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Yahoo
2 minutes ago
- Yahoo
Violent arrest of Black student shows benefits of recording police
A video capturing the brutal arrest of a Black college student, who was beaten by police officers in Florida, has led to calls for drivers to consider placing cameras in their cars. William McNeil Jr. was pulled from his car and punched in the head during the ordeal in February. He captured the incident – which began as a traffic stop – on his phone, which was mounted above his dashboard. It provided the only clear video of the violence, including the punches to his head, which could not be seen clearly in police body camera footage released by the Jacksonville Sheriff's Office. As McNeil had the foresight to record the incident from inside the vehicle, 'we got to see firsthand and hear firsthand and put it all in context what driving while Black is in America,' civil rights attorney Ben Crump, one of several lawyers advising McNeil, said. 'All the young people should be recording these interactions with law enforcement," Crump said. 'Because what it tells us, just like with George Floyd, if we don't record the video, we can see what they put in the police report with George Floyd before they realized the video existed.' Officers pulled McNeil over saying his headlights should have been on due to bad weather, his lawyers said. The video shows him asking the officers what he did wrong. Seconds later, an officer smashes his window, strikes him as he sits in the driver's seat and then pulls him from the car and punches him in the head. After being knocked to the ground, McNeil was punched six more times in his right thigh, according to a police report. The incident reports do not describe the officer punching McNeil in the head. The officer, who pulled McNeil over and then struck him, described the force this way in his report: 'Physical force was applied to the suspect and he was taken to the ground.' The video went viral after McNeil posted his video online in July. The sheriff's office then launched an internal investigation, which is ongoing. A sheriff's office spokesperson declined to comment about the case this week, citing pending litigation, though no lawsuit has been filed over the arrest. McNeil said the ordeal left him traumatized, with a brain injury, a broken tooth and several stiches in his lip. His attorneys accused the sheriff's office of trying to cover up what really happened. 'On 19 February 2025, Americans saw what America is,' said another of McNeil's lawyers, Harry Daniels. 'We saw injustice. You saw abuse of police power. But most importantly we saw a young man that had a temperament to control himself in the face of brutality.' The traffic stop, he said, was not only racially motivated but 'it was unlawful, and everything that stemmed from that stop was unlawful." McNeil is not the first Black motorist to record video during a traffic stop that turned violent — Philando Castile's girlfriend livestreamed the bloody aftermath of his death during a 2016 traffic stop near Minneapolis. But McNeil's arrest serves as a reminder of how cellphone video can show a different version of events than what is described in police reports, his lawyers said. Christopher Mercado, who is retired as a lieutenant from the New York Police Department, agreed with McNeil's legal team's suggestion that drivers should record their police interactions and that a camera mounted inside a driver's car could offer a unique point of view. "Use technology to your advantage," Mercado, an adjunct assistant professor at John Jay College of Criminal Justice in New York, said. 'There's nothing nefarious about it. It's actually a smart thing in my opinion.' Rod Brunson, chairman of the Department of Criminology and Criminal Justice at the University of Maryland, said he thinks it is a good idea for citizens to film encounters with police — as long as doing so does not make the situation worse. 'I think that's a form of protection — it's safeguarding them against false claims of criminal behavior or interfering with officers, etc.,' Brunson said. Although the sheriff's office declined to speak this week, Sheriff T.K. Waters has spoken publicly about McNeil's arrest since video of the encounter went viral. He pushed back against some of the allegations made by McNeil's lawyers, saying that McNeil was told more than a half-dozen times to exit the vehicle. At a news conference in July, Waters also highlighted images of a knife in McNeil's car. The officer who punched him claimed in his police report that McNeil reached toward the floor of the car, where deputies later found the knife. Crump, though, said McNeil's video shows that he 'never reaches for anything,' and a second officer wrote in his report that McNeil kept his hands up as the other officer smashed the car window. A camera inside a motorist's vehicle could make up for some shortcomings of police bodycams, which can have a narrow field of view that becomes more limited the closer an officer gets to the person being filmed, Mercado said. However, after the police murder of Floyd, some states and cities debated how and when citizens should be able to capture video of police. The Constitution guarantees the right to record police in public, but a point of contention in some states has been whether a civilian's recording might interfere with the ability of officers to do their job. In Louisiana, for example, a new law makes it a crime to approach within 25 feet (7.6 meters) of a police officer in certain situations. Waters acknowledged those limitations at a news conference in 2024, as he narrated video of a wild brawl between officers and a fan in the stands at EverBank Stadium during a football game between the universities of Georgia and Florida. The sheriff showed the officers' bodycam videos during the start of the confrontation near the top of the stadium. But when the officers subdued the suspect and were pressing against him, the bodycam footage did not capture much, so the sheriff switched to stadium security video shot from a longer distance away. In McNeil's case, the bodycam video did not clearly capture the punches thrown. If it had, the case would have been investigated right away, the sheriff said. For the past 20 years, Brunson has been interviewing young Black men in several U.S. cities about their encounters with law enforcement. When he first began submitting research papers for academic review, many readers didn't believe the men's stories of being brutalized by officers. 'People who live in a civil society don't expect to be treated this way by the police. For them, their police interactions are mostly pleasant, mostly cordial," Brunson said. 'So it's hard for people who don't have a tenuous relationship with the police to fathom that something like this happens,' he said. "And that's where video does play a big part because people can't deny what they see.'
