logo
Safi: The World's Best Wave That Was Kept Secret For Decades

Safi: The World's Best Wave That Was Kept Secret For Decades

Yahoo29-05-2025
It is with great pleasure that we announce our partnership with Now Now Media, led by legends Alan van Gysen (AVG) and Will Bendix, on their latest film Le Jardin: The Secret Story of Morocco's Most Incredible Wave.
The film is part of Now Now's 'Origin Series' where they examine the history of the world's greatest waves and document all the chapters that came along ever since the first known surfers made the discovery. With Safi, that story begins with one man.
'While Anchor Point became the pride of Moroccan surfing, Safi remained hidden in plain sight. An industrial harbor town that sits halfway between Casablanca and Agadir and was known for its Sardines, not waves. Then, in the early 1980's, a surfer from Casablanca, Louic Soutif, got a job working in the port. When he arrived at work one morning, he looked across the bay, and could hardly believe what he saw. He told his friends about the wave but they found it hard to believe…so he surfed it on his own for the next two years.'
When it's on, all agree it is one of the best right-handers in the world, if not the best. The only thing is that it's fickle, very fickle. Over the past few years, the miraculous wave also known as Ras Lafaa (The Head of the Snake), has only come to life a handful of times. Its reputation for perfection, along with good surf forecasting, has meant that it draws quite the crowd. But we're getting ahead of ourselves…
The name Le Jardin (The Garden) was bestowed upon the wave to help keep it secret by the lucky few friends of Louic that surfed it for years to themselves. They used to rent a cheap house on the hill overlooking the wave and when one of their girlfriends came, she said, 'the house is eh, ok, but look at the garden', as she signaled to the view in front of the house.
With their secret name, they could talk about it openly and not give away the location but, slowly but surely, the word started to get out. Knowing that one day the whole world would know about the perfect wave at Safi, they felt the need to call in a 'master', someone who could come and really show what could be done.
That master was none other than Australian hellman, Ross Clarke Jones, who redefined what was possible at Safi by surfing the wave farther up the point than anyone had even seen. As he recalls, 'We showed up in the dark and slept in a little tent right there on the cliff. In the morning I woke up and saw the best right-hander I've ever seen in my life. Better than Jbay, better than Kirra, better than everything.'
Le Jardin joins the Now Now Origin Series, alongside these other incredible films: Place of Thorns, The Story of Puerto Escondido. Chasing The Unicorn, A Mozambican Surf Story. Mirage, The Ever-Changing Story of Skeleton Bay. We caught up with AVG to hear about how he and Bendix approach their films.
'Well, coming from our perspective with Now Now Media, we find it super important to always work with local DPs, local filmers, and local talent. It's crucial to the success of these collaborative projects where you're bringing so many different things together–different eras, different decades–you really need to dig deep and work with the locals. Because you could never really know the full extent of things and I can only get so much content on one or two trips. I also don't have that history with the place. So when you identify someone who is exceptionally talented and very connected like Edwin Morales in Puerto Escondido and Amine Nader in Morocco, they've been a part of the community for a long time, they have respect. They've paid their dues and the community loves to see them be recognized. When we do our local premieres, like in Puerto or Safi, the whole community comes out to support and they get to stand on the stage and know that the film was possible because of their efforts. They deserve to shine as directors of photography and co-producers of these stories."
The surfing and storytelling make this a must watch film for all surfers, and even non surfers would appreciate the cinematography, soundtrack, and overall experience of Le Jardin. Do yourself a favor and go and subscribe to the Now Now Media page on Youtube and like, comment, and share their films to support these stories and the incredible effort that goes into them. PS- keep your eyes peeled for a very special US premiere that is the works.Safi: The World's Best Wave That Was Kept Secret For Decades first appeared on Surfer on May 28, 2025
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Savage but fair: Surviving a swank writing master class in Morocco
Savage but fair: Surviving a swank writing master class in Morocco

