Riding the New Wave: how Aussie movies won the world
Sunday Too Far Away, an iconic tale about male culture and loyalty in a 1950s shearing shed, was the first big hit of Australia's golden era of cinema but Americans were especially mystified by it, producer Matt Carroll remembers.
"They recognised that Sunday was a great film but they didn't understand it," he says.
"It was pretty incomprehensible to anyone who wasn't an Australian. At American screenings, you might as well have had it in Dutch."
But French audiences were far more welcoming of the film at Cannes Directors Fortnight, thanks to the wife of an Adelaide car dealer who'd sold Carroll a Peugeot.
"She said, 'oh yes darling, I know Parisian street slang, I'll translate it all for you (into subtitles)'," Carroll continues.
"I remember sitting in the cinema and the first thing that comes up is somebody in the shearing shed says about the squatter, 'his shit doesn't stink'. When it was translated, the Parisian slang for that is 'he farts above his asshole'."
In the huge screening room, "the whole audience just went crazy, absolutely crazy, and we got a huge sale to France", Carroll laughs.
"It's the language of the bush," explains legendary Australian actor Jack Thompson, who portrayed the hard-drinking gun shearer, Foley.
"There's a wonderful camaraderie expressed in that movie. Sunday says something much more profound about the Australian character than a number of other movies that examined our victories and failures."
Thompson, who left home at 14 to work as a jackaroo in the NT, says "it was like a diary, it was just how people behaved - I remember, because as a teenager, I was in those sheds.
"Sunday Too Far Away has a really important part in my career and in my memory; I'd worked on that wool press, I'd picked up that wool. I knew how tough it was … it was the world of working men."
Thompson was a star of a slew of other New Wave movies, including Breaker Morant, Mad Dog Morgan, The Club and The Man From Snowy River.
Carroll recalls also feeling well qualified to be involved in Sunday Too Far Away, which was filmed at Carriewerloo Station, near Port Augusta, and Quorn.
"I grew up on a sheep property so I learned how to class wool. My honours thesis was in Australian shearing sheds. So when we needed to find a shearing shed, I knew exactly where they were," he says.
"And Jack and I were sharing a house together, and I knew that he was a shearer, and I was there when the director said, 'I don't know where we're going to find shearers from'. And I said, 'Well, I know'.
Thompson and Carroll recently visited Adelaide for a 50th anniversary screening of Sunday Too Far Away, staged by SA Film Corporation, which played a key role in the era.
"The SAFC was an important beacon in the growth of the Australian film industry," says Thompson.
"Tale after tale important to our understanding of ourselves was told and financed by that entity."
The New York Times described Australian New Wave as "capturing a moment of freedom and abundance that was over almost before we knew it" and "possessing a vitality, a love of open space and a propensity for sudden violence and languorous sexuality".
"That's me," says Thompson, now aged 84, deadpan.
"Used to be, mate," laughs Carroll, 80.
As a young actor, it was like "riding the crest of a wave, it was stunning", says Thompson.
"There was indeed a very focused vitality, a unique charm, unlike anything else at the time."
Carroll, who also produced Breaker Morant and Storm Boy for SAFC, says the 1970s was a remarkable period for Australian movies.
"More than 220 films, that's more than 20 films a year. And when you read the titles, it's just staggering," he says.
"We never had another period like that, with the inventiveness and the creativity."
The SAFC's second feature, the enigmatic and menacing Picnic at Hanging Rock, which also turns 50 this year, became an icon of Australian cinema.
"The great thing that happened after that is that Margaret Fink made My Brilliant Career, and the Americans understood it," says Carroll.
"And then Breaker Morant came along and they clicked with it and it had huge results, and then the second Mad Max was a giant hit. So those three films were key to opening up the American market."
Thompson notes that Australia made the world's first feature-length narrative movie, The Story of the Kelly Gang in 1906, "and we had a vital Australian film industry in the silent era up to 1927".
"Hollywood and the American investment in theatre chains here was able to dominate the Australian film industry, and essentially, between 1930 and the 70s, nothing much happened in Australian cinema," he says.
While Sunday Too Far Away was New Wave's first commercial success, 1971's Wake In Fright is widely regarded as the era's opening film.
It was Thompson's first movie and the last for veteran character actor Chips Rafferty, who died of a heart attack before it was released.
It screened at Cannes and received favourable responses in France and the UK but struggled at the Australian box office.
It's the story of a teacher waylaid in a mining town where a gambling spree leaves him broke. Amid a haze of alcohol, he participates in a gruesome kangaroo hunt and is also subjected to moral degradation.
It ran for just 10 days in Sydney, and 14 in Melbourne, Thompson recalls, "and people were saying 'that's not us', despite the fact the book was written by an Australian".
"Because when we were seen on screen (previously), we were seen as these pleasant caricatures, we weren't used to seeing it and we didn't want to see it," he says.
During an early Australian screening, when a man stood up, pointed at the screen and protested "that's not us!", Thompson famously yelled back "sit down, mate. It is us".
When Australian New Wave movies burst on to world cinema screens in the 1970s, sceptical audiences were initially baffled by the broad accents and peculiar colloquialisms.
Sunday Too Far Away, an iconic tale about male culture and loyalty in a 1950s shearing shed, was the first big hit of Australia's golden era of cinema but Americans were especially mystified by it, producer Matt Carroll remembers.
"They recognised that Sunday was a great film but they didn't understand it," he says.
"It was pretty incomprehensible to anyone who wasn't an Australian. At American screenings, you might as well have had it in Dutch."
But French audiences were far more welcoming of the film at Cannes Directors Fortnight, thanks to the wife of an Adelaide car dealer who'd sold Carroll a Peugeot.
"She said, 'oh yes darling, I know Parisian street slang, I'll translate it all for you (into subtitles)'," Carroll continues.
"I remember sitting in the cinema and the first thing that comes up is somebody in the shearing shed says about the squatter, 'his shit doesn't stink'. When it was translated, the Parisian slang for that is 'he farts above his asshole'."
In the huge screening room, "the whole audience just went crazy, absolutely crazy, and we got a huge sale to France", Carroll laughs.
"It's the language of the bush," explains legendary Australian actor Jack Thompson, who portrayed the hard-drinking gun shearer, Foley.
"There's a wonderful camaraderie expressed in that movie. Sunday says something much more profound about the Australian character than a number of other movies that examined our victories and failures."
Thompson, who left home at 14 to work as a jackaroo in the NT, says "it was like a diary, it was just how people behaved - I remember, because as a teenager, I was in those sheds.
"Sunday Too Far Away has a really important part in my career and in my memory; I'd worked on that wool press, I'd picked up that wool. I knew how tough it was … it was the world of working men."
Thompson was a star of a slew of other New Wave movies, including Breaker Morant, Mad Dog Morgan, The Club and The Man From Snowy River.
Carroll recalls also feeling well qualified to be involved in Sunday Too Far Away, which was filmed at Carriewerloo Station, near Port Augusta, and Quorn.
"I grew up on a sheep property so I learned how to class wool. My honours thesis was in Australian shearing sheds. So when we needed to find a shearing shed, I knew exactly where they were," he says.
"And Jack and I were sharing a house together, and I knew that he was a shearer, and I was there when the director said, 'I don't know where we're going to find shearers from'. And I said, 'Well, I know'.
Thompson and Carroll recently visited Adelaide for a 50th anniversary screening of Sunday Too Far Away, staged by SA Film Corporation, which played a key role in the era.
"The SAFC was an important beacon in the growth of the Australian film industry," says Thompson.
"Tale after tale important to our understanding of ourselves was told and financed by that entity."
The New York Times described Australian New Wave as "capturing a moment of freedom and abundance that was over almost before we knew it" and "possessing a vitality, a love of open space and a propensity for sudden violence and languorous sexuality".
"That's me," says Thompson, now aged 84, deadpan.
"Used to be, mate," laughs Carroll, 80.
As a young actor, it was like "riding the crest of a wave, it was stunning", says Thompson.
"There was indeed a very focused vitality, a unique charm, unlike anything else at the time."
Carroll, who also produced Breaker Morant and Storm Boy for SAFC, says the 1970s was a remarkable period for Australian movies.
"More than 220 films, that's more than 20 films a year. And when you read the titles, it's just staggering," he says.
"We never had another period like that, with the inventiveness and the creativity."
The SAFC's second feature, the enigmatic and menacing Picnic at Hanging Rock, which also turns 50 this year, became an icon of Australian cinema.
"The great thing that happened after that is that Margaret Fink made My Brilliant Career, and the Americans understood it," says Carroll.
