
Bob vs. Lob: What's the Difference, and Which One Should You Get?
Obviously, the biggest difference between a bob and a lob is the length. Bobs typically sit at your jawline or above, whereas a lob lands an inch or two above or below your shoulders. Because of this, a bob tends to look more traditionally Parisian and chic, whereas a lob has a bit more of a bouncy, playful look. However, that all changes if you add in layers. A short, layered bob typically looks intentionally choppy and spiky, while a layered lob is more classic and soft. Think the difference between Jenna Ortega's shag and Taylor Swift's 1989 era bob.
The shorter your hair, the fewer styling capabilities you have. A short, chin-length bob is difficult to pull back into a ponytail or a slicked-back bun; so if these are your go-to styles, a lob will give you that sleek cut without sacrificing your usual looks. Similarly, another key component of the bob vs lob conversation is maintenance. If you want to keep your bob short and blunt, you'll require regular trims to avoid a grown-out look. However, a lob is legit perfect for people who hate spending time at the salon. It looks as good freshly cut as it does when it's grown out a bit.
Looking for some ideas to take to your appointment (because, yeah, IK you're convinced for a cut)?
Sydney Sweeney
Ayo Edebiri
Keke Palmer
Saoirse Ronan
Gigi Hadid
Selena Gomez
Laura Harrier
Margot Robbie
Chrissy Teigen
Victoria Beckham
Beth Gillette is the beauty editor at Cosmopolitan with seven years of experience researching, writing, and editing hair stories that range from low-porosity hair products to reviewing K18. She regularly tests and analyzes hair products while working with the industry's top hairstylists to research new trends.
Beth Gillette is the beauty editor at Cosmopolitan, where she covers skincare, makeup, hair, nails, and more across digital and print. She can generally be found in bright eyeshadow furiously typing her latest feature or hemming and hawing about a new product you "have to try." Prior to Cosmopolitan, she wrote and edited beauty content as an Editor at The Everygirl for four years. Follow her on Instagram for makeup selfies and a new hair 'do every few months.
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Fox News
an hour ago
- Fox News
Jane Seymour maintains the same size since age 17 without crazy diets
Jane Seymour has stayed in shape for decades without fad diets or marathon workout routines. "I am now the size I was when I was 17 and a ballet dancer," the 74-year-old actress told Fox News Digital. "I try to stay around the same weight, but without going crazy about it. I have gotten bigger [over the years], but I never gained more than 10 pounds. I was smaller when I was in [1988's] 'War and Remembrance' and when I was playing Wallis Simpson where I had to be crazy thin, which is not a healthy weight for me. It makes my immune system weak." Even during moments of celebration, Seymour is mindful of her healthy habits. Earlier in June, it was announced that her detective show, "Harry Wild," has been renewed for season 5 on Acorn TV. She's also the host of "Relative Secrets," a series that premiered earlier this month about uncovering family secrets and dark mysteries. "I almost always never have breakfast," the "Dr. Quinn" alum explained about her diet. "I will have liquids and my vitamins. I've got this vitamin combination that has collagen. I'll have that in the morning and either black tea, coffee or water. And then at lunchtime, I'll have a fabulous meal, whatever I want pretty much. I tend to like salmon, shrimp and grilled vegetables. And I love Italian food. I might have a little eggplant Parmesan; it's a favorite of mine. Maybe some lean chicken." The star said that the one thing she "almost never" eats is steak, but she does make exceptions. "Once in a while, I'll have a little bit of filet steak, maybe a couple of slices. I'm not against it. But I feel better usually when eating fish and lots of vegetables. I grow a lot of my food in my garden, a lot of it in pots actually… it keeps the bugs out. I have lettuce, arugula, artichokes, avocados, blueberries and strawberries. Also, lots of different types of