the people speaking meant.' This is not merely wrong, it is a conscious sanitisation of genocidal anti-Semitic rhetoric. The fact that Palestinians might use the word 'Jew' and 'Israeli' interchangeably is rather the point. The reason for their animosity towards Israel is precisely because it is the Jewish homeland and the world's only Jewish state. Why else would they use that word? The refusal to translate the word accurately distorts the ideological nature of the conflict. The BBC had ample opportunity to catch these failures. According to the BBC's own investigation, the narrator was identified in the early development stage having previously featured on Channel 4 News. Internal emails from December and January show that multiple BBC staff raised concerns about social media vetting, Hamas affiliations, and whether narration was being scripted for propaganda purposes. Yet these warnings were ignored or brushed aside. Incredibly, a mere footnote reveals: 'There was a reference in the Programme's Commissioning Specification to the Production Company understanding their obligations under the Terrorism Act, which it was stated they would get briefed on. I understand that they were not in fact briefed on these obligations.' Another footnote discussing the Hamas affiliation of the narrator's father mentions a post-broadcast phone call in which the production team allegedly said they 'had not told [the BBC] earlier because they did not want to scare [them].' The production company denies this, but the report admits 'the balance of evidence… supports the conclusion that a comment of this nature was made', but still insists it cannot be read as intentional deception. Despite all this, the BBC concludes smugly: 'I find that the correct formal mechanisms for an independent commission were followed'. This is an insult to the intelligence of every viewer, every Briton and every Jew. If this is what editorial compliance looks like, then those mechanisms are unfit for purpose, and the BBC is a sham organisation. This travesty is not an isolated error. It follows years of documented bias, mistranslation, double standards, and selective outrage. What the BBC has now produced is not an act of accountability, it is an act of institutional self-preservation. A cover-up of a cover-up. A report written not to confront failure, but to excuse it. And in doing so, the BBC has confirmed precisely what so many critics already feared: that when it comes to the Israeli-Palestinian conflict, the BBC is no longer a broadcaster, it is a partisan actor.