logo
OLIVIER ROUSTEING, CREATIVE DIRECTOR OF THE HOUSE OF BALMAIN, TO BE HONORED BY THE COUTURE COUNCIL OF THE MUSEUM AT FIT

OLIVIER ROUSTEING, CREATIVE DIRECTOR OF THE HOUSE OF BALMAIN, TO BE HONORED BY THE COUTURE COUNCIL OF THE MUSEUM AT FIT

Yahoo09-06-2025
The annual luncheon benefiting The Museum at FIT (MFIT) will be held Wednesday, September 3, 2025, at David H. Koch Theater at Lincoln Center
Download press assets
NEW YORK, June 9, 2025 /PRNewswire/ -- The Couture Council of The Museum at FIT (MFIT) today announced it will honor Olivier Rousteing, creative director of the house of Balmain, with the 2025 Couture Council Award for Artistry of Fashion during the Council's annual luncheon on Wednesday, September 3, 2025, at the David H. Koch Theater at Lincoln Center in New York City.
The event heralds the arrival of New York Fashion Week, with proceeds benefiting The Museum at FIT, the only museum in New York dedicated exclusively to the art of fashion. Couture Council board members Jane DeFlorio, corporate director at Vivid Seats Inc., Stephanie Loeffler, philanthropist and board member of the Memorial Sloan Kettering Cancer Center, will serve as co-chairs. Bloomingdale's will proudly serve as the presenting sponsor of the luncheon, an extension of Bloomingdale's longstanding commitment to celebrating and supporting the art of fashion.
For more than a decade, Olivier Rousteing has acted as the creative director of the Balmain house. In 2011, Rousteing was selected to head Balmain's design team, becoming one of the youngest talents named to lead a historic Parisian fashion house at the age of twenty- five. Rousteing has been carefully building upon the legacy of the house's founder, Pierre Balmain, who famously introduced a fresh, feminine, and surprising "New French Style" to post-war couture.
Beginning with inspirations pulled directly from the house's rich archives, and fully utilizing the Balmain atelier's impressive mastery of intricate traditional couture techniques, Rousteing has been able to skillfully graft his own distinctive style at the historic house. He is considered to be creating a modern and inclusive "New French Style"—one which melds together an immediately recognizable singular silhouette, a contemporary outlook reflecting Rousteing's own extraordinary personal journey, and a spirit pulled directly from the avenues and boulevards of a transformed-yet-eternal Paris, the dynamic and diverse fashion capital that has influenced every Balmain collection for 80 years.
"Receiving The Museum at FIT's Couture Council Award for Artistry of Fashion is a profound honor and a unique moment of reflection," said Rousteing. "Style is not merely about clothing; it's about the art of expression and the beautiful stories we share. Throughout my journey at Balmain, I've always pushed boundaries and challenged conventional notions of beauty to offer new and unexpected narratives. This award celebrates not just my work and my incredible team, but the collective spirit of boldness and creativity that fuels our industry as we continue to redefine the world of fashion."
"Appointed to his post at Balmain at the age of 25 as the youngest creative director in Paris since Yves Saint Laurent, Olivier Rousteing has had a major influence on the industry," said Dr. Joyce F. Brown, FIT president. "Olivier's path as a visionary young designer is especially inspiring to our students, and we celebrate his cultivation of a broad and inclusive clientele over the past 14 years at Balmain."
"We are delighted to honor Olivier Rousteing of Balmain, whose fashions have attracted a diverse global audience through the famous Balmain Army," said Dr. Valerie Steele, director of The Museum at FIT. "Olivier's strong and beautiful fashions have been featured in a number of major exhibitions at The Museum at FIT, including Paris, Capital of Fashion (2019), Africa's Fashion Diaspora (2023), and the forthcoming, Dress, Dreams, and Desire (2025). I have such respect for Olivier Rousteing, who is not only a very talented designer but also a thoughtful and genuine person."
"I am honored to support the 2025 annual Couture Council Luncheon, both on behalf of Bloomingdale's and personally as a member of the FIT Board of Trustees," said Denise Magid, chief merchant at Bloomingdale's. "We are especially thrilled that this impressive award will recognize our incredible partner, the esteemed fashion house Balmain, and well-deserving Olivier Rousteing, who has contributed to innovation and creativity within the industry through his designs."
Tickets to the luncheon may be purchased here or contact couturecouncil@fitnyc.edu.
Patron levels for the Couture Council Luncheon:
Fashion Icon table: $50,000 (one table for 10 guests with premium seating)
Haute Couture table: $25,000 (one table for 10 guests with superior seating)
Couture table: $20,000 (one table for 10 guests with priority seating)
Haute Couture single ticket: $2,500
Couture single ticket: $2,000
