
China's Single Men Turn to ‘Dating Camps' To Find Love
Newsweek reached out to the Chinese foreign ministry with an emailed request for comment outside of office hours.
China has an enormous gender imbalance, with roughly 30 million more men than women-a legacy of the decades-long one-child policy and long-standing cultural preference for sons. Meanwhile, many young workers face grueling hours, stagnant wages and fierce jobs competition, leaving little time or energy for family life.
Marriage registrations last year were down over 20 percent from 2023 and 54 percent from 2013. Marriages are a strong predictor of births in China, where few children are born out of wedlock-prompting concern over the long-term economic impacts as the birth rate trends downward.
Chinese men are traditionally expected to provide a dowry, and often to own their own home and vehicle, before securing a marriage.
As women achieve higher levels of education and professional success, the bar continues to rise-leaving many men feeling they simply cannot compete.
The challenge is even greater for rural men who move to the cities, according to the dating coach known as Hao, who has become one of the country's most popular advisers on the topic.
Hao claims to have worked with more than 3,000 clients, and says as many as 500 have successfully married after participating in his programs.
Hao leads students through weeklong "dating camps," a practice highlighted in Dating Game, a documentary by Emmy-winning filmmaker Violet Du Feng released earlier this year.
The film follows three students-Li, 24, Zhou, 36, and Wu, 27-all born during the one-child policy era, which ended in 2016.
The men undergo "glow ups" under Hao's tutelage, receiving not only new haircuts and optimized social media personas but also strategies for connecting with women both off and online.
Not every participant is comfortable with this curated approach. "I feel guilty deceiving others," Hao says in the film.
Director Du Feng told the BBC that while Dating Game takes place in China, it reflects a universal struggle: "In this digital landscape, we're all struggling and wrestling with the price of being fake in the digital world, and then the cost that we have to pay to be authentic and honest."
Filmmaker VioletDu Feng told Variety: "This generation of young men are being punished again and again and again at the cost of the country's development... They grew up without proper parenting. They grew up without access to girls."
Zheng Mu, a sociology professor at the National University of Singapore, told the BBC: "In China, marriage or the ability, financially and socially, to get married as the primary breadwinner, is still largely expected from men." She said that failing to meet these expectations "can be a social stigma, indicating they're not capable and deserving of the role, which leads to great pressures and mental strains."
Xiujian Peng, a senior research fellow at Victoria University's Centre of Policy Studies in Melbourne, previously told Newsweek: "Younger generations work so hard, they have little flexibility to raise a large family. Attitudes about having children or even marrying have changed. Women's education levels are now higher than men's on average, and many women prioritize career development over starting larger families."
The United Nations projects that China's population-now about 1.4 billion-could shrink to less than 800 million by 2100 if current trends persist.
Central and local governments continue to introduce new measures aimed at encouraging young people to start families.
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Newsweek
8 minutes ago
- Newsweek
'Spider-Punk' Movie On the Way From 'Black Panther' Star
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Entertainment gossip and news from Newsweek's network of contributors It looks like the Spider-Verse is getting a lot more anarchy. Deadline reports that an animated "Spider-Punk" movie is in development at Sony. Daniel Kaluuya and Ajon Singh are writing the film. Along with making his Marvel Universe debut in 2018's "Black Panther," Kaluuya also voiced Hobie Brown, aka Spider-Punk in 2023's "Spider-Man: Across the Spider-Verse" and is set to reprise the role in the threequel "Spider-Man: Beyond the Spider-Verse." Read More: 'Spider-Man: Brand New Day' Teaser Previews New Costume The assumption is that Kaluuya will once again voice the character for "Spider-Punk." So far, all plot details are tightly under wraps. Hobie Brown first showed up in 2015's "Amazing Spider-Man" #10 from Marvel Comics as part of an army of Spidey variants from across the multiverse in the "Spider-Verse" event. Hobie Brown, aka Spider-Punk. Hobie Brown, aka Spider-Punk. Marvel Comics Spider-Punk hails from Earth-138 where all the superheroes and villains include a bit