
Urban honoured as Wilson rules at Country Music Awards
"I really do have the best fans in the world," she said in her final acceptance speech after also taking home trophies for female artist and album of the year.
"I dreamed about entertaining. ... Country music has given me more than I deserve."
Beyond Wilson's dominance, the 60th ACM Awards were packed with celebration.
First-time and leading nominee Ella Langley's duet with Riley Green, the ubiquitous You Look Like You Love Me, was named single and music event of the year.
The top of Thursday's ceremony paid an epic visit to the past with a 14-minute medley of six decades of country classics, performed by giants of the genre.
Host Reba McEntire launched into Merle Haggard's Okie from Muskogee, followed by Clint Black with Glen Campbell's Rhinestone Cowboy and Wynonna Judd with The Judds' Why Not Me.
LeAnn Rimes returned to the ACM Awards stage for her 1997 ballad Blue, and Little Big Town tackled their 2014 track Girl Crush and Dan + Shay delivered their Tequila.
It was an exciting way to kick off the 2025 ACM Awards on Thursday, broadcast live from the Ford Center at The Star in Frisco, Texas.
And it was a show highlight, rivalled only by the introduction of the ACM Alan Jackson lifetime achievement award, the inaugural trophy given to its namesake, Jackson, after he performed Remember When.
The first trophy of the night, the coveted song of the year, was awarded to Cody Johnson for his radio hit Dirt Cheap.
The Oak Ridge Boys gave the group of the year award to Old Dominion.
It was a moving gesture; in 2024 the Oak Ridge Boys' Joe Bonsall, a Grammy award winner and celebrated tenor, died from complications of a neuromuscular disorder.
Another tear-jerker: McEntire leading the audience in a sing-along of the late Kris Kristofferson's Me and Bobby McGee.
Male artist of the year went to Stapleton, and duo of the year was awarded to Brooks & Dunn.
Megan Moroney covered Keith Urban's Stupid Boy and Stapleton did Blue Ain't Your Color before the Australian superstar's reception of the coveted ACM triple crown award, marking the first time an artist has received the trophy on stage since Carrie Underwood was honoured in 2010.
The prize is given to artists only if they have won the top three prizes at the ceremony: new artist, male or female artist, and entertainer of the year.
Urban has done so after winning top new male vocalist in 2001, male vocalist of the year in 2005 and 2006, and scooping the entertainer of the year accolade in 2019 after being nominated on eight other occasions.
with BANG
Lainey Wilson has been named entertainer of the year at the Academy of Country Music Awards for the second year in a row, while Keith Urban polished his superstar status by picking up the event's prestigious triple crown.
"I really do have the best fans in the world," she said in her final acceptance speech after also taking home trophies for female artist and album of the year.
"I dreamed about entertaining. ... Country music has given me more than I deserve."
Beyond Wilson's dominance, the 60th ACM Awards were packed with celebration.
First-time and leading nominee Ella Langley's duet with Riley Green, the ubiquitous You Look Like You Love Me, was named single and music event of the year.
The top of Thursday's ceremony paid an epic visit to the past with a 14-minute medley of six decades of country classics, performed by giants of the genre.
Host Reba McEntire launched into Merle Haggard's Okie from Muskogee, followed by Clint Black with Glen Campbell's Rhinestone Cowboy and Wynonna Judd with The Judds' Why Not Me.
LeAnn Rimes returned to the ACM Awards stage for her 1997 ballad Blue, and Little Big Town tackled their 2014 track Girl Crush and Dan + Shay delivered their Tequila.
It was an exciting way to kick off the 2025 ACM Awards on Thursday, broadcast live from the Ford Center at The Star in Frisco, Texas.
And it was a show highlight, rivalled only by the introduction of the ACM Alan Jackson lifetime achievement award, the inaugural trophy given to its namesake, Jackson, after he performed Remember When.
The first trophy of the night, the coveted song of the year, was awarded to Cody Johnson for his radio hit Dirt Cheap.
The Oak Ridge Boys gave the group of the year award to Old Dominion.
It was a moving gesture; in 2024 the Oak Ridge Boys' Joe Bonsall, a Grammy award winner and celebrated tenor, died from complications of a neuromuscular disorder.