"And then Breaker Morant came along and they clicked with it and it had huge results, and then the second Mad Max was a giant hit. So those three films were key to opening up the American market."
Thompson notes that Australia made the world's first feature-length narrative movie, The Story of the Kelly Gang in 1906, "and we had a vital Australian film industry in the silent era up to 1927".
"Hollywood and the American investment in theatre chains here was able to dominate the Australian film industry, and essentially, between 1930 and the 70s, nothing much happened in Australian cinema," he says.
While Sunday Too Far Away was New Wave's first commercial success, 1971's Wake In Fright is widely regarded as the era's opening film.
It was Thompson's first movie and the last for veteran character actor Chips Rafferty, who died of a heart attack before it was released.
It screened at Cannes and received favourable responses in France and the UK but struggled at the Australian box office.
It's the story of a teacher waylaid in a mining town where a gambling spree leaves him broke. Amid a haze of alcohol, he participates in a gruesome kangaroo hunt and is also subjected to moral degradation.
It ran for just 10 days in Sydney, and 14 in Melbourne, Thompson recalls, "and people were saying 'that's not us', despite the fact the book was written by an Australian".
"Because when we were seen on screen (previously), we were seen as these pleasant caricatures, we weren't used to seeing it and we didn't want to see it," he says.
During an early Australian screening, when a man stood up, pointed at the screen and protested "that's not us!", Thompson famously yelled back "sit down, mate. It is us".
When Australian New Wave movies burst on to world cinema screens in the 1970s, sceptical audiences were initially baffled by the broad accents and peculiar colloquialisms.
Sunday Too Far Away, an iconic tale about male culture and loyalty in a 1950s shearing shed, was the first big hit of Australia's golden era of cinema but Americans were especially mystified by it, producer Matt Carroll remembers.
"They recognised that Sunday was a great film but they didn't understand it," he says.
"It was pretty incomprehensible to anyone who wasn't an Australian. At American screenings, you might as well have had it in Dutch."
But French audiences were far more welcoming of the film at Cannes Directors Fortnight, thanks to the wife of an Adelaide car dealer who'd sold Carroll a Peugeot.
"She said, 'oh yes darling, I know Parisian street slang, I'll translate it all for you (into subtitles)'," Carroll continues.
"I remember sitting in the cinema and the first thing that comes up is somebody in the shearing shed says about the squatter, 'his shit doesn't stink'. When it was translated, the Parisian slang for that is 'he farts above his asshole'."
In the huge screening room, "the whole audience just went crazy, absolutely crazy, and we got a huge sale to France", Carroll laughs.
"It's the language of the bush," explains legendary Australian actor Jack Thompson, who portrayed the hard-drinking gun shearer, Foley.
"There's a wonderful camaraderie expressed in that movie. Sunday says something much more profound about the Australian character than a number of other movies that examined our victories and failures."
Thompson, who left home at 14 to work as a jackaroo in the NT, says "it was like a diary, it was just how people behaved - I remember, because as a teenager, I was in those sheds.
"Sunday Too Far Away has a really important part in my career and in my memory; I'd worked on that wool press, I'd picked up that wool. I knew how tough it was … it was the world of working men."
Thompson was a star of a slew of other New Wave movies, including Breaker Morant, Mad Dog Morgan, The Club and The Man From Snowy River.
Carroll recalls also feeling well qualified to be involved in Sunday Too Far Away, which was filmed at Carriewerloo Station, near Port Augusta, and Quorn.
"I grew up on a sheep property so I learned how to class wool. My honours thesis was in Australian shearing sheds. So when we needed to find a shearing shed, I knew exactly where they were," he says.
"And Jack and I were sharing a house together, and I knew that he was a shearer, and I was there when the director said, 'I don't know where we're going to find shearers from'. And I said, 'Well, I know'.
Thompson and Carroll recently visited Adelaide for a 50th anniversary screening of Sunday Too Far Away, staged by SA Film Corporation, which played a key role in the era.
"The SAFC was an important beacon in the growth of the Australian film industry," says Thompson.
"Tale after tale important to our understanding of ourselves was told and financed by that entity."
The New York Times described Australian New Wave as "capturing a moment of freedom and abundance that was over almost before we knew it" and "possessing a vitality, a love of open space and a propensity for sudden violence and languorous sexuality".
"That's me," says Thompson, now aged 84, deadpan.
"Used to be, mate," laughs Carroll, 80.
As a young actor, it was like "riding the crest of a wave, it was stunning", says Thompson.
"There was indeed a very focused vitality, a unique charm, unlike anything else at the time."
Carroll, who also produced Breaker Morant and Storm Boy for SAFC, says the 1970s was a remarkable period for Australian movies.
"More than 220 films, that's more than 20 films a year. And when you read the titles, it's just staggering," he says.
"We never had another period like that, with the inventiveness and the creativity."
The SAFC's second feature, the enigmatic and menacing Picnic at Hanging Rock, which also turns 50 this year, became an icon of Australian cinema.
"The great thing that happened after that is that Margaret Fink made My Brilliant Career, and the Americans understood it," says Carroll.
"And then Breaker Morant came along and they clicked with it and it had huge results, and then the second Mad Max was a giant hit. So those three films were key to opening up the American market."
Thompson notes that Australia made the world's first feature-length narrative movie, The Story of the Kelly Gang in 1906, "and we had a vital Australian film industry in the silent era up to 1927".
"Hollywood and the American investment in theatre chains here was able to dominate the Australian film industry, and essentially, between 1930 and the 70s, nothing much happened in Australian cinema," he says.
While Sunday Too Far Away was New Wave's first commercial success, 1971's Wake In Fright is widely regarded as the era's opening film.
It was Thompson's first movie and the last for veteran character actor Chips Rafferty, who died of a heart attack before it was released.
It screened at Cannes and received favourable responses in France and the UK but struggled at the Australian box office.
It's the story of a teacher waylaid in a mining town where a gambling spree leaves him broke. Amid a haze of alcohol, he participates in a gruesome kangaroo hunt and is also subjected to moral degradation.
It ran for just 10 days in Sydney, and 14 in Melbourne, Thompson recalls, "and people were saying 'that's not us', despite the fact the book was written by an Australian".
"Because when we were seen on screen (previously), we were seen as these pleasant caricatures, we weren't used to seeing it and we didn't want to see it," he says.
During an early Australian screening, when a man stood up, pointed at the screen and protested "that's not us!", Thompson famously yelled back "sit down, mate. It is us".
When Australian New Wave movies burst on to world cinema screens in the 1970s, sceptical audiences were initially baffled by the broad accents and peculiar colloquialisms.
Sunday Too Far Away, an iconic tale about male culture and loyalty in a 1950s shearing shed, was the first big hit of Australia's golden era of cinema but Americans were especially mystified by it, producer Matt Carroll remembers.
"They recognised that Sunday was a great film but they didn't understand it," he says.
"It was pretty incomprehensible to anyone who wasn't an Australian. At American screenings, you might as well have had it in Dutch."
But French audiences were far more welcoming of the film at Cannes Directors Fortnight, thanks to the wife of an Adelaide car dealer who'd sold Carroll a Peugeot.
"She said, 'oh yes darling, I know Parisian street slang, I'll translate it all for you (into subtitles)'," Carroll continues.
"I remember sitting in the cinema and the first thing that comes up is somebody in the shearing shed says about the squatter, 'his shit doesn't stink'. When it was translated, the Parisian slang for that is 'he farts above his asshole'."
In the huge screening room, "the whole audience just went crazy, absolutely crazy, and we got a huge sale to France", Carroll laughs.
"It's the language of the bush," explains legendary Australian actor Jack Thompson, who portrayed the hard-drinking gun shearer, Foley.
"There's a wonderful camaraderie expressed in that movie. Sunday says something much more profound about the Australian character than a number of other movies that examined our victories and failures."
Thompson, who left home at 14 to work as a jackaroo in the NT, says "it was like a diary, it was just how people behaved - I remember, because as a teenager, I was in those sheds.
"Sunday Too Far Away has a really important part in my career and in my memory; I'd worked on that wool press, I'd picked up that wool. I knew how tough it was … it was the world of working men."
Thompson was a star of a slew of other New Wave movies, including Breaker Morant, Mad Dog Morgan, The Club and The Man From Snowy River.
Carroll recalls also feeling well qualified to be involved in Sunday Too Far Away, which was filmed at Carriewerloo Station, near Port Augusta, and Quorn.
"I grew up on a sheep property so I learned how to class wool. My honours thesis was in Australian shearing sheds. So when we needed to find a shearing shed, I knew exactly where they were," he says.