more punk flavoring. There are, for example, punk versions on Hobie Brown's world of Captain America, Daredevil, Ironheart, and more. Instead of having rage as a catalyst, the Earth-138 version of Bruce Banner transforms into the Hulk by listening to a specific mixed tape. Of the many multiverse variants of Spider-Man, Spider-Punk has proven to be one of the most popular. Along with getting a prime spot in the "Spider-Verse" films, the character has had a number of his own comic book miniseries; 2022's "Spider-Punk" and 2024's "Spider-Punk: Arms Race." "Spider-Punk" won't be the only "Spider-Verse" spinoff. Still coming next year on MGM+ is "Spider-Noir," with Nicolas Cage reprising the role of Spider-Man Noir he first voiced in "Into the Spider-Verse." Unlike the film, "Spider-Noir" will be a live-action series. In 2018, "Spider-Man: Into the Spider-Verse" became what many name one of the best films in the superhero genre, along with pulling in $393 million. Its sequel, "Across the Spider-Verse," did even better, taking in $690 million at the global box office. "Spider-Man: Beyond the Spider-Verse" is scheduled to hit theaters June 25, 2027. While Marvel fans may know him best as both Spider-Punk and W'Kabi of "Black Panther," beyond the Marvel Universe Kaluuya is best remembered for his Oscar-nominated performance in "Get Out" and his Oscar-winning turn in "Judas and the Black Messiah." More Comics News: Tim Burton's 'Batman' Films Returning to Theaters Jeremy Renner Teases 'Hawkeye' Season 2 'Superman' Blows Past Zack Snyder's 'Man of Steel'
Yahoo
42 minutes ago
- Yahoo
‘I share this nomination with Emile': ‘Severance' star Gwendoline Christie on her favorite furry screen partner, ‘spitting blood across the wall,' and her good-luck prop
Gwendoline Christie loves her goats — so much, in fact, that she credits her Emmy nomination to a very special screen partner. 'What can I say?' the actress tells Gold Derby. 'Emile's a star. I share this nomination with Emile.' More from Gold Derby Richard Linklater, Sean Baker and more filmmakers lead TIFF's 2025 Centerpiece program 'Severance,' 'The Studio,' and 'Adolescence' are poised for a big night: See Emmy predictions in all 25 Primetime categories Emile, of course, is the baby goat that made an instantly viral appearance in 'Cold Harbor,' the second-season finale of Severance that earned Christie her second career nomination — for Best Drama Guest Actress for playing the intrepid goatherd Lorne. Lorne teams with Adam Scott's Mark S. and resorts to extreme measures to save Emile from being sacrificed at the altar of Lumon. Christie's first nomination came for playing Brienne of Tarth on Game of Thrones, a bid she famously self-submitted for. This time around, the experience was less DIY, with Apple handling the entry fee as part of a Severance campaign machine that netted nine bids for cast members and an Emmy-leading 27 overall. 'I can't tell you how over the moon I am, truly. Because I really wanted this. And it takes a lot to say that out loud, you know?' Christie tells us. 'I thought the chances of it happening were incredibly slim. And it means a lot because I'm in a different place now from Game of Thrones.' In the following Q&A, the actress explores the differences between Game of Thrones and Severance, what her first Emmy experience was like, and the one prop from the Severance set she'd love to bring as a good-luck charm to this year's ceremony. Gold Derby: Congratulations on your nomination. You really captivated the internet with the portrayal of Lorne. This is your second nomination, the first obviously being for , which you submitted yourself. How does that experience differ from this year with ? Gwendoline Christie: I can't tell you how over the moon I am, truly. Because I really wanted this. I really wanted this. I really wanted it to happen. And it takes a lot to say that out loud, you know? I thought the chances of it happening were incredibly slim. And, you know, it means a lot because I'm in a different place now from Game of Thrones. In Game of Thrones, I played the wonderful Brienne of Tarth for seven seasons. So that's a long time to live with people. And then it culminated in that extraordinary nomination that I self-submitted for, and I was hugely fortunate to be nominated. You wonder if you're ever going to do anything else that could ever possibly be considered for a nomination. And this coming out of the blue is so extraordinary because we've only just met Lorne. But I have to say, I really dedicated myself to the part, because the show is my favorite show on television. It's one of my favorite shows ever. I was a huge fan of Season 1. And when Ben wanted to talk to me about possibly being involved in the show, I was desperately hoping it might be something to do with the goats. So I really did dedicate