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We compare the excellent Sony Bravia 8 OLED TV with the new Bravia 8 II QD-OLED – stick or twist?

We compare the excellent Sony Bravia 8 OLED TV with the new Bravia 8 II QD-OLED – stick or twist?

Yahoo12-04-2025

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The competition for the best OLED TV is more fierce than ever, with Sony's 2025 TV lineup entering the fray. The headline model, the Bravia 8 II, promises to deliver significant improvements over the awesome A95L, particularly in the brightness department.
But how will it fare against last year's five-star-rated Bravia 8, which it will sit alongside in the 2026 range?
Before we dive into the detailed comparison, it's important to note that while we've fully reviewed the Bravia 8, we've only had a comparatively brief hands-on session with the Bravia 8 II.
Until we put the new model through its paces in our test rooms, this comparison will be based on our experiences to date and the respective specs of the two TVs. Naturally, we'll update this piece once we've conducted our full review of the Bravia 8 II.
Despite the Sony Bravia 8 II being positioned at the more premium end of Sony's 2025 lineup, it surprisingly comes in at a more competitive price point than we initially expected.
In the UK (we don't yet have US or Australian pricing), the 55-inch model is priced at £2499, while the 65-inch version costs £2999. Both versions are set to start shipping on 6th June 2025.
This pricing is particularly noteworthy when compared with that of the A95L that it replaces, which launched at £2999 for the 55-inch model, and £3699 for the 65-inch version – making the Bravia 8 II around £500-700 cheaper than its predecessor at launch.
The Bravia 8, which is the subject of today's comparison, officially sits below the Bravia 8 II in Sony's range. It launched at £2199 / $2000 / AU$2995 for the 55-inch model, £2699 / $2800 / AU$3995 for the 65-inch version, and £3999 / $3900 / AU$6495 for the 77 incher.
Having now been on sale for around a year, the Bravia 8 has also been on the receiving end of a fair few discounts so is now available for significantly less than it was at launch.
Here's a table with the launch prices of the Bravia 8 and Bravia 8 II, and below that you will see the latest and lowest prices for the Bravia 8.
The Bravia 8 II appears to share much of its design with the A95L. It features a slim profile with a premium metal edge, and the same two-way stand that can be positioned to either sit the TV directly on your furniture, or raise it slightly to accommodate a soundbar underneath.
At 34mm in thickness, the Bravia 8 II is 3mm thinner than the Bravia 8 (not that you'd notice), despite housing the Acoustic Surface Audio+ technology that uses actuators to vibrate the screen itself to produce sound. More on that later.
Both TVs use blade-style feet, but the Bravia 8 II's can only be positioned at the furthest extremes of the TV's bottom edge. This means that it can't be placed on furniture narrower than the set's width (122cm for the 55-inch model and 145cm for the 65-inch version).
While the feet can't be positioned closer to the centre of the chassis, they can be extended to lift the TV a few centimetres to accommodate a soundbar.
Both models are powered by Google TV, which offers a slick and user-friendly experience, with access to all the major streaming services you'd expect.
As for connectivity, both sets include four HDMI ports – two of those are HDMI 2.1 spec with support for 4K/120Hz, VRR and ALLM for next-gen gaming, while the other two are 2.0 affairs.
Unfortunately, one of those HDMI 2.1 ports also doubles as the eARC connection for external audio systems.
This means that if you have an eARC speaker connected along with multiple gaming devices (such as a Sony PlayStation 5 and Xbox Series X), you'll need to choose which one gets the full-fat HDMI 2.1 connection – or resort to cable swapping.
That's a limitation compared with competitors such as LG, which offers four HDMI 2.1 ports on its OLED models, including the new LG G5 and LG C5.
Both TVs feature Sony's 'Perfect for PlayStation 5' features, which allow the TV to automatically adjust settings when connected to a PS5 console. This is handy for getting a pretty accurate HDR game performance with zero effort, but we generally find that these automatic settings are just shy of spot-on.
