
Blind Date reboot 'set to return with HUGE twist - and it's inspired by hit ITV dating show'
Blind Date is set to make a sensational return to screens 22 years after it last aired but with a jaw-dropping twist inspired by Love Island.
Earlier this month, MailOnline revealed the legendary dating show - famously hosted by the late Cilla Black from 1985 to 2003 - is being rebooted on Disney+.
However, the new version will reportedly take place on a tropical island, just like ITV 's Love Island, hosted by Maya Jama – with contestants battling it out for a dream wedding on golden sands.
A TV insider told The Sun: 'This sounds like a radical departure from the old Blind Date, one that definitely has hints of Love Island about it.
'But fans will recall a lot of the dates took place in hot, sunny climes abroad, and producers want to recapture some of the steamy fun, and expand upon that.
'Even the wedding element has hints of the old show because the dream was always that the dates on the programme would lead to couples tying the knot.'
The iconic British game show originally saw a contestant question three potential dates hidden behind a screen – which would then slide back to reveal their chosen match.
According to the insider, the reboot will retain some of the show's most beloved elements, including the famous sliding wall, and producers are said to be seeking a high-profile female host in the spirit of Cilla Black.
Disney+ is expected to officially announce the Blind Date revival soon, though details remain tightly under wraps.
MailOnline has contacted Disney+ for comment.
It comes after MailOnline revealed earlier this month that the legendary dating show is eyeing up several well-known presenters to host the revival.
In March, former This Morning host Holly Willoughby was tipped to become the next Cilla, with the presenter lining up a string of big-money deals worth up to £10million.
The revival was previously being considered by Holly's husband Dan Baldwin, and the star had previously stepped into Cilla's shoes when she hosted a reboot of Surprise Surprise.
An insider told The Sun at the time: 'There might not sound like obvious parallels between Holly and Cilla, but they're both two of the biggest stars of modern telly.
'Emulating Cilla isn't just about taking on her shows, it's as much about carving out a niche as a solo presenter with serious clout in the world of telly.
'But together with her husband Dan, they form the ultimate power couple in TV. She has the public appeal that gets viewers tuning in, while he has a track record of making hugely successful TV shows.'
When asked about other shows he'd love to reboot, Dan suggested Blind Date, saying: 'Another one you'd like to see back, Blind Date, are we ready for that? What a Saturday night that was. I'm thinking Blind Date with Claudia Winkleman on BBC1.'
Cilla was also married to a big figure in the TV industry, with her husband Robert 'Bobby' Willis, taking over as her manager after Brian Epstein's death in 1967, and negotiating her deal with LWT, which made her one of TV's highest-paid stars.
During Blind Date's final year, Cilla was said to be earning £17,000 a week, or £884,000 a year, which is the equivalent of £2million in today's money.
Holly had also praised Cilla for being a huge trailblazer for TV presenters in the 1980s and 1990s. The legendary star died in 2015 aged 72.
And it appears Holly now has the time for another hosting stint after her Netflix series Celebrity Bear Hunt was axed after one season.
The show is also reportedly hoping to get Davina (pictured) in the mix
The programme, which was set in Costa Rica and was hosted by Holly alongside Bear Grylls, will not return despite the star saying that he was hopeful it would.
Sources close to the show which aired in February told the Mail that while the ratings did well it was expensive to make and Netflix is now planning to do more live events rather than pre-recorded shows.
One told MailOnline: 'Everyone was very proud of the show but when it came to it, it was just so expensive to make. You had to have a whole set in Costa Rica, loads of staff and loads of celebrities. The overheads were eyewatering.'
It is understood that cheaper locations were looked at but nothing appeared to be suitable.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
6 minutes ago
- The Guardian
Tom Holland, Jacob Elordi and Harris Dickinson at top of James Bond wishlist
Tom Holland, Harris Dickinson and Jacob Elordi are rumoured to be at the top of Amazon's James Bond wishlist, according to a new report. Variety has learned from insiders that the new iteration of 007 would be under 30 and the three actors could be fighting it out for the role. No meetings have taken place and Amazon has yet to confirm anything. The report emerges days after the Dune and Arrival director Denis Villeneuve was announced as the first director of Bond's new era under the Amazon-MGM banner. The French-Canadian film-maker, now working on the third Dune movie, reportedly beat out Conclave's Edward Berger, Westworld's Jonathan Nolan, Paddington's Paul King and Shaun of the Dead's Edgar Wright for the role. 'I intend to honour the tradition and open the path for many new missions to come,' Villeneuve said in a statement. 'This is a massive responsibility, but also, incredibly exciting for me and a huge honour.' Early rumours had suggested the Gravity director Alfonso Cuarón would step up, having worked with Bond's new producer David Heyman before, but he removed himself from the race. Cuarón is set to work on the darkly funny drama Jane with Charlize Theron instead. Holland, best known for playing Spider-Man, has also starred in the video game hit Uncharted and Apple series The Crowded Room. He'll next be seen in Christopher Nolan's The Odyssey before returning for the fourth Spider-Man movie. The 29-year-old actor once tried to pitch a 007 spin-off to Sony. 'I had a meeting after or during Spider-Man 2 with Sony to pitch this idea of a young Bond film that I'd come up with,' he said in 2022. 'It was the origin story of James Bond. It didn't really make sense. It didn't work. It was the dream of a young kid, and I don't think the Bond estate were particularly interested.' Dickinson, known for Triangle of Sadness and Babygirl, recently received rave reviews for his directorial debut Urchin at the Cannes film festival. 'I mean, listen, man, you'd be a fool to not entertain that role,' he said when asked about playing Bond in 2023. 'I'm loving seeing the development of James Bond and seeing how it changes over the years. I think Daniel Craig was such a good Bond that I'd almost be quite frightened to try … Who knows what they're doing with Bond? I'm intrigued.' Elordi is the only Australian of the bunch, but could follow in the footsteps of George Lazenby who played Bond in On Her Majesty's Secret Service. The actor, best known for his role in TV drama Euphoria and Sofia Coppola's Priscilla, will soon be seen in Emerald Fennell's unconventional adaptation of Wuthering Heights with Margot Robbie. In 2023, Elordi called rumours that he was being linked to the role 'beautiful' and added: 'I just like that people maybe want to put me in their movies. That makes me really glad.' The release date for the next film is yet to be announced, but Variety is claiming that anything sooner than 2028 would be impossible. The 26th Bond film will follow Daniel Craig's final outing No Time to Die which made over $774m at the global box office. Earlier this year, in a reported $1bn deal, Amazon MGM bought the rights to gain 'creative control' of the franchise. In March, producers Amy Pascal and David Heyman were hired to take charge of the new film.