myself to just trying to find out who this character is, and build this character. I truly threw myself into it, and overcame some trepidations, as well, with regards to doing combat again. I'm just truly full of joy and gratitude that this nominations happened. I really am. The TV Academy really embraced Severance this year. Season 2 was a breakout across the board. It led the Emmy nominations and even gave a run for the all-time record. Is there a text chain where everyone congratulated other? There were lots. Everybody was really generous and there were lots of really amazing congratulations. It's pretty it's pretty overwhelming. I am so happy for many people. The wonderful Britt Lower said to me she's still processing this. They're such a wonderful group of people and so thrilling to work with because they're so they're really highly skilled. They love what they do and they're incredibly generous. And when you work with them, you feel very held. For the season finale, there was a special fan screening at the Dolby Theater. The following morning, I spoke to some of the cast members, including Adam Scott, and he said that was the first time the cast had watched an episode with a live audience and the fan reaction was overwhelming. His one thought was, 'Holy sh-t, this is like .' That's a direct quote. Having been in makes you an expert on that: How does the fandom compare? It's truly glorious, because to be a part of something that people love is a real rarity and a privilege. And it's a very unifying force these days, a TV show that many of us love and can get behind and can talk about. We can forget the everyday. We can forget the larger, more serious and deeply upsetting elements in our world. We can come together to discuss a story that has transfixed us, transfixed us. It has. It has taken us over and seduced us. And we are in that world, and we want to live within it, and we talk with each other. I wasn't expecting the response. I knew the show was incredible and knew a lot of people talking to me about the show, but being in that theater and hearing the swell of the crowd and you feel it, you feel it within you, the power of people's joy. It was it was magical. And I was really pleased for everybody between Ben [Stiller, the show's main director] and Adam and Dan [Erickson, the show creator] and everybody that works on the show. Britt and Zach [Cherry] and Tramell [Tillman], the so many incredible actors in this show. I was just thrilled that all their hard work had paid off. You mentioned how the show is an escape from what we're dealing with in the world today, I know Dan wrote the scripts a while ago, but they are relevant to what's going on. These moments of resistance and rebellion on the Severed Floor throughout Season 2. There's this pushback against authority, and the 'Cold Harbor' ending presages a larger showdown to come. Do you think that makes feels even more resonant? It's extraordinary, isn't it? I think it's the mark of a truly good idea. And I think we all are feeling that desire for freedom. I think we're all feeling the desire to be out of corporate binds, the pressure of conglomerates and the pressure of finance over creativity. And I think people are feeling that in every area of their lives. And when you when you're able to tap into society and into what people are experiencing, and their tensions and their fears and their desires, and are able to express it in an extraordinary story with a whole premise that we haven't seen before, that has never existed in human life, then I think that's the mark of something truly exceptional. When there's a great piece of work that people have invested so much of themselves in, their own humanity, thenwe start to see what we want to see, or we start to see what we can't bring ourselves to admit that we're going through. All these things, come out through a great story. You worked with lots of goats on this show, from when we first meet Lorne in Mammalians Nurturable with an entire flock in Episode 3, to those climactic moments in the season finale, where it's just you and a goat kid named Emile. What was it like working with that particular goat? I couldn't wait to work with a goat one on one, because in Episode 3, there are 50 goats. It was thrilling to be around those goats, some of whom were eating people's costumes. One of the goats was nibbling at Adam's shoelace. Another goat was seemingly operating the camera. And then when it came to Emile … Emile is the very cutest goat I've ever seen. And I was terribly concerned that Emile may upstage me, because that is a very cute and talented goat. But I was thrilled, actually, because the animal handlers told me that Emile and I bonded very quickly, and I was very taken with that goat. Emile is a star. What can I say? I share this nomination with Emile. I