kale. I love eating fresh vegetables. When I grill my vegetables, I add a little bit of olive oil and sometimes a sprinkle of salt." Like anyone else, Seymour has her guilty pleasures. She loves anything that's "crunchy and salty." To satisfy her cravings, she'll eat "a crispy sweet potato." WATCH: MALIBU FIRES DROVE JANE SEYMOUR OUT OF HER HOME WITH BARELY MORE THAN THE CLOTHES ON HER BACK "I feel like I'm eating a bag of chips, but it's actually sweet potato," said Seymour. "I also like to take raw pumpkin seeds, put a little bit of Tamari Lite [gluten-free soy sauce that has less sodium], put them in a non-stick pan and toast them. I like to toss them around in the pan until they swell and pop. Pistachio nuts are also a favorite go-to snack. So mostly, I make sure to eat my nutrients and vitamins in my food if I can." The former Bond girl also noted that it's important for her to stay active daily. However, she listens to her body about what it needs each day. "I work with a lady… it's almost like physiotherapy, but it's a workout. I do Gyrotonics and some Pilates – a lot of floor work, believe it or not, even though I'm on a bench. But everything I do, anyone else can do at home, in a hotel room, their living room, their garden – anywhere where you can put a yoga mat down. I do Pilates legwork, which is like doing some of my ballet. I can use my own weight or a ballet bar." "I'm also a believer in light weights," she shared. "I'll have an eight-pound or a five-pound weight in each hand. I'll do arm work while I'm doing my legs. And the beauty of Pilates, Gyrotonics or even ballet is that it's all about being able to do it properly. It's not something where you rush in and jump around and can easily get injured." "I'm very careful about doing the right technique," she said. "If I can't do too much, if I can't stretch too much that day, that's fine. I just do as much as my body is comfortable doing because I don't want to injure myself. I had back surgery a long time ago. That's a nemesis for me. So I listen to my body." Seymour said she likes workouts that can be done anywhere, rather than heading to the gym. Pilates, in particular, has been essential to her for maintaining a strong core. "If you have core strength, you are less likely to have back injuries or back problems," she said. "You are also more likely to look better up close. You'll be able to stand more properly… The core is everything. And looking back at my ballet training, that was all about the core." In between filming "Harry Wild," it's not shocking to spot Seymour doing plies or stretching. "Small movements make a huge difference," she said. "Also, the muscle at the front of the leg is incredibly important to stretch out very carefully, especially if you run, walk a lot, or you're climbing. That muscle tightens up, and it directly affects your lower back." In 1995, Seymour was tempted to get a tummy tuck after welcoming twin boys. However, the idea of going under the knife made her pause. "I just thought, 'No, that's major surgery,'" she recalled. "I thought, let's try doing what I used to do, my workout routines. I'll see if I can get my muscles toned. I'm not trying to look like a 20-year-old. I'm just trying to be the most mobile that I can be for my age and what my body's capable of." According to Seymour, it's never too late to try a workout routine that suits your lifestyle. "I've never been able to do the split, so I'm not going to start now," she chuckled. "I almost did it on 'Dancing With the Stars,' and that was pretty amazing. But for me, it's all about building and maintaining a good, strong core. A lot of younger people are on computers and cell phones. And I think everyone sits and hunches. That's a big issue because it can affect your neck, shoulders, mid-back and spine. So stretching each day and having a straight spine is huge." The actress said she's grateful to get up and move each day. "I think a lot of women suffer from being invisible," she said. "You were married, you had the job, and you had kids. But now, who am I? What's my purpose? Where do I belong in this world? But… you can be a full-blooded human being at any age… It's a choice you make for yourself."