"And Jack and I were sharing a house together, and I knew that he was a shearer, and I was there when the director said, 'I don't know where we're going to find shearers from'. And I said, 'Well, I know'.
Thompson and Carroll recently visited Adelaide for a 50th anniversary screening of Sunday Too Far Away, staged by SA Film Corporation, which played a key role in the era.
"The SAFC was an important beacon in the growth of the Australian film industry," says Thompson.
"Tale after tale important to our understanding of ourselves was told and financed by that entity."
The New York Times described Australian New Wave as "capturing a moment of freedom and abundance that was over almost before we knew it" and "possessing a vitality, a love of open space and a propensity for sudden violence and languorous sexuality".
"That's me," says Thompson, now aged 84, deadpan.
"Used to be, mate," laughs Carroll, 80.
As a young actor, it was like "riding the crest of a wave, it was stunning", says Thompson.
"There was indeed a very focused vitality, a unique charm, unlike anything else at the time."
Carroll, who also produced Breaker Morant and Storm Boy for SAFC, says the 1970s was a remarkable period for Australian movies.
"More than 220 films, that's more than 20 films a year. And when you read the titles, it's just staggering," he says.
"We never had another period like that, with the inventiveness and the creativity."
The SAFC's second feature, the enigmatic and menacing Picnic at Hanging Rock, which also turns 50 this year, became an icon of Australian cinema.
"The great thing that happened after that is that Margaret Fink made My Brilliant Career, and the Americans understood it," says Carroll.
"And then Breaker Morant came along and they clicked with it and it had huge results, and then the second Mad Max was a giant hit. So those three films were key to opening up the American market."
Thompson notes that Australia made the world's first feature-length narrative movie, The Story of the Kelly Gang in 1906, "and we had a vital Australian film industry in the silent era up to 1927".
"Hollywood and the American investment in theatre chains here was able to dominate the Australian film industry, and essentially, between 1930 and the 70s, nothing much happened in Australian cinema," he says.
While Sunday Too Far Away was New Wave's first commercial success, 1971's Wake In Fright is widely regarded as the era's opening film.
It was Thompson's first movie and the last for veteran character actor Chips Rafferty, who died of a heart attack before it was released.
It screened at Cannes and received favourable responses in France and the UK but struggled at the Australian box office.
It's the story of a teacher waylaid in a mining town where a gambling spree leaves him broke. Amid a haze of alcohol, he participates in a gruesome kangaroo hunt and is also subjected to moral degradation.
It ran for just 10 days in Sydney, and 14 in Melbourne, Thompson recalls, "and people were saying 'that's not us', despite the fact the book was written by an Australian".
"Because when we were seen on screen (previously), we were seen as these pleasant caricatures, we weren't used to seeing it and we didn't want to see it," he says.
During an early Australian screening, when a man stood up, pointed at the screen and protested "that's not us!", Thompson famously yelled back "sit down, mate. It is us".
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The Screaming Jets had the first song in the Australian songs Hottest 100. But who did they vote for?
It's been a difficult moment for Australian music. Last month, the federal government's advisory body, Creative Australia, released statistics that showed just how challenging it's become for homegrown artists to have their music heard. Only 8 per cent of the top 10,000 artists streamed in this country were Australian. Today's Triple J Hottest 100 Australian songs of all time seeks to give music fans a clear reminder of the remarkable talent produced in this country. So we asked a bunch of Hunter identities who made their top 10. These Days, Powderfinger A brilliant song. I feel like the movie Two Hands would have been a lesser film without the inclusion of this great song. One Perfect Day, Little Heroes Such an evocative song for people in long-distance relationships. That longing for physical and emotional connection is exacerbated by the tyranny of distance. Not Pretty Enough, Kasey Chambers I absolutely love the songwriting of Kasey. She is a gem and sings with such authenticity. Love her. Overkill, Men At Work A song that has probably exceeded its original release in popularity. The voice of the great Colin Hay and Greg Ham's always amazing brass lines are just awesome. Most People I Know, Billy Thorpe & The Aztecs A great song from one of the pioneers of Aussie rock. A true legend who wrote great songs, played guitar like a god and sang with all his might. Mr Damage, The Angels I remember being scared of the menacing undertone of this song when I heard it on my brother's stereo as a 10-year-old. Years later, the fear would be that I'd stuff up the lyrics in front of a rabid live Angels crowd. Baby, I'm Gettin' Better, Gyroscope I loved this band from the moment I heard the song. More evidence that there really is something in the water over in WA. Short Note, Matt Finish A beautiful song. Melancholy, yet strangely uplifting. A great vocal from the sadly departed Matt Moffatt. Squealer, AC/DC Probably a contentious song nowadays, but to me a fine example of Bon Scott's lyrical prowess. Sallie-Anne, Spy vs. Spy A powerful song based on the death of Sallie-Anne Huckstepp, a Sydney sex worker who was killed apparently because she knew too much about the underworld and its connection to high-ranking corrupt police officers in Kings Cross. Across the Night, Silverchair Daniel Johns is one of the most talented musicians alive. The Diorama album is his Magnum Opus; and he's a fellow Newcastle boy. Carrion, Parkway Drive An absolute metal anthem that blows the doors off every time. I remember hearing this for the first time and immediately running to pick up my guitar. To the Moon and Back, Savage Garden They were my first ever live concert at Newcastle Entertainment Centre and you can still catch me singing along to every word. Rhapsody on a Windy Night, The Getaway Plan Matt's [Wright] voice is haunting and this entire album gives me goosebumps. As a kid this band made me realise I will never be as musically talented as these guys are. Prisoner of Society, The Living End As a young teen, these guys gave me a lot of opportunity to scream in my bedroom and feel like I was giving a big middle finger to any sort of authority. Horror Movie, Skyhooks My father's favourite band. I remember listening to old tapes switching between Skyhooks and Cold Chisel. It was my introduction to Aussie rock. The News, The Mission In Motion A band my wife introduced me to when we first met. We saw them live together so many times and hearing their music takes me straight back to when Jess and I were dating. Give it All, The Amity Affliction This song and album got me through a lot of heavy shit when I was younger. If music is therapy, then I owe these guys a lot. Come into My World, Kylie Minogue When you say Aussie pop icon, Kylie is the only answer. I've still got as big of a crush on her now as I did when I was a teenager. Jewels for Eyes, Closure In Moscow Beautiful, ethereal and experimental. Closure is like Bowie meets The Mars Volta. Incredible Australian musicians. Electric Blue, Icehouse Transports me straight back to my childhood in the '80s. My parents playing Icehouse, Dire Straits, The Police and Huey Lewis and the News on cassette tapes, as we hit the road on holidays. Down Under, Men At Work Hard not to include this song in my top 10. Another one that takes me back to the 80s growing up in Australia. Iconic lyrics. Tomorrow, Silverchair Silverchair was big when I was in high school in Port Macquarie. I remember friends heading to Newcastle to see their concert. I loved covering the 30-year anniversary of Tomorrow late last year - their debut EP that continues to resonate and be revered. Pick You Up, Powderfinger A soundtrack to my senior years of high school. Double Allergic and Vulture Street CDs were on high rotation. Difficult Woman, Renee Geyer My dad introduced me to Renee Geyer in my late teens/early 20s. She has an extraordinarily powerful and beautiful voice. Lachlan Tigers, Bushwackers For the first three decades of my life, my dad played in a bush band, as well as a jazz band. The bush band played lots of Bushwackers songs including Lachlan Tigers. Goodbye Blinky Bill, John Williamson When I was small, I would visit the Port Macquarie Koala Hospital with my dad. He would play music and we would pass his Akubra hat around to raise money for the injured koalas. The chorus goes ... "Pass the hat around between your friends, there's no time to contemplate. Maybe if we show some love, maybe it's not too late." Better, Screaming Jets Newcastle's original rockstars and their epic rock anthem. I remember watching this film clip in the early '90s on Rage with my brother. My Island Home, Christine Anu A beautiful song that always makes me smile. It resonates with me ... having grown up in the small coastal community of Bonny Hills. Stalker, The Main Guy and The Other Guys Just like Silverchair, another iconic Newy band that needs to reform. Missing Piece, Vance Joy This song reminds me of how simply being with the right person can make everything feel lighter. Connection doesn't need grand