A delicious reimagining of baroque excesses updated for Instagram generation
Creating a version of Molière's 1666 comedy of manners for a contemporary audience is a challenge. A straight adaptation can feel museum-y. Yet reimagining for a modern context can feel forced. However, this version by American writer Matthew Minnicino, from 2016, is a tonic. The follies of high-society 17th-century France find a clever mirror in the Instagram generation.
Director/designer duo Marc Atkinson Borrull and Molly O'Cathain, of Sugarglass Theatre, have also added a layer of Irish gloss to the piece. The show is set in a Dublin tech company called Frans. The misanthropic Alceste (Matthew Malone) cannot bear the falsity of business life and his home-truths verge on the abusive. He has got on the wrong side of the HR department because of biting criticisms of a fellow worker. Despite himself, Alceste is in love with Célimène (Emer Dineen), though he finds her false and untrustworthy.
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Irish Examiner
2 hours ago
- Irish Examiner
Sam Gilliam: IMMA exhibition underlines impact of Irish visits on output of US artist
Sam Gilliam was an American abstract artist who revolutionised the display of work in gallery spaces. Draping unstretched canvases from the ceilings, and arranging industrial fabric on the floor, he blurred the line between painting and sculpture, and helped shape the development of installation art in the 1960s and '70s. Gilliam broke ground also by becoming the first African American artist to represent the United States at the Venice Biennale in 1972. By the time of his passing, aged 88, in June 2022, he had enjoyed any number of public commissions and major museum shows across the US. Although Gilliam is not as well-known on this side of the Atlantic, he visited Ireland in the early 1990s, and was greatly moved by the experience. His stay is commemorated in Sewing Fields, the new exhibition of his work curated by Mary Cremin and Seán Kissane at the Irish Museum of Modern Art in Kilmainham, Dublin. 'When we first started talking about this exhibition,' says Cremin, 'I met Gilliam's widow, Annie Gawlak. She came to IMMA and told us about how Gilliam had completed a three-week artist's residency at the Ballinglen Art Foundation in County Mayo in 1993. 'Gilliam normally worked on large canvases with petroleum paints, but he wasn't allowed to bring those paints on the plane, so he dyed and painted fabric and sent it on ahead to Ballinaglen. And when he got there, he worked with a local seamstress to collage pieces of the fabric together, so they're kind of stacked on top of each other. You'll see one of those pieces in the exhibition, it's part of a series of four called Cottages. I think the experience was quite transformative for him.' Gilliam was one of the many international artists who have spent time in Ballinaglen with the support of the arts foundation established in the early 1990s by Margo Dolan and the late Peter Maxwell, who owned a prestigious art gallery in Philadelphia. The foundation runs workshops, residencies and fellowships, along with education and outreach programmes and a museum of art. 'It's this amazing place in the middle of the village,' says Cork-born curator Cremin. 'People like Howardena Pindell, who we've shown at IMMA, and Jo Baer, who was very influenced by the archaeology in the area, have all done residencies there. It's very interesting that Ireland has had a real impact on these artists, and a real resonance with them in terms of art making.' Down Patricks-head, by Sam Gilliam. When Cremin began work on the Sewing Fields exhibition, she discovered that Gilliam had once shown in Dublin. 'In the early 1970s, he had a solo exhibition with a gallerist named Oliver Dowling, who passed away just last year. Dowling was a maverick, and quite an influential person within the arts in Ireland. He helped set up the ROSC exhibitions. But it was news both to Annie and to us that Gilliam had ever exhibited in Ireland. We don't think he came over for the opening, but everyone involved is dead now, so it's not possible to say for sure.' Gilliam was born in Tupelo, Mississippi in 1933. 'Growing up where he did,' says Cremin, 'where there's a massive cotton industry, he was probably seeing a lot of quilting and that type of making. We have an exhibition of quilts from Gee's Bend in Mississippi on at IMMA at the moment, and we know that Gilliam had several Gee's Bend quilts in his own art collection. There's a correlation between this idea of stitching and layering, telling narratives through the fabrics, that I think is referenced in his work as well.' In Gilliam's youth, his family migrated north. He studied art at the University of Louisville in Kentucky and then settled in Washington DC. 'He was part of the colour field movement, with people like Kenneth Noland. They made minimal abstract paintings. But later on, he made works that were much more three-dimensional, or sculptural, and he started really playing around with the paint, scraping, stitching and layering. There was really a lot of improvisation. 'He was very interested in jazz as well. Improvisation is very important in jazz, of course, but it's also very important to the kind of way he worked. There were no limitations in terms of how he worked with paint or with the canvas. He was very liberated.' Gilliam came of age during the Civil Rights Movement in America. 'That was, very obviously, hugely important to everyone,' says Cremin. 'And for Gilliam, being a black artist coming up at that time was a big deal, because it was predominantly white males in the art world. He wasn't making work that was overtly political, he was making art for art's sake. But that said, he was very involved in the establishment of the Studio Museum in Harlem, and he was part of a very important exhibition called X in America. 'And also, I guess he does engage politically, in that a lot of his paintings are called after significant black figures, like Martin Luther King. There's one piece in the exhibition here called Count On Us, which is this beautiful three-coloured canvas that's referencing when Obama was voted in as president. It was a very aspirational and very exciting time. So, he referenced politics in a different way.' Mary Cremin, curator. Sewing Fields was organised in collaboration with the Sam Gilliam Foundation, which is run by the late artist's family. 'Gilliam was very supportive of young black artists, and his foundation has continued that work,' says Cremin. 'They also collaborate on exhibitions such as this, ensuring that Gilliam's work is shown as he would have liked. Some of the work in Sewing Fields has never been shown before, and some of the technicians who'd been with Gilliam since the 1980s came over to help with the installation. 'It's only two years since Gilliam passed, but I guess it's important for his work to continue to grow, and for people to have an increased awareness around him. In terms of contemporary Ireland, this is not just the first time he's been shown here since the 1970s, it's his first museum show here as well. Many of these works have never been exhibited before, and many people are travelling over from America to see the show. It's really exciting for us.' Gilliam's time in Mayo may have been brief, but the landscape had a big influence on his work, says Cremin. 'Even towards the end of his life, he was making these really large paintings, with thick impasto, he called Downpatrick Head and Irish, County Mayo. As Annie says, he always referenced back to his time in Ireland.' Sam Gilliam, Sewing Fields runs at the Irish Museum of Modern Art until January 25, 2026. Further information:
RTÉ News
2 hours ago
- RTÉ News
Concern over future of planned €300m Wicklow film studio
Concerns have been raised about the future of a €300m film studio planned for Greystones in Co Wicklow because three years after the project was launched, there has been no sign of progress. Locals say there's a lack of information about what's happening to the site, and expressed concern about the €24m of taxpayers money committed to the project. They say if the media campus, which was expected to create 1,500 jobs, is no longer viable, the land should be used for other business purposes. Plans for state of the art studio and production facilities on the 44 acre site were unveiled to much fanfare in 2022, promising to build Ireland's largest tv and film campus, which was to have begun operating in 2024. A consortium called Hackman Capital Partners took a lease on IDA land for the Greystones Media Campus for 999 years at just under €600 a year Louise Gaskin, Chair of the East Wicklow Business Network, says her members are concerned about the lack of progress on the site and the "void" of information about the project. "It would bring a lot of community employment and it would bring for businesses locally, huge economic development. "Lying idle, it's becoming an ugly site, overgrown, just lying there doing nothing. "First of all we were being told it was about the actors strike going on. Then we were told it's commercially sensitive. Then we're getting blanks. "No one's coming back with information. So who has the information? Someone has to know something." Ms Gaskin said that - if there are questions about the viability of the project - she would like to see the lease agreement revoked and the land put to other business use. Since the launch of the Greystones Media Campus three years ago, planning permission has also been granted for a large media campus in South Dublin called Dublin Fields. However, those in the industry say that the facilities at Greystones are still badly needed. Larry Bass, Founder and CEO of ShinAwil Productions, says the lack of studio space in Ireland meant that his company had to build a new studio to film Dancing With the Stars when it returned after Covid-19 lockdowns. He said that, despite global uncertainty and the threat by Donald Trump of tariffs on the industry, Ireland's film industry personnel remain in demand, but the lack of studio space is a barrier to attracting productions here "Apple, Amazon, Netflix, the BBC, the big American networks, these studios will all still, thankfully, be creating new shows. "We're an English language country, we've got a fantastic crew base. "It has evolved from, maybe five or six thousand people working in the industry 20 years ago to over thirty thousand people, highly skilled, highly sought after. "All we need is the raw material, the place, to build. And you know, this has never been a truer statement. If you build it, watch them come." The Department of Finance said that while investment is likely to be on a phased basis, it can't say how much of the €24m committed to the Greystones Media Campus has been spent to date. It also says that the current Minister has not had any engagement on the project from the Irish Strategic Investment Fund or the consortium behind it, Hackman Capital Partners. A spokesman for the consortium said that they will make a statement on the project in the coming months.
The Irish Sun
2 hours ago
- The Irish Sun
People say I'm setting women back, but they're mums relying on boyfriends or benefits says Bonnie Blue in shocking chat
'DON'T stand too close to me, you might catch something,' quips Bonnie Blue as we pose for pics. As The Sun's Sexpert, there's not much that shocks me. I've been to swinging parties, witnessed 50-strong orgies and even taken part in an orgasm contest in New York. 5 Bonnie Blue is the disturbing reality of what happens when pornography and the world of 'influencers' collide Credit: Olivia West 5 Bonnie's controversial bonkfest during Nottingham Freshers' Week made headlines Credit: Tim Stewart 5 Bonnie has been branded as dangerous for women as toxic masculinity influencer Andrew Tate Credit: Instagram You could say I'm unshockable, and I'd have agreed with you — until Bonnie burst on to the scene. I've covered the industry long enough to know what's what, and I count porn stars, escorts and OnlyFans models as friends. But such is Bonnie's determination to perform the most degrading stunts imaginable, she's a tough one to defend. Her shock claim to fame — She has even been branded as dangerous for women as toxic masculinity influencer 'I love sex with public' So today, I'm sitting down with the 26-year-old to find out what really drives her — and maybe even get under her skin. Readers will know that The Sun does not make a habit of interviewing porn stars. But Bonnie is more than that. She is the disturbing reality of what happens when pornography and the world of 'influencers' collide, just as much a staple on the unregulated social media pages your kids scroll through as she is on adult sites. Bonnie is riding a new wave of anything-goes promiscuity that's genuinely worrying — and that's coming from someone who has built a career on being 'sex positive'. Real name Tia Billinger, she grew up in Draycott, a village between Derby and Nottingham, and was virtually unknown until she catapulted to fame in October last year. Bonnie Blue CANCELS disgusting 'petting zoo' event after extreme backlash, but reveals 10 THOUSAND men applied Her extraordinary story is laid bare in new fly-on-the-wall Channel 4 documentary, 1,000 Men And Me: The With immaculately blow-dried blonde hair and a preppy style, she's far from the stereotypical porn star. There's an old-money vibe about her — part of her appeal no doubt, and the shock factor. I ask her about being Claiming to be inspired by David Blaine, she wanted to tie herself up inside a glass box in the centre of London, which would be 'open for the public' to 'It's frustrating, I've never broken a single f * g rule,' she fumes. 'I went from "They [OnlyFans] would prefer me to do a cooking show or a dog's yoga retreat, but it's a sex site. People say I'm setting women back, but when I check their profiles, they're often stay-at-home mums relying on a boyfriend or benefits. Bonnie Blue 'I love having sex with the public and that is not going to stop. OnlyFans has tried to cancel me, but it's done the opposite.' So does Bonnie think she's setting women back with such degrading behaviour, teaching young men that it's OK to treat them as objects? 'I say I'm not a feminist, but a lot of my views are,' she says. 'I believe in equality, women being in control and not feeling intimidated by men. I do what I want, when I want, and I feel safe doing it. 'People say I'm setting women back, but when I check their profiles, they're often stay-at-home mums relying on a boyfriend or benefits — and I think, hang on a second.' Bonnie's controversial bonkfest during Nottingham Uni Freshers' Week, which saw her have sex with 150 18-year-olds — many of whom she claimed were virgins — made news. But it was her stunt in January that really caused outcry, as she claimed to have slept with over 1,000 men in 12 hours, working out at less than 45 seconds per fella. 5 Bonnie's shocking claim to fame was bedding 1,000 men in 12 hours Credit: bonnie_blue_xox/Instagram 5 A young Bonnie with with her ex Ollie Credit: Facebook She later revealed she was left covered in bruises and bite marks from the sex marathon and issued a thank-you to 'all the barely legal, barely breathing and the husbands'. One of the first things that strikes me about Bonnie is how tiny she is. When I go to give her a hug, she's so delicate and pint-sized I worry I might crush her. I can't help but think about her being thrown around in her infamous gang bangs and wonder how she wasn't seriously damaged. I imagine my young kids — already exposed to social media — stumbling across her content and shudder. I'd be heartbroken if my three-year-old daughter ever thought this was inspirational, and asked Bonnie what led her down this path. 'Everyone wants me to say I've been through something traumatic in my past,' she says. 'But it's not true. They just can't accept that I want to do this because I enjoy sex.' I enjoy sex, too, but I find it hard to believe anyone could genuinely enjoy a 1,000-strong orgy. I ask her if she actually orgasms during these stunts and how her body felt the next day. 'Oh it's completely hit and miss,' she explains. 'Even in my personal sex life, I have to remind them how I like it. "Most of these men are inexperienced, so I don't, but I enjoy giving them a good experience. My jaw hurt more than I did down there after the 1,000 challenge,' she adds nonchalantly. 'My legs were burning, too.' Some guys were just lonely and wanted a conversation, other guys wanted me to strip down within 60 seconds with a sex toy inside of me. Bonnie Blue Bonnie says she ordered a burger and watched Dexter on Netflix that evening as she was 'too excited to sleep', then treated herself to a massage and facial at a spa the next day. Another Brit OnlyFans content created, Unlike Bonnie, Lily, from Derbyshire, claims the experience left her in tears — yet she still pledged to go a step further and sleep with 1,000 men in 24 hours. But Bonnie nailed the challenge first — and in half the time. The pair previously made joint content, but Lily has since claimed their views 'don't quite align'. Last month, 'His opinion is that women have fought for years to be in control and have their say and do what they want with their bodies. I do exactly that. So if that's the outcome, so be it.' Like Andrew, she's a Marmite figure — loved by some, loathed by others — and receives hundreds of death threats a day online. 'Last time I went out by myself was six months ago,' she explains. 'It's not safe.' It's hard not to find this incredibly sad. What's the point of making big money if you can't actually enjoy it? 'I want to be the best at what I do,' explains Bonnie. 'I'm not driven by material things and would rather be at home doing a puzzle than glammed up at a red carpet event.' 'Part-time nun' When she's not filming controversial content, she spends her time fishing, surfing and doing jigsaws. She says the only time she's been hurt was when someone uploaded a photo of her late grandad and falsely claimed he had sexually assaulted her. 'My family are getting double looks in the street,' she revealed. 'It made me realise the impact I was having on my family.' So how did someone like Bonnie, who seems to have it all, end up here? 'Growing up, I loved dancing,' she explains. 'But you've got to have money to make it. All the big dance schools are in London and I couldn't even afford a train ticket there.' Bonnie was studying midwifery before she dropped out of college and worked for the NHS doing recruitment finance. She later moved to 'The move really helped me become a sex worker,' she recalls. 'It got me out of that small-town mindset where you're constantly comparing yourself to others.' She was inspired by women on TikTok flaunting their sex work earnings and decided to give it a go. 'I wanted money, freedom and to feel in control,' she says. Bonnie was racked with nerves before starting, but her ex-husband was her rock. 'My palms were sweating. I had no idea what I was doing — I didn't even know all the sex terms,' she recalls. 'I had a separate laptop next to me and any time someone asked something I didn't understand, I'd quickly Google it because I was too embarrassed to admit it. They expect me to drop my pants because they're famous. Bonnie Blue 'Some guys were just lonely and wanted a conversation, other guys wanted me to strip down within 60 seconds with a sex toy inside of me.' 'We had sex three or four times a week after watching Netflix,' she recalls. 'My friends would say they had a threesome at the weekend and I'd say, 'Oh my God that's crazy. I'd never even had a one night stand.' Bonnie separated from Ollie last year and their divorce will be finalised next month. 'I'll always love and care for my ex dearly,' she explains. 'But I didn't look at him in the end and think, 'Oh I want to have sex with you'. We became brother and sister in the end.' Bonnie tells how big celebs slide into her DMs, but she's not interested. 'They expect me to drop my pants because they're famous' she laughs. 'But unless they'll film content and be identified, I'm not going to sleep with them. I'm like a part-time nun. I'm one extreme to the next.' She would like to start dating, but it's not a priority. 'I've done what people think is happiness,' she says. 'Marriage, buying a house, a nice car, having money — and they didn't make me happy.' I like Bonnie — she's witty and self-deprecating, cracking jokes at her own expense and clearly enjoys shocking people. But I can't help wondering if it's her armour against the world. As we talk, I wonder what her life will be like five years from now. When her looks fade, will she have to go to even greater extremes for attention? 'If it doesn't make me happy, then I'll be the first to stop,' she explains. 'I'm in control.' Bonnie tells me she hopes the documentary will shift public perception — not just of her, but of the men who sleep with her. 'I want people to know these men aren't disgusting,' she says. 'They're nice people. 'I'm also happy because everyone assumes that behind the cameras, I must be crying, upset or broken — but that's not the case. 'People think I must be sick in the head to enjoy this. But I'm living a life I'm incredibly grateful for. I feel very, very lucky.' But at what cost? 1,000 Men And Me: The Bonnie Blue Story is on Channel 4 tomorrow at 10pm.