Past recipients of the Couture Council Award for Artistry of Fashion are Simon Porte Jacquemus (2024), Gabriela Hearst (2023), Maria Grazia Chiuri of DIOR (2022), Wes Gordon of Carolina Herrera (2021), Christian Louboutin (2019), Narciso Rodriguez (2018), Thom Browne (2017), Albert Kriemler of AKRIS (2016), Manolo Blahnik (2015), Carolina Herrera (2014), FIT alumnus Michael Kors (2013), Oscar de la Renta (2012), Valentino (2011), Karl Lagerfeld of CHANEL (2010), Dries Van Noten (2009), Isabel Toledo (2008), Alber Elbaz of LANVIN (2007), and FIT graduate Ralph Rucci (2006). In 2008, Giorgio Armani received a special award for Global Fashion Leadership.
ABOUT THE MUSEUM AT FITThe Museum at FIT (MFIT) is the only museum in New York City dedicated solely to the art of fashion. Its mission is to advance knowledge of fashion and promote lifelong learning through exhibitions and public programs that educate and inspire diverse and inclusive audiences. Best known for its innovative and award-winning exhibitions, the museum has a permanent collection of more than 50,000 garments and accessories dating from the 18th century to the present. MFIT is accredited by the American Alliance of Museums. Visit fitnyc.edu/museum.
ABOUT THE COUTURE COUNCIL OF THE MUSEUM AT FITThe Couture Council is a committed membership group that supports The Museum at FIT. The Couture Council helps make it possible for the museum to mount world-class exhibitions that educate and inspire, to build and conserve its extraordinary permanent collection, and to organize free public programs that serve FIT's 10,000 students as well as the general public. The Couture Council, working in conjunction with the museum, organizes activities and events to raise the institution's profile and provides financial support for the museum's initiatives. The most important of these events is the Couture Council's award ceremony and benefit luncheon. Designers who have received the Couture Council Award for Artistry of Fashion include Karl Lagerfeld, Valentino, Carolina Herrera, and Oscar de la Renta. For more information about the Couture Council, visit fitnyc.edu/couturecouncil.
ABOUT THE FASHION INSTITUTE OF TECHNOLOGYFIT, a part of the State University of New York, has been an internationally recognized leader in career education in design, fashion, business, and technology for more than 75 years. Providing an uncommon blend of practical experience and theory on a foundation of arts and sciences, FIT offers a wide range of affordable programs that foster innovation, collaboration, and a global perspective. FIT draws on its New York City location to provide a vibrant, creative environment for learning, exploration, and research. The college offers nearly 50 majors and grants AAS, BFA, BS, MA, MFA, and MPS degrees, preparing students for professional success and leadership in the new creative economy. Visit fitnyc.edu.
ABOUT BALMAINBalmain is a French luxury fashion house founded in 1945 by Pierre Balmain as an expression of his innovative 'New French Style.' Today, under the creative direction of Olivier Rousteing, the brand ushers in a new era of modern elegance and sophistication, drawing on its unique heritage from 80 years of history. Timeless beauty and contemporary flair fuse in the vision of an authentic woman - confident, sensual, genuine, and approachable - embodying a subtle tension between strength and grace that echoes Monsieur Balmain's signature silhouettes and architectural volumes. Alongside the women's ready-to wear and accessory collections, the house speaks to its global audience with a men's tailoring collection and the Balmain Beauty line, inspired by the iconic Balmain fragrances from the 1940s and 1950s.
ABOUT BLOOMINGDALE'SBloomingdale's is America's only nationwide, full-line, upscale department store. A division of Macy's, Inc. (NYSE: M), it currently operates 32 Bloomingdale's stores, 21 Bloomingdale's The Outlet stores, and four Bloomie's stores in California, Connecticut, Florida, Georgia, Hawaii, Illinois, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, Texas, Virginia, Washington. In addition, Bloomingdale's has an international presence with a location in Dubai and Kuwait. Founded in 1872, the iconic retailer celebrated its 150th anniversary in 2022. Be sure to follow @bloomingdales on social media, become a Loyalist, and for more information, or to shop any time, visit www.bloomingdales.com.
View original content to download multimedia:https://www.prnewswire.com/news-releases/olivier-rousteing-creative-director-of-the-house-of-balmain-to-be-honored-by-the-couture-council-of-the-museum-at-fit-302474501.html
SOURCE Fashion Institute of Technology
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Fashion model learning to be a man after being pushed to transition at age 15: ‘I was really crazy on the hormones'
Fashion model learning to be a man after being pushed to transition at age 15: ‘I was really crazy on the hormones'