Forbes
2 minutes ago
- Forbes
How ‘Vibe Coding' Is Creating A New AI Economy
In early January, 18‑year‑old Justin Jin launched Giggles — an AI-powered social entertainment app that's reportedly attracted over 120,000 waitlist sign-ups and generated 150 million impressions — all without a venture capital war chest, a marketing budget, or a traditional engineering team. Instead, he and his team of young co-founders leveraged AI to build an app for Gen Alpha and Gen Z, where users interact through AI-generated content, digital collectibles and gamified social engagements. A few weeks later, another startup arrived on the scene — Base44, founded by a non-technical creator who used AI to 'vibe code' a no-code development platform. Within six months and under ten people, it reached profitability, pulled in 300,000 users and sold to Wix for $80 million in cash, according to TechCrunch. Suddenly, a new archetype emerged: Companies not founded on traditional engineering teams, but shaped by creativity, culture and AI orchestration. This is the story of the moment. AI is redefining entrepreneurship, allowing people with a vision and cultural understanding — but not necessarily computer-science degrees — to ship platform-level products. But questions are mounting: Can this new model of entrepreneurship scale beyond prototype success without deeper engineering muscle? The Rise Of Vibe Coding Two years ago, the phrase 'vibe coding' barely existed. Today, it's everywhere. The term — coined by Andrej Karpathy, former AI lead at Tesla and cofounder of OpenAI — describes writing with AI by simply speaking ideas. 'You fully give in to the vibes, embrace exponentials and forget that the code even exists,' Karpathy tweeted in February. It's shorthand for a new era, where programming is done through a natural language like English. According to Garry Tan, CEO of Y Combinator, many startups now use AI to generate up to 95% of their codebase — achieving results that once required teams of 50 to 100 engineers with fewer than ten people. Meanwhile, in a recent article for Business Insider, Alistair Barr highlighted how 'non‑traditional, AI‑native developers' are turning natural language into apps, fundamentally altering SaaS economics. This shift is democratizing entrepreneurship. Product managers, artists, even high-schoolers can now ship products faster than ever before, all without technical expertise. But it also comes with some problems. As Nigel Douglas, head of developer relations at Cloudsmith, cautioned in the Financial Times, 'If you're creating an app in your spare time, a 'DIY disaster' might just mean an ugly interface. But in a business setting, the wrong tool can do real damage and result in data breaches, service outages, or a compromised software supply chain.' GitHub CEO Thomas Dohmke echoed this warning at the just-concluded VivaTech in Paris: 'A non‑technical founder will find it difficult to build a startup at scale without developers,' adding that tools like vibe coding don't provide the depth needed to justify serious investment. Even AI-native founders acknowledge the model's limitations. 'There's a need to build technical depth. We know that's important and are expanding engineering operations and bringing on advisors,' said Edwin Wang, co-founder of Giggles. 'The future, however, must be a community-governed and decentralized future where there's a balance between creativity and coding.' When Creativity Replaces Code: The Giggles Test Case Giggles is a microcosm of this transformation. Jin, alongside co-founders Edwin Wang and music artist Matthew Hershoff, built a system where users are rewarded for digital expression through game-like interactions — including AI-generated videos, collectible content, and daily quests. The result was a storytelling-centric platform developed without a traditional coding team — a structure that reflects the emerging blueprint behind many Gen Z–led apps. Jin previously founded Mediababy, which sold for $3.8 million, according to Reuters. That experience, he said, shaped his belief that platforms thrive when they prioritize user expression and fluid engagement over rigid structure. At Giggles, that belief translated into a product anchored in prompt-driven creativity, gamified feedback loops, and community-led interaction. As Wang noted, the company positions itself not just as an alternative to TikTok, but as a platform tailored for a generation it believes is increasingly disengaged from traditional social formats. And according to Hershoff, 'creators aren't limited to just posting photos and videos. They can vibe code a game, develop an app, create a whole virtual