
True-life weekend sampler: ‘100 Foot Wave,' ‘Tylenol Murders' and ‘Mormon Wives'
It's been a week since the second season of 'The Secret Lives of Mormon Wives' dropped on Hulu, but die-hard reality TV watchers have likely already inhaled all nine episodes with the same unwavering commitment as the cast member trying to make us believe that her husband is related to Ben Affleck. (Spoiler alert: He is not. But we sure hope the actor watches while sipping on a 44-ounce iced coffee.) Taylor Frankie Paul, the self-proclaimed founder of #MomTok, the TikTok infuencer group that unites them, stopped by Guest Spot to talk about the new season of friendship and backstabbing.
Also in this week's Screen Gab, our resident true-crime expert Lorraine Ali tells you why a docuseries about 1982's unsolved Tylenol murder case is worth watching, and TV critic Robert Lloyd dives into the pleasures of watching professional surfers chase giant waves. Be sure to also find time to take in Lloyd's tender tribute to 'quintessential Regular Guy' George Wendt, who died this week at age 76; it's linked below.
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Appreciation: George Wendt, quintessential Regular Guy: George Wendt, who died Tuesday, will be most remembered for his character on 'Cheers,' whom he played straight and without affectation.
On his travel show, Conan O'Brien is on a treasure hunt for the unexpected: The comedian and host of 'Conan O'Brien Must Go' spoke about the latest season of his Max travel show, his recent Mark Twain Prize and acting in his first feature film.
At this year's Cannes, bleak is the new black and miserable endings are très chic: On the Croisette, Ari Aster's 'Eddington' with Joaquin Phoenix and Pedro Pascal and a strong directing debut by 'Babygirl' star Harris Dickinson grab attention.
Everyone knew Pee-wee Herman. But few knew the man behind the man-child: 'Pee-wee as Himself,' a two-part documentary directed by Matt Wolf on HBO, supplies a vivid portrait of Paul Reubens, who receded behind his character.
Recommendations from the film and TV experts at The Times
'100 Foot Wave' (Max)
The continuing story of big-wave surfer Garrett McNamara, his family and friends becomes a trilogy with the third season of Chris Smith's great HBO docuseries, crazy to contemplate yet beautiful to behold. Garrett, a maverick who put the Portuguese town of Nazaré on the map for its massive waves, set a record there, surfing a 78-footer — imagine an eight-story office building coming up behind you. But with the spot well-established and many records having been matched, the series has become less about competition than community and compulsion. (A middle-aged adolescent with a seemingly high tolerance for pain, Garrett, despite age and injury, cannot stop surfing.) Back again, with a cast of top big-wave surfers, are charismatic Nicole McNamara, Garrett's level-headed wife and manager and mother to their three, one might say, 'other children,' and her brother C.J. Macias, suffering from surfing PTSD after breaking his arm at Nazaré. The climax of the season is a surfing safari to Cortes Bank, 100 miles off the coast of Southern California, where an undersea island creates huge waves with no land in sight. — Robert Lloyd
'Cold Case: The Tylenol Murders' (Netflix)
If you're not ready to switch to Advil, stop reading here. Netflix's three-part, true-crime docuseries deftly chronicles one of the largest criminal investigations in U.S. history involving the 1982 murder of seven victims in Chicago who died after ingesting Extra Strength Tylenol tablets laced with cyanide. No one was ever charged with their murders.
Directed by Yotam Guendelman and Ari Pines ('Conversations with a Killer: The Ted Bundy Tapes'), the series includes interviews with family of the victims, investigators, police and prosecutors who were directly involved in the case. Together their accounts recall the bizarre and terrifying nature of the crimes, the national panic caused by the tainted pills and the stunning lack of scrutiny on the medication's manufacturers, Johnson & Johnson.
Private citizen James W. Lewis eventually emerged as one of two main suspects in the case, and he served 12 years in prison for sending an extortion note to Johnson & Johnson demanding $1 million to 'stop the killing.' But authorities couldn't pin the murders on Lewis. The documentary features an exclusive interview with Lewis before his death in July 2023 in which he proclaims his innocence yet appears to still revel in the media attention. The series also calls into question the culpability of Johnson & Johnson and the possibility that the poisoned capsules may have come straight from the factory before landing on drugstore shelves, where they were purchased by the unwitting victims. The murders ultimately led to an overhaul on the safety packaging we see on today's over-the-counter medication.
Also worth your time is 'This is the Zodiac Speaking,' Netflix's riveting 2024 docuseries chronicling a family of siblings who were intimately involved with the top suspect in the still unsolved Zodiac killings of the 1960s and '70s. Sleep tight. — Lorraine Ali
A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching
'The Secret Lives of Mormon Wives' feels like the new wave of soapy reality TV in the way it builds off social media personas to create ridiculously addictive drama. The Hulu reality series follows the lives of a group 'momfluencers' who push against traditional Mormon norms — they're the breadwinners, some are divorced, many drink, and at least one faced the dilemma of promoting a sex toy brand. Taylor Frankie Paul, the founding member of #MomTok, stopped by Guest Spot to discuss what makes great reality TV versus social media content and the scripted show that reminds her of her life. — Yvonne Villarreal
The women spend a lot of the season saying #MomTok has veered away from what it was initially conceived to be about — women supporting women. How do you think the reality show — this additional layer of sharing your personal life with an audience — has both helped its evolution and threatened its survival?
I think it's threatened the survival because when you share, you get vulnerable and, unfortunately, when doing so it could eventually be used against you. With that being said, it helps the evolution by doing the same thing — being vulnerable can bring people closer together as well.
