
How accurate is Jurassic World Rebirth? The palaeontologist's verdict
There are a few things that aggravate. For instance, mosasaurs and pterosaurs are not dinosaurs, although they're discussed as such. They are prehistoric reptiles, which swim and fly respectively. But I did like the design of the mosasaur. Although far larger than any fossil yet found, the anatomy was more accurate than in the previous films. The quetzalcoatlus (a type of giant pterosaur) was covered in fuzzy, hairlike structures that match the fossil record.
• Every Jurassic Park movie ranked — from worst to best
A lot of thought has gone into drawing on the science and developing the behaviour of some of these creatures. The co-operative hunting behaviours between the mosasaur and the spinosaur was a neat idea taken from modern animals.
I was initially sceptical of another mutant storyline. The film-makers could have used other amazing prehistoric species — such as the giant ichthyosaur, Ichthyotitan, which I named in 2024 and which was as big as the on-screen mosasaur — rather than creating new mutants, but it does echo the original novel and movie. After all, these creatures were genetically engineered, with missing DNA filled in from other animals such as frogs. Inevitably you're going to get oddballs.
• Read more film reviews, guides about what to watch and interviews
Their accuracy is often criticised, but the Jurassic Park films have done so much for palaeontology and brought dinosaur science to new audiences. I'm always going to want it to evolve rather than become extinct.
The Secret Lives of Dinosaurs by Dr Dean Lomax (Columbia University £32 pp312) is published in September
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Daily Mail
26 minutes ago
- Daily Mail
EXCLUSIVE Cassie Ventura finally breaks cover for the first time after shock Diddy verdict
Cassie Ventura has been spotted for the first time since her rap mogul ex-boyfriend Sean 'Diddy' Combs was delivered a shocking verdict in his sex trafficking trial where she testified against him. The singer, 38, was not present as Diddy was sensationally found not guilty of the most serious charges of racketeering and sex trafficking on Wednesday. He was convicted of the lesser charge of transportation to engage in prostitution related to Cassie and another woman. The conviction on the less serious charges carries a maximum sentence of up to 20 years in prison, however some legal experts predict he will be sentenced to far less. On Friday night, Cassie appeared to be escaping New York City as she made a dash for her vehicle with an entourage shielding her from the spotlight. Cassie was seen packing up and getting into a car to hightail it out of the Big Apple to kick off the Fourth of July holiday weekend. The popstar remained elusive as she got into the backseat of a vehicle that drove her away. Several of the men in her entourage were holding purple and white umbrellas that advertised Perfect Movers NYC. Cassie, the prosecution's star witness in Diddy's case, went through weeks of gut-wrenching testimony as she alleged that she was coerced into marathon 'freak off' sexual performances during her relationship with the producer. Cassie - who was heavily pregnant as she took the stand and has since given birth - claimed that Combs often beat and abused her during their 11-year relationship. Cassie Ventura, Diddy's popstar ex-girlfriend who testified against him at trial, was seen for the first time - covered by bodyguards - since the shock verdict with umbrellas protecting her as she left New York City During cross-examination, Diddy 's defense attorneys brought up text messages from their relationship where Cassie wrote that she 'loved' the freak offs. The messages undercut the prosecution's argument, and a jury on Wednesday was not swayed by her testimony as it rejected the top charges against Combs in a stunning verdict. While Prosecutor Maurene Comey said the government will seek a 20-year maximum for Combs on charges of transportation to engage in prostitution, his defense tried to fight for less and requested he be freed on a $1 million bond. That request was denied, meaning he must remain in custody until his sentencing hearing on October 3. Cassie has since given birth with her husband Alex Fine. While she was not in attendance when the jury delivered the verdict on Wednesday, her attorney was. Following the verdict on Wednesday, Cassie's attorney praised her for 'paving the way' for the bombshell trial against one of the music industry's most powerful men. 