USA Today

time2 days ago

  • USA Today

Savage but fair: Surviving a swank writing master class in Morocco

Silk Road Slippers, a five-day writers workshop at a delicous Moroccan resort, was more scrivener's boot camp than a luxurious path to self-discovery. MARRAKECH, Morocco – It's morning under the Atlas Mountains and publishing legend Alexandra Pringle is taking a savage blue pencil to a very nice paragraph. At least I thought it was a very nice paragraph. But no. It's actually a mess – jumbled, ineffective – and Pringle, former editor-in-chief at Bloomsbury Publishing in London, strikes down my wan offering with a single sentence before moving on to the next willing victim. It's obvious, just one day into this weeklong writing workshop, that we're in the hands of professionals – three glamorous, erudite killers who've had a hand in some of the biggest and most interesting books of the last 40 years. Pringle runs the master classes with historian and broadcaster Alex von Tunzelmann ("Fallen Idols", "Indian Summer") and Faiza Khan, a former editor-at-large at Random House, packing the plummiest accent this side of Downton Abbey. They're a formidable team – humane, perceptive, politely unsparing. The outfit, called Silk Road Slippers, holds four master classes a year at a delicious resort hotel outside Marrakech, each featuring a different heavyweight lecturer, including winners of the Nobel, Booker, Pulitzer and other literary prizes. My session was graced by novelist Alan Hollinghurst ("The Line of Beauty"). Esther Freud, Nobel laureate Abdulrazak Gurnah , Monica Ali and Andrew O'Hagan have all given attendees a bracing taste of how it's really done. The classes are very much open to new writers. Many at the session I attended earlier this year were already in the writing game, some with published books. But Silk Road Slippers wasn't created with literary pros in mind, von Tunzelmann says. Among those gathered under the palms at the workshop's long outdoor table placed near an outdoor fireplace to ward off the morning chill were an architect, a publicist and a counselor. Silk Road Slippers has hosted newbies who'd spent their professional lives in business, medicine, and law. Scrivener's boot camp The Jnane Tamsna boutique hotel, created by French attorney Meryanne Loum-Martin (whose life would fill a page-turner) and her American ethnobotanist husband Gary Martin, was the swanky backdrop to a week of grinding mental labor. The Morocco location makes Silk Road Slippers accessible to writers from Asia, Africa and Latin America who may not care for the process of getting a visa to Europe and the United States. (U.S. passport-holders travel to Morocco visa-free.) Despite the sumptuous trappings – the palms, the book-lined bar, the (five!) swimming pools – Silk Road Slippers is more scrivener's boot camp than a luxurious path to self-discovery. The days are filled with short writing exercises, with each hastily written passage read aloud by the author and then critiqued by Pringle, Khan and von Tunzelmann. Writers are drilled in dialogue, setting, action, perspective – a crash course in substance and style. In a revealing assignment, attendees were asked to write a fictional third-person scene with themselves as the protagonist. As with the other drills, the results ranged from middling (that was mine) to quite good. There wasn't a bad pen among the nine women and two men who were my classmates. But none topped Booker Prize-winner Hollinghurst, who turned out, in the same 15 minutes as the rest of us, a richly cinematic scene placing the fictional character of Alan Hollinghurst in a tricky social encounter fraught with manners, ego, and ambition. Just like something out of a novel. Anyone can play Years ago, U.S. literary wags spilled barrels of ink over the question of MFA vs. NYC, shorthand for two paths to creating a life as a novelist: the formal structure of a master's in fine arts degree, with its ready-made community and the tutelage of established teacher-mentors, or the (relatively) hard-knock life of apprenticing oneself to the New York publishing industry and living, loving, losing in the real world, with all the bruises to show for it. Nobody was talking about this kind of thing in Marrakech. I had no idea where anyone went to school, or what credentials they may have held. Every person there was taking a leap of some kind to learn alongside – and expose themselves to – a group of discerning strangers. There was no shortage of work. There were tears, and support among new friends. Some writing samples were raw and personal, but that was no protection from our instructors and the feedback born from their editorial instincts: 'There's too much specificity. You're putting the kitchen sink in there.' 'It's just awful. It's explanatory. It's telling us what to think.' 'There's nothing more boring than other people's dreams.' By the end of the week, each participant had completed a passage of at least 1,000 words to be assessed in an hourlong consultation with one of our three guides. I drew Pringle, and I've never had a more rewarding or discombobulating conversation about writing. Despite having two nonfiction books and decades of journalism to my name, Pringle pointed me to the far riskier path of literary fiction. That gets to the heart of why even a published author might want to spend time and money on a workshop like Silk Road Slippers and why it holds so much potential benefit for newcomers. This is solitary work, and trying out your craft with trusted peers and masters of different ages and walks of life can be – as I found – a rejuvenating literary shot in the arm.