The Guardian
12 minutes ago
- The Guardian
Lessons for Young Artists by David Gentleman review – secrets from the studio
You know the art of David Gentleman even if you don't know you know it. Anyone who's passed through London's Charing Cross tube station has seen his life-filled black-and-white mural of medieval people, enlarged from his woodcuts, digging, hammering, chiselling to construct the Eleanor Cross that once stood nearby. His graphic art has graced everything from stamps to book covers to Stop the War posters in a career spanning seven decades. He says he's been making art for 90 years, since he was five. His parents were also artists, and in his latest book he reproduces a Shell poster by his father to show he follows in a modern British tradition of well-drawn, well-observed popular art. Perhaps it is because he learned from his parents as naturally as learning to speak – 'Seeing them drawing tempted me to draw' – that Gentleman dislikes pedagogy. He's proud that he never had to teach for a living, always selling his art. So his guide to the creative life, Lessons for Young Artists, is anything but a how-to manual or didactic textbook. Instead, it's like a visit to his studio where you sit at his shoulder, watching him work, while he shares tips, wisdom, anecdotes. If you have ever wished to take up pencil and paper, whatever your age, this book will sharpen your ambition by demystifying the process, making it feel the most natural and important thing in the world to draw that tree outside the window. The book's beautiful illustrations deepen his laconic advice. As he chats, the artist rifles through drawers to show views of London, Paris, New York. 'Rifling' is possibly the wrong word, for it suggests a chaotic workplace, of which Gentleman does not approve. You should keep your brushes in good nick and your studio tidy. Then again there are no rules, he admits, remembering how Edward Ardizzone used to work at the kitchen table surrounded by his family. The artist's workspace may seem a secondary issue but he's not alone in stressing it: Leonardo da Vinci paid attention to what an artist's room should be like in advice to young hopefuls written more than 500 years ago. In one of Gentleman's engrossing, calming drawings, his studio has a big window looking out on the city, designs on clipboards neatly hung up, a row of brushes, a couple of glasses of water (for watercolours). It's a workplace to envy, peaceful yet connected with the world. This is really a guide not just to the technical skills an artist needs but achieving an artistic state of mind. Gentleman lures you into his day-to-day work. 'Take a sketchbook with you everywhere you go,' he says, again like Leonardo, adding that it should be pocket-sized and the accompanying tools minimal. Too heavy a kit will 'become an excuse not to take it with you'. He adds watercolour to his drawings, either in the studio or in the open. A Suffolk church is seen through overgrown late summer weeds, with watery blotches in the sky. It started to rain as he worked: 'I like the way the spatters of rain are visible on the paper.' Another happy accident is a drawing of his son playing the piano that acquired an extra foot: a burst of motion in an otherwise tranquil scene. You find yourself not just wanting to be an artist but to be David Gentleman. 'Becoming an artist,' he says, 'is about learning to look at the world with a very sharp eye. When you walk down the street, try to pause and notice your surroundings.' On the facing page is a watercolour shot through with sunlight of the now-gone King's Cross gasometers, by a trashy canalside, ducks floating on the silver-touched water. Finding beauty in the neglected, unnoticed moments that pass us by is a lesson that can be applied to anyone's life, 'Young Artist' or not. This is diamond advice, lightly given. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Lessons for Young Artists by David Gentleman is published by Particular (£20). To support the Guardian, order your copy at


The Independent
22 minutes ago
- The Independent
Lorraine Kelly ‘terrified' after climbing up 25-ft ship in Dundee following keyhole surgery
Watch as Lorraine Kelly admits she was "terrified" after abseiling down the mast of a 25-metre mast on Friday (27 June), just weeks after the star's keyhole surgery. The TV presenter scaled up and down the RRS Discovery ship, a vessel that previously ventured to Antarctica, with fellow presenter Dan Snow in Dundee. Feet firmly back on the ground, Kelly said: 'The experience in general was absolutely terrifying. I'm not good with heights so it was scary, I was shaking like a leaf.' Last month, the 65-year-old presenter underwent keyhole surgery to remove her fallopian tubes and ovaries, a procedure Kelly described as 'purely preventive'.