'This entire criminal process started when our client Cassie Ventura had the courage to file her civil complaint in November 2023,' they said. cameras were there as she and an entourage were seen packing up and getting into a car to hightail it out of the Big Apple 'Although the jury did not find Combs guilty of sex trafficking Cassie beyond a reasonable doubt, she paved the way for a jury to find him guilty of transportation to engage in prostitution.' After Cassie gave her emotional testimony, jurors were forced to watch three videos purported to show her and male prostitutes engaged in the 'freak offs.' A black female juror winced and frowned as the first of the clips was played, and another black female juror moved uncomfortably in her seat and put her head to her hands as she watched the footage. Another of the 'freak off' videos was said to have lasted for over 11 minutes as jurors were forced to watch. A woman moaning could also be heard in the courtroom as the footage was played only for the jurors. However, while the hard-to-watch footage appeared to leave a mark on some jurors, they were not swayed enough to find Combs guilty of sex trafficking Cassie. Text messages shown in court, Cassie was seen texting Combs that she 'loved' the freak offs, and when he asked if she was 'horny', she replied: 'Horny, of course I am.' Cassie's attorneys praised her bravery on Wednesday after the verdict was read, saying she had courageously testified despite her daunting circumstances. 'By coming forward with her experience, Cassie has left an indelible mark on both the entertainment industry and the fight for justice,' her attorney Doug Wigdor said. Wigdor added that Cassie showed 'exemplary courage throughout this trial' and 'brought attention to the realities of powerful men in our orbit and the misconduct that has persisted for decades without repercussion.' 'This case proved that change is long overdue, and we will continue to fight on behalf of survivors,' he concluded. Despite being found not guilty on the most serious counts at his sex trafficking trial, Diddy will spend months awaiting sentencing at a notoriously understaffed and violent Brooklyn jail where the music mogul has lived through nearly ten months of lockdowns and fights. Combs' defense lawyer Marc Agnifilo said in court on Wednesday that Combs had been housed in 'a very difficult part of the MDC' where there have been fights. His lawyer Alexandra Shapiro said in a November 2024 court filing that frequent lockdowns at the facility had impaired Combs' ability to prepare for trial. On Wednesday, Combs' lawyers praised MDC staff, who they said had facilitated their access to him during the trial. 'Despite the terrible conditions at the MDC, I want to thank the good people who work there,' defense lawyer Teny Geragos told reporters after the verdict.


Daily Mail
2 hours ago
- Daily Mail
Madison LeCroy gives BIRTH! Southern Charm star details traumatic 48-hour labor and reveals second child's name
Southern Charm star Madison LeCroy confirmed the arrival of her second child and detailed her traumatic 48-hour labor story on Thursday. The reality TV fixture, 34, revealed to Us Weekly that she gave birth to a daughter named Teddi — her first child with husband Brett Randle, 38 — on Sunday, June 29. Madison named her newborn after her late father, Ted LeCroy, who died in 2023. The star is also mom to son, Hudson, 12, whom she shares with her first husband, Josh Hughes. Madison revealed that Teddi required time in the NICU after being born via C-section at just 34 weeks, which is roughly eight months into pregnancy. 'I was in labor for 48 hours basically [because] my water broke at home,' she said of the 'crazy' start to her birth experience. Madison, who is based in South Carolina, was thrown for a loop when she went into labor at 2:30 a.m. after attending a concert for her mother Tara LeCroy's birthday. At the time, her husband Randle was across the country in California for work. 'I ran upstairs, and I was like, 'Mom, I don't have anything packed,'' Madison recalled. 'It was funny 'cause me and her both were like in my closet trying to pick out what we were gonna wear to the hospital.' When she finally arrived to the hospital, Madison learned that she was one centimeter dilated. Being that she was only eight months into her pregnancy when her water broke, Madison said that the doctors tried as long as they could to delay Teddi's delivery. 