Epic Desert Days: Tours & Quad Treks in Morocco
Epic Desert Days: Tours & Quad Treks in Morocco

Time Business News

time3 days ago

  • Time Business News

Epic Desert Days: Tours & Quad Treks in Morocco

Morocco's desert is not only sand and sun; it's a whole big adventure waiting. Long dunes, ride camels slowly in silence, or go fast with a quad bike across a desert like in a movie. Every day in the Moroccan desert feels like a story. Sunset on a dune, Berber tea in a tent, stars like a sky full of lights. From Merzouga to the Sahara, a big part of the journey gives a feeling of old times and wild freedom. This is not only a tour; it's a life memory. Morocco desert tours and Merzouga quad treks show the real side of this land. For the first time or more, these desert days always feel epic. The desert in Morocco means adventure with calm. Tours begin from cities like Marrakech or Fes and take you profoundly into the holiday. Ride camels through the Erg Chebbi hills, observe the sun go down behind brilliant slopes, and rest in a camp beneath the stars. A few visits are as it were for 2-3 days; others go long, like 5 to 7 days. You meet nearby migrants and eat Moroccan nourishment like tagine and couscous. Jeeps ride across rocky plains, visit oases, and explore old kasbahs. Guides on these tours are mostly Berber people; they know the desert like the back of their hand. They tell stories, play music at night, and show true Morocco. The tour also goes to Dades Valley, Todra Gorge, and the Atlas Mountains. Most time travelers want a mix of driving, camel riding, and culture:these tours give it all. The Sahara Desert is the biggest hot desert in the world. The Morocco Sahara Desert Tours are magical. Sahara Desert tours go deep inside Erg Chebbi and Erg Chigaga dunes:both very tall and wide. These Sahara Desert tours start from cities, but the main magic happens near Merzouga or M'Hamid. The tours have a mix:camel trek, 4×4 jeep, and quad biking. A few days are full of hush and peace, others with speed and wind. Sahara visits too incorporate evenings in camp with fire, music, nourishment, and a sky full of stars. It's the best way to experience the ancient caravan course and learn about wanderer life. Visit Khamlia town, where Gnawa artists play ancient African beats, meet forsake metal forgers, and drink mint tea in a conventional tent. The Sahara Leave visit is not fair approximately sand; it is around feeling time moderate down. The Merzouga quad tour is high-speed fun in the desert. These quad bike tours start in Merzouga village, take you across dunes fast, make you feel the wind, and make you bounce on sand like waves. You go to Erg Chebbi dunes, the Black Desert (Hamada), fossil areas, and sometimes oases. You do not need a license to drive a quad in the desert. The guide goes with you, gives you a helmet and goggles, and shows you how to drive. Most tours last 1 to 3 hours. But a full day is also possible. The sunset quad tour is the most famous golden sky and the fast ride makes dream memories. The best thing is you stop at the top of the dune, take a photo, and see all the sand around you. The Merzouga quad tour mixes thrill and nature. nice for families, couples or friends who want adrenaline in the desert. Erg Chebbi Dunes :.Giant orange dunes up to 150 meters tall, sunset here is magical. :.Giant orange dunes up to 150 meters tall, sunset here is magical. Todra Gorge :Huge rock walls with a river inside a great place to stop before the desert. :Huge rock walls with a river inside a great place to stop before the desert. Dades Valley :Winding roads and red rock, also called Valley of 1000 Kasbahs. :Winding roads and red rock, also called Valley of 1000 Kasbahs. Khamlia Village :Gnawa music and warm Berber hospitality. :Gnawa music and warm Berber hospitality. Nomad Camp :Sleep in a tent under the stars, enjoy a fire, and dance. :Sleep in a tent under the stars, enjoy a fire, and dance. Black Desert & Fossils :Dark rocky area with ancient sea fossils, a good quad stop. :Dark rocky area with ancient sea fossils, a good quad stop. Oasis of Hassi Labied :Palm trees in the middle of sand, cool and green. :Palm trees in the middle of sand, cool and green. Merzouga Sunset & Sunrise:The whole sky changes color, the best photo time. These scenes are not only beautiful but also show the soul of the desert. Every place speaks its own story. The best time to go to the desert in Morocco is Spring (March to May), Warm days, cool evenings, blooms in desert spring, idealized weather. Autumn (September to November):Same as spring, less visitor crowd. Winter (December to February): Great sun amid the day, but at night it is exceptionally cold, so bring warm clothes. Summer (June to August):Very hot, not simple for long camel or quad rides. But early morning or nightfall visits are affirmed. Try to avoid Ramadan time if you want a full food and music experience. Clothes :Light in the day, warm for the night. Scarf for wind and sun. :Light in the day, warm for the night. Scarf for wind and sun. Shoes :Closed, strong shoes for sand walks or quad rides. :Closed, strong shoes for sand walks or quad rides. Sunscreen :.The desert sun is very strong. :.The desert sun is very strong. Sunglasses & Hat :.Protect from sun and sand. :.Protect from sun and sand. Camera or Phone :So many photo spots; keep battery charged. :So many photo spots; keep battery charged. Water Bottle :.Stay hydrated all the time. :.Stay hydrated all the time. Backpack :Small bag for your things. :Small bag for your things. Cash :Small markets or tips need cash; no cards in the desert. :Small markets or tips need cash; no cards in the desert. Power Bank :No electricity in camp sometimes. :No electricity in camp sometimes. Toilet Paper & Wet Wipes:For personal clean use. Also bring a smile and open heart:the desert is more beautiful when you feel it inside. Go with a Trusted Guide:Don't try solo; the desert is tricky. Local guides always help. Start the tour early:morning light and cool air are better for riding and camels. Ride Camel Slowly:Hold tight, lean back a little. Not like horses, it's different. Quad Biking Safety First:Always wear a helmet and follow the guide. Drink Water Often:Desert dry, body needs water even if it is not felt. Watch Your Step on Dune:Sand shifts; walk slow and steady. Ask Questions:Local guides are happy to explain culture and history. Respect Nomad Life:Be polite in the tent; ask before taking a photo. Don't Rush:Desert needs time to feel. Enjoy silence. Pack Light:You do not need a suitcase. One bag is enough. These tips help make desert trips smooth and happy. The desert of Morocco is not as it were sand and heat:it is domestic to peace, experience, and excellence. From Morocco leave visits to profound Sahara trips and quick quad rides in Merzouga, each visit brings something extraordinary. Ride camels like ancient wanderers, eat beneath stars, move around fire, and tune in to stories of biking gives a rush, a camel ride gives peace, and a camp night gives dreams. Even first-time travelers feel welcome in the desert. Local guides, Berber people, warm food, and hot tea:all make the journey unforgettable. The best time is spring and autumn, but the desert is always open with heart. Just pack well, follow the guide, and let the desert show you magic. Epic desert days in Morocco are not only travel:they are a memory forever. TIME BUSINESS NEWS

