Delta Goodrem shares magical Malta wedding photos with Matthew Copley
The star looked like a picture-perfect bride when she walked down the aisle last month at her wedding to husband Matthew Copley.
Goodrem married Copley at a 12th-century cathedral in Malta, where he
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NZ Herald
7 hours ago
- NZ Herald
Ex-MasterChef judge George Calombaris reveals true extent of his alcohol addiction
Chef George Calombaris goes public on how he slipped into alcohol addiction. Listening to articles is free for open-access content—explore other articles or learn more about text-to-speech. Chef George Calombaris goes public on how he slipped into alcohol addiction. Former MasterChef Australia star George Calombaris has revealed how a series of scandals lost his company $3 million and led to a private battle with alcohol addiction. The Greek-Australian chef joined the cooking show as a judge in 2009 and quickly became a fan favourite both on-screen and off. He went on to build a multimillion-dollar hospitality empire in the years that followed, but back-to-back scandals saw it take a massive financial hit. In 2017, the celebrity chef was involved in an altercation with a fan at the A-League grand final, and in 2019 he admitted to underpaying approximately 500 of his current and former employees $7.8 million in wages over a six-year period. That same year, Calombaris and fellow judges Matt Preston and Gary Mehigan left MasterChef after 12 seasons over contract negotiation breakdowns, and, when the pandemic hit in 2020, Calombaris found himself at rock bottom. Now in candid interview with Ouzo Talk, Calombaris details his spiral into alcohol addiction, which all came to a head when his brother found him drunk in his car one night.
NZ Herald
17 hours ago
- NZ Herald
Here's How Harris Tapper Will Debut At New Zealand Fashion Week
A big deal, marked intimately. Harris Tapper is a business in scale, but its New Zealand Fashion Week debut won't be. Joining the official NZFW schedule for the first time in 2025, the premiere presentation, held for less than 100 guests at Blue in Ponsonby, will be small, considered, and personal. The brand says, 'There's a new pulse coming from New Zealand fashion, we felt it was our duty to contribute.' Harris Tapper joins a host of high-profile Aotearoa fashion brands confirming their involvement on the official schedule of Aotearoa's premier fashion event, which returns in its new format from August 25-30. Imbuing the intimacy of a mid-century couture salon, expect the Harris Tapper experience to mirror the ethos of the brand itself: clothes designed not for spectacle, but for the woman herself – modern, hard-working tailoring, designed with wise restraint. In a nod to the nostalgic elegance that underpins the brand's next collection, guests will be served Tanqueray Gibsons. The cousin of the martini mixes gin and dry vermouth and is often garnished with a pickled onion. The brand will show a new collection that launches in August, with some of the pieces available to buy. Alongside this, the presentation will include special 'coming-soon' pieces and some custom-made, artisanal one-offs. 'We are often inspired by the masters of couture and the quiet showmanship of the early couture salon shows in the 50s and 60s. We'll be questioning the modern approach to sophistication and elegance.' Close-knit showings have become somewhat of a signature for the burgeoning brand. In February, to celebrate its Spring Summer 2025 collection, it collaborated with Australian boutique The New Trend to host an intimate cocktail evening at The Apollo Inn in Melbourne. Last November, it collaborated with art adviser Anna Shapiro Taylor, bringing together artists Karen Black and Cybele Cox in Sydney to discuss the nuances of producing work at the intersection of commerce and creativity. View this post on Instagram A post shared by Harris Tapper (@harris_tapper) It was a fitting talking point for co-founders Lauren Tapper and Sarah Harris Gould, who are themselves meeting a period of increased commercial demand with an uncompromising vision. Over the past 24 months, the quiet confidence that underpins their approach and aesthetic has translated into marked market momentum. Founded in 2017 as outfitters who at first focused solely on shirting, the brand has doubled its revenue annually. The lift corresponds with a period in which the Harris Tapper brand has been cultivating a strong international presence. Tapper and Gould recently returned from New York City, where they took a series of meetings, including one at Vogue. But the Auckland-based design duo say this NZFW debut is a moment to celebrate on home ground, a salute to staying true to the philosophy that has garnered fans from the outset. 'The time and space we've allowed ourselves to sharpen our voice and tone has led to a more considered, curated approach to the way we see our wearer.' A rare moment sees the brand with a core of quiet authority step into the spotlight. 'We are never in a rush to be loud,' admits Tapper. 'But this feels like the right moment to speak.' 'We've spent years refining our DNA, fit and cut; working with amazing tailors, pattern cutters and skilled artisans. It felt like the product, the brand and the business were ready to speak and it feels only fitting that the conversation is here, where Harris Tapper was born.' Harris Tapper's NZFW debut won't be about spectacle – those in the room will see a statement of established identity. A language of easy elegance displayed through refined fits, cuts and fabrics that toy with notions of femininity and power. They say their involvement in fashion week is 'both a culmination and a beginning'. A brand entering a new era with assured energy, while treasuring the unique landscape they're born from. Like fashion week itself. More on local fashion From emerging talents to statements through style. NZ Fashion Week 2025: 25 Things You Need To Know About The Event's New Era. New Zealand Fashion Week: Kahuria is set to make a jubilant return next month. William Fitzgerald's Circular Design Is 'Shoddy'. The Mindful Fashion Award-Winner On Why That's A Good Thing. William Keane Jung-Ying Fitzgerald, the winner of the Editorial Prize at the Mindful Fashion Circular Design Awards, has sewn a slick suit spun from recycled materials. From Warkworth To London, Fashion Designer Kat Tua Is Challenging Māori Stereotypes. Menswear designer Kat Tua talks to Dan Ahwa about a deeply personal bespoke creation designed to underpin the values of her brand Manaaki for an international audience.