New York Post

timea day ago

  • New York Post

Fashion model learning to be a man after being pushed to transition at age 15: ‘I was really crazy on the hormones'

In Catholic churches across Manhattan and Brooklyn, Salomé captivated the congregation, uplifting the faithful with her soulful singing and skilled organ playing. The New York Archdiocese Organist Training Program enrollee's musical gifts had her booking gigs across the city. But for years, Salomé's bashful smile and angelic voice concealed a secret — one not even known in the shadows of the confessional. She was a he; Salomé was born Miles. His story is one that's becoming all too familiar: A child with unconventional interests, swayed by strange ideologies on the Internet, is hustled by doctors into a life of medical dependency — only to find himself questioning everything years later. 8 Miles Yardley, aka Salome Evangelista, walks the runway at New York Fashion Week in 2023. Getty Images 'They very quickly put me on hormones without really any discernment. Looking back, if I were a doctor, I would think this is a much larger decision than the kid thinks that it is,' he tells The Post. Miles Yardley, as his female persona Salomé, arrived in the Big Apple in 2022 from his native Pennsylvania. He (then she) quickly became the toast of New York's downtown fashion scene. Yardley signed a modeling contract, was featured in a Marc Jacobs perfume ad shot by famed photographer Juergen Teller, exhibited for Enfants Riches Déprimés, and strutted Fashion Week runways for designers Batsheva and Elena Velez — all while singing in parishes and mentoring Catholic schoolchildren in music. Soon Yardley was a regular bohemian socialite, a fixture on podcasts, even flown to Romania to meet the Tate brothers, with virtually everyone unaware of Salomé's secret. 8 Yardley signed a modeling contract soon after moving to NYC in 2022. @DollPariah/X But a deepening Catholic faith and a medical scare led Yardley to question how he'd been living his life. Just as quickly as he'd burst onto the scene, early this year Yardley gave it all up and ditched Manhattan's trendy underbelly for a fresh start in sunny California. 'I had to move to LA to detransition because I was like, I don't want to have this conversation with people. I don't want to tell the people hiring me or the parents of the students that I teach that I'm actually a man. I just couldn't deal with that,' Yardley, now 27, tells The Post from his new home in Los Angeles. At 15, Yardley found himself a patient in the Children's Hospital of Philadelphia's gender clinic. He'd been late to start puberty and had interests in singing and dancing. Classmates began to ask if he was gay or a girl. He'd never heard of transgenderism. 'I had not questioned my own identity before other people started asking me questions and putting that on me,' he says. After only his second appointment, a Children's Hospital of Philadelphia doctor put Yardley on androgen blockers and later estrogen therapy, calling him 'the perfect example' of a transgender child. 8 Yardley left NYC for California to detransition. 'I was like, I don't want to have this conversation with people. I don't want to tell the people hiring me or the parents of the students that I teach that I'm actually a man. I just couldn't deal with that,' Yardley told The Post. John Chapple for NY Post 'I thought that there would be less social friction for me if I looked like a female because so many people were assuming me to be that way. And I was not super comfortable with people assuming I was gay,' Yardley says. For many years, everything seemed fine. He graduated from high school, taught music at a West Philadelphia Catholic school, and enrolled in Temple University to study music. In fact, he felt that being transgender gave him an edge. As a singer, his voice remained a soprano. He then met an in-crowder from New York who persuaded him to move to the city and pursue modeling — 'but only if you lose 20 pounds.' 'I think I benefited from the [trans] identity in terms of being a model, being a socialite, a party attendee in New York City, and it was a cool, cosmopolitan, artistic thing to be doing with your body,' Yardley says. 'I had entered a different world, where everyone thought I was really cool.' In April 2024, Yardley was diagnosed with pituitary adenoma — a type of brain tumor — and has hypothyroidism. Both conditions have suspected links to hormone therapy. 8 A 15-year-old Yardley was put on androgen blockers after just two visits to the Children's Hospital of Philadelphia. He's now suing the hospital for malpractice. JHVEPhoto – At the same time, Yardley was becoming closer to people at his church, which he found a welcome reprieve from the cattiness of couture life. 'I realized that I'm hurting myself. I'm poisoning myself. I'm sterilizing myself. The normal things that bring meaning to normal people's lives I'm shut off from because I can't have children in this state. I can't do the normal things that bring normal people meaning,' Yardley says of the moment he began to question the experts and trans ideology. 