assume Lorne will have a role in future episodes? Have you heard anything about that, or is it still under lock and key? There is so much that is mysterious about this show that not even I can quite bring myself to ask. When I got onto the show, I said, 'Don't worry. I'm not going to ask anything.' But I yearn to explore Lorne further. This woman that has such good intentions, such good intent and such desire to protect her animals and her people and such connection to the goats that she is willing to nearly kill someone. I'm glad she remembers her humanity, but for all of that good intent, there was a very dark well there. And in that, in that episode, we see Lorne transform. I mean, it's it's like a psychic transformation. And she becomes it's animalistic. And I would love to see what else Lorne transforms into. Lorne is on the Severed Floor, which means that she has an outie. Have you ever given yourself an imaginary backstory for Outie Lorne, or have you are leaving that to Dan? [Laughs] I've only ever given myself an extremely intense and detailed backstory that I've been slowly formulating over the last two, three years, however long it is. It's something that is something that's personal, and it's something that I continue to build for my own supreme enjoyment. You mentioned you had a slight trepidation about returning to combat on screen. In 'Cold Harbor,' Lorne has a very brutal confrontation. Can you take me through how that scene came together and how you made it so convincing? I didn't know that that was how Lorne ended up in the final episode. And I had said, since I finished Game of Thrones, that I wouldn't do any more combat. I wanted to do other things and play other characters and show the breadth of what I can do, but also explore many different types of people. But when Ben Stiller asks you to do a fight sequence that is as detailed and intense and emotional and explosive as that one in your favorite TV show with a character that you're obsessed with, you say yes. I decided to go about it as seriously as I went about all of my fights in Game of Thrones. I went, to the gym and I spoke to my trainer, and I did my two-hour training sessions to build up my stamina, and worked on all aspect of my strength and flexibility. I managed to end up with a bit of a bit of an injury a couple of weeks before shooting, but, I've done this enough to know that my will and focus of executing the scene would take me through it. I wanted to bring everything to this. I wanted to make it totally alive. I wanted to honor what was written on the page, and I wanted to bring more to it. I wanted to show who this person is, who this woman is, and different ranges of this as the spectrum of her emotionality, her own terror and fear and rage. I couldn't believe I was going to be doing this with Adam Scott. Darri [Ólafsson, aka Mr. Drummond] was incredible to work with. We all worked together. They took it really seriously and were so, thoughtful and considerate about making sure everybody was safe. But I have to say that I did find, once again, extreme enjoyment in acting, being punched in the face, spitting blood across the wall, and exacting my revenge on my oppressor. The Emmy ceremony is coming up fast. What was that the ceremony like for you the first time? Really overwhelming and extraordinary. The is almost unbelievable, but when I was at the ceremony, I was sitting there and I took a selfie of my partner on my phone. And then I looked at the picture and I said, 'There's Ben Stiller on the corner. Oh, no, what if he thinks I'm taking a picture of him?' And then I felt a tap on my shoulder and I look up and it's Ben Stiller. And I think, 'Oh, no, he thinks I'm weird.' He was actually incredibly nice about my performance in Game of Thrones. So there is something wonderfully cyclical about this. I am extremely grateful to be a part of the show. And I'm extremely grateful to Ben and to the entire team for for this nomination. One last question: For you, Gwendoline Christie, if you could choose one Lumon department to work in, which would it be? I'm obsessed with MDR. When I was on the set, I really went a bit weird, I went into a bit of a meltdown. 'Can I touch it? I won't touch it, won't touch it. Can I touch?' And then they let me sit down, touch computer, switch on computer, use the computer. I touched the ball thing. I was transfixed by the vending machine. It was an amazing experience, truly. But, you know, I'm just obsessed with Mammalians Nurturable. I know Lorne works there. I think Gwendoline would really want to work there too. I don't blame you. I love that bell. I hope you bring the bell to the Emmys with you. Maybe that'll be a good-luck charm. I hope so. This interview has been edited for length. Best of Gold Derby 'Australian Survivor vs. The World' premiere date and cast photos: 'King' George Mladenov, Cirie Fields, Parvati Shallow … 'Five new life forms from distant planets': Everything to know about 'Alien: Earth' as new trailer drops Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Click here to read the full article. Solve the daily Crossword


