
DIAC's Green Umbrella offers shade for art, community and sustainability
Held every Thursday from 3PM onwards at DIAC HQ in Jumeirah, Green Umbrella offered a space where people of all ages could bond over nostalgic board games, pottery making, upcycling workshops and mindful conversations. 'DIAC has always been a place for creativity and expression,' said Diyali Sen Bhalla. 'With Green Umbrella, we're expanding that vision — bringing people together not only for art, but for shared experiences that build a stronger, more connected community.'
Green Umbrella put upfront the genuine joy of human interaction. 'We wanted to create something that felt like home,' said Barkha Bahirwani. 'A place where you can come as you are, make new friends, and rediscover the joy of making things with your hands.' DIAC has been a long-standing hub for artists and creatives, and Green Umbrella blended tradition and innovation, just as the institution does. At Green Umbrella, hands shaped clay amidst the shuffle of board games and discussions on sustainability. The games brought back childhood memories — long evenings spent with family and friends, strategising, laughing, and bonding. Green Umbrella rekindled this magic, inviting people of all ages to put their mobiles down and engage in honest play.
Combing through a table.
Upcycling workshops showed attendees how to transform waste into aesthetic, functional items. Groups learnt here about creativity with a purpose, since sustainability was at the heart of the Green Umbrella programme. Led by YES, those taking part were taught how to create products from fabric scrap, refashion discarded jewellery and make glass bottle lanterns from overlooked items. 'Upcycling isn't just about reducing waste — it's about shifting perspectives,' said Diyali Sen Bhalla. 'It's about seeing value where others see trash.'
Pottery sessions led by Guddi Bajaj, owner of Innara and Coterie Pottery, became the place where participants could shape, mould and glaze their own creations, guided by expert artisans. Diyali Sen Bhalla emphasised that 'pottery is more than an art form. It teaches patience, focus, and the beauty of imperfection.' The takeaway was that there could be perhaps nothing that encouraged a meditative mood more than working with clay.
Mindfulness and community conversations were held with the support of All is Mindfulness, incorporating guided meditation, mindful creativity sessions, and discussions on conscious living. Participants interacted with guest artists and storytellers, even as Green Umbrella turned into a platform for local artisans and eco-businesses, for showcasing their work. Green Umbrella was a space for families to reconnect through shared experiences. It was a classroom for sustainability education and hands-on learning through sustainability projects. With the first season behind it and with the response it has won, the initiative is looking forward to the next season.
DIAC Chairperson Diyali Sen Bhalla.
Diyali Sen Bhalla expressed her enthusiasm for the programme. 'It was amazing to see families sitting together, laughing over a game of Scrabble or Monopoly,' she said. 'It reminded us how important these small moments are. Beyond the fun and creativity, Green Umbrella made a real impact.' Most importantly, she said, 'it's a community-driven initiative, built on the belief that small moments — playing a game, shaping clay, sharing a story — can create lasting change. We saw that with every passing week, Green Umbrella was growing. Not just in attendance numbers, but in spirit.'
DIAC, along with their founding partners, are now exploring ways to expand the initiative by introducing more hands-on sustainability projects, more guest artists and storytellers and unique themed editions of Green Umbrella. 'The dream is to make Green Umbrella a long standing tradition, a place where community comes together, once a week. In a world that moves so fast, we all need spaces where we can pause and breathe. That's what Green Umbrella is — an invitation to slow down and connect.'
But how do arts, crafts and ecology come together? Diyali Sen Bhalla had the answer. 'The arts have always been an integral part of ecology,' she said. 'We at the DIAC have encouraged themes of sustainability that are enmeshed with art and craft. Art and ecology may seem like separate worlds, but they come together beautifully through sustainable crafts and environmentally conscious creativity.'
Art has always been a powerful tool for communication, self-expression, and cultural preservation, she added. When combined with eco-consciousness, it becomes a vehicle for environmental activism, education, and sustainability. Crafts, often rooted in traditional skills and handmade techniques, also align with ecological principles by promoting slow production, natural materials, and the reuse of resources.