HDR format support on both TVs includes HDR10, HLG, and Dolby Vision, but as with all Sony TVs, neither supports HDR10+.
Elsewhere, the Bravia 8 II benefits from an updated version of Sony's XR Processor, which includes what Sony calls "AI Scene Recognition" – a feature that analyses scene data in real-time for optimised picture performance.
This is where things get interesting, and where the two models are really set apart. Despite the similar naming convention, the Bravia 8 II uses a latest-generation QD-OLED panel, while the Bravia 8 employs a standard WOLED panel.
The Bravia 8 II's QD-OLED panel, combined with Sony's XR Triluminos Max technology, promises significant improvements in brightness and colour volume over both the Bravia 8. In fact, according to Sony, the Bravia 8 II is 50% brighter than the Bravia 8.
This increased brightness should allow the Bravia 8 II to push highlights higher without compromising colour purity – a traditional limitation of WOLED technology. The result should be punchier highlights and more vibrant detail while maintaining the perfect black levels OLED is known for.
While we've yet to properly put the Bravia 8 II through its paces in our testing rooms, our hands-on session at Sony's Tokyo HQ revealed better brightness handling than the A95L and competing models, with bright highlights maintaining better detail and more natural warmth. In dark scenes, the Bravia 8 II also showed improved shadow detail and better low-light colour volume.
The Bravia 8, which we've fully tested, delivers excellent picture quality in its price bracket, with the typically perfect blacks and infinite contrast that OLED technology is known for. In our review, we praised its natural, authentic picture quality and excellent motion handling, though we did note it's not the brightest OLED on the market – something the Bravia 8 II specifically aims to address.
Both TVs benefit from Sony's excellent motion processing and colour accuracy, but the QD-OLED technology in the Bravia 8 II should provide a punchier, more vibrant picture, particularly with HDR content. Watch this space.
Both Sony models feature the company's Acoustic Surface Audio+ technology, which uses actuators attached to the screen itself that vibrate the panel to produce sound, effectively turning the entire display into a speaker.
This creates a more immersive audio experience where sound appears to come directly from the relevant part of the image, unlike conventional TV speakers that fire downward or from the rear.
There are, however, differences between the two sets. The Bravia 8 II inherits the audio system from the A95L, with two actuators and two subwoofers, while the Bravia 8 uses a similar, but slightly less advanced version of this tech, featuring two smaller actuators and only one subwoofer.
If the Bravia 8 II does indeed sound the same as the A95L, it will be weightier, more enveloping and more dynamic.
Both TVs support Dolby Atmos, and both feature Sony's Voice Zoom technology for enhancing dialogue clarity, with the Bravia 8 II specifically sporting Voice Zoom 3.
If paired with compatible Sony sound systems such as the Bravia Theatre Bar 9, both TVs can also use Acoustic Centre Sync, which allows the TV and soundbar to work together for a more unified soundstage (at least in theory).
While we'll need to wait until we have the Bravia 8 II in our test rooms for a definitive assessment, the early signs are promising. With a significantly brighter QD-OLED panel, enhanced processing, and a surprisingly competitive price point, the Bravia 8 II appears to build meaningfully on the excellent A95L.
As for the Bravia 8, it remains an excellent OLED TV in its own right, offering Sony's typically accurate picture processing and natural colours at a lower price point. It remains a solid choice if you're looking for a premium OLED experience without stretching to the higher price of the Bravia 8 II.
We look forward to putting the Bravia 8 II through our rigorous testing process to see exactly how it stacks up against not only the Bravia 8, but also 2025's other flagship OLED contenders from the likes of LG, Samsung and Panasonic. Stay tuned.
MORE:
Here are all the new Sony 2025 TVs
And these are the best TVs we recommend
Check out the best OLED TVs available right now