gestures - just sincerity, safety, and shared space. Scar, Missy Higgins This one really resonates deeply with me on quite a few levels ... professionally and personally. I really appreciate authenticity and courage, especially in conversations about mental health and in my personal relationships. Never Tear Us Apart, INXS I just love the intensity and passion of this song. It's about intense connections and unbreakable bonds. Thankyou (For Loving Me at my Worst), The Whitlams I love how this one doesn't shy away from the fact that we all have our worst moments - times when we aren't easy to love - and rather than regretting, it's about being grateful for people who stayed. The Ship Song, Nick Cave This song, for me, is all about invitation and surrender, about offering someone your messy, beautiful world and asking them to stay anyway. Not Pretty Enough, Kasey Chambers It just aches, doesn't it, with the pain of being overlooked, underestimated, or dismissed - not because you lack substance, but because you don't fit the mould. How to Make Gravy, Paul Kelly This song makes me cry. I love that it's about family, forgiveness and finding connection even when people are apart or hurting. In the Summertime, Thirsty Merc I'm playing this a lot right now. I'm so nostalgic (and desperate) for summer. This song feels like lazy afternoons, road trips and the joy of Australian summers. Can't Get You Out of My Head, Kylie Minogue It's bold, playful and iconic - I want words with anyone who doesn't have this on their list. Magic, Olivia Newton John I love this song for so many reasons. Of course, it's about belief being a catalyst for transformation and realised possibilities - trust your intuition. Get Free, The Vines Two minutes of pure rock adrenaline. When it was released in 2002 I thought The Vines could have been anything. The hype didn't last, but my god, it kicked in the back teeth. Purple Sneakers, You Am I My entire list could be filled with Tim Rogers songs. A genius. The lyrics of teenage awkwardness and the search for human connection just resonates above all the others. Straight Lines, Silverchair I met my wife at a Silverchair show and they're Newy's greatest band. I could have chosen Freak or Emotion Sickness, but Straight Lines was melodically Daniel Johns' finest moment. Bye Bye Pride, The Go-Betweens Once again, my list could be entirely filled with Go-Betweens songs. I absolutely adore the chorus, and when Grant McLennan and Amanda Brown's voices combine it simply soars. Blue Sky Mine, Midnight Oil Watching the Oils in 2017 at Hope Estate gave me an entirely new appreciation for the band. The outro where they sing "in the end the rain comes down" is spine-tingling. Perfect Now, Sarah Blasko A gorgeous performance from one of Australia's best vocalists. The song is about knowing your momentary happiness won't last. A melancholic thought, delivered powerfully. Feels Like We Only Go Backwards - Tame Impala I've enjoyed Kevin Parker's later more electronic material too, but for me, Lonerism and this track were his pyschedelic peak. U Should Not Be Doing That, Amyl & The Sniffers The Melbourne four-piece are the most exciting band Australia has produced in years. This is punk rock with a modern flavour, verve and intelligence. One Crowded Hour, Augie March It's probably the most unconventional Triple J Hottest 100 winner, but one of the most stunning. Glenn Richards' romantic and poetic tale sounds like Jeff Buckley channelling mid-60s Bob Dylan. Jezabel, The Drones Gareth Liddiard is another of my favourite songwriters. This bleak tale about a man scarred by the horrors of Middle Eastern conflicts combines The Drones' discordant power and beauty. Eagle Rock, Daddy Cool The riff is so pervasive - but what's the point of dropping your pants when you should be dancing? Beds Are Burning, Midnight Oil Such a great combination of a driving bass rhythm and a political message. Throw Your Arms Around Me, Hunters & Collectors Because I'm a hopeless romantic. Boys In Town, Divinyls I introduced this to my son when he was 13. He loved it immediately, and suddenly gave me more respect. Star and the Slaughter, Heroes The song that closed the Star Hotel - and started a riot. The Newcastle Song, Bob Hudson I've performed this song to great laughs on stage in Newcastle, Melbourne, Christchurch and in a pub in the west of Ireland. The Biggest Disappointment, Slim Dusty I loved it as a Slim Dusty song many, many years ago, and I loved rediscovering it when Missy Higgins did an acoustic version recently. The Special Two, Missy Higgins A special song from an extraordinary album. Reckless (Don't Be So..), Australian Crawl Wonderful word imagery and music combined. Live it Up, Mental As Anything Such a great upbeat and happy song - you've gotta love it. Torn, Natalie Imbruglia Great song, great singer, great video. Big, Sneaky Sound System A catchy song that I loved when it first came out. It's still in my playlist. Like I'm Falling Down Stairs, Sparkadia I love the melody. It's A Long Way To The Top (If You Wanna Rock 'N' Roll), AC/DC It gets the heart pumping. Dumb Things, Paul Kelly Words to live by. Power and the Passion, Midnight Oil An anthem for the politically minded. Better, Screaming Jets Novocastrians represent. Working Class Man, Jimmy Barnes Classic Aussie rock. What's not to like? Hot Potato, The Wiggles What can I say, I'm a dad of three and love a singalong. Perfect for long car trips to get the backseat happy. Eagle Rock, Daddy Cool This one has become a family hit with the kids. Sounds Of Then (This is Australia), GANGgajang Reminds me of life on the farm. Took The Children Away, Archie Roach It just epitomises the tragedy of the Stolen Generation, and it brings a tingle to my spine. Walking On A Dream, Empire Of The Sun I like chilling with a bit of electronica. It's an iconic song that takes you away. Power and the Passion, Midnight Oil I love the politics of the album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, in particular. It means so much to me. Into My Arms, Nick Cave & The Bad Seeds I'm a relatively late convert to Nick Cave. I saw him here at the Civic Theatre [in 2022] in what was one of the most incredible concerts I've ever seen. Fred Astaire, San Cisco It's a song most people have heard and like and it's one I certainly love. Better, Screaming Jets You hear that song and you get up and wanna dance and go hard. Iconic Novocastrians. Straight Lines, Silverchair At one point they were one of the world's biggest bands, and they're Newy. My kids go to Newy High and you walk in and see the photo of them. Just legends. So Caught Up, Teskey Brothers I'm a huge fan of the Teskey Brothers and they fit in perfectly with that blues and soul sound and have iconic voices. London Still, The Waifs One of my best friends is Josh Cunningham's [of The Waifs] brother Saul. I've seen them countless times and watched them go from playing at Moruya to performing to massive sold-out spaces. Follow The Sun, Xavier Rudd If I need to chill out from the stress of politics, I whack that one on and it's got bird calls and whistles. It's been a difficult moment for Australian music. Last month, the federal government's advisory body, Creative Australia, released statistics that showed just how challenging it's become for homegrown artists to have their music heard. Only 8 per cent of the top 10,000 artists streamed in this country were Australian. Today's Triple J Hottest 100 Australian songs of all time seeks to give music fans a clear reminder of the remarkable talent produced in this country. So we asked a bunch of Hunter identities who made their top 10. These Days, Powderfinger A brilliant song. I feel like the movie Two Hands would have been a lesser film without the inclusion of this great song. One Perfect Day, Little Heroes Such an evocative song for people in long-distance relationships. That longing for physical and emotional connection is exacerbated by the tyranny of distance. Not Pretty Enough, Kasey Chambers I absolutely love the songwriting of Kasey. She is a gem and sings with such authenticity. Love her. Overkill, Men At Work A song that has probably exceeded its original release in popularity. The voice of the great Colin Hay and Greg Ham's always amazing brass lines are just awesome. Most People I Know, Billy Thorpe & The Aztecs A great song from one of the pioneers of Aussie rock. A true legend who wrote great songs, played guitar like a god and sang with all his might. Mr Damage, The Angels I remember being scared of the menacing undertone of this song when I heard it on my brother's stereo as a 10-year-old. Years later, the fear would be that I'd stuff up the lyrics in front of a rabid live Angels crowd. Baby, I'm Gettin' Better, Gyroscope I loved this band from the moment I heard the song. More evidence that there really is something in the water over in WA. Short Note, Matt Finish A beautiful song. Melancholy, yet strangely uplifting. A great vocal from the sadly departed Matt Moffatt. Squealer, AC/DC Probably a contentious song nowadays, but to me a fine example of Bon Scott's lyrical prowess. Sallie-Anne, Spy vs. Spy A powerful song based on the death of Sallie-Anne Huckstepp, a Sydney sex worker who was killed apparently because she knew too much about the underworld and its connection to high-ranking corrupt police officers in Kings Cross. Across the Night, Silverchair Daniel Johns is one of the most talented musicians alive. The Diorama album is his Magnum Opus; and he's a fellow Newcastle boy. Carrion, Parkway Drive An absolute metal anthem that blows the doors off