
The Artist Bridging Oman's Traditional Past and Contemporary Future
Sonya's canvases seamlessly blend realism, impressionism, and figurative styles, driven by a profound devotion not only to aesthetics but also to national identity. From the fishermen of Sur to the frankincense harvesters of Dhofar, his brushwork elevates everyday Omani life into a lasting cultural legacy.
The Artist Bridging Oman's Traditional Past and Contemporary Future
'Sonya's recent works (2024–2025) offer an immersive glimpse into daily Omani life,' writes gallerist and curator Volodymyra Sobolevska, who has curated several exhibitions at Stal Gallery and Studio. 'Set against the backdrop of places like the souq, traditional Friday markets, and the corniche, his characters are transformed into cultural icons through posture, gesture, and dress.'
His distinctive style captures the hustle of busy souqs, the rhythmic bustle of animal markets, and the swirling energy of traditional Omani dances. Recently, he has begun integrating Arabic calligraphy into his art — layering the spoken words of his subjects directly onto his canvases. The result? Visual poetry that not only depicts Oman but speaks its soul.
The Artist Bridging Oman's Traditional Past and Contemporary Future
His latest series celebrates the dynamic joy of folk dances such as Razha and Haboot, and ceremonial moments from Omani weddings steeped in tradition. Whether it's the clash of swords or the beating of drums, Sonya's vibrant compositions pulse with movement. These dances go beyond mere spectacle; they are powerful reflections of memory, pride, and community — feelings he vividly captures with each stroke.
His work vividly brings to life places like Salalah, Dhofar, Musannah, and Mutrah, creating emotional landscapes filled with memory, motion, and identity — portals into Oman's layered past. Mutrah, Muscat's historic port and commercial hub, is portrayed not as a static skyline but as a living entity shaped by generations of merchants, sailors, and artisans.
The Artist Bridging Oman's Traditional Past and Contemporary Future
'These aren't just backgrounds,' Sobolevska notes. 'They are characters in their own right — settings that speak to Oman's soul.' In Sonya's art, place is never passive; it holds memories, embodies tradition, and whispers the rhythms of daily life and celebration. Whether it's the coastal glow of Mutrah or the festive grandeur of Dhofar, each location adds depth and authenticity to his storytelling.
Beyond gallery walls, Anwar Sonya is a dedicated mentor, teacher, and cultural philanthropist. His influence extends through workshops at the Omani Society for Fine Arts, artist talks, and mentorship at Stal Gallery. His presence is magnetic, inspiring future generations.
The Artist Bridging Oman's Traditional Past and Contemporary Future
'His practice reaches far beyond the canvas,' says Sobolevska. 'He commits himself to charitable causes, organises community events, and actively supports emerging artists. Sonya bridges tradition and innovation, nurturing both seasoned masters and young aspirants alike.'
Over the decades, Sonya has carried Oman's artistic identity onto the international stage. From his earliest exhibitions in the 1970s to recent appearances at the Gulf Arts Symposium (Bahrain, 2025), 'Redrawing the Boundaries' at Hayy Jameel (Saudi Arabia, 2025), and the Venice Biennale (Oman Pavilion, 2022), his global journey is testament to his enduring influence.
The Artist Bridging Oman's Traditional Past and Contemporary Future
A pivotal moment came in 2000 during The Circle Show, curated by Hassan Meer — Oman's first exhibition dedicated to contemporary and conceptual art. It marked a daring shift, with Sonya and other avant-garde artists daring to push aesthetic frontiers beyond tradition.Despite international recognition, Sonya remains rooted in one core belief: art must come from the heart. 'If you create art solely for profit, you will fail,' he asserts. 'You must love your country, and be honest — in your heart and in your work — with your people.' To him, true success isn't measured by awards or gallery openings but by silent recognition — a viewer pausing, connecting, and saying, 'I see myself in this.'