'When you're 15, you think, 'Well, I'm a weird person. I don't need to worry about that.' The long-term consequences were unimaginable to me.' Since quitting estrogen in January, he's come to recognize other negative side effects. 'I was really crazy on the hormones,' he said. 'I was mentally unstable and cognitively impaired. And generally fatigued, tired, not strong at all in ways that I'm only now coming to really understand.' 8 A deepening Catholic faith and medical issues led Yardley to question his transition. John Chapple for NY Post Yet the path has been a solitary one. The medical establishment abandoned Yardley on this new journey to live authentically. While doctors were all too eager to put him on life-changing medications, there's no protocol for what to do if a patient stops treatment. When that happens, doctors seem to simply lose interest. 'I've asked multiple doctors for advice, and they don't know what to do,' Yardley says on stopping hormone treatment, a process that 'makes you feel [physically] awful. It's been difficult.' 'They just say, 'You should ask someone else.' At a certain point, how many other people can I ask before I just figure it out on my own?' Even before President Trump's second term — in which the backlash against childhood gender transitioning has been swift and damning — the United Kingdom, Denmark, Sweden, Norway, Finland, and the Australian state of Queensland had moved to ban or restrict puberty blockers and cross-sex hormones for minors.x In a landmark June ruling, the US Supreme Court upheld a state ban on so-called gender-affirming care for minors. This month, the Department of Justice launched an investigation into more than 20 doctors and gender clinics for minors. The nation's largest youth-gender clinic, the Center for Transyouth Health and Development at Children's Hospital Los Angeles, closed up shop Tuesday, citing the Trump administration. 8 In April 2024, Yardley was diagnosed with pituitary adenoma — a type of brain tumor. He also has hypothyroidism. Both conditions have suspected links to hormone therapy. @DollPariah/X The White House also just announced it will cut federal funding for hospitals that provide minors with gender-transition procedures. Yardley has joined the fight, although he's never thought much of himself as an activist. He's suing the Children's Hospital of Philadelphia for medical malpractice. Yardley's hair is now cut short and dyed a brassy blond. He says both old friends and strangers are sometimes confused about how to address him — a problem he never had when he lived as Salomé. 'I've tried to enter the men's restroom a few times, where someone was like, 'Hey! The women's room's over there!' ' he says. 'It was super awkward. Nobody ever redirected me as a woman.' He doesn't know yet if his medicalized youth has rendered him permanently sterile. But it's not all gloom. 8 Yardley says doctors have been of little help as he's detransitioned and stopped taking hormones. John Chapple for NY Post At his new home, Yardley has started a band, Pariah the Doll (he's calling the debut album 'Castrato'), and launched a clothing line, Eunuch for the Kingdom. He'd like to meet a nice Catholic girl and settle down — but he's also preparing for a life of celibacy, should it come to that. 'Having spent 10 years in the female role, I don't really know how to be a man. That's a scary jump for me,' Yardley tells The Post. Still, he holds no ill-will toward those who set him off on this course — and that includes his own mother. 'I wouldn't even say that she was supportive of it. It was just, like most parents, she trusted doctors because if you are a boomer, like she is, you have no reason to distrust doctors. Their legitimacy is pretty firm in your mind as someone of that generation. So I don't blame her.' 8 A bright spot in Yardley's new life has been starting a band called Pariah the Doll. The debut album is 'Castrato.' Spotify As for those doctors, Yardley is surprisingly merciful. 'I don't believe, as a Christian, that people are setting out to do evil for evil's sake. I don't think anyone has that in their heart,' he said. 'But I think it has a lot to do with an overreach of professionals and a lot to do with money. Hospitals make a lot of money from these procedures. They benefit from having lifelong patients, which is what transgender people are. You need the hormones to maintain the identity.' If he could go back, would he change any of it? 'There's no way to live your life without making mistakes or going down the wrong path,' Yardley says. 'My life would be totally different if I made different decisions at 15 years old, so I can't really conceive of a different path. I don't live in a regret state. In many ways, I'm extraordinary lucky.' He does, however, wish that doctors would learn to be more open-minded. 'If you're a gender-nonconforming kid, you should be allowed to be yourself. I think that was the biggest problem. I didn't feel like I could be confident in who I was. And if that person happens to like singing and dancing and cooking and Barbie dolls, who really cares? You can be a boy who likes that,' Yardley says. 'At the time, nobody in my life told me that was possible.'