Diyali Sen Bhalla pointed out that in a world facing climate change, resource depletion and excessive waste, sustainability was no longer just an option — it was a necessity. 'But sustainability is not only about large-scale environmental policies or corporate responsibility. It's about the choices we make every day and how we, as individuals and communities, can contribute to society. And sustainability efforts are most effective, when communities come together.'
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Gulf Today
07-07-2025
- Gulf Today
Small is beautiful: DIAC show hosts big art on little canvases
Early last month, Dubai International Art Centre (DIAC) hosted the second edition of its group art show titled 8'x8' Beauty in Unity. BiU marked a significant milestone in the UAE's cultural and creative calendar, in the number of artworks shown and the response generated. The exhibition was held for the second consecutive year, without a break, and drew hundreds of art lovers, collectors and industry dignitaries; it also received a World Record award from Talent Record Book, for exhibiting the highest number of small canvases in a single show. The record-winning show consisted of 692 individual artworks, each sized at merely 20x20 cm; it was a celebration of artistic capacity in miniature form! This year's edition witnessed the participation of 102 talented artists from diverse nationalities, showcasing styles ranging from realism and abstraction to Arabic calligraphy, digital art, and photography. The outcome too was commendable — over 150 artworks were sold, underscoring the event's commercial and creative success. The exhibition was inaugurated by renowned Emirati artist Faisal Abdul Qader, who said that 'it's inspiring to see such powerful creativity captured within such a small canvas. Each piece tells a story — concise yet impactful.' The event was also graced by eminent personalities and supporters of the arts, including Emirati artist Ahmed Rukni, Indian art legend Anjini Prakash Laitu, water colour champion Atul Panase and art doyen Sultana Kazim, each of whose presence lent prestige and encouragement to the participating artists. DIAC Chairperson Diyali Sen Bhalla spoke about the vision behind the show: '8'x8' Beauty in Unity is more than just an art exhibition — it is a growing cultural movement,' she said. 'It provides a unique platform for artists to demonstrate extraordinary talent within compact compositions. These mini masterpieces appeal to a broad spectrum of buyers, making art more accessible while still maintaining their soul and uniqueness.' The response to Season 2 has resonated in a way that DIAC received multiple requests to organise Season 3, on a larger scale. Plans are underway to host the next chapter in November 2025. 'It promises an even bigger celebration of creative diversity and global unity through art,' said Diyali Sen Bhalla. Artists with their certificates. Season 2 participating artists included Adila Shoaib, Ahmad Al Awadhi Rukni, Alemayehu Goshime, Alia Amin, Amancia Sandra Menezes, Amanda Ovington, Amna Mohammed Ameen, Anastasie Akibode, Anirban Midya, Anjini Prakash Laitu, Anjum Daud, Ankisha Jhawar, Anuj Sarkar, Anum Anwar Ali, Aquila Abdel Rahim, Arezoo Rahmdel, Arti Bhatia, Asiya Hassham Malik, Asma Seyed, Avantika Sharma, Avijit Majumder, Beena Samuel, Bhakti Ghaghda, Bhumika Maniyar, Chandralekha Dubey, Debra S Mascarenhas, Deepa Rajesh, Deepti Sharma, Dheepa David, Diyali Bhalla, Dr. Poonam Chauhan, Dr. Devisree S, Elaheh Baghaiesaien, Elahehsadat Mirafzal, Erum Durrani, Farivash Rajaei Alawadhi, Fathima Shihnaz Ahamed, Gülüm Erzincan, Hanna Alexandra Adoro Tepace, Jagruti Sanjay, Jaimee Felysse Almendares Reyes, Jamila Patanwala, Jenny C Ang, Jyoti Devdhar, Jyoti Sethi, Komal Jhala, Kriscia Bianca Pascual, Kunchay Visweswar, Lara AbouKhaled, Latha Narayanan, Leila Ramezani, Lita Mathews, Mahboobeh Shahnavaz, Mahi Tawfik, Mahi Wasfy, Mahnaz Ghafouri, Mahnaz Rafiq Javid, Mahshid Mirab, Maitha Shahdoor, Malika Rahman, Mary Ann Pascual, Marya Adnan, Mini Suboth, Mona Biswarupa Mohanty, Mrinmay C Sebastian, Muhammad Habib Akram, Nanditha Unnikrishnan, Neema Rajesh, Nithya Rajendiran, Pari Sagar, Pinki Sanyal, Radha Bhatia, Ranjisha Raghavan, Rashmi Parakkal, Reeta Kumari, Renuka Sanjeev, Rubab Zahra, Sahira Banu, Sameena Firdose, Sandeep Soni, Sandhya