every time. I remember hearing this for the first time and immediately running to pick up my guitar. To the Moon and Back, Savage Garden They were my first ever live concert at Newcastle Entertainment Centre and you can still catch me singing along to every word. Rhapsody on a Windy Night, The Getaway Plan Matt's [Wright] voice is haunting and this entire album gives me goosebumps. As a kid this band made me realise I will never be as musically talented as these guys are. Prisoner of Society, The Living End As a young teen, these guys gave me a lot of opportunity to scream in my bedroom and feel like I was giving a big middle finger to any sort of authority. Horror Movie, Skyhooks My father's favourite band. I remember listening to old tapes switching between Skyhooks and Cold Chisel. It was my introduction to Aussie rock. The News, The Mission In Motion A band my wife introduced me to when we first met. We saw them live together so many times and hearing their music takes me straight back to when Jess and I were dating. Give it All, The Amity Affliction This song and album got me through a lot of heavy shit when I was younger. If music is therapy, then I owe these guys a lot. Come into My World, Kylie Minogue When you say Aussie pop icon, Kylie is the only answer. I've still got as big of a crush on her now as I did when I was a teenager. Jewels for Eyes, Closure In Moscow Beautiful, ethereal and experimental. Closure is like Bowie meets The Mars Volta. Incredible Australian musicians. Electric Blue, Icehouse Transports me straight back to my childhood in the '80s. My parents playing Icehouse, Dire Straits, The Police and Huey Lewis and the News on cassette tapes, as we hit the road on holidays. Down Under, Men At Work Hard not to include this song in my top 10. Another one that takes me back to the 80s growing up in Australia. Iconic lyrics. Tomorrow, Silverchair Silverchair was big when I was in high school in Port Macquarie. I remember friends heading to Newcastle to see their concert. I loved covering the 30-year anniversary of Tomorrow late last year - their debut EP that continues to resonate and be revered. Pick You Up, Powderfinger A soundtrack to my senior years of high school. Double Allergic and Vulture Street CDs were on high rotation. Difficult Woman, Renee Geyer My dad introduced me to Renee Geyer in my late teens/early 20s. She has an extraordinarily powerful and beautiful voice. Lachlan Tigers, Bushwackers For the first three decades of my life, my dad played in a bush band, as well as a jazz band. The bush band played lots of Bushwackers songs including Lachlan Tigers. Goodbye Blinky Bill, John Williamson When I was small, I would visit the Port Macquarie Koala Hospital with my dad. He would play music and we would pass his Akubra hat around to raise money for the injured koalas. The chorus goes ... "Pass the hat around between your friends, there's no time to contemplate. Maybe if we show some love, maybe it's not too late." Better, Screaming Jets Newcastle's original rockstars and their epic rock anthem. I remember watching this film clip in the early '90s on Rage with my brother. My Island Home, Christine Anu A beautiful song that always makes me smile. It resonates with me ... having grown up in the small coastal community of Bonny Hills. Stalker, The Main Guy and The Other Guys Just like Silverchair, another iconic Newy band that needs to reform. Missing Piece, Vance Joy This song reminds me of how simply being with the right person can make everything feel lighter. Connection doesn't need grand gestures - just sincerity, safety, and shared space. Scar, Missy Higgins This one really resonates deeply with me on quite a few levels ... professionally and personally. I really appreciate authenticity and courage, especially in conversations about mental health and in my personal relationships. Never Tear Us Apart, INXS I just love the intensity and passion of this song. It's about intense connections and unbreakable bonds. Thankyou (For Loving Me at my Worst), The Whitlams I love how this one doesn't shy away from the fact that we all have our worst moments - times when we aren't easy to love - and rather than regretting, it's about being grateful for people who stayed. The Ship Song, Nick Cave This song, for me, is all about invitation and surrender, about offering someone your messy, beautiful world and asking them to stay anyway. Not Pretty Enough, Kasey Chambers It just aches, doesn't it, with the pain of being overlooked, underestimated, or dismissed - not because you lack substance, but because you don't fit the mould. How to Make Gravy, Paul Kelly This song makes me cry. I love that it's about family, forgiveness and finding connection even when people are apart or hurting. In the Summertime, Thirsty Merc I'm playing this a lot right now. I'm so nostalgic (and desperate) for summer. This song feels like lazy afternoons, road trips and the joy of Australian summers. Can't Get You Out of My Head, Kylie Minogue It's bold, playful and iconic - I want words with anyone who doesn't have this on their list. Magic, Olivia Newton John I love this song for so many reasons. Of course, it's about belief being a catalyst for transformation and realised possibilities - trust your intuition. Get Free, The Vines Two minutes of pure rock adrenaline. When it was released in 2002 I thought The Vines could have been anything. The hype didn't last, but my god, it kicked in the back teeth. Purple Sneakers, You Am I My entire list could be filled with Tim Rogers songs. A genius. The lyrics of teenage awkwardness and the search for human connection just resonates above all the others. Straight Lines, Silverchair I met my wife at a Silverchair show and they're Newy's greatest band. I could have chosen Freak or Emotion Sickness, but Straight Lines was melodically Daniel Johns' finest moment. Bye Bye Pride, The Go-Betweens Once again, my list could be entirely filled with Go-Betweens songs. I absolutely adore the chorus, and when Grant McLennan and Amanda Brown's voices combine it simply soars. Blue Sky Mine, Midnight Oil Watching the Oils in 2017 at Hope Estate gave me an entirely new appreciation for the band. The outro where they sing "in the end the rain comes down" is spine-tingling. Perfect Now, Sarah Blasko A gorgeous performance from one of Australia's best vocalists. The song is about knowing your momentary happiness won't last. A melancholic thought, delivered powerfully. Feels Like We Only Go Backwards - Tame Impala I've enjoyed Kevin Parker's later more electronic material too, but for me, Lonerism and this track were his pyschedelic peak. U Should Not Be Doing That, Amyl & The Sniffers The Melbourne four-piece are the most exciting band Australia has produced in years. This is punk rock with a modern flavour, verve and intelligence. One Crowded Hour, Augie March It's probably the most unconventional Triple J Hottest 100 winner, but one of the most stunning. Glenn Richards' romantic and poetic tale sounds like Jeff Buckley channelling mid-60s Bob Dylan. Jezabel, The Drones Gareth Liddiard is another of my favourite songwriters. This bleak tale about a man scarred by the horrors of Middle Eastern conflicts combines The Drones' discordant power and beauty. Eagle Rock, Daddy Cool The riff is so pervasive - but what's the point of dropping your pants when you should be dancing? Beds Are Burning, Midnight Oil Such a great combination of a driving bass rhythm and a political message. Throw Your Arms Around Me, Hunters & Collectors Because I'm a hopeless romantic. Boys In Town, Divinyls I introduced this to my son when he was 13. He loved it immediately, and suddenly gave me more respect. Star and the Slaughter, Heroes The song that closed the Star Hotel - and started a riot. The Newcastle Song, Bob Hudson I've performed this song to great laughs on stage in Newcastle, Melbourne, Christchurch and in a pub in the west of Ireland. The Biggest Disappointment, Slim Dusty I loved it as a Slim Dusty song many, many years ago, and I loved rediscovering it when Missy Higgins did an acoustic version recently. The Special Two, Missy Higgins A special song from an extraordinary album. Reckless (Don't Be So..), Australian Crawl Wonderful word imagery and music combined. Live it Up, Mental As Anything Such a great upbeat and happy song - you've gotta love it. Torn, Natalie Imbruglia Great song, great singer, great video. Big, Sneaky Sound System A catchy song that I loved when it first came out. It's still in my playlist. Like I'm Falling Down Stairs, Sparkadia I love the melody. It's A Long Way To The Top (If You Wanna Rock 'N' Roll), AC/DC It gets the heart pumping. Dumb Things, Paul Kelly Words to live by. Power and the Passion, Midnight Oil An anthem for the politically minded. Better, Screaming Jets Novocastrians represent. Working Class Man, Jimmy Barnes Classic Aussie rock. What's not to like? Hot Potato, The Wiggles What can I say, I'm a dad of three and love a singalong. Perfect for long car trips to get the backseat happy. Eagle Rock, Daddy Cool This one has become a family hit with the kids. Sounds Of Then (This is Australia), GANGgajang Reminds me of life on the farm. Took The Children Away, Archie Roach It just epitomises the tragedy of the Stolen Generation, and it brings a tingle to my spine. Walking On A Dream, Empire Of The Sun I like chilling with a bit of electronica. It's an iconic song that takes you away. Power and the Passion, Midnight Oil I love the politics of the album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, in particular. It means so much to me. Into My