
Internet furious as CBFC cuts Superman-Lois kiss scene. Fans ask 'they allow scantily clad Bollywood item songs—why?
While the film continues to draw crowds, many fans have taken to social media to criticise the decision, accusing the board of hypocrisy and cultural double standards.
The outrage erupted shortly after the film began screening in India, with many viewers noticing an abrupt cut during a key emotional moment between the characters. Initial confusion gave way to anger when it was revealed that the edit had been mandated by the censor board.
'This kiss was part of the storyline. The way it was chopped off, it felt like a glitch in the theatre (sic),' wrote one viewer on X. 'Only later did I realise it was a CBFC cut. Sad! (sic)'
Fans expressed frustration over what they perceive as a double standard in the board's approach to censorship.
One user remarked, "Censor board is cutting off kissing scenes while item songs objectifying women—which cause way more harm in society—are allowed without issue. If he was pinching her navel and slapping her butt instead, suddenly it'd become sanskari for the censor board (sic)."
Another user mockingly congratulated the CBFC by writing, 'Oh, bravo, CBFC! Cutting a 33-second Superman-Lois kiss to 'protect' us, while letting vulgar item numbers slide—truly a masterclass in cultural logic! Guess superheroes need to stick to punching, not smooching, in this oh-so-pure cinematic utopia (sic).'
Others pointed out inconsistencies with recent Bollywood releases.
'Housefull 5's double meaning and vulgar jokes were fine though (sic),' noted one fan, while another added, 'But they allow scantily clad Bollywood item songs—why? (sic)'
Some expressed disappointment on a storytelling level. 'The worst part is, she said 'I love you too'. Without seeing this moment, the story feels incomplete (sic).'
The backlash has sparked broader criticism of the CBFC's cultural leanings.
'Dehati sanskari censor board members shouldn't have the right to decide for me what I can or cannot watch (sic),' wrote one angry user.
'If only the government spent this much effort and money on prosecuting sexual offenders.'
Another added a satirical take with a pop culture reference. 'Butt-punching scenes are allowed, kissing 'spoils the youth' of the nation (sic),' adding a GIF from the viral 'Dabidi Dibidi' song from 'Daaku Maharaj'. Internet reactions to the censored kiss scene in Superman.
As public sentiment continues to mount online, the controversy has reignited debates around censorship, artistic freedom, and cultural hypocrisy in Indian cinema. Whether the CBFC will respond or reconsider its stance remains to be seen.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


News18
41 minutes ago
- News18
Aankhon Ki Gustaakhiyan Review: Shanaya Kapoor Shines In Her Debut, But Film Falls Short On Execution
Shanaya Kapoor impresses in her debut Aankhon Ki Gustaakhiyan, a romantic drama with heartfelt performances and soulful music, but flawed execution holds it back. Aankhon Ki Gustaakhiyan, the much-anticipated debut vehicle for Shanaya Kapoor, has finally arrived. And without diving straight into the technicalities of the script, music, or narrative structure, let's get the first thing out of the way: Shanaya has done well. Her effort is visible in every frame, and it's safe to say she cries better than half of the current lot trying to pull off emotional breakdowns in films. While debut performances often get a sympathetic cushion, hers doesn't need one; her sincerity is hard to miss. Now, let's start from where the story begins. Aankhon Ki Gustaakhiyan is the story of two adults, Saba (Shanaya) and Zahan (Vikrant Massey), who meet on a train journey. More than a coincidence, it was their destiny. The movie marks Santosh Singh's directorial debut in films, as he returns to the romantic genre after the success of his series Broken But Beautiful. It also reunites him with Vikrant Massey after nearly seven years. Zahan is a blind man, while Saba has blindfolded herself to prepare for an audition. The two are heading to Mussoorie, and Saba's manager has left her alone. Now, unaware of Zahan's condition, Saba assumes he will help her out because she's alone. Amazed by the idea that, for once, someone will not sympathise with him, Zahan decides to play along without revealing his blindness. What follows is a familiar tale: hero and heroine fall in love, one leaves, years later they meet again, and then comes the forever after. This interesting premise sets the stage for what could have been a nuanced, layered love story. Instead, what unfolds is a more formulaic Bollywood narrative- boy meets girl, they fall in love, circumstances tear them apart, they reunite years later, and the story ends with the promise of forever. Shanaya Kapoor, the debutant actress, and her character share one similarity: both are delicately, passionately, and wholeheartedly in love with their work, and it shows in the film. Unlike many, Shanaya's debut didn't feel like a favour done to her. She seems to have genuinely worked hard, and her performance, though far from perfect, is not half-hearted. Vikrant Massey doesn't need an introduction. He has been delivering it, and it seems like he will continue to do so. What's different this time is his look, and, to be honest, he's serving and looking quite attractive throughout the film. This movie finally gives the audience a chance to see Vikrant in a full-on lover-boy role, which was long overdue. Watching him lip-sync and dance was a delight. There's another character in the film, Zain Khan Durrani plays Abhinav, the man Saba is dating post her fallout with Zahan. Looking at Abhinav, I just had one question: Where do we find a man this green-flag? Abhinav is the guy who only exists in every girl's dream. A guy who lets you go and get closure from your ex, a guy who makes you feel like a princess, a guy who plans the best proposal for you. Basically, he's the blueprint for what every woman wishes for, and what most men fear being compared to. Zain plays him with restraint and quiet strength, making Abhinav more than a placeholder in the love triangle. So, with a decent plot, sincere performances, and a soulful soundtrack by Vishal Mishra, where does Aankhon Ki Gustaakhiyan falter? In one word: execution. There are so many flaws that you can't overlook them all. Some dialogues had the audience chuckling, for all the wrong reasons. While there were a few hilarious, well-written scenes, the flawed execution has turned this into a half-baked cake: it looks tempting but isn't palatable. The situations in the film very conveniently turn to suit the leads. In one scene, Zahan orders the same pair of drinks that were spiked by a guy, and this leads to a kiss between Saba and Zahan. How convenient? In all entire Europe, Zahan gets a gig in a band where Saba is the lead dancer, how convenient? It feels like if this 2-hour-20-minute film were trimmed down to 1 hour 30 minutes, it would have earned more cheer. Vishal Mishra's music still carries that trademark innocence, which suits the film's plot. To sum up, it's the kind of film you want to like, and sometimes you almost do. But 'almost" doesn't always make the cut. First Published: July 11, 2025, 12:28 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