S. Iyer, Sara Masoumi, Seema Haque, Sibel Yavuz, Sona Minasyan, Soobika Fawad, Stuti Parikh, Sunanda Jain, Sunita Vasanth, Suva Mishra, Swaraj Jawale, Trupti Rele, Ursula Musch, Vandana Sudhir, Varghese Naiju, Varsha Khatri, Vasanthi Kannan, Vinu Aravind, Yamini Maria, Yoshita Ahmed, and Zoharath Suha. An AI overview of small canvas paintings says that 'they offer a great way to experiment with art, add pops of colour, and personalise small spaces.' AI goes on to prod artists to 'consider painting abstract designs, landscapes, or even portraits on miniature canvases. You can also create a gallery wall with multiple small pieces, or use them as decorative elements on shelves or tables.' Diyali Sen Bhalla, DIAC Chairperson. A list of ideas for small canvas formats is provided: abstract art patterns and designs, which are popular and versatile for small canvases; geometric patterns which can be easily executed on a small scale; Nature-inspired works such as painting flowers, trees, sunsets, or seascapes for a calming and familiar subject; celestial bodies where one can paint stars, moons, planets, or galaxies for unique and visually appealing pieces; miniature portraits which captures a person's likeness or facial expression on a small canvas; animal paintings of one's favourite animal or whimsical creatures; quotes and text which combine painting with typography carrying inspirational quotes or short phrases; or miniature landscapes that capture the beauty of Nature on a small scale, like a serene forest scene or a vibrant sunset. Artist John Lovett says that 'once I got started on these small paintings I couldn't stop. They were such a lot of fun - no pressure to produce a masterpiece, just quick, exciting experiments that revealed numerous options I would have otherwise never have considered.' He found it surprising how much detail and subtlety could be packed into a small space. 'Experiments with colour options, texture treatments and composition arrangements could be carried out quickly and effectively,' he says. Talent Record Book celebrates and showcases exceptional talents and remarkable achievements of both individuals and groups from around the world. The platform serves as a hub for talent recognition and inspiration, where individuals and groups alike can share their unique abilities and accomplishments.


Gulf Today
19-06-2025
- Gulf Today
‘Transience' by The Creative Cubes examines impermanence at DIAC
The Creative Cubes Gallery unveiled its latest group exhibition Transience: The Flow of Being, on June 14 at Dubai International Art Centre (DIAC). Curated by Dubai-based artist and curator Swapnil Jawale and to run till June 21, the multidisciplinary exhibition brings together 24 diverse contemporary artists who explore the theme of impermanence, through varied mediums and styles. The inaugural evening commenced with a welcome by Diyali Sen Bhalla, DIAC Chairperson, followed by the remarks of Swapnil, who introduced the exhibition's theme. 'This exhibition explores the fleeting, yet deeply beautiful nature of life – where every moment is both an ending and a beginning,' he said. 'Transience is a reminder that nothing in life is static — we grow, we evolve, we transform. Just like art, our identity flows in between form and formlessness. 'The show honours those invisible threads — of memory, culture, nature, and being — that root us in the present, while drawing from the past and dissolving into what's next.' The exhibition was officially inaugurated by Chief Guest Khurshid Vakil, Co-founder of Marina Home Interiors. Vakil's views resonated with the exhibit's theme, as he emphasised the emotional value of spaces, aesthetics, and the dynamic relationship between art and identity. Anita Sahai's artwork depicting freedom. The event also welcomed special guests including eminent Emirati artist Ahmad Al Awadhi Rukni, Art Senior Anjini Prakash Laitu, renowned water colourist Atul Panase, Dr. Supriya Kulkarni Sudhalker and Dr. Uday Sudhalker. Participating artists are Aakanksha Kshatriya, Anita Sahai, Asma Mehmood, Ayesha Yusuf Bhatti, Diyali Sen Bhalla, Gesere, Isabelle Alves, Kritika Iyer, Kiran Kumar, Marwa Elbadawi, Murugesh Thaigarajan, Nashwa Nagy, Pari Sagar, Ranjisha Raghavan, Ravindra Parkhi, Rooma Ejaaz, Saliha Hanif, Samishka Jawale, Sandeep Soni, Smithashree Balaji, Sonia Sahni, Srirupa