NZ Herald
2 days ago
- NZ Herald
NZ Listener's Songs of the Week: Six60 and Estère's overseas collaborations, and a Lucy Lawless sampler
Estère and Hilltop Hoods with Matiu Walters of Six60. Photos / Paascalino Schaller / Ashlee Jones. Never Coming Home By Hilltop Hoods featuring Six60 Warning: This week's playlist starts off at the gym, heads to the club, then winds up at home, lying on the couch, slightly glum. First up is this collaboration between the veteran Australian hip-hop outfit and NZ market leader Six60 on a pumped-up track that for some, could save a lot of money on personal trainers. There's an MMA-themed video, which is apt for a song on which the voice of Six60's Matiu Walters is definitely supplying the right hook. – Russell Baillie Duog Dala by Estère, Fancy Fingers, Winyo Cameroonian-Kiwi producer-songwriter Estère is now based in London, using it as a base to tour to Africa and work on a series of Afro House singles in the lead-up to an eventual album. This infectious head-nodder is the first, a collaboration with Kenyan vocalists Fancy Fingers and Winyo and employing a new bit of kit, an 'Orchid' chord-generating synthesizer developed by Tame Impala's Kevin Parker. The track was recorded during invite-only London studio sessions held by the keyboard's makers. Good use of a junket, that. – Russell Baillie I'm Lucy Lawless by Alphabethead Producer, turntable artist and former member of The Unseeing Hand and Bad Taste, David Morrison is also a busy collaborator (Death and the Maiden, left-field jazz groups, Home Brew). Here, with a sample of the Xena actress saying, 'I'm Lucy Lawless', scratchy beats and disruptive sounds he shares the first hints of his debut electronica album My Name is David (after six previous albums as Alphabethead) due later in the year. – Graham Reid Alphabethead aka David Morrison: A busy collaborator. Photo / Abby Stewart Together by David Guetta, Hypaton, Bonnie Tyler Primed for ecstatic moments in his Ibiza mega-club, this dancefloor thumper doesn't have much individual character beyond the very obvious beat. The most remarkable thing about it is that Bonnie Tyler re-recorded her vocal for Total Eclipse of the Heart to be sampled. If that's true then the 74-year-old has still got it, 43 years on from that hit. – Graham Reid Heatstroke by Aidan Fine, Yamikani Another wacky gem by Fine, the Auckland pop magpie showing a production style that makes a virtue of how many ideas he can pack into one song. In this case, that includes a cameo vocal from London-based singer Yamikani and an infectiously busy bassline. – Russell Baillie Mangetout by Wet Leg Wet Leg's sophomore album Moisturizer is just out and following the previous singles Catch These Fists and Davina McCall, Mangetout is another punchy, rudely funny, kiss-off blast of British indie from the Grammy wining band fronted by the irrepressible Rhian Teasdale and Hester Chambers. Altogether now: 'Good God, she took a break/ Made a mistake/ when she met Trevor….' – Russell Baillie Hold On You by merci, mercy Written some years ago apparently, but this cleverly constructed and thoroughly enjoyable song about sensual yearning – and reservations about the popular boy in question -- sounds like it's mining much earlier traditions of New Wave, synth pop and with a keyboard part out of the early 1970s. It's more concise pop from Australian teenager Mercedes Thorne which suggests her Don't Take It To Heart debut album (out August 29) after a bunch of interesting singles is going to be well worth hearing. – Graham Reid All Night All Day by Big Thief This New York-based Grammy-nominated alt-folk outfit fronted by Adrianne Lenker (whose solo album last year Bright Future is worth finding) have worked very diverse territory from folksy Velvet Underground and stoner folk-rock to Dylanesque digressions and folk-pop. Always worth hearing, and this with an enticing and lazy vocal by Lenker, lyrics about the ambiguities of love and gently rolling rhythm is another tasty advance notice of the new album Double Infinity due September 5. – Graham Reid Myths by Rhian Sheehan and Arli Liberman Not your standard 'single', this latest example of the hook-up between two of this country's most successful soundtrack composers (who also worked in what we might call 'rock culture') is a wrap-around piece of post-rock which wouldn't go amiss in an Alien soundtrack. Sheehan describes it as 'plunging into the heart of the sun, an immersive descent into its searing intensity and boundless energy' and we wouldn't argue with that. It's a big sound and the opening track on their forthcoming album Traces due September 12. Check their previous Sentio and Immaru for similar but different cinematic atmospherics. – Graham Reid Eternal by Eydis Evensen and Ari Bragi Karason And another from our Not Your Standard Single department, this by Icelandic pianist and post-classical composer Evensen which was written in depths of their winter. So there's a heavy melancholy and loneliness in the trumpet sound of Karason (Iceland's fastest man over 100 metres, incidentally). Romantic gloom from endless nights and another single from her forthcoming Oceanic Mirror album (October 10) which will be a meditative rather than cheery affair we're guessing. – Graham Reid Ysaÿe, Sonata for Solo Violin, Op.27, No.2 'Jacques Thibaud', Mvt 1: 'Obsession'. By Hilary Hahn, violin It's an outrageous swipe, the opening to Eugène Ysaÿe's Sonata No.2 for Solo Violin. At least he admits it: the first movement is subtitled 'Obsession', and he's referring not to an amour but to Bach, whose Prelude to Partita No.3 the Frenchman is quoting. But where Bach's straight lines and mathematical precision deconstruct what music can do if you push it to its natural limits, Ysaÿe – a great violinist, who dedicated his sonata to Jacques Thibaud, another great violinist – is pushing the instrument as far as it will go. Show off. – Richard Betts