Arms, Nick Cave & The Bad Seeds I'm a relatively late convert to Nick Cave. I saw him here at the Civic Theatre [in 2022] in what was one of the most incredible concerts I've ever seen. Fred Astaire, San Cisco It's a song most people have heard and like and it's one I certainly love. Better, Screaming Jets You hear that song and you get up and wanna dance and go hard. Iconic Novocastrians. Straight Lines, Silverchair At one point they were one of the world's biggest bands, and they're Newy. My kids go to Newy High and you walk in and see the photo of them. Just legends. So Caught Up, Teskey Brothers I'm a huge fan of the Teskey Brothers and they fit in perfectly with that blues and soul sound and have iconic voices. London Still, The Waifs One of my best friends is Josh Cunningham's [of The Waifs] brother Saul. I've seen them countless times and watched them go from playing at Moruya to performing to massive sold-out spaces. Follow The Sun, Xavier Rudd If I need to chill out from the stress of politics, I whack that one on and it's got bird calls and whistles. It's been a difficult moment for Australian music. Last month, the federal government's advisory body, Creative Australia, released statistics that showed just how challenging it's become for homegrown artists to have their music heard. Only 8 per cent of the top 10,000 artists streamed in this country were Australian. Today's Triple J Hottest 100 Australian songs of all time seeks to give music fans a clear reminder of the remarkable talent produced in this country. So we asked a bunch of Hunter identities who made their top 10. These Days, Powderfinger A brilliant song. I feel like the movie Two Hands would have been a lesser film without the inclusion of this great song. One Perfect Day, Little Heroes Such an evocative song for people in long-distance relationships. That longing for physical and emotional connection is exacerbated by the tyranny of distance. Not Pretty Enough, Kasey Chambers I absolutely love the songwriting of Kasey. She is a gem and sings with such authenticity. Love her. Overkill, Men At Work A song that has probably exceeded its original release in popularity. The voice of the great Colin Hay and Greg Ham's always amazing brass lines are just awesome. Most People I Know, Billy Thorpe & The Aztecs A great song from one of the pioneers of Aussie rock. A true legend who wrote great songs, played guitar like a god and sang with all his might. Mr Damage, The Angels I remember being scared of the menacing undertone of this song when I heard it on my brother's stereo as a 10-year-old. Years later, the fear would be that I'd stuff up the lyrics in front of a rabid live Angels crowd. Baby, I'm Gettin' Better, Gyroscope I loved this band from the moment I heard the song. More evidence that there really is something in the water over in WA. Short Note, Matt Finish A beautiful song. Melancholy, yet strangely uplifting. A great vocal from the sadly departed Matt Moffatt. Squealer, AC/DC Probably a contentious song nowadays, but to me a fine example of Bon Scott's lyrical prowess. Sallie-Anne, Spy vs. Spy A powerful song based on the death of Sallie-Anne Huckstepp, a Sydney sex worker who was killed apparently because she knew too much about the underworld and its connection to high-ranking corrupt police officers in Kings Cross. Across the Night, Silverchair Daniel Johns is one of the most talented musicians alive. The Diorama album is his Magnum Opus; and he's a fellow Newcastle boy. Carrion, Parkway Drive An absolute metal anthem that blows the doors off every time. I remember hearing this for the first time and immediately running to pick up my guitar. To the Moon and Back, Savage Garden They were my first ever live concert at Newcastle Entertainment Centre and you can still catch me singing along to every word. Rhapsody on a Windy Night, The Getaway Plan Matt's [Wright] voice is haunting and this entire album gives me goosebumps. As a kid this band made me realise I will never be as musically talented as these guys are. Prisoner of Society, The Living End As a young teen, these guys gave me a lot of opportunity to scream in my bedroom and feel like I was giving a big middle finger to any sort of authority. Horror Movie, Skyhooks My father's favourite band. I remember listening to old tapes switching between Skyhooks and Cold Chisel. It was my introduction to Aussie rock. The News, The Mission In Motion A band my wife introduced me to when we first met. We saw them live together so many times and hearing their music takes me straight back to when Jess and I were dating. Give it All, The Amity Affliction This song and album got me through a lot of heavy shit when I was younger. If music is therapy, then I owe these guys a lot. Come into My World, Kylie Minogue When you say Aussie pop icon, Kylie is the only answer. I've still got as big of a crush on her now as I did when I was a teenager. Jewels for Eyes, Closure In Moscow Beautiful, ethereal and experimental. Closure is like Bowie meets The Mars Volta. Incredible Australian musicians. Electric Blue, Icehouse Transports me straight back to my childhood in the '80s. My parents playing Icehouse, Dire Straits, The Police and Huey Lewis and the News on cassette tapes, as we hit the road on holidays. Down Under, Men At Work Hard not to include this song in my top 10. Another one that takes me back to the 80s growing up in Australia. Iconic lyrics. Tomorrow, Silverchair Silverchair was big when I was in high school in Port Macquarie. I remember friends heading to Newcastle to see their concert. I loved covering the 30-year anniversary of Tomorrow late last year - their debut EP that continues to resonate and be revered. Pick You Up, Powderfinger A soundtrack to my senior years of high school. Double Allergic and Vulture Street CDs were on high rotation. Difficult Woman, Renee Geyer My dad introduced me to Renee Geyer in my late teens/early 20s. She has an extraordinarily powerful and beautiful voice. Lachlan Tigers, Bushwackers For the first three decades of my life, my dad played in a bush band, as well as a jazz band. The bush band played lots of Bushwackers songs including Lachlan Tigers. Goodbye Blinky Bill, John Williamson When I was small, I would visit the Port Macquarie Koala Hospital with my dad. He would play music and we would pass his Akubra hat around to raise money for the injured koalas. The chorus goes ... "Pass the hat around between your friends, there's no time to contemplate. Maybe if we show some love, maybe it's not too late." Better, Screaming Jets Newcastle's original rockstars and their epic rock anthem. I remember watching this film clip in the early '90s on Rage with my brother. My Island Home, Christine Anu A beautiful song that always makes me smile. It resonates with me ... having grown up in the small coastal community of Bonny Hills. Stalker, The Main Guy and The Other Guys Just like Silverchair, another iconic Newy band that needs to reform. Missing Piece, Vance Joy This song reminds me of how simply being with the right person can make everything feel lighter. Connection doesn't need grand gestures - just sincerity, safety, and shared space. Scar, Missy Higgins This one really resonates deeply with me on quite a few levels ... professionally and personally. I really appreciate authenticity and courage, especially in conversations about mental health and in my personal relationships. Never Tear Us Apart, INXS I just love the intensity and passion of this song. It's about intense connections and unbreakable bonds. Thankyou (For Loving Me at my Worst), The Whitlams I love how this one doesn't shy away from the fact that we all have our worst moments - times when we aren't easy to love - and rather than regretting, it's about being grateful for people who stayed. The Ship Song, Nick Cave This song, for me, is all about invitation and surrender, about offering someone your messy, beautiful world and asking them to stay anyway. Not Pretty Enough, Kasey Chambers It just aches, doesn't it, with the pain of being overlooked, underestimated, or dismissed - not because you lack substance, but because you don't fit the mould. How to Make Gravy, Paul Kelly This song makes me cry. I love that it's about family, forgiveness and finding connection even when people are apart or hurting. In the Summertime, Thirsty Merc I'm playing this a lot right now. I'm so nostalgic (and desperate) for summer. This song feels like lazy afternoons, road trips and the joy of Australian summers. Can't Get You Out of My Head, Kylie Minogue It's bold, playful and iconic - I want words with anyone who doesn't have this on their list. Magic, Olivia Newton John I love this song for so many reasons. Of course, it's about belief being a catalyst for transformation and realised possibilities - trust your intuition. Get Free, The Vines Two minutes of pure rock adrenaline. When it was released in 2002 I thought The Vines could have been anything. The hype didn't last, but my god, it kicked in the back teeth. Purple Sneakers, You Am I My entire list could be filled with Tim Rogers songs. A genius. The lyrics of teenage awkwardness and the search for human connection just resonates above all the others. Straight Lines, Silverchair I met my wife at a Silverchair show and they're Newy's greatest band. I could have chosen Freak or Emotion Sickness, but Straight Lines was melodically Daniel Johns' finest moment. Bye Bye Pride, The Go-Betweens Once again, my list could be entirely filled with Go-Betweens songs. I absolutely adore the chorus, and when Grant McLennan and Amanda Brown's voices combine