Every Selena Gomez Hair Era, From Teen Waves to the Sleek Platinum Bob
Every Selena Gomez Hair Era, From Teen Waves to the Sleek Platinum Bob

Elle

time2 days ago

  • Elle

Every Selena Gomez Hair Era, From Teen Waves to the Sleek Platinum Bob

Few can say they skipped past the awkward teen phase of questionable makeup choices and embarrassing hair moments, but Selena Gomez is one of them. Journeying through a decades worth of TV episodes, music videos, red carpet appearances, and Instagram posts is far more inspiring than it is cringe-worthy. The big-bounce curly blow-dry I'm still trying to master? She perfected it back in 2010. Her lived-in caramel balayage and wispy bangs of 2016? I'm taking it to my hairdresser this month. 'Selena has this amazing ability to switch effortlessly from one genre to another,' says Neale Rodger, style director at STIL Salon in London. 'She's mastered retro waves, sleek, center-parted lobs, ashy blondes, retro-inspired updos, supermodel lengths, full-coverage bangs…practically everything.' Though the Rare Beauty founder has never strayed far from her chocolate tresses, she's served up heaps of hairstyle inspiration since she arrived on TV screens in 2007, and each look is as covetable and copy-worthy today as it was then. Whether it's her chest-length natural curls in 2014, her blonde experiments in 2017, or the chic tousled lob she recently debuted, where better to look than the Gomez archives when your brunette lengths are in need of a facelift? Ahead, we've curated a timeline of Gomez's most iconic hair looks from her Wizards of Waverly Place days to now. Congratulations, Sel! We all know how important a crisp, understated mani is when we hear wedding bells, but she also reminded us to remember our hairdo. Her baroque bob is fairly simple: it's a one-length, blunt cut, but it's the styling that sets it apart. Blown-out and flicked-in, its name derives from the elaborate charm of early 17th-century art and architecture. 'Health and wealth signaling are two key themes in hair trends at the moment, and this luxurious yet modern look ticks both boxes very well,' shares hair forecaster Tom Smith. She turned heads with her shoulder-grazing long bob at the world premiere of the new Disney spin-off show, Wizards Beyond Waverly Place. With a singular loose wave, positioned skillfully beside her jaw to enhance and define her face shape, this lob screams elegance and sophistication. Her equestrian-style ponytail was a standout red carpet moment at the Emilia Pérez premiere, which took place at the 77th annual Cannes Film Festival. Neatly slicked and elegantly perched at the crown of her head, this sleek updo is incredibly glamorous and complimented her off-the-shoulder gown perfectly. Looking to put a new-season twist on your monochrome tresses? Feather a honey blonde hue in and around the hair. It adds subtle dimension and feels different enough when you look in the mirror, without completely transforming your look. Gomez demonstrates that perfectly here. The French-girl bob has never looked so chic. It has enough Parisian charm and sultry, just-rolled-out-of-bed texture to last a lifetime. To recreate the look at home, lift the hair away from the face and mist a texturizing spray into the roots. Or, just roll out of bed! At this 2019 meet-and-greet in California, Gomez proved that brunette balayage really can be subtle. Not a blonde strand in sight; instead, her inky roots graduate into a mousy hazel-brown, adding depth without stark demarcation. Who remembers blond Selena? Spotted out and about in London in 2017, the megastar styled her newly buttered lengths into a boho-style wave and with wispy full fringe. Brunettes, take note: incorporating a root smudge is key to masking harsh regrowth if you're considering taking the platinum plunge. The bangs that made us all want bangs. We're still obsessed with her wispy fringe and syrupy caramel balayage era. At Louis Vuitton's cruise 2016 show in California, Gomez subbed her signature chestnut hue for this near-black shade. Loosely crimped to add natural texture? Very 2015. Some may say Gomez was ahead of her time with these copper-brown highlights. Playing to her hair's natural undertone, these ultra-warm strands instantly add depth and dimension without being overwhelming. For the 2011 American Music Awards, Gomez tried an Old Hollywood curl on for size, paired with a swept side part and a finish so glossy it's literally reflecting light. Perhaps my favorite look of all. The 22nd Annual MuchMusic Video Awards in 2011 saw Gomez sport a tighter ringlet-style curl than she'd worn previously. To replicate this look, resist brushing your curls out once cooled and apply hairspray to set them in place. The highly covetable blow-dry in question. Gomez was in her element at the 2010 Wizards of Waverly Place fashion show, where her natural chocolate strands were perfectly coiffed into a voluminous, bouncy curl. Her layers serve this style well, adding body and shape to give the appearance of thicker hair. In 2009, Gomez debuted a rounded bob with a thin side-fringe and fine, golden highlights. This shapely crop would go on to become her go-to hairstyle, experimenting with various fringes, lengths, and textures to boot. The 2008 NCLR Alma Awards saw Gomez gather her glossy espresso tresses into a loose bun, fit with a swooping side-fringe. Asymmetry was all the rage in 2008: think ponytails, fringes, plaits, and buns all worn off-center. Perhaps her most iconic and internet-famous hairstyle of all? This electric blue moment for the 2007 Teen Vogue Party, of course (cue the viral interview clip). A very Alex Russo move, if you ask us.