Business Wire
2 hours ago
- Business Wire
Emmy and Four-Time James Beard Award-Winning Chef Andrew Zimmern to be Honored at AltaSea's Blue Hour
LOS ANGELES--(BUSINESS WIRE)--AltaSea at the Port of Los Angeles is proud to announce its sixth annual fundraiser, Blue Hour 2025: The Culinary Arts of Blue Food, an event that connects science, culture, food and community by combining food technology to tell the story of and raise awareness for the emerging blue economy. AltaSea will honor celebrity chef and restaurateur Andrew Zimmern with the Innovation Award, presented by ocean advocates Philippe and Ashlan Cousteau. Phillippe is an Emmy-nominated ocean storyteller, Founder of EarthEcho International, and the grandson of famed ocean explorer Jacques Cousteau. AltaSea will honor Chef Zimmern with the Innovation Award in recognition of his contributions to sustainable seafood and the blue economy. The Innovation Award is given annually to people who display ingenuity, drive progress, and solve some of the world's most pressing problems with innovative solutions. As a chef, humanitarian, entrepreneur, and global citizen, Zimmern has devoted his life to exploring and promoting cultural acceptance, tolerance, and understanding through food. Zimmern's work, including his co-creation of the Emmy and James Beard Foundation award nominated PBS documentary-series Hope in the Water, his work telling stories on and about our global water systems for over 20 years on television across 12 series, his authorship of the new cookbook The Blue Food Cookbook, his advocacy for fresh and salt water food systems as a global ambassador for the United Nations World Food Program, the Nature Conservancy, creating access to sustainable fish and seafood as a pillar of his work with the Environmental Working Group, and as a founding member of the Coalition for Sustainable Aquaculture inspires us all to take global action for healthier oceans and a more sustainable food future. Now in its 11 th year, AltaSea has developed a 35-acre ocean technology campus that is home to many innovative climate solutions focused on the ocean in a variety of industries, including aquaculture, carbon capture, renewable energy, and ocean exploration. AltaSea also partners with high schools, colleges, and universities to provide educational experiences for the next generation of climate scientists and innovators. Sponsored by Delta Air Lines, Carrix, Air Products, Arc Boats, Enlyst Fund, AltaSea Trustee Dr. Geraldine Knatz and others, Blue Hour 2025: The Culinary Arts of Blue Food will feature chef demonstrations, exquisite culinary creations, literal works of art from food, live music, and distinctive entertainment. It will also feature a variety of ocean food and drinks, curated by award-winning Chef Sammy Monsour. The event will take place on September 27, 2025, at AltaSea's Lands End (Berth 60), with doors opening at 5:30 PM and the awards ceremony starting at 8 PM. For more information and tickets, please visit: 'I'm honored to receive AltaSea's Innovation Award and to celebrate the blue economy,' said Chef Zimmern. 'AltaSea's work in promoting sustainable aquaculture and seafood inspires a new way of thinking about our relationship with the ocean, aligning with a belief I've long held: sustainable seafood is key to both nourishing communities and preserving our oceans for future generations.' Zimmern's upcoming book, Hope in the Water: The Blue Food Cookbook, set to release on October 28, 2025, is a 'seafood bible looking at blue food from water to plate: a tangible delicious cookbook for how to best buy, prepare, and cook from our oceans and waterways sustainably.' 'Sustainable seafood is a critical pillar of the blue economy. Andrew Zimmern's career has brilliantly showcased how good sustainable seafood can be,' said AltaSea President & CEO Terry Tamminen. 