Bose, Swaraj Jawale, Ulyana Okava and Vandana Arora. Marwa Elbadawi's work Alignment radiates quiet strength; it is joined to minimalism. Rooted in Islamic metaphysics and the wabi-sabi philosophy, the Japanese aesthetic philosophy that finds beauty in imperfection, impermanence, and incompleteness, her art weaves together silence, material, and memory, embodying a sacred yet grounded presence. Murugesh Thaigarajan is an accomplished artist and educator. His work addresses the loss of humanity in a mechanised world and uses vivid colours to explore identity and emotional connection to Nature. Swapnil Jawale, who is also an artist, showcases a piece from his ongoing series Shivakala: Timeless Creations. Marwa Elbadawi's artwork. The work seamlessly blends Indian traditions with contemporary symbolic forms. A dedicated advocate of contemporary and traditional art, Swapnil has curated the Indigenous Artistry section at international exhibitions for several years, and continues to mentor and uplift grassroots artists. His vision for Transience brings together global voices, and staying rooted in shared cultural traditions. Ravindra Parkhi's artwork Jubilant Moments stands out for its sophistication and mature technique. Parkhi is known for his international presence and active participation in residencies and biennales, and a deep understanding of visual storytelling. Kritika Iyer is a young, emerging talent. Her Malar series reimagines femininity through the metaphor of flowers. The work balances structure and softness, and is rooted in textile traditions and cultural symbolism. With an eye trained in architecture and a heart drawn to storytelling, she bridges structure and spirit, form and feeling. Sonia Sahni is trained in both science and art; her evocative canvases invite viewers into a layered experience of mystery, design, and vibrant expression — a reflection of her background in Ayurveda and space design. Kritika Iyer's serial work. Sandeep Soni is a petroleum engineer by profession and IIT graduate and a hobbyist artist who believes that art is the very essence of life. His surreal, story-driven artworks blend intellect, emotion, fantasy and philosophy. He also explores creative outlets such as music, graphic design and photography, embodying a holistic, artful existence. Isabelle Alves was born in Mauritius and is now based in Dubai. She is a mosaic artist whose pieces echo Nature's intricacies. Her work, marked by meticulous craftsmanship fusing glass, stone and other materials, presents a harmonious, organic aesthetic. Ulyana Okava's emotionally charged works aim to awaken inner consciousness. Drawn from personal growth and spiritual reflection, Ulyana's art touches on ecological awareness and carries a message of light and healing to the world. Samishka Jawale (left) and Swapnil Jawale. Srirupa Bose's conceptual installation Imprints explores the integration of experiences across a lifetime. Drawing on the metaphor of tree rings, the piece invites viewers to reflect on the cumulative nature of time, insight, and self-awareness. It encourages a deeper understanding of how individual experiences layer over time to create meaningful transformation. 'Transience: The Flow of Being,' said Diyali Sen Bhalla, 'is curated by the dynamic duo of The Creative Cubes, Swapnil and Samishka Jawale. The Creative Cubes is more than just an art space - it's a movement. They have consistently given a platform to artists in different and interesting exhibitions. This exhibition is a collection of high standard artworks from acclaimed and emerging artists and offers a compelling exploration of technique, emotion and brilliance.' Diyali is also a visual artist, illustrator and fashion designer, who celebrates life through abstracts. DIAC Chairperson Diyali Sen Bhalla. The Creative Cubes was founded by Samishka Jawale and is a UAE-based gallery that champions diverse artistic narratives, from indigenous art to experimental forms. With a strong presence at major events like World Art Dubai, the gallery is committed to creating cross-cultural platforms for artists worldwide. The Creative Cubes nurtures and showcases both established and emerging talent. Since 2025, it has also been expanding its digital footprint, offering global access to curated collections and artist collaborations through its online platform.