Another tear-jerker: McEntire leading the audience in a sing-along of the late Kris Kristofferson's Me and Bobby McGee.
Male artist of the year went to Stapleton, and duo of the year was awarded to Brooks & Dunn.
Megan Moroney covered Keith Urban's Stupid Boy and Stapleton did Blue Ain't Your Color before the Australian superstar's reception of the coveted ACM triple crown award, marking the first time an artist has received the trophy on stage since Carrie Underwood was honoured in 2010.
The prize is given to artists only if they have won the top three prizes at the ceremony: new artist, male or female artist, and entertainer of the year.
Urban has done so after winning top new male vocalist in 2001, male vocalist of the year in 2005 and 2006, and scooping the entertainer of the year accolade in 2019 after being nominated on eight other occasions.
with BANG
Lainey Wilson has been named entertainer of the year at the Academy of Country Music Awards for the second year in a row, while Keith Urban polished his superstar status by picking up the event's prestigious triple crown.
"I really do have the best fans in the world," she said in her final acceptance speech after also taking home trophies for female artist and album of the year.
"I dreamed about entertaining. ... Country music has given me more than I deserve."
Beyond Wilson's dominance, the 60th ACM Awards were packed with celebration.
First-time and leading nominee Ella Langley's duet with Riley Green, the ubiquitous You Look Like You Love Me, was named single and music event of the year.
The top of Thursday's ceremony paid an epic visit to the past with a 14-minute medley of six decades of country classics, performed by giants of the genre.
Host Reba McEntire launched into Merle Haggard's Okie from Muskogee, followed by Clint Black with Glen Campbell's Rhinestone Cowboy and Wynonna Judd with The Judds' Why Not Me.
LeAnn Rimes returned to the ACM Awards stage for her 1997 ballad Blue, and Little Big Town tackled their 2014 track Girl Crush and Dan + Shay delivered their Tequila.
It was an exciting way to kick off the 2025 ACM Awards on Thursday, broadcast live from the Ford Center at The Star in Frisco, Texas.
And it was a show highlight, rivalled only by the introduction of the ACM Alan Jackson lifetime achievement award, the inaugural trophy given to its namesake, Jackson, after he performed Remember When.
The first trophy of the night, the coveted song of the year, was awarded to Cody Johnson for his radio hit Dirt Cheap.
The Oak Ridge Boys gave the group of the year award to Old Dominion.
It was a moving gesture; in 2024 the Oak Ridge Boys' Joe Bonsall, a Grammy award winner and celebrated tenor, died from complications of a neuromuscular disorder.
Another tear-jerker: McEntire leading the audience in a sing-along of the late Kris Kristofferson's Me and Bobby McGee.
Male artist of the year went to Stapleton, and duo of the year was awarded to Brooks & Dunn.
Megan Moroney covered Keith Urban's Stupid Boy and Stapleton did Blue Ain't Your Color before the Australian superstar's reception of the coveted ACM triple crown award, marking the first time an artist has received the trophy on stage since Carrie Underwood was honoured in 2010.
The prize is given to artists only if they have won the top three prizes at the ceremony: new artist, male or female artist, and entertainer of the year.
Urban has done so after winning top new male vocalist in 2001, male vocalist of the year in 2005 and 2006, and scooping the entertainer of the year accolade in 2019 after being nominated on eight other occasions.
with BANG
Lainey Wilson has been named entertainer of the year at the Academy of Country Music Awards for the second year in a row, while Keith Urban polished his superstar status by picking up the event's prestigious triple crown.
"I really do have the best fans in the world," she said in her final acceptance speech after also taking home trophies for female artist and album of the year.
"I dreamed about entertaining. ... Country music has given me more than I deserve."
Beyond Wilson's dominance, the 60th ACM Awards were packed with celebration.
First-time and leading nominee Ella Langley's duet with Riley Green, the ubiquitous You Look Like You Love Me, was named single and music event of the year.
The top of Thursday's ceremony paid an epic visit to the past with a 14-minute medley of six decades of country classics, performed by giants of the genre.
Host Reba McEntire launched into Merle Haggard's Okie from Muskogee, followed by Clint Black with Glen Campbell's Rhinestone Cowboy and Wynonna Judd with The Judds' Why Not Me.