What have you learned makes great reality TV and how is that different from what makes great social media content?
What makes great reality TV is sharing as much as you can — both pretty and ugly — so they [followers] can see [the] bigger picture. What makes great social media content is leaving some mystery. It's ironic that it's opposite!
Viewers had a strong reaction to how your family engaged with you about your relationship with Dakota, particularly at the family BBQ. What struck you in watching it back?
Watching the scene at my family BBQ made us all cry because my family loves me dearly and the approach was maybe not the best (including myself), but everyone's emotions were heightened. A lot was happening and all I remember is feeling overwhelming pain. But I do know my family has my best interest [in mind] even if that moment doesn't show that. I know and that's all that matters. I don't like seeing the backlash because they are my village and I love them so much.
I notice that I come off intimidating or harsh, however I'm very soft and forgiving. I typically need to feel safe to show more of that. I feel like I'm always on defense, and I need to give people the benefit of the doubt — not everyone is going to cause pain; in other words, [I need to] open my heart more.
What have you watched recently that you're recommending to everyone you know?
My current go-to watch is 'Tell Me Lies' [Hulu]. I'm not a reality TV girl, ironically. I'm obsessed with this show. It's so toxic and so good. It's a lot like my life, so it's entertaining to watch someone else's life.
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New York Post
an hour ago
- New York Post
And just like that… its over, thank God
Somewhere Kim Cattrall is laughing. 'And Just Like That..' is dead. This will be the 'Sex and the City' reboot's last season. In a letter posted to social media, creator Michael Patrick King wrote of its demise. 'Sarah Jessica Parker and I held off announcing the news until now because we didn't want the word 'final' to overshadow the fun of watching the season.' Advertisement 6 Cynthia Nixon, Kristin Davis, and Sarah Jessica Parker wearing very fancy togs in a cafe scene from *And Just Like That…* Photograph by Craig Blankenhorn/Max However, there was no fun in watching 'And Just Like That…' Only frustration they made it in the first place. In episode seven of the just-aired third season, Anthony Marentino, played by Mario Cantone grumbles, 'Just when you thought it couldn't get worse.' He was talking about a karaoke performance, but it felt like a metaphor for the whole thing. Advertisement Every week the bar fell lower and lower, and it became obvious HBO killed the golden goose. They turned an enduring cultural phenomenon — what started in the late 90s as a sharp and witty aspirational series about four stylish friends unapologetically sowing their oats in an ever-changing New York City — into a woke joke. 6 In 'And Just Like That' Sarah Jessica Parker's character Carrie Bradshaw wears a ridiculous hat around Central Park. GC Images The entire endeavor felt like reparations for progressive whinge Cynthia Nixon, who has never stopped complaining about the lack of diversity in the original series. Advertisement 'And Just like That…' debuted in 2021, in the midst of the great awokening. They killed rich guy Mr. Big, added a few racial minorities, two insufferable nonbinary characters (Che and Charlotte's daughter Rock) and mirroring reality, turned Nixon's Miranda Hobbes into a lesbian. It went from appointment television to checklist TV. Critics hated it. This season was less invested in the identity aspect, which made their paint by numbers approach all the more glaring. There was no substance underneath the hood. In season 3, Parker's Carrie Bradshaw takes a stab at historical fiction. She meets her biographer neighbor who is meant to be a Ron Chernow-like figure. Advertisement 6 Lisa Todd Wexley and Charlotte York wear impractical clothing to go 'glamming' on Governor's Island in 'And Just Like That…' season 3. Photograph by Craig Blankenhorn/Max They swap manuscripts, and he marvels over her prose like she's Jane Austen. It's silly. An overbearing Charlotte York deals with her husband's cancer diagnosis, real estate maven Seema Patel has to give up her chauffeured car after getting shafted by Ryan Serhant, while filmmaker Lisa Rodd Wexley flirts with a coworker. Miranda sleeps with a closeted nun played by Rosie O'Donnell and is once again gratuitously naked — an unsightly throughline. In other words, it should have come with a trigger warning. 6 The original 'Sex and the City' cast wore stylish but relatively relatable clothing. Moviestore/Shutterstock Then there was the fashion. In the original series stylist Patricia Field expertly molded four archetypes, setting real life trends and turning luxury labels like Manolo Blahnik and Jimmy Choo into household names while Carrie's Fendi Baguette became an 'It' bag. Carrie was eclectic and cool, the others chic and polished. This latest version, the women aren't wearing clothing as much as they are ridiculous costumes. In one scene, Carrie struts around Central Park in a giant Holly Hobbie hat and matching prairie dress. Ditto for Lisa and Charlotte, who always look like Bergdorf mannequins — even at school drop off. Advertisement 6 Sara Ramirez played Miranda Hobbes' love interest Che, one of the two nonbinary characters in 'And Just Like That' Photograph by Craig Blankenhorn/Max It's like the athleisure revolution never happened. No one in New York dresses like this. The original sold a Cosmo-soaked version of New York City where friendships were unbreakable, sex was plenty and the air was optimistic. Advertisement 6 Sarita Choudhury, who plays Seema Patel sports a leopard-print pantsuit at a hair salon. Photograph by Craig Blankenhorn/HBO Max But in their 50s, they all seem to be struggling more than ever. And yes, pathetic. A younger colleague told me this chapter made her sad and was more of a cautionary tale for 20 somethings. It took the air out of the fantasy — and ruined the sex.
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an hour ago
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