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Blast through common work problems with these 11 ChatGPT prompts
Blast through common work problems with these 11 ChatGPT prompts

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Blast through common work problems with these 11 ChatGPT prompts

When you buy through links on our articles, Future and its syndication partners may earn a commission. ChatGPT is only as good as the prompt you give it. Which is why there's so much advice online promising to teach you how to write better prompts for better results. If you're new to ChatGPT and AI tools generally, prompts are just how you tell it what you want. They can be short and simple, long and detailed, or somewhere in between. The problem is, a lot of prompt advice for work still feels formal and a bit too corporate. Which absolutely works in some contexts. But not if you just want to follow up casually, write a breezy blog post, or get a second opinion on an email. We've already shared tips on how to move beyond the more robotic-sounding ones in our better prompts to use with ChatGPT and how to prompt ChatGPT to inspire your creativity guides. But here we're focusing on practical, beginner-friendly prompts for everyday work challenges. The kind of support we think ChatGPT is best for. When it's a helpful sidekick that gets you through the trickier bits of your day, from managing burnout to getting you started when you're staring down a blank page, here are some of the best ChatGPT prompts for real work problems and how to make the most of them. Prompt: 'Can you summarize this [email/report/article] in under 300 words?' If you're overwhelmed by long documents or need to quickly share the key points, this prompt is a lifesaver. Just paste in the text and ask for a summary. You can also request bullet points or a particular tone if you need it. It goes without saying here, and throughout the rest of this guide, you need to fact-check and proof the results before using them in external communication. We know that ChatGPT can still get things wrong. Use this one more for your own understanding or prep than for copy and pasting what it gives you directly into presentations or documents. Prompt: 'Can you help me write a follow-up email that's polite but firm?' If you're stuck drafting a reply, especially one where tone really matters, this can help you find the right words. You can add the initial email, provide more detail about what you're trying to say, or even include your rough draft and ask for feedback or refinement. Don't think of this as handing over all of your communications to AI, just getting a tone check when you're second-guessing yourself. Prompt: 'I have too much to do and I'm overwhelmed. Can you help me turn this into a prioritized to-do list?' This one is great for getting your thoughts in order. List all of your tasks into the chat and ask ChatGPT to sort them by urgency or energy level. It's not perfect, and you'll likely need to answer a bunch of additional questions to get helpful results, but it is a quick way to calm the chaos and start somewhere. Prompt: 'I'm panicking about [insert issue]. Can you walk me through a simple breathing exercise, one step at a time?' Let's be clear, ChatGPT isn't a therapist and shouldn't replace real support. But if you're spiralling and just need a moment of calm, it can talk you through breathing or grounding techniques. The key here is to be as specific as you can and to ask it to go slowly. ChatGPT often dumps too much info at once, so request a step-by-step approach. Prompt: 'I need help explaining [complex topic] to someone new. Can you simplify it without losing the key points?' This one is perfect for onboarding materials, training sessions or writing documentation. Especially if it's a topic you know really well and can't quite shift back into a beginner's mindset. You can also ask it to rephrase something you've already written to make it clearer or more beginner-friendly. Prompt: 'Can we role-play a salary negotiation? Pretend you're my manager and I'm asking for a pay rise.' 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Satellites keep breaking up in space. Insurance won't cover them.
Satellites keep breaking up in space. Insurance won't cover them.

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Satellites keep breaking up in space. Insurance won't cover them.