LeAnn Rimes returned to the ACM Awards stage for her 1997 ballad Blue, and Little Big Town tackled their 2014 track Girl Crush and Dan + Shay delivered their Tequila.
It was an exciting way to kick off the 2025 ACM Awards on Thursday, broadcast live from the Ford Center at The Star in Frisco, Texas.
And it was a show highlight, rivalled only by the introduction of the ACM Alan Jackson lifetime achievement award, the inaugural trophy given to its namesake, Jackson, after he performed Remember When.
The first trophy of the night, the coveted song of the year, was awarded to Cody Johnson for his radio hit Dirt Cheap.
The Oak Ridge Boys gave the group of the year award to Old Dominion.
It was a moving gesture; in 2024 the Oak Ridge Boys' Joe Bonsall, a Grammy award winner and celebrated tenor, died from complications of a neuromuscular disorder.
Another tear-jerker: McEntire leading the audience in a sing-along of the late Kris Kristofferson's Me and Bobby McGee.
Male artist of the year went to Stapleton, and duo of the year was awarded to Brooks & Dunn.
Megan Moroney covered Keith Urban's Stupid Boy and Stapleton did Blue Ain't Your Color before the Australian superstar's reception of the coveted ACM triple crown award, marking the first time an artist has received the trophy on stage since Carrie Underwood was honoured in 2010.
The prize is given to artists only if they have won the top three prizes at the ceremony: new artist, male or female artist, and entertainer of the year.
Urban has done so after winning top new male vocalist in 2001, male vocalist of the year in 2005 and 2006, and scooping the entertainer of the year accolade in 2019 after being nominated on eight other occasions.
with BANG
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Sky News AU
2 days ago
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Keith Urban hangs up on Adelaide radio hosts after question over superstar wife's raunchy scenes with younger men
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2 days ago
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Keith Urban hangs up on Aussie radio hosts when asked intimate question about wife Nicole Kidman
Keith Urban left two Adelaide radio hosts in shock when he hung up on them live on air after they asked an intimate question about his wife, Nicole Kidman. The country music star called into Mix 102.3's Hayley & Max in the Morning on Tuesday, ahead of the Aussie leg of his High and Alive world tour next month, when the line suddenly went dead. Urban was in good spirits at the start of the interview as he expressed his excitement to play at the Adelaide Entertainment Centre on August 28 because it's 'just a good vibe in the audience', he said. But the interview went downhill when hosts Hayley Pearson and Max Burford asked him to take part in the show's 'Wall of Truth' segment. Although Urban was a willing participant, it seems he didn't expect the questions to be so personal. 'What does Keith Urban think when he sees his beautiful wife with beautiful younger men like Zac Efron having these beautiful love scenes on TV and radio?' Burford asked before the line grew silent. 'What just happened here?' he asked as a producer said, 'He's disconnected from Zoom.' 'I think his team hung up on us because they didn't want us to ask that question,' the producer added. 'He's gone, see you Keith.' Pearson was rattled that they've 'upset' the Grammy winner and had a feeling 'that would happen'. 'Does Keith Urban hate us? Do we have beef with Keith Urban now?' Burford wondered before telling her, 'If you knew this was going to happen, Hayley, why didn't you stop me asking the question?' It's no secret that Urban doesn't like talking about his famous wife. Last September, the singer was invited on the Jam Nation with Jonesy & Amanda podcast to chat about his new album High and upcoming world tour, when the chat focused on Kidman being at the Venice Film Festival. Host Amanda Keller then began asking questions about the origins of Urban's relationship with the Aussie actress. 'Speaking of your amazing love story with Nicole, you met at G'day Australia. Is that what it was called?' she asked Urban, to which he bluntly corrected her: 'G'day LA.' Keller suggested that if the pair hadn't met that fateful night, they perhaps might never have met at all. 'If you hadn't both been there that day, would your paths somewhere have inevitably crossed? Or maybe ... this incredible love story wouldn't have happened,' she wondered. 'No, I think it would,' Urban insisted. 'Yeah? Are you a believer in fate or do you think it's two Australians, it would have happened?' she persisted, with Urban replying, 'No idea.' The interview became more awkward and Urban appeared to run out of patience. Clearly done with questions about his wife, Urban shut down the topic with three simple words: 'Anyway, moving on.'