Forbes
an hour ago
- Forbes
Dior Museum's Latest Exhibition Is An Ode To Monsieur's Love Of Nature
Christian Dior Museum, exterior. RAPHAEL DAUTIGNY Following the success of Christian Dior, Couturier Visionnaire , the Christian Dior Museum is back with a new exhibition in the form of, Dior, Jardins Enchanteurs. As the name suggests, the retrospective pays homage to Monsieur Dior and his eternal love for nature as it traces the history and the identity of the Maison. French fashion designer Christian Dior (1905 - 1957) sits on a sofa for a broadcast of the CBS celebrity interview program 'Person to Person,' November 7, 1955. (Photo by CBS) Getty Images Unfolding in Granville, in the park surrounding the villa Les Rhumbs – his Belle‑Époque childhood home, and now a dedicated Christian Dior Museum — the exhibition is amongst fragrant pine trees overlooking the sea, where he first developed his taste for the great outdoors. He recalls, 'Having inherited a passion for flowers from my mother, I particularly enjoyed the company of plants and gardeners,' and this is central to the exhibition. "Dior, Jardins Enchanteurs" exhibition at the Christian Dior Museum RAPHAEL DAUTIGNY For his debut show in 1947, we saw the 'New Look,' in which he designed the Corolle line, and here, the dresses were cut in a way that alluded to upturned flowers in full bloom (the corolla being the botanical term for the ring of petals around a flower's center). This gave rise to the nickname 'femmes-fleurs' a.k.a 'flower-women' which the Monsieur used to describe the Dior woman: delicate and graceful. "Dior, Jardins Enchanteurs" exhibition at the Christian Dior Museum RAPHAEL DAUTIGNY In 1948 Christian bought an old mill in Milly-la-Forêt close to Paris, and what he referred to as is 'hermitage necessary for rest.' Later, he found another retreat in Montauroux at the Château de la Colle Noire, a regal Provençal estate, and set in 50 hectares he planted fields of jasmine, May roses, and lavender. "Dior, Jardins Enchanteurs" exhibition at the Christian Dior Museum RAPHAEL DAUTIGNY In that year, Christian Dior, along with his good friend and French perfumer, Paul Vacher, also sketched an olfactory portrait of a dream garden through the bouquet of Miss Dior, a floral chypre that evoked his vision of modern femininity. "Dior, Jardins Enchanteurs" exhibition at the Christian Dior Museum RAPHAEL DAUTIGNY Throughout the seasons, Dior continued to draw inspiration from nature as revealed in his archives, and this was translated both in his couture and his scents, from the floral elegance of Diorama with its notes ylang-ylang to the subtle lily of the valley hints found in Diorissimo, and these set against the sea-inspired Eau de Cologne Fraîche – Dior's own signature scent – all coming together to represent his obsession in olfactory form. "Dior, Jardins Enchanteurs" exhibition at the Christian Dior Museum RAPHAEL DAUTIGNY Through the gardens and the rooms of Genville we see the evolution of the Maison, yet the enduring reference to gardens and blooms by Dior's successors and collaborators, cue the interpretations by Maria Grazia Chiuri, Francis Kurkdjian, Stephen Jones, Victoire de Castellane, Cordelia de Castellane, Peter Philips that represent evening from womenswear to makeup. "Dior, Jardins Enchanteurs" exhibition at the Christian Dior Museum RAPHAEL DAUTIGNY In further homage, is Dior, Jardins Enchanteurs , published by Rizzoli, documents the role of gardens and flowers in the life and work of Christian Dior. "Dior, Jardins Enchanteurs" exhibition at the Christian Dior Museum RAPHAEL DAUTIGNY Dior, Jardins Enchanteurs runs until the 2nd of November, 2025 at the Christian Dior Museum, 1 Rue d'Estouteville, 50400 Granville, France.