New Indian Express
42 minutes ago
- New Indian Express
Saina Nehwal announces separation from Parupalli Kashyap after seven years of marriage
Indian badminton star Saina Nehwal has announced her separation from fellow shuttler Parupalli Kashyap, bringing an end to their nearly seven-year-long marriage. The couple, who tied the knot in 2018 after years of companionship, were among the most celebrated pairs in Indian badminton. The announcement came via Instagram story shared by Nehwal on Sunday, 13 July. 'Life takes us in different directions sometimes,' she wrote. 'After much thought and consideration, Kashyap Parupalli and I have decided to part ways. We're choosing peace, growth, and healing, for ourselves and each other. I'm grateful for the memories and wish nothing but the best moving forward. Thank you for understanding and respecting our privacy during this time.'


New Indian Express
43 minutes ago
- New Indian Express
Veteran actress 'Abhinaya Saraswathi' Saroja Devi dies at 87
BENGALURU: Veteran actor B Saroja Devi, fondly known as Abhinaya Saraswati, passed away on July 14 at her residence in Malleswaram, Bengaluru. She was 87 and had been suffering from age-related ailments. The iconic actor breathed her last around 9 am. The Indian film industry has lost one of its finest legends. Born on January 7, 1938, in Bengaluru, Saroja Devi was encouraged by her parents to learn dance, which led her to the silver screen. She debuted in 1955 with Mahakavi Kalidasa. With a career that spanned over seven decades and more than 200 films, Saroja Devi ruled hearts across languages, Kannada, Tamil, Telugu, and Hindi. She was honoured with Padma Shri and Padma Bhushan for her immense contribution to Indian cinema. In Kannada, she starred opposite Dr Rajkumar and Kalyan Kumar in landmark films like Amarashilpi Jakanachari, Bhagyavantharu, Babruvahana, and Katha Sangama. Her Tamil hits include the legendary Pattali Makkal, Padikkadha Medhai, and Kalyana Parisu, where she acted alongside stalwarts like MGR and Sivaji Ganesan, becoming one of Tamil cinema's most loved heroines of her era. In Telugu, she shone in devotional and mythological roles with films like Panduranga Mahatyam and Daksha Yagnam. She was equally successful in Hindi cinema, with notable roles in Asha, Gharana, and Mehendi Laga Ke Rakhna, sharing screen space with stars like Rajendra Kumar and Shammi Kapoor. In 2008, Saroja Devi won the Lifetime Achievement Award, presented to her by the Government of India. She is also a recipient of the Padma Bhushan (1992) and Padma Shri (1969). Some of the state awards she had won include the Kalaimamani Lifetime Achievement Award by the Government of Tamil Nadu, the Dr. Rajkumar Lifetime Achievement Award by the Government of Karnataka, and the NTR National Award from the Government of Andhra Pradesh for the second time in 2009.