it simply soars. Blue Sky Mine, Midnight Oil Watching the Oils in 2017 at Hope Estate gave me an entirely new appreciation for the band. The outro where they sing "in the end the rain comes down" is spine-tingling. Perfect Now, Sarah Blasko A gorgeous performance from one of Australia's best vocalists. The song is about knowing your momentary happiness won't last. A melancholic thought, delivered powerfully. Feels Like We Only Go Backwards - Tame Impala I've enjoyed Kevin Parker's later more electronic material too, but for me, Lonerism and this track were his pyschedelic peak. U Should Not Be Doing That, Amyl & The Sniffers The Melbourne four-piece are the most exciting band Australia has produced in years. This is punk rock with a modern flavour, verve and intelligence. One Crowded Hour, Augie March It's probably the most unconventional Triple J Hottest 100 winner, but one of the most stunning. Glenn Richards' romantic and poetic tale sounds like Jeff Buckley channelling mid-60s Bob Dylan. Jezabel, The Drones Gareth Liddiard is another of my favourite songwriters. This bleak tale about a man scarred by the horrors of Middle Eastern conflicts combines The Drones' discordant power and beauty. Eagle Rock, Daddy Cool The riff is so pervasive - but what's the point of dropping your pants when you should be dancing? Beds Are Burning, Midnight Oil Such a great combination of a driving bass rhythm and a political message. Throw Your Arms Around Me, Hunters & Collectors Because I'm a hopeless romantic. Boys In Town, Divinyls I introduced this to my son when he was 13. He loved it immediately, and suddenly gave me more respect. Star and the Slaughter, Heroes The song that closed the Star Hotel - and started a riot. The Newcastle Song, Bob Hudson I've performed this song to great laughs on stage in Newcastle, Melbourne, Christchurch and in a pub in the west of Ireland. The Biggest Disappointment, Slim Dusty I loved it as a Slim Dusty song many, many years ago, and I loved rediscovering it when Missy Higgins did an acoustic version recently. The Special Two, Missy Higgins A special song from an extraordinary album. Reckless (Don't Be So..), Australian Crawl Wonderful word imagery and music combined. Live it Up, Mental As Anything Such a great upbeat and happy song - you've gotta love it. Torn, Natalie Imbruglia Great song, great singer, great video. Big, Sneaky Sound System A catchy song that I loved when it first came out. It's still in my playlist. Like I'm Falling Down Stairs, Sparkadia I love the melody. It's A Long Way To The Top (If You Wanna Rock 'N' Roll), AC/DC It gets the heart pumping. Dumb Things, Paul Kelly Words to live by. Power and the Passion, Midnight Oil An anthem for the politically minded. Better, Screaming Jets Novocastrians represent. Working Class Man, Jimmy Barnes Classic Aussie rock. What's not to like? Hot Potato, The Wiggles What can I say, I'm a dad of three and love a singalong. Perfect for long car trips to get the backseat happy. Eagle Rock, Daddy Cool This one has become a family hit with the kids. Sounds Of Then (This is Australia), GANGgajang Reminds me of life on the farm. Took The Children Away, Archie Roach It just epitomises the tragedy of the Stolen Generation, and it brings a tingle to my spine. Walking On A Dream, Empire Of The Sun I like chilling with a bit of electronica. It's an iconic song that takes you away. Power and the Passion, Midnight Oil I love the politics of the album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, in particular. It means so much to me. Into My Arms, Nick Cave & The Bad Seeds I'm a relatively late convert to Nick Cave. I saw him here at the Civic Theatre [in 2022] in what was one of the most incredible concerts I've ever seen. Fred Astaire, San Cisco It's a song most people have heard and like and it's one I certainly love. Better, Screaming Jets You hear that song and you get up and wanna dance and go hard. Iconic Novocastrians. Straight Lines, Silverchair At one point they were one of the world's biggest bands, and they're Newy. My kids go to Newy High and you walk in and see the photo of them. Just legends. So Caught Up, Teskey Brothers I'm a huge fan of the Teskey Brothers and they fit in perfectly with that blues and soul sound and have iconic voices. London Still, The Waifs One of my best friends is Josh Cunningham's [of The Waifs] brother Saul. I've seen them countless times and watched them go from playing at Moruya to performing to massive sold-out spaces. Follow The Sun, Xavier Rudd If I need to chill out from the stress of politics, I whack that one on and it's got bird calls and whistles. It's been a difficult moment for Australian music. Last month, the federal government's advisory body, Creative Australia, released statistics that showed just how challenging it's become for homegrown artists to have their music heard. Only 8 per cent of the top 10,000 artists streamed in this country were Australian. Today's Triple J Hottest 100 Australian songs of all time seeks to give music fans a clear reminder of the remarkable talent produced in this country. So we asked a bunch of Hunter identities who made their top 10. These Days, Powderfinger A brilliant song. I feel like the movie Two Hands would have been a lesser film without the inclusion of this great song. One Perfect Day, Little Heroes Such an evocative song for people in long-distance relationships. That longing for physical and emotional connection is exacerbated by the tyranny of distance. Not Pretty Enough, Kasey Chambers I absolutely love the songwriting of Kasey. She is a gem and sings with such authenticity. Love her. Overkill, Men At Work A song that has probably exceeded its original release in popularity. The voice of the great Colin Hay and Greg Ham's always amazing brass lines are just awesome. Most People I Know, Billy Thorpe & The Aztecs A great song from one of the pioneers of Aussie rock. A true legend who wrote great songs, played guitar like a god and sang with all his might. Mr Damage, The Angels I remember being scared of the menacing undertone of this song when I heard it on my brother's stereo as a 10-year-old. Years later, the fear would be that I'd stuff up the lyrics in front of a rabid live Angels crowd. Baby, I'm Gettin' Better, Gyroscope I loved this band from the moment I heard the song. More evidence that there really is something in the water over in WA. Short Note, Matt Finish A beautiful song. Melancholy, yet strangely uplifting. A great vocal from the sadly departed Matt Moffatt. Squealer, AC/DC Probably a contentious song nowadays, but to me a fine example of Bon Scott's lyrical prowess. Sallie-Anne, Spy vs. Spy A powerful song based on the death of Sallie-Anne Huckstepp, a Sydney sex worker who was killed apparently because she knew too much about the underworld and its connection to high-ranking corrupt police officers in Kings Cross. Across the Night, Silverchair Daniel Johns is one of the most talented musicians alive. The Diorama album is his Magnum Opus; and he's a fellow Newcastle boy. Carrion, Parkway Drive An absolute metal anthem that blows the doors off every time. I remember hearing this for the first time and immediately running to pick up my guitar. To the Moon and Back, Savage Garden They were my first ever live concert at Newcastle Entertainment Centre and you can still catch me singing along to every word. Rhapsody on a Windy Night, The Getaway Plan Matt's [Wright] voice is haunting and this entire album gives me goosebumps. As a kid this band made me realise I will never be as musically talented as these guys are. Prisoner of Society, The Living End As a young teen, these guys gave me a lot of opportunity to scream in my bedroom and feel like I was giving a big middle finger to any sort of authority. Horror Movie, Skyhooks My father's favourite band. I remember listening to old tapes switching between Skyhooks and Cold Chisel. It was my introduction to Aussie rock. The News, The Mission In Motion A band my wife introduced me to when we first met. We saw them live together so many times and hearing their music takes me straight back to when Jess and I were dating. Give it All, The Amity Affliction This song and album got me through a lot of heavy shit when I was younger. If music is therapy, then I owe these guys a lot. Come into My World, Kylie Minogue When you say Aussie pop icon, Kylie is the only answer. I've still got as big of a crush on her now as I did when I was a teenager. Jewels for Eyes, Closure In Moscow Beautiful, ethereal and experimental. Closure is like Bowie meets The Mars Volta. Incredible Australian musicians. Electric Blue, Icehouse Transports me straight back to my childhood in the '80s. My parents playing Icehouse, Dire Straits, The Police and Huey Lewis and the News on cassette tapes, as we hit the road on holidays. Down Under, Men At Work Hard not to include this song in my top 10. Another one that takes me back to the 80s growing up in Australia. Iconic lyrics. Tomorrow, Silverchair Silverchair was big when I was in high school in Port Macquarie. I remember friends heading to Newcastle to see their concert. I loved covering the 30-year anniversary of Tomorrow late last year - their debut EP that continues to resonate and be revered. Pick You Up, Powderfinger A soundtrack to my senior years of high school. Double Allergic and Vulture Street CDs were on high rotation. Difficult Woman, Renee Geyer My dad introduced me to Renee Geyer in my late teens/early 20s. She has an extraordinarily powerful and beautiful voice. Lachlan Tigers, Bushwackers For the first three decades of my life, my