📸 New shirt number hints at West Ham star's surprise stay
📸 New shirt number hints at West Ham star's surprise stay

Yahoo

time3 days ago

  • Yahoo

📸 New shirt number hints at West Ham star's surprise stay

Nayef Aguerd appears to have ended speculation about his West Ham future by taking over the club's iconic number 5 shirt – a move widely seen as a clear signal that he intends to stay at the London Stadium for the 2025/26 season. The Moroccan international spent last season on loan at Real Sociedad and had been linked with a move away this summer, but fan page @WestHam_Central reported on Thursday night that Aguerd had taken the number 5 shirt previously worn by Vladimír Coufal. The change has sparked a wave of optimism among supporters, many of whom believe the defender is now committed to Graham Potter's project. Fan reactions were swift and overwhelmingly positive. 'I'm glad he's staying put with us,' wrote @Jakestar_23. 'I think he could turn into something special this season.' Another user, @AJGWHU, commented: 'Good – I think he'll be half about in a back 3/5 with Kilman and Todibo.' Aguerd, who joined the Hammers from Rennes in 2022, has shown flashes of quality but endured a stop-start campaign in 2023/24 prior to his loan switch. With West Ham's recent defensive reinforcements – including the arrivals of Max Kilman and Jean-Clair Todibo – many expected a shake-up in the backline. However, Aguerd's shirt number switch suggests he remains a central figure in Potter's plans. 'Big news,' simply wrote @alexjg0, while @haytem19 took aim at the doubters: 'Where are the [ones] who've been saying he wants to leave?' West Ham have not yet officially confirmed the squad numbers for the new campaign, but the move has already been picked up across fan channels. Fellow account @whujoe called it 'BREAKING' news, while @WestHamViews_ added that the development would bolster hopes for a solid campaign. With the Premier League season fast approaching, West Ham fans will be hoping that Aguerd – now sporting the number of a mainstay – can deliver performances to match the shirt's status. 📸 Angel Martinez - 2024 Getty Images

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store