world and post it on Giggles.' Can AI-First Startups Scale? For all the momentum behind AI-native startups, there's a hard truth facing founders like Jin: culture can spark attention, but infrastructure sustains it. Platforms like Giggles, which thrive on virality and creator energy, eventually confront the same foundational question as any company with ambition. Can they scale securely, reliably, repeatedly and with technical discipline? At this stage, Giggles is less an anomaly and more a litmus test for how AI is transforming digital entrepreneurship. It's a living experiment in what happens when creativity, not technical expertise, drives product development. But to evolve from prompt-powered outfits into structured business ecosystems, these companies will need more than just vibes. They will need systems, safeguards and engineering depth. That's where founders must reckon with the limits of what vibe coding can achieve. Dohmke's warning at VivaTech isn't a dismissal of AI's potential, but a reminder of where the handoff happens. While AI can accelerate the zero-to-one moment, scaling responsibly requires the engineering rigor to turn a clever idea into a truly dependable platform. Jin and his team appear to recognize that. While Giggles was built without a traditional engineering stack, the company is now investing in its technical foundation. Wang, the platform's co-founder and lead developer, acknowledges that 'scaling creativity still requires coding discipline.' That doesn't diminish their AI-first origin; it refines it. The next test for Giggles — and others like it — isn't whether AI can launch a product. It's whether that product can become the infrastructure others depend on. A Hybrid Future For Founders What might the next decade yield? The trends point at a wave of hybrid founders: People with vivid creative vision and AI fluency who bring in veteran operators and engineers to solidify their product. That's the emerging blueprint: rapid prototyping, followed by structural discipline. Industry stalwart Reid Hoffman sees that promise, noting that 'bringing AI into your toolkit makes you enormously attractive.' But he and others caution that early AI advantage doesn't equal long-term lead. As AI-generated code gets better, so too must practices around testing, review, and security. In the end, the rise of vibe coding is real, but it's only half the story. Architecture, execution and human judgment are what matters most. While Giggles, Base44 and the rising 'AI-native' wave might be writing the prologue, the plot turns on whether these founders can turn vibe into real structure. 'In the end,' Jin told me, 'it's not just about who can build fast. It's about who can build something that lasts.'
Yahoo
7 minutes ago
- Yahoo
Lindsay Lohan has 'PTSD to the extreme' from early fame
Lindsay Lohan has opened up about having post-traumatic stress disorder (PTSD) from her early experiences of fame. In an interview for The Sunday Times, the Freakier Friday actress reflected on what it was like to be the subject of constant paparazzi attention when she was growing up. "I don't ever want my family to experience being chased by the paparazzi the way I was," she said. "They were terrifying moments I had in my life - I have PTSD to the extreme from those things. The most invasive situations. Really scary. And I pray stuff like that never comes back. It's not safe. It's not fair." Lindsay moved from the U.S. to Dubai in 2014. The Parent Trap star married financier Bader Shammas in 2022, with the couple welcoming a son named Luai the following year. Accordingly, Lindsay and her husband speak about the best way to protect their toddler from the public eye "all the time". "I feel that (paparazzi attention) doesn't happen as badly now as it did. It was way worse when I was younger, but now, because of social media, people can tell their own story in the way that you want it to be told. It has reclaimed the ownership of your life," the 39-year-old continued. "We didn't have that. But what I have learned over time is how to separate my private life and public life, and that was difficult for me because nobody ever teaches you how to do that." Elsewhere in the conversation, Lindsay explained why she prefers that fans ask for a selfie rather than try to film her without permission. "That's scary. That feels very uncomfortable," she added. "I'd rather someone just ask if they can take a photo, or else you get cautious of every move you make." Lindsay is currently promoting fantasy comedy Freakier Friday, a sequel to 2003's Freaky Friday. Also starring Jamie Lee Curtis, the feature opens in cinemas on 8 August.