Lindsay Lohan Channels Barbiecore in Mexico City for 'Freakier Friday' Premiere
Lindsay Lohan Channels Barbiecore in Mexico City for 'Freakier Friday' Premiere

Elle

time2 days ago

  • Elle

Lindsay Lohan Channels Barbiecore in Mexico City for 'Freakier Friday' Premiere

THE RUNDOWN It's shaping up to be a huge year for reboots and sequels. Between Freakier Friday and The Devil Wears Prada 2, all of our early 2000s dreams are coming true. Case in point: Last night, Lindsay Lohan stepped onto the red carpet at the Mexico City premiere of Freakier Friday in a magenta strapless draped gown with a golden chain neck detail from Balmain's resort 2026 collection. The warm hues from the dress and hardware made the ELLE cover star look absolutely sun-kissed, and the look was a nod to the Barbiecore trend. Lohan's red carpet fashion hasn't missed. At the world premiere of the film in Los Angeles earlier this week, the actress sported a pink custom Miu Miu gown complete with a sweetheart neckline, flowing skirt, crystal embellishments, and a bedazzled microphone—a mix of Y2K meets Old Hollywood glamour. She was all smiles while posing with Parent Trap co-stars Lisa Ann Walter and Elaine Hendrix—the latter of whom even makes a brief appearance in Freakier Friday (it really is a huge year for childhood movie throwbacks!). The look was styled by Andrew Mukamal, interestingly, the genius behind Margot Robbie's fabulous outfits from the Barbie press tour. Mukamal is also currently styling Vanessa Kirby, who stars in The Fantastic Four: First Steps, and Hailey Bieber. Lohan has looked effortlessly elegant, in numerous Alaïa, Balmain, Nina Ricci, and Givenchy ensembles.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store