dad played in a bush band, as well as a jazz band. The bush band played lots of Bushwackers songs including Lachlan Tigers. Goodbye Blinky Bill, John Williamson When I was small, I would visit the Port Macquarie Koala Hospital with my dad. He would play music and we would pass his Akubra hat around to raise money for the injured koalas. The chorus goes ... "Pass the hat around between your friends, there's no time to contemplate. Maybe if we show some love, maybe it's not too late." Better, Screaming Jets Newcastle's original rockstars and their epic rock anthem. I remember watching this film clip in the early '90s on Rage with my brother. My Island Home, Christine Anu A beautiful song that always makes me smile. It resonates with me ... having grown up in the small coastal community of Bonny Hills. Stalker, The Main Guy and The Other Guys Just like Silverchair, another iconic Newy band that needs to reform. Missing Piece, Vance Joy This song reminds me of how simply being with the right person can make everything feel lighter. Connection doesn't need grand gestures - just sincerity, safety, and shared space. Scar, Missy Higgins This one really resonates deeply with me on quite a few levels ... professionally and personally. I really appreciate authenticity and courage, especially in conversations about mental health and in my personal relationships. Never Tear Us Apart, INXS I just love the intensity and passion of this song. It's about intense connections and unbreakable bonds. Thankyou (For Loving Me at my Worst), The Whitlams I love how this one doesn't shy away from the fact that we all have our worst moments - times when we aren't easy to love - and rather than regretting, it's about being grateful for people who stayed. The Ship Song, Nick Cave This song, for me, is all about invitation and surrender, about offering someone your messy, beautiful world and asking them to stay anyway. Not Pretty Enough, Kasey Chambers It just aches, doesn't it, with the pain of being overlooked, underestimated, or dismissed - not because you lack substance, but because you don't fit the mould. How to Make Gravy, Paul Kelly This song makes me cry. I love that it's about family, forgiveness and finding connection even when people are apart or hurting. In the Summertime, Thirsty Merc I'm playing this a lot right now. I'm so nostalgic (and desperate) for summer. This song feels like lazy afternoons, road trips and the joy of Australian summers. Can't Get You Out of My Head, Kylie Minogue It's bold, playful and iconic - I want words with anyone who doesn't have this on their list. Magic, Olivia Newton John I love this song for so many reasons. Of course, it's about belief being a catalyst for transformation and realised possibilities - trust your intuition. Get Free, The Vines Two minutes of pure rock adrenaline. When it was released in 2002 I thought The Vines could have been anything. The hype didn't last, but my god, it kicked in the back teeth. Purple Sneakers, You Am I My entire list could be filled with Tim Rogers songs. A genius. The lyrics of teenage awkwardness and the search for human connection just resonates above all the others. Straight Lines, Silverchair I met my wife at a Silverchair show and they're Newy's greatest band. I could have chosen Freak or Emotion Sickness, but Straight Lines was melodically Daniel Johns' finest moment. Bye Bye Pride, The Go-Betweens Once again, my list could be entirely filled with Go-Betweens songs. I absolutely adore the chorus, and when Grant McLennan and Amanda Brown's voices combine it simply soars. Blue Sky Mine, Midnight Oil Watching the Oils in 2017 at Hope Estate gave me an entirely new appreciation for the band. The outro where they sing "in the end the rain comes down" is spine-tingling. Perfect Now, Sarah Blasko A gorgeous performance from one of Australia's best vocalists. The song is about knowing your momentary happiness won't last. A melancholic thought, delivered powerfully. Feels Like We Only Go Backwards - Tame Impala I've enjoyed Kevin Parker's later more electronic material too, but for me, Lonerism and this track were his pyschedelic peak. U Should Not Be Doing That, Amyl & The Sniffers The Melbourne four-piece are the most exciting band Australia has produced in years. This is punk rock with a modern flavour, verve and intelligence. One Crowded Hour, Augie March It's probably the most unconventional Triple J Hottest 100 winner, but one of the most stunning. Glenn Richards' romantic and poetic tale sounds like Jeff Buckley channelling mid-60s Bob Dylan. Jezabel, The Drones Gareth Liddiard is another of my favourite songwriters. This bleak tale about a man scarred by the horrors of Middle Eastern conflicts combines The Drones' discordant power and beauty. Eagle Rock, Daddy Cool The riff is so pervasive - but what's the point of dropping your pants when you should be dancing? Beds Are Burning, Midnight Oil Such a great combination of a driving bass rhythm and a political message. Throw Your Arms Around Me, Hunters & Collectors Because I'm a hopeless romantic. Boys In Town, Divinyls I introduced this to my son when he was 13. He loved it immediately, and suddenly gave me more respect. Star and the Slaughter, Heroes The song that closed the Star Hotel - and started a riot. The Newcastle Song, Bob Hudson I've performed this song to great laughs on stage in Newcastle, Melbourne, Christchurch and in a pub in the west of Ireland. The Biggest Disappointment, Slim Dusty I loved it as a Slim Dusty song many, many years ago, and I loved rediscovering it when Missy Higgins did an acoustic version recently. The Special Two, Missy Higgins A special song from an extraordinary album. Reckless (Don't Be So..), Australian Crawl Wonderful word imagery and music combined. Live it Up, Mental As Anything Such a great upbeat and happy song - you've gotta love it. Torn, Natalie Imbruglia Great song, great singer, great video. Big, Sneaky Sound System A catchy song that I loved when it first came out. It's still in my playlist. Like I'm Falling Down Stairs, Sparkadia I love the melody. It's A Long Way To The Top (If You Wanna Rock 'N' Roll), AC/DC It gets the heart pumping. Dumb Things, Paul Kelly Words to live by. Power and the Passion, Midnight Oil An anthem for the politically minded. Better, Screaming Jets Novocastrians represent. Working Class Man, Jimmy Barnes Classic Aussie rock. What's not to like? Hot Potato, The Wiggles What can I say, I'm a dad of three and love a singalong. Perfect for long car trips to get the backseat happy. Eagle Rock, Daddy Cool This one has become a family hit with the kids. Sounds Of Then (This is Australia), GANGgajang Reminds me of life on the farm. Took The Children Away, Archie Roach It just epitomises the tragedy of the Stolen Generation, and it brings a tingle to my spine. Walking On A Dream, Empire Of The Sun I like chilling with a bit of electronica. It's an iconic song that takes you away. Power and the Passion, Midnight Oil I love the politics of the album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, in particular. It means so much to me. Into My Arms, Nick Cave & The Bad Seeds I'm a relatively late convert to Nick Cave. I saw him here at the Civic Theatre [in 2022] in what was one of the most incredible concerts I've ever seen. Fred Astaire, San Cisco It's a song most people have heard and like and it's one I certainly love. Better, Screaming Jets You hear that song and you get up and wanna dance and go hard. Iconic Novocastrians. Straight Lines, Silverchair At one point they were one of the world's biggest bands, and they're Newy. My kids go to Newy High and you walk in and see the photo of them. Just legends. So Caught Up, Teskey Brothers I'm a huge fan of the Teskey Brothers and they fit in perfectly with that blues and soul sound and have iconic voices. London Still, The Waifs One of my best friends is Josh Cunningham's [of The Waifs] brother Saul. I've seen them countless times and watched them go from playing at Moruya to performing to massive sold-out spaces. Follow The Sun, Xavier Rudd If I need to chill out from the stress of politics, I whack that one on and it's got bird calls and whistles.
7NEWS
15 hours ago
- 7NEWS
Leaked vision emerges of destroyed famous venue
Legendary Australian commentator calls time after three decades The iconic TV personality leaves as one of 'the most respected and trusted voices' in the game.
The Age
17 hours ago
- The Age
Triple J Hottest 100 Australian songs: Hilltop Hoods favourite for number one
Well, the day is finally here: Triple J is set to announce the Hottest 100 Australian songs of all time. Typically, the Hottest 100 is an annual countdown of the best songs of the year from all over the world. But to celebrate the youth station's 50th anniversary, Triple J is staging a countdown of the greatest ever homegrown tracks. Audiences have been voting for months to unearth Australia's favourite song. Even Prime Minister Anthony Albanese got in on the act, nominating The Angels' Am I Ever Gonna See Your Face Again and Cold Chisel's Flame Trees in his list. According to Triple J, more than 2.65 million votes, were submitted during the voting period with the 18 to 29-year-old demographic submitting the most votes. Loading But the countdown has not been without controversy. Earlier this month Australian artist Ben Lee told this masthead that, while a one-off countdown to promote Australian music was a positive step, Triple J should consider turning the annual Hottest 100 into a celebration of Australian only music. 'It's a bit of a snooze-fest, if I'm honest,' he said.