'We are thrilled to honor him at the Blue Hour for his transformative contributions to ocean health through his culinary innovation and advocacy.' AltaSea will also honor the Chadwick Ocean Institute with the NextGen Award, which honors emerging leaders or institutions that help shape a better and more sustainable future. Founded in 2024, the Chadwick Ocean Institute is a K-12 program that extends learning beyond the classroom, immersing students in real-world ocean science, research, and sustainability. Students get hands-on experience, providing them with a strong foundation with jobs in the emerging blue economy. The institute has a dedicated space at AltaSea called 'The Co-Lab', a vibrant hub for ocean innovation where students, scientists, entrepreneurs, educators, and policy shapers converge to explore new frontiers in marine science and technology. AltaSea Trustee Eric Johnson will receive this year's Cornerstone Award, given annually to a member of the AltaSea family that has been instrumental in AltaSea's growth. One of AltaSea's earliest champions, Johnson's contributions to AltaSea support both the development of K-12 educational components and as lead advisor for the construction of the campus. Upon joining the board of trustees, Johnson a real estate developer by trade, led the prioritization of the redevelopment of Berths 58 – 60. Johnson and his family are pillars of the San Pedro community. As President of Jerico Development, Johnson has helped transform and revitalize the LA waterfront by leading the West Harbor project, a public private partnership with the Port of Los Angeles. West Harbor is a 42-acre ground-up retail, dining and entertainment destination being developed through a joint venture with the Ratkovich Company, Osprey Investors, and SSA Marine. His family's foundation, the Crail Johnson Foundation, has helped underprivileged youth in urban Los Angeles since 1988 and is one of AltaSea's founding donors. Blue Hour 2025: The Culinary Arts of Blue Food will feature four immersive and inspiring 'Blue Food' pavilions, offering guests a chance to explore exceptional ocean-based cuisine while discovering the future of the blue economy and sustainable aquaculture. The pavilions will be curated by Chef Sammy Monsour, a Michelin Award-winning chef known for sustainable seafood and Southern-inspired cuisine. 'I'm excited to showcase four unique ways to enjoy sustainable seafood, celebrating the ocean's bounty while advancing a more sustainable future,' said Chef Monsour. 'The funds raised by Blue Hour supports AltaSea's Ocean STEM, which provides educational programs to students throughout Los Angeles at no cost, giving them an opportunity to learn about the vast opportunities within the blue economy. These range from sustainable food and regenerative aquaculture to underwater robotics and more.' This year's event spotlights vendors and collaborators deeply connected to AltaSea's mission to accelerate ocean innovation: LA Harbor College Pavilion – Blue Economy Culinary Arts: In partnership with LA Harbor College's acclaimed Culinary Arts Program, this pavilion will spotlight next-generation culinary talent. Students will prepare recipes inspired by our 2025 Blue Hour Honoree, Chef Andrew Zimmern. Seaweed Pavilion – Featuring Kelp Ark: This pavilion will highlight the power of seaweed as both a sustainable food source and a regenerative force for our oceans. A featured well-known LA chef, selected by Chef Sammy Monsour, will create culinary experiences that celebrate seaweed's diversity. In collaboration with Kelp Ark, this pavilion will emphasize the ecological and culinary significance of marine plants. Braid Theory Pavilion – Sustainable Innovation Meets Cuisine: Curated in partnership with AltaSea partner Braid Theory, this pavilion will explore ocean-conscious packaging and the future of eco-friendly food innovation. It will blend food artistry with storytelling, integrating sustainable materials into the culinary journey. Blue Robotics Pavilion: This 'coastal café' pavilion will bring a chef-curated tasting of oysters that champion shelf-stable, sustainable options for ocean-based nourishment. To complement the Pavilions, Trani's Dockside Station and Chef Dustin Trani will provide a curated menu of food offerings. Dockside is a seafood forward California cuisine full-service restaurant celebrating its 100-year anniversary this year. Chef Dustin Trani is a fourth-generation celebrity chef and owner. The Trani family is a San Pedro institution that has consistently set the standard in the town's food scene. In addition to the various food offerings, internationally-acclaimed conceptual artist and composer Beatie Wolfe will showcase selections from her award-winning climate art portfolio that includes 'Smoke and Mirrors' and 'From Green to Red.' These pieces use art to communicate over six decades of climate data to raise awareness. Earlier this year, Wolfe released two studio albums 'Luminal' and 'Lateral' with Brian Eno, one of the most influential figures in the music industry. About AltaSea at the Port of Los Angeles AltaSea at the Port of Los Angeles, located on 35 acres at North America's leading seaport by both container volume and cargo value, is dedicated to accelerating scientific collaboration, advancing an emerging blue economy through business innovation and job creation, and inspiring the next generation, all for a more sustainable, just, and equitable world. For more information on AltaSea, please visit: