logo
Punjab Board 10th, 12th Compartment Exam 2025 Dates Announced, Check Schedule

Punjab Board 10th, 12th Compartment Exam 2025 Dates Announced, Check Schedule

News1819-07-2025
Last Updated:
PSEB Compartment Exam 2025: The exams are scheduled to begin on August 8 and end on August 29. It will be held in a single shift from 11 am to 2:15 pm.
The Punjab School Education Board (PSEB) has released the classes 10, and 12 compartment exam 2025 datesheet today, July 19, 2025. The exams are scheduled to begin on August 8 and end on August 29. It will be held in a single shift from 11 am to 2:15 pm.
Students who were unable to pass one or two subjects in the main board examinations are eligible to appear for the compartment exams. Those who are set to appear for any of these examinations can check the timetable by visiting the official website of the Punjab Board at pseb.ac.in.
PSEB Class 12 Compartment Exam 2025 Schedule
Aug 8, 2025 — General Punjabi, Punjab History & Culture
Aug 11, 2025 — Political Science, Accountancy
Aug 12, 2025 — History
Aug 13, 2025 — Computer Applications
Aug 14, 2025 — Philosophy, Chemistry, Agriculture
Aug 18, 2025 — General English
Aug 19, 2025 — Physical Education and Sports, NCC
Aug 21, 2025 — Economics
Aug 22, 2025 — Sociology, Public Administration; Business Studies
Aug 25, 2025 — Psychology, Biology, Fundamentals of e‑Business, Defence Studies, NSQF Vocational Subjects
Aug 26, 2025 — Computer Science
Aug 27, 2025 — Geography
Aug 28, 2025 — Home Science
Aug 29, 2025 — Multiple elective and language subjects including Music, Media Studies, French, German, Dance
PSEB Class 10 Compartment Exam 2025 Schedule
Aug 8, 2025 — Home Science
Aug 11, 2025 — Hindi / Urdu (Alternate Language)
Aug 12, 2025 — Computer Science
Aug 13, 2025 — Science
Aug 14, 2025 — Punjab-A, Punjab History and Culture-A
Aug 18, 2025 — Music (Tabla)
Aug 19, 2025 — Mathematics
Aug 20, 2025 — English
Aug 21, 2025 — Social Science
Aug 22, 2025 — Health and Physical Education
Aug 25, 2025 — Playing Music
Aug 26, 2025 — Punjab-B, History and Civilisation of Punjab
Aug 28, 2025 — Languages – Sanskrit, Urdu, French, German, NSQF Vocational Subjects
Aug 29, 2025 — Music (Singing)
How to Download PSEB Compartment Exam Date Sheet 2025?
Step 1 — Visit the official website of PSEB – pseb.ac.in.
Step 2 — On the home page, click on the compartment exam date sheet link as per your class 12th/10th.
Step 3 — View the date sheet (PDF) in the new window that opens.
Step 4 — Download the PDF file and take a print out of it for future reference.
To pass the PSEB board exams, students must get a minimum score of 33 per cent. Candidates must acquire their original mark sheets from their respective schools after the results are out. The marks increased or decreased in the compartment exam will be considered final.
Stay updated with the latest education! Get real-time updates on board exam results 2025, entrance exams such as JEE Mains, Advanced, NEET, and more. Find out top schools, colleges, courses and more. Also Download the News18 App to stay updated!
First Published:
Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Simon Lamouret: 'I wish we had more narratives with an Eastern gaze on the West'
Simon Lamouret: 'I wish we had more narratives with an Eastern gaze on the West'

Hindustan Times

time38 minutes ago

  • Hindustan Times

Simon Lamouret: 'I wish we had more narratives with an Eastern gaze on the West'

What do you love most about the graphic novel as a literary form? Graphic novelist Simon Lamouret (Courtesy the subject) There is more to a graphic novel than simply combining words and pictures. Creating a language that lies within the interaction between text and image is what I love most. There are so many ways of doing this, and there are multiple layers of complexity. I am really interested in this as a reader as well as a practitioner. I tend to look at each of my books — whether it is Bangalore, The Alcazar, or L'homme Miroir — as an opportunity to experiment and play with this language. I approach comics not as a form of cinema translated on paper but as a literary form with its unique possibilities. Do you use the words 'comic book' and 'graphic novel' interchangeably? (laughs) I know why you are asking me this question. There are some people who are very touchy about the term that is used. I think that is just an expression of their vanity. For me, it is pretty much the same thing labelled differently. Usually, people like to refer to my books as graphic novels because of their format, size, length and number of pages. ₹199; Available at Which graphic novelists do you look up to? As a child growing up in the early 1990s, I read French and Belgian comic books. In my teenage years, when I began to think seriously about what I would like to do in terms of my education and my career, I discovered new ways to draw and tell stories beyond the boxes that comic books had been restricted to. The medium was no longer addressing only kids or never-growing adults. It was also for adults interested in social issues, intimacy and philosophy. I look up to people like David B, Marjane Satrapi, Joe Sacco and Chris Ware. When I hear the word 'novel', fiction is what comes to mind. But works of graphic non-fiction are also called graphic novels these days. I get my inspiration from real life, so my non-fiction is also personal in a way. I like to blur these classifications and categories. In The Alcazar, for example, I tell the story of migrant workers toiling on a construction site in Bangalore. Their job is to build a residential complex on an empty plot. The book addresses social facts but I have built it up almost like fiction in the sense that I do not interfere as a researcher in the story. I do not represent myself. I tell the story using the facts that I observed, and the data that I collected on the field. Two of your books are set in India. How did that happen? Soon after my education in France, I moved to Bangalore and taught at a design school from 2013 to 2018. Being in India was a great opportunity to see things from a different perspective. When you live somewhere, your interaction with a place and the people is different from how it would be as a traveller just passing by. Initially, I thought that I would be there for a year. That turned into two, and eventually I ended up staying for five years. I was in my early twenties, and was just starting to master the skills to produce something publishable. Since I was in India, my environment provided the material that I worked with. I think of my book Bangalore as a travelogue because it is about my discovery of India. It is a portrait of the city through its public spaces. The gaze is more external. The Alcazar does not look at the city as a whole. It focuses on a tiny plot of land, and the people who work there. While telling stories of the construction workers, what kind of ethical questions came up for you? When people from the West come to formerly colonized nations, there is an anxiety around how people might perceive their work, and some degree of caution about not exoticising locals. Is this something that you dealt with? Bangalore was my first book. I was young and there was an urge to produce something, so I was thinking more about my right to represent as an artist. You could say that there was some kind of entitlement there. I had a genuine appetite for capturing the city. Through the process of making that book, I started asking myself more questions. That process continued after the book was published in France, and I began to listen to reactions and receive feedback. Only parts of it were published in a magazine in India. With time, I got more interested in post-colonial issues and also read Edward Said's book Orientalism. That helped me understand the political and intellectual discourse, and also know where I stood. I do not believe that people who come from the West should not be able to talk about the East, or that men should not portray female characters. How things are done matters. It just comes down to that. I also wish we had more narratives with an Eastern gaze on the West. Besides, there are stories that are out there to grab. If there were already a lot of stories representing construction workers, maybe I wouldn't have felt the need to document them in The Alcazar. I felt that there was a gap to be filled as most Indians in my surroundings did not know much about construction workers, who seemed to live in a world kept completely apart. I was quite vigilant in terms of doing things the right way, not silencing anyone, and not speaking on behalf of anyone. I was trying to be a voice porter or a voice carrier. I got an Indian friend with a background in ethnography to help me with documentation. Other friends helped with interpretation and translation. We talked a lot about the right questions to ask workers, and how to portray them. I also shared my storyboard and sketches with the workers and collected their feedback when I was in India. When I moved back to France, and was finishing my work on The Alcazar, I stayed in touch over phone calls and WhatsApp. I did not want it to be read only by French people, so I was thrilled when Comix India came on board to publish the Indian edition. When we had a launch in Bangalore, Mehboob and Rafiq, who are two of the main characters in the book were on stage with me and they had the opportunity to represent themselves and interact with mostly upper class Bangaloreans. Why don't we have more books about construction workers? Is the lack of knowledge about their lives related to divides around religion and caste in India? Yes, I mean that could be one of the factors. But it could also be a question of just forgetting the mundane because it is right in front of our nose and we do not see it anymore. Construction sites are everywhere in India because cities are developing rapidly. Initially, I wanted to do a case study on different construction sites and build a more objective picture but then I gave up on that. For me, it came down to being a book about certain characters. They are human beings with struggles determined by their profession and class but their life has more than that. Construction work is only a part of their identity. Many of them come to the city because there is a lack of opportunities in villages. They build houses from scratch for other people but they do not have permanent housing. By the time they are 40 years old, their bodies become weak from the physical labour. Their goal is to invest the little money they manage to save and start a small business that does not require much physical work. ₹1200; Comix India How different are the lives of construction workers in India and France? One of the key differences is that, unlike India, construction workers in France — who come from Portugal and Eastern Europe — do not live on construction sites. The vast majority of migrants have a rented house to go to. From a storytelling point of view, it was interesting to see how the lines between the personal and the professional got blurred because all my characters in The Alcazar lived where they worked. They almost did not exit the site. This might be one of the reasons behind why they were misunderstood by the rest of society. Did any of your conversations with them happen over meals? Yes, I ate with them. When I had to go away for a few months, we had a little celebratory dinner. We also had tea a few times. We could not have long conversations because I could not bother them so much during their working hours. I had been granted permission to observe them and talk when they were free. There was more time to talk during evenings and on Sundays. I told the contractor that I was an architecture student on an internship, and was interested in learning about building techniques. I don't think that I would have been given permission if he knew that I was interested in the lives of the construction workers. Even observing how people moved, looked at each other, and interacted, gave me so much non-verbal information about them, which I could use later to build up my characters. LISTEN: BOOKS & AUTHORS PODCAST WITH SIMON LAMOURET Tell us about your new books L'homme miroir and In the Land of the Lama. L'homme miroir is about a workaholic single mother from the city who moves to the countryside with her son when a property comes up for sale. She has to get rid of the objects that belonged to the previous owner. While going through them, this woman, her son and her parents begin to form their impressions of him. What they see in him shows who they are. It was a great pleasure to collaborate with Pema Wangchuk Dorjee — a journalist based in Sikkim — on In the Land of the Lama. This comic book is set in the late 1960s along Sikkim's frontier with Tibet. It draws inspiration from the story of Sepoy Harbhajan Singh. He was an Indian Army soldier who passed away in 1968 because of the harsh terrain and extreme weather but he continues to live on through myths and legends that have grown around him. Chintan Girish Modi is a journalist, educator and literary critic. He is @chintanwriting on Instagram and X.

After 8 years, the lo-fi girl has finally graduated- and the internet is nostalgic
After 8 years, the lo-fi girl has finally graduated- and the internet is nostalgic

Time of India

time41 minutes ago

  • Time of India

After 8 years, the lo-fi girl has finally graduated- and the internet is nostalgic

For years, she was always there, hunched over her desk, headphones on, scribbling in her notebook while a cat dozed nearby. Day or night, rain or shine, the Lofi Girl never stopped studying. But this week, something changed. Jade graduated. In a quiet yet emotional update, the beloved animated character from YouTube's Lofi Hip Hop Radio – Beats to Relax/Study/Livestream was seen in a clip wearing a graduation cap and holding a laptop that simply read: 'THE END.' 'Finally finished with all my homework. I don't know what I learnt, but I know I'm done learning,' she said with a laugh, recreating the dialogue from a teen sitcom that has become a trend on TikTok. After nearly eight years of nonstop studying, she finally closed the books—and fans everywhere are feeling it. Created by French producer Dimitri Somogyi (formerly under the alias ChilledCow), the channel began streaming chill, instrumental hip hop beats in 2017. Colombian-French artist Juan Pablo Machado brought the iconic study girl to life visually, drawing her in a softly lit room, always focused, always listening. That looped animation, paired with the constant music, turned into a kind of digital sanctuary for students, remote workers, coders, writers, or anyone needing some background calm. What made it more than just music was the routine. She became a companion. Through all-nighters, study marathons, and lonely work sessions, Lofi Girl was the quiet friend who never left the room. The stream even played continuously to avoid YouTube ads from cutting in. Over the years, the channel survived takedowns, copyright strikes, and even a rebrand—switching from ChilledCow to Lofi Girl in 2021. And it grew. With more than 15 million subscribers today, the original stream now has siblings: synthwave radio, summer lofi, jazz lofi. But none have the same emotional pull. It's not the end of the stream, the music still plays on, but it does mark the end of an era. And on social media, the reactions say it all: One user said, 'NO! It can't be! What will I listen to now?!' Another commented, 'She studied longer than most of us ever did, she deserves all the honors and a lifetime playlist of relaxation.' A third user said, 'Can we petition to have her studied for like 10 more years? We need her.' What happens next is anyone's guess. However, it will be interesting to see what happens next in the universe of Lo-Fi Girl.

Who is Younes Zarou? The illusionist who was arrested from Church Street in Bengaluru
Who is Younes Zarou? The illusionist who was arrested from Church Street in Bengaluru

Time of India

time12 hours ago

  • Time of India

Who is Younes Zarou? The illusionist who was arrested from Church Street in Bengaluru

Social media influencers today have an enormous influence over their followers online, often drawing thousands, even millions of fans wherever they go. Their ability to connect with audiences around the world has turned them into global personalities, amassing large gatherings when they visit new places. Tired of too many ads? go ad free now However, this influence also brings challenges, especially when public safety and crowd control come into play. Recently, a well-known social media star faced just such a situation during a visit to India, highlighting how digital fame changes into real-world impact. What exactly happened? German influencer Younes Zarou was briefly detained by Bengaluru police on Wednesday evening after drawing a large crowd on Church Street, a popular area known for its lively atmosphere. The police intervened due to safety concerns and the lack of prior permission for a public gathering. Zarou was later released, and he took to Instagram to assure his followers that he was safe and to thank senior police officers for their support. The incident occurred when Zarou arrived at Church Street without prior approval for the gathering. Before visiting, he had posted on Instagram, 'Church Street, we are coming,' which led to a swelling crowd of fans eager to see him. However, due to the high footfall and safety risks, the Cubbon Park police stepped in and escorted him away from the area. Later in an Instagram message, Zarou wrote, 'I am survived and I am fine. Bengaluru is not for beginners. Thanks to the police chief, without him I think I would be somewhere else now,' according to his social media update. Who is Younes Zarou? Younes Zarou, born on January 2, 1998, in Frankfurt am Main, Germany, is a renowned illusion artist and social media creator. Tired of too many ads? go ad free now Growing up in Flörsheim am Main with his family, Zarou's background is Moroccan, though he is sometimes mistakenly thought to be Indian. His mother worked as a nurse, and his father owned a vehicle repair shop. He pursued business informatics at the Provadis School of International Management and Technology. Zarou's rise to fame began in 2019 when he started posting illusion-style videos on TikTok. His unique content quickly gained popularity, and he now has nearly 57 million TikTok followers, making him one of Germany's top creators. On Instagram, he has over 21 million followers, while his YouTube channel, launched in May 2021, has grown significantly to 22.4 million subscribers as of 2025. His YouTube videos show the creative process behind his illusions and behind-the-scenes clips. One of his most popular videos, 'Do not waste resources,' uploaded in October 2022, has amassed 659 million views and over 22 million likes, demonstrating his broad appeal. According to reports from Sportskeeda, Zarou is married and has a daughter, though he keeps his family life private. Occasionally, his daughter appears in his TikTok videos, giving fans a rare glimpse into his personal world. Another such incident happened at a high-profile event when British singer Ed Sheeran was stopped from performing on Church Street due to similar crowd control concerns.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store