'We kind of prolonged the labor and Brett got here and then we waited another day and had the C-section and there she was five minutes later,' she explained. After spending 48 hours in labor, Madison was forced to send Teddi to the NICU for 'a few days' because it is hospital 'protocol' for premature babies. 'She's a little. She's only five pounds, but she's breathing on her own and hasn't needed any oxygen or anything like that,' Madison shared. 'She's kind of a little trooper.' Madison said that her doctors were 'shocked with how early she was that she was gonna be this independent. So I was like, "Oh, I wasn't shocked at all."' Madison then shared what music she listened to during her C-section. 'My doctor, she's amazing. And at this point she was, like, a friend, and we were sitting there talking and we were like, "What's the playlist gonna be for this?"' Madison recalled to Us Weekly. 'And we were joking around, we're like, "Girl power, let's go Taylor Swift." So we did, we rocked out to Taylor Swift during the surgery. 'So that's what she was born to. Now don't ask me what song, because at that point I don't have no idea. But yeah, girl mode all the way.' In order to feel and look her best for Teddi's early arrival, Madison said she called in her glam squad last-minute. 'This is even crazier. Once I got [to the hospital] and I realized I didn't even have, like, a toothbrush, I ended up having like my glam come to me,' she shared. 'I did a blowout and then I did a little fast face, like, makeup natural with one of my girls.' Madison also spoke to PageSix about her newborn daughter and her reasoning for naming her after her late father, Ted. She said that she wanted her dad's name to 'live on through [her] baby,' adding, 'We might as well just make the name continue to grow.' In regards to Teddi's arrival, she told the outlet that her and Randle are 'super excited and just living in pure bliss at the moment. It doesn't even feel real.' Madison and her husband, who have married since November 2022 when they tied the knot in Mexico, shared the happy news that they were expecting in February. 'And just like that... our world is changing in the most magical way! ✨ Seeing 'Pregnant' on this @clearbluetest was the best moment of our lives. We can't wait to meet you, little one,' she captioned her Instagram post announcing the news. The reality TV star said she was 'shocked' when her pregnancy test came back positive. 'Honestly, when Brett and I were making this plan of growing our family, I was like, 'Okay, we've got to make this as easy as possible,'' she shared with People. 'So I actually started using the Clearblue ovulation test, and I got a smiley face. Once we got the smiley face, we were like, 'Okay, it's go time,' and it instantly happened.' 'I was shocked, I thought I had all summer long, but it happened and I felt actually pretty great other than some minor headaches,' LeCroy continued. 'But other than that, just eating all the food and enjoying myself.' The good news comes after Brett's diagnosis with thyroid cancer and the death of her father in 2023. 'I honestly was pinching myself because I hadn't heard good news in it felt like the last two years, so to hear something that was so positive and something that we've been wanting and looking forward to was just super exciting,' she shared. 'And of course, everybody in our family and everybody was rooting for us.' She shared how excited she is, saying she's so happy to finally share the news with her fans. 'I'm ecstatic. I just can't get enough. I'm so glad to finally be able to talk about it, she said. 'I've been in hiding for too long, and so I'm excited to be able to show the bump off.' Madison shared that the first person she told about her pregnancy was her 'best friend,' her son Hudson. He was my first one that I told,' she shared. 'And yeah, he was excited. Obviously, at first he's like, 'Eh.' 'And then we recently got a puppy, so he goes, 'Actually I really love caring, so might as well.' I was like, 'Okay. This is going to be way different, but okay,'' Since it's been 12 years since she had her first baby, LeCroy explained that things are a bit different this time around. 'It's the total opposite than what I experienced at 22 years old,' she explained. I had the glowing skin and I had all that, and this is the opposite. 'I'm exhausted, full-blown adult acne, and didn't lose any weight at the beginning, versus [with] Hudson, I was starting off in a negative. So I can just tell it's a 12-year difference.'