When you buy through links on our articles, Future and its syndication partners may earn a commission. Airplane passengers crossing the Indian Ocean who peered out their windows on Oct. 19, 2024, might have seen what looked like a fast-moving star suddenly flash and fade. Above their heads, a $500 million satellite was exploding. Operators confirmed the destruction of the Intelsat-33e satellite two days later. There was a bright flash as the satellite's fuel ignited, followed by the flickering of the debris cloud as it fragmented into at least 20 pieces. Those satellite parts are now zooming around Earth, along with around 14,000 tonnes of space debris. The satellite wasn't insured. As space junk increases, more operators are choosing to launch without any insurance at all. To compensate, companies are cutting back on the cost of satellites and launching more of them at faster rates, thus creating a feedback loop as the cheaper satellites break up more easily and add to the problem. "I don't think it's sustainable," said Massimiliano Vasile, an aerospace engineer and professor at the University of Strathclyde Glasgow. Behind the predicament are two vectors moving in opposite directions: The cost of launching satellites is falling, while the cost of insuring them continues to soar. Even as record-low-cost launches are improving internet coverage and cell service, they're worsening the space junk problem. Low Earth orbit, where most communications satellites are circling, is becoming increasingly crowded. Satellite insurance, meanwhile, has never been more expensive. 2023 was likely the worst ever for the market, with reports suggesting satellite insurers faced loss claims of more than $500 million. 2024 may have been even worse, according to Insurance Insider. Satellite operators are responding predictably, by foregoing coverage. There are 12,787 satellites above the Earth as of the time of publication, according to the website Orbiting Now, which tracks active satellites, but only about 300 are actually insured for in-orbit accidents, David Wade, an underwriter at Atrium Space Insurance Consortium, told Data Center Dynamics. European and UK operators are legally required to insure their satellites, which puts them at a cost disadvantage compared with India, China, Russia and the U.S. American companies such as SpaceX have also been able to reduce launch costs because of reusable rocket parts. Europe's upcoming Ariane 6 rocket program, for example, is expected to cost between $80-120 million per launch, compared with SpaceX's Starship program which is anticipated to cost between $2-10 million per launch because of its reusable rockets. In the U.S., launchers are required by law to procure liability insurance for launch, but once the satellite is in orbit, insurance is no longer needed. 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"In the event of a loss and a claim by the insured, it is almost impossible, if not entirely impossible, for insurers to investigate the cause of the loss, whether total or partial, and thus determine the amount to compensate the insured," José Luis Torres Chacón, a professor in the department of economic theory and history at the University of Málaga in Spain, told "I think this is where the root of the problem lies." Liability insurance is problematic for satellites, too, since it's extremely difficult to tell whether a satellite broke up because of an internal explosion or because of a collision with someone else's space junk. And if the latter, it's very hard to identify where the debris came from. "At the moment, it's not possible to say it was actually a fragment from that original explosion or collision that damaged the satellite," Vasile said. "So, in terms of insurance, it's a bit of a nightmare.' 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On Nov. 19, 2024, the International Space Station shifted its orbit to avoid another piece of space debris — this time, from a destroyed meteorological satellite. "Even a speck of paint is enough to destroy a satellite," Jakub Drmola, who studies the politics of satellite and missile defense systems at Masaryk University in the Czech Republic, told The worst-case scenario is Kessler syndrome, a chain reaction in which the breakup of a few satellites cascades into a wipeout of everything in orbit. Some researchers think Kessler syndrome is already happening, only very slowly, and that we've already reached the stage where the cost of cleaning up space far outstrips the benefits. "The world has now begun to depend on space in ways that we never thought were going to be possible," said Gen. C. Robert Kehler, former head of Air Force Strategic Command, speaking to reporters at the 2024 Outrider Nuclear Reporting Summit in Washington DC. He favors introducing a regulatory system similar to air traffic control. "We need rules of the road," he said. RELATED STORIES — Related: 3 big hunks of space junk crash to Earth every day — and it's only going to get worse — Space debris from a SpaceX Dragon capsule crashed in the North Carolina mountains. I had to go see it (video) ​​—NASA satellite's 'shocking' space junk near-miss was even closer than thought The problem isn't staying above our heads. On March 8, 2024, a discarded piece of hardware from the International Space Station fell through the Florida home of Alejandro Otero, shaking the whole house. His 19-year-old son was inside. NASA had jettisoned the spare battery carrier, assuming it would either burn up or land in the Gulf of Mexico. But the agency's calculations were wrong. 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No, you're not dreaming: the Venus Optics Laowa 12mm f/2.8 FF II C&D Dreamer is coming next week
No, you're not dreaming: the Venus Optics Laowa 12mm f/2.8 FF II C&D Dreamer is coming next week

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No, you're not dreaming: the Venus Optics Laowa 12mm f/2.8 FF II C&D Dreamer is coming next week

When you buy through links on our articles, Future and its syndication partners may earn a commission. Lens-maker Venus Optics has officially announced that it will be releasing a new 12mm f/2.8 full-frame autofocus lens on June 25, 2025. The Laowa 12mm f/2.8 FF II C&D Dreamer will be available in Sony E and Nikon Z mounts with full autofocus, and there will also be Canon RF and L-mount Alliance versions, although these will be manual-focus only. While Venus Optics has garnered a stellar reputation for producing innovative and often unusual manual focus lenses with remarkably low distortion, this new lens is only the second from the brand to have autofocus, joining the recently released Laowa 10mm f/2.8 FF II C&D Dreamer, which again offers autofocus in its Nikon and Sony versions, with other mounts only having manual focus. According to Venus Optics, the 'C&D Dreamer' designation in its Laowa lens range is broken down as follows. The 'C' signifies a compact build, the 'D' means minimum distortion, and the 'Dreamer' bit is reserved for lenses that exhibit soft, artistic image rendering. Indeed, it is compact and light, weighing around 377 grams, depending on the lens mount, and has a reasonably svelte 72mm filter thread. And Venus Optics claims that it produces images with a near-zero distortion. We'll see if our tests bear this out when we get our hands on a review sample. It's not the first 12mm f/2.8 Laowa lens – that honor goes to the Laowa 12mm f/2.8 Zero-D, which was released back in 2016. But while this 'Zero-D' model signifies a 'close-to-zero distortion' design, it is a significantly heftier lens, weighing in at around 609 grams, and is only available in manual focus, whatever the mount. While pricing details are expected to be officially released at the time of the announcement on June 25, I expect the lens will be competitively priced. As a rough guide, the autofocus versions of the Laowa 10mm f/2.8 lens cost £799 / £849 / AU$1,449.

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