
In a Word... Suffragette
Even as there remain among us: 'Beauty Men, Flirts, and Bounders, Tailor's Dummies, and Football Enthusiasts.' (You know who you are!). A 'Tailor's Dummy' is described as 'a man who looks good in a suit but has the personality of a sock'.
Apologies to the Irish Society for the Prevention of Cruelty to Socks (you can't be too careful these days.).
How different to then, when advice on keeping a man happy was equated with having a content dog - 'feed the brute!' This was described as harsh, on dogs. It was noted how dogs were 'always loyal and love unconditionally' - not necessarily the case with men.
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We men, of course, are so much different now than those described above by a 'suffragette wife', as quoted from a 1918 document on display at the Pontypridd Museum in Wales.
She went further and advised young ladies: 'Do not marry at all.' To those who 'must', she said the best prospects would be a 'strong, tame man', such as the 'fire-lighter, coal-getter, window cleaner and yard swiller'.
One suspects that her real emphasis was on '...tame'.
Yet, all these years later, is there a man among us who would dare sing – even in jest – that song from the 1964 film My Fair Lady: 'Why Can't a Woman Be More Like a Man?'
[
The Making of Mollie review: Anna Carey's book is now a razor-sharp suffragette stage comedy
Opens in new window
]
'
Why can't a woman be more like a man?/Men are so honest, so thoroughly square;/ Eternally noble, historically fair./Who, when you win, will always give your back a pat./ Why can't a woman be like that?...
'...Men are so pleasant, so easy to please./Whenever you're with them, you're always at ease.'
(Bless my timorous soul, but where's the exit?)
Lerner and Loewe, who wrote that song, are – mercifully - dead. (If they weren't, they would be.)
More acceptable now would be You Don't Own Me, sung by Lesley Gore in 1963.
'You don't own me/Don't try to change me in any way/You don't own me/Don't tie me down 'cause I'd never stay...'
'Suffragette wife' would definitely approve.
Suffragette
, from Latin
suffragium
(with French feminine ending `
-ette
') for 'right to vote' for women.
inaword@irishtimes.com

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13 hours ago
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Ryan Tubridy still has the Tiggerish verve and breezy name-drops. So why does it feel sour?
In a world riven by social division and online venom, there's a place where the vibe is unwaveringly upbeat, negativity is determinedly banished and everyone is nice to each other, or to one person at least. So fervently cheerful is the mood on The Ryan Tubridy Show (Q102, weekdays) that it's possible, just for a minute, to forget about troubles roiling the globe and even the payments scandal that saw the host exit RTÉ two years ago this month. Broadcasting from the London studios of Virgin Radio UK, the station he joined in January 2024, Tubridy approaches his late-morning show with Tiggerish verve, bringing an unflagging enthusiasm to the insouciant musings, breezy interviews and industrial-scale namedropping with which he punctuates his soundtrack of indie oldies. The net effect is akin to the opening monologue of his old RTÉ Radio 1 weekday programme being shorn of anything vaguely news-related and spread out over three hours. 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Irish Times
14 hours ago
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In a world riven by social division and online venom, there's a place where the vibe is unwaveringly upbeat, negativity is determinedly banished and everyone is nice to each other, or to one person at least. So fervently cheerful is the mood on The Ryan Tubridy Show (Q102, weekdays) that it's possible, just for a minute, to forget about troubles roiling the globe and even the payments scandal that saw the host exit RTÉ two years ago this month. Broadcasting from the London studios of Virgin Radio UK, the station he joined in January 2024, Tubridy approaches his late-morning show with Tiggerish verve, bringing an unflagging enthusiasm to the insouciant musings, breezy interviews and industrial-scale namedropping with which he punctuates his soundtrack of indie oldies. The net effect is akin to the opening monologue of his old RTÉ Radio 1 weekday programme being shorn of anything vaguely news-related and spread out over three hours. 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The pair are joined by the artist Kerry Guinan to examine what Clancy calls 'one of the art world's greatest pranks', the burning of £1 million, in 1994, by the K Foundation, aka the techno-pop act The KLF, aka the anarchic artists Bill Drummond and Jimmy Cauty. Tóibín is slightly aghast, his 'inner social worker' wary of the destruction of sums that could be used elsewhere, while Guinan approves, claiming the act took away the power of money: 'The money is not doing what it's supposed to'. Not that Tóibín is necessarily against incendiary cultural gestures. 'I burned a diary,' he reveals. 'It was pure freedom.' It's a thought-provoking conversation – sparky, even.


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2 days ago
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