The Guardian
3 hours ago
- The Guardian
Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch
Poisonous and heavily self-medicating mothers are a standard in the theatre, from Mary Tyrone in Long Day's Journey into Night to Violet Weston in August: Osage County. Self-absorbed, vain and hypercritical, they tend to stalk their stages like injured lionesses, their own offspring the convenient targets of their abuse and cynicism. US playwright Paula Vogel adds Phyllis Herman (Sigrid Thornton) to this list, as monstrous and brittle as any of them. While Mother Play (the subtitle is A Play in Five Evictions) flirts with the toxicity and histrionics of those antecedents, it feels closer in spirit to Tennessee Williams' 'memory play' The Glass Menagerie. Where Williams created the character of Tom as an authorial surrogate, Vogel gives us Martha (Yael Stone), who is likewise desperate to escape her mother's clutches while trying to understand what makes her tick. There's a deep melancholy working under the play, a sense of all that's been lost to the ravages of time and forgetting. Like Williams, Vogel is mining a lot of her own biography here – her mother was also named Phyllis, and worked as a secretary for the Postal Service after the breakdown of her marriage – and she traces the outline of a family in slow decline with poignancy and skill. The rot sets in during the first eviction, as Martha and her elder brother Carl (Ash Flanders) move boxes and furniture around while Phyllis drinks herself into a state of grotesque self-pity. The kids are only 12 and 14, and yet already they seem like the parents to a stubborn and petulant child. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning As the play progresses and the narrative moves inexorably through the decades – it opens in the early 60s and ends in the present day – this parental imbalance only worsens. Gin-soaked and combative, Phyllis alternately berates, guilts and clings to her children like resented support structures; one moment she is rejecting them for being gay, the next grasping for their approval. She's fiendish and cruel, but Vogel also lets us see the damage done to her, the ways in which she is shaped by the casual cruelties of others. It isn't so much a cycle of abuse as a long sputtering out, levelled by great reserves of forgiveness and stoicism from the kids. Thornton is terrific, constantly alive to the character's gaping flaws without once losing the central pathos that keeps us engaged and sympathetic. She has a harsh, steely quality under the gaucheness and impropriety that softens as the play progresses, eventually reaching a kind of weary dignity and poise. Stone finds great depth and complexity in Martha, pained by her mother's sadism but determined to see beyond it. Flanders is solid in the lesser part of Carl, and together the cast paint a convincing and intricate family dynamic. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Director Lee Lewis gets many things right, which makes the ones she gets wrong seem more egregious, somehow. Those performances are beautifully calibrated and expertly pitched, but Vogel's startling tonal shifts and narrative longueurs seem to trip Lewis up; too often the production falters, pitching into silliness and camp. One scene in a gay bar – where Phyllis starts dancing a conga line with her adult children – feels desperate, and the less said about a giant cockroach that waves at the audience the better. This reticence seeps into Christina Smith's design, which is surprisingly banal and unwieldy – although not her costumes, which are little treasure troves of period wit and personality. The family's five different abodes are simultaneously underdone and overly complicated, necessitating some clunky transitions. Niklas Pajanti's inventive lighting helps, pitching from glamorous to desolate as the family's fortunes change. Kelly Ryall's compositions are similarly mercurial, jaunty one minute and plaintive the next. Vogel is a fascinating and idiosyncratic playwright, and if this production of Mother Play doesn't quite coalesce, it still achieves moments of beauty and quiet awe. That temporal scope allows the actors to track the emotional beats of their characters' lives like pins on a map, and if political and social events tend to disappear into the background, their effect on the family's interpersonal relationships is forcefully underlined. The moral battle between liberalism and conservatism, those ideological polarities currently tearing the US apart, are depicted here as fissures of the self and the family unit, a long time coming. Memory plays are by definition fragmentary and elliptical, so perhaps the staccato rhythms and jolting tonal shifts are necessary. The cliche of the monstrous feminine, where the mother becomes the repository of all the family's sickness and perversion, is subtly but surely unpacked and debunked. What we're left with is a mother and a daughter tremulously reaching for care, compassion and connection. In this way, it feels vital and contemporary. Mother Play, by the Melbourne Theatre Company, is on at the Sumner theatre until 2 August