Anwar Sonya
Today, Anwar Sonya is more than an artist; he is a cultural pillar, a guardian of collective memory, and a mirror reflecting Oman's beauty and identity. With every canvas, he invites us to witness a nation — not just through its history or architecture, but through its people: their faces, their dances, their stories. He is currently represented by Stal Gallery and Studio in Muscat, where his work continues to inspire, provoke, and preserve. In an age of fleeting images and transient trends, Sonya's art endures — slow, textured, and deeply human, just like the land he lovingly captures.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Observer
20 hours ago
- Observer
Why more young Omanis turn to creative careers
In Oman, jobs in government, engineering, or medicine were seen not only as stable but also as respectable — the roles families encouraged with pride. But today, more young Omanis are redefining what success looks like. A new generation is shifting from conventional professions to creative ones, driven by passion, and a desire to make something meaningful. In a world that is constantly evolving, many young people no longer see creativity as a hobby, but as a career. Fashion, content creation, lifestyle, photography, or digital art are no longer on the sidelines. Several factors are fuelling this change. Social media has made it easier to share creative work with audiences globally. An Omani artist on Instagram can now reach followers from New York to Kuala Lumpur. What used to take years of networking can now happen with one viral post. This visibility builds confidence and encourages more young people to explore creative careers. At the same time, creativity offers something traditional jobs often don't: emotional connection. Whether it's telling personal stories through short films, designing clothes that reflects Omani identity, or capturing unfiltered life moments in photography or vlogs, these choices are powerful forms of self-representation. Still, the path isn't easy. Many creative youth struggle to get support from their families, face uncertainty around income and lack resources. Some work part-time while building their brands, while others struggle to find clients or recognition in local markets. These challenges are real but they haven't stopped the change. Recent local events and platforms are helping. Pop-ups, exhibitions and small business workshops are becoming more common in Muscat and other cities. These spaces allow emerging creatives to collaborate, learn and get seen. They also signal something important: Oman is beginning to recognise the value of creativity not just as art, but as a contributor to the economy, identity and culture. Parents, educators and decision-makers have a role to play. Encouraging youth to explore creative interests, offering support and building educational programmes around the arts can make a lasting difference. Creativity isn't about leaving tradition behind, it's about telling our stories in new ways. And if young Omanis are choosing that path, it's worth paying attention to. In the end, this shift isn't just about jobs; it's about expression, innovation and owning our narratives. The question isn't 'why are so many youth going into creative careers?' The real question is: why not?


Observer
4 days ago
- Observer
Khareef Dhofar: A fun destination for children
Muscat: Khareef Dhofar offers activities and events that attract families for an enjoyable vacation and an entertainment destination for their children, in addition to being a tourist destination for adults. Dhofar Municipality has focused on organising entertainment events and shows that attract children and families throughout the various seasons. Through organising events for children, Dhofar Municipality aims to enhance family communication and provide a vibrant environment for families. This year, Dhofar Municipality also launched the Child Time events at Awqad Public Park in Salalah. This unique event, which will continue until August 31, 2025, aims to provide a comprehensive experience that combines entertainment and educational aspects for children and visitors. Given the remarkable success of previous editions, Ateen Square will become a leading destination for major entertainment events and shows, attracting a large audience. The venue will be a global events hub, featuring an integrated shopping area, an open theatre, a modern gaming area and a revamped lighting and laser show. The Omani youth projects in most tourist destinations, particularly in Wadi Darbat, have been a significant factor in attracting and increasing visitor numbers in recent years, and this trend will continue this season too. International shows and carnivals will also be hosted, adding a global entertainment dimension to the event, aiming to dazzle visitors of all ages. The experience will be enhanced with a range of physical activities, creative workshops and cultural competitions that combine learning and entertainment. The event will also include theatrical performances, contributing to the artistic aspect of the event.


Observer
4 days ago
- Observer
'Wathiq' art camp: A platform for cultural identity
SUR: The activities of the 'Wathiq' documentary film camp kicked off in the Wilayat of Sur, Al Sharqiyah South Governorate. The event, organised by Oman Film Society in collaboration with Al Sharqiyah South Governor's Office, will run until August 6. As many as 30 young men and women are participating in the camp, which features a series of workshops. These include Idea Development presented by Bahraini director and producer Sana al Zayani; Forming Film Teams and Role Distribution in Film-making, led by Omani director Anwar al Ruzaiqi; Screenwriting, conducted by scriptwriter Qaisar bin Salim al Hinai; Cinematography and Lighting in Documentary Film-making, presented by Egyptian director Hamdy Wahba; Film Directing, led by Moroccan director Dr Majida Benkirane; and Editing and Colour Grading, delivered by producer Radhi al Khumaisi. - ONA