Tom's Guide
an hour ago
- Tom's Guide
This budget-friendly soundbar with Dolby Atmos blew me away — I felt like I was at the movies
If one of your primary concerns is cost, then the Sharp 3.1.2 HT-SBW53121 soundbar could be one of the best soundbars for you. At just £329, the soundbar and subwoofer combo provides an immersive Dolby Atmos (and DTS Virtual:X) experience. I could feel the famous James Bond Italian car chase scene in my soul, and physically flinched every time a gun was fired. With a 3.1.2 setup and compatibility with 2.0.2 rear speakers, this soundbar is one of the most affordable ways to elevate any home theatre experience. Sharp also makes a £449 5.1.2 soundbar, which is just as impressive. If you want to upgrade your home setup for the least amount of money possible (who doesn't?) then I can't recommend the Sharp 3.1.2 setup enough. Find out the full story, including its flaws, in this Sharp 3.1.2 HT-SBW53121 review. If you're in the U.S. and want a similar performance, I'd check out the Polk Signa S4 soundbar, which is a 3.1.2 channel setup for $399. Price £329 (+ optional £179 rear surround speakers) Connectivity HDMI (with 4K pass-through), eARC, Optical, Bluetooth 5.3, 3.5mm aux Weight 4.5kg Dimensions 100 x 7.6 x 12.5 cm Colors Black, white Subwoofer Yes Dolby Atmos Yes Channel 3.1.2 The Sharp 3.1.2 HT-SBW53121 soundbar is pretty affordable, all things considered: it's £329 from Amazon U.K. Yep — it's only available in the U.K., so if you're a U.S. reader, I'd recommend the Polk Signa S4 ($399) instead. It has a 3.1.2 setup too, and it's a genuinely fantastic soundbar. As I said, £329 for a soundbar + subwoofer combo is a great deal. Usually, soundbars of this channel setup start from around £400. Heck, the Samsung Ultra Slim soundbar is £549 for a 3.1.2 setup. The Sharp price/performance sacrifice is almost certainly in the subwoofer: I do wish it was more powerful. However, it could be a worthy tradeoff. Sharp also makes a 5.1.2 channel soundbar and subwoofer for £449, which is also an incredibly reasonable price for a soundbar of this quality. If you want a more immersive experience, I'd recommend that model. Just like its older sibling, the Sharp 5.1.2 soundbar, the Sharp 3.1.2 Soundbar looks like just about every other soundbar. It's quite long, at 40 inches, but relatively low-profile. I was able to fit it on my testing TV's stand easily. Instead of having a plastic or metallic mesh covering, the Sharp 3.1.2 Soundbar is lined with fabric, which gives it a more premium appearance. It's definitely worth taking ease of cleaning into consideration, though: dust could look more prevalent on a fabric soundbar. The top of the mesh houses six buttons that control volume, Bluetooth, and power. I found myself solely using the remote, though. It's quite weighty and well-made when compared to rivals like Bose and Majority's flimsy feeling remotes. At the back of the soundbar, you'll find the ports: there's one eARC HDMI, 2 x HDMI, an Optical, USB, 3.5mm aux, and power input. I tested via eARC, as this provides the best quality. The subwoofer is wirelessly connected, so it only has a power input at its rear. Controlling the subwoofer is easy via the remote, which has subwoofer controls and a bass volume increase. If you want to spend another £179, the 3.1.2 Soundbar is also compatible with Sharp's 2.0.2 rear speakers. I don't think these speakers are essential, but they are nice to have. I found it very easy to connect via the 'Pair' button on the reverse of each speaker. You can also independently increase the volume via the remote control. Considering the £329 price, it's not surprising that the 3.1.2 Soundbar doesn't have a huge range of features. It does, however, have a range of listening EQs. These are: Movie, music, game, night, voice, sport, and independent treble and bass controls. I found myself using 'Movie', which increased the bass. I'd recommend cycling through these features and figuring out which one sounds the best, as there's no one-size-fits-all approach here. The Sharp 3.1.2 soundbar also has Bluetooth connectivity for instant music playback. Accessing the connection is super easy: just press Bluetooth on the soundbar (or change the source input on the remote) and the soundbar will pop up instantly in your phone settings. Again, if you're after a huge range of smart home or AI features, it's worth checking out a pricier soundbar like the Bose Smart Soundbar ($499) or the Samsung Ultra Slim soundbar I mentioned earlier. I don't mind having a simple soundbar, though. If you just want a soundbar that'll make movies sound even more epic, and don't necessarily care about being able to link it to your smart home, then the Sharp 3.1.2 is more than enough. I test every soundbar with 'Top Gun: Maverick' on 4K UHD Blu-Ray, TV shows on Netflix, and music on Spotify and Qobuz. To test the Sharp 3.1.2 Soundbar, I watched 'Top Gun: Maverick', as always. The opening scene has the perfect amount of bass, high-frequency sound effects, and challenging treble, which makes it perfect for testing soundbars. I'm looking for intense bass in the jet engines, clear treble in the 'Danger Zone' track, and clear high-frequency diegetic sounds like ropes whooshing, metal clinking, and radio dialogue. I upped the bass to the max, but I was still a little disappointed by the subwoofer's performance, just as I was with the Sharp 5.1.2 Soundbar. It's to be expected, as the 3.1.2 uses the same physical subwoofer as the 5.1.2. Despite this semi-disappointing subwoofer performance, I was still impressed by the dialogue clarity. The soundbar itself definitely excels with treble; percussion in the soundtrack was rich and piercing without being pinching or tinny. On top of the soundtrack excellence, I never struggled to hear anyone, even over radioed dialogue. I switched it up for the next movie and watched 'Wicked'. I wanted to evaluate the musical performance and figure out if 'Movie' or 'Music' EQ would suit. In both EQ modes, I found the dialogue crystal-clear. The dialogue performance equals that of the Sharp 5.1.2 Soundbar, but, again, the bass was a little disappointing. However, I was still able to enjoy the movie. I wasn't blown away by the Dolby Atmos performance, but 'Wicked' isn't as well-known for Dolby Atmos as, say, 'No Time To Die', which I watched next to test the Sharp 3.1.2 Soundbar's 360° audio performance. In the iconic Matera chase scene, not only was the dialogue clear and audible, but the mixture of the engines, soundtrack, and environmental sounds made for an incredibly immersive listen. I could feel Bond shouting and the squeal of the tyres on the road in my soul. When Bond and Madeline are being shot at, the bullets seem to ricochet off the inside of my brain. I was much more impressed with the Dolby Atmos performance in 'No Time To Die' than 'Wicked'. Actually, 'No Time To Die' was probably the most impressive movie I watched with this soundbar. I would recommend getting this movie just to be amazed by the soundbar's performance. On the whole, I was impressed by the movie performance. I felt immersed in the scenes and I honestly could've been at the movie theatre. I just wish the bass had a touch more power. To replicate real-world usage, I watched TV on the basic tier of Netflix. Not everyone has premium streaming services or UHD 4K Blu-rays, so it's only fair to test with standard resolution audio as well as the premium options. I watched 'Stranger Things' on Netflix, which has a great combination of a synthy, bassy soundtrack, dialogue, and action scenes. Overall, I was really impressed with the performance. Obviously, the lack of bass oomph meant that some action scenes weren't as overpowering as I'd want them to be. Even so, the high-frequency sound effects were clear, which added to the atmosphere. The underground scenes were particularly great: I could really feel the characters' stress due to the immersive soundscape and the buzzing of the fluorescent lights in the scene. This is 100% a worthy upgrade for TV. To test music performance, I listened to a variety of genres using Qobuz, our best music streaming service for audiophiles. 'Money' by Pink Floyd was a little tinny at the top of the percussion section. The bass was a little quiet too, but soundbars are never excellent at music performance. 'Money for Nothing' by Dire Straits was atmospheric at the start and affecting throughout, but, again, disappointing bass. I still had a great time listening to these tracks, but it wouldn't be my first choice of home speaker. 'Bad guy' by Billie Eilish is a very bassy song, so I wanted to see how the Sharp 3.1.2 would deal with its sonic makeup. Surprisingly, it was the best sounding song I listened to on the soundbar. This is likely because there wasn't much sonic differentiation: as the song is almost entirely bass, the subwoofer had to put in extra hours and couldn't sneak away without clocking out. In general, the music performance was a little lacklustre, but soundbars are never amazing in this regard. If you want a home sound system setup, I'd definitely recommend getting some dedicated speakers for music like the Fluance Ri71. For the low, low price of £329, the Sharp 3.1.2 Soundbar is really competitive. The sound excels with dialogue and high-frequency sound effects. With the optional 2.0.2 rear speaker upgrade, the Dolby Atmos performance is truly excellent. However, if you haven't got Premium Netflix or the like, then this 360° audio will be lost. Even so, when I was watching basic tier Netflix, I was still really impressed by the Sharp HT-SBW53121's performance. This is a very versatile setup. It's much better value than the competition, including Bose, Sonos (the $449 Beam 2 is 5.0, so no sub), and Samsung. As a result, I'd recommend the Sharp 3.1.2 Soundbar wholeheartedly for those trying to upgrade their home cinema setup on a budget. As I said earlier, if you're in the U.S. and want a similar performance, I'd check out the Polk Signa S4 soundbar, which is a 3.1.2 channel setup for $399.