Gulf Today
28-05-2025
- Gulf Today
Traditional muse, millennial views: Old and new live in Jamila Patanwala's art
Jamila Patanwala is a contemporary Islamic artist, based in Dubai. 'My work is a reflection of my roots, and I strive to create pieces that invite the viewer to explore Islamic art in a contemporary manner,' she says. She primarily works in acrylics and mixed media, using bold colours 'to evoke the regality of Islamic patterns and calligraphy.' Her work is inspired by the richness of Islamic architecture, Quranic verses in Arabic calligraphy, and Nature. Some of her works were shown in an exhibition in Dubai International Art Centre (DIAC) recently. They were commented upon for their focus on the subject, the detailing of their meaning and the expertise of their execution. From her workspace comes Mishqaat-ul-Anwar, in acrylic on canvas, inspired by the Jamea Al Anwar mosque in Cairo, Egypt. Jamila's painting depicts a mishqaat or lamp or light from the mosque. Fruits of the Holy Quran, created in mixed media (it was shown at DIAC) is a sculptural and calligraphic art series that brings to life sacred fruits mentioned in the Quran, through the medium of clay. Rehnuma in acrylic and go leaf on canvas, is influenced by the opulent history and cultural significance of calligraphy. Work titled Fruits of the Holy Quran. Shuja'at (Courage) in acrylic on canvas depicts a lion, its mane forged with swords — a crown of steel shaped by bravery, sacrifice, and divinely bestowed strength, says Jamila. Noorun-Ala-Noor or Light upon Light in acrylic is a luminous tribute to divine beauty and spiritual profundity. 'I have tried to give a contemporary look to the exterior Medallion motif on Jamea Al Anwar,' Jamila says. 'I have recreated it on a square MDF plank, trying to mimic the original's placement on the exterior wall of the mosque.' Shubbak Al Anwar in acrylic on MDF refers to the discovery of a Fatemi shubbak - a stucco grille with floral patterns - during the restoration and revival of the Jamea Al Anwar mosque. 'The painting of this window or grille evokes a sense of tranquility and spiritual elevation, symbolising the divine connection between the sacred space inside and the world beyond,' says Jamila. The Golden Armour is an illustration which portrays a woman dressed in the Rida, the traditional attire of Dawoodi Bohra women. 'This piece symbolises the strength, dignity, and beauty I find in wearing the Rida — not as a restriction, but as a radiant shield of identity and faith,' says Jamila. 'Just as armour protects a warrior, the Rida envelops me in a sense of purpose, confidence, and pride. Through this artwork, I aim to challenge the often misunderstood narrative around the hijab and abaya. They are not symbols of oppression, but of autonomy, progress, and inner strength.' The golden hue of the artwork represents empowerment, resilience and spiritual richness. Jamila Patanwala speaks more on her work to Gulf Today Why did art interest you? My interest started in childhood, seeing my older brother's sketches. Watching his pencil bringing images to life made art feel natural and achievable; so I picked up a pencil too. That early habit, which started as a sibling inspiration, grew into my own creative voice and passion for Arabic calligraphy, motifs, and Nature‑inspired pieces. What do you mean by 'Contemporary', as in contemporary artist? 'Contemporary' means 'of our time'. A contemporary artist is someone engaging with the ideas, material, technologies and culture of the present moment. I try to weave my own spiritual experience into a work; so the art reflects how faith feels now, not as it was felt centuries ago. The reinterpretations of classical motifs through contemporary lens, connects tradition with present day aesthetics. Jamila Patanwala is based in Dubai. How can Islamic art be interpreted in a contemporary way? My work begins with the foundations of Islamic art — calligraphy, geometry, and arabesque motifs — but I weave in elements of Nature and present them through today's materials and formats. You'll see paintings brought up to mural size technologically and calligraphy being projected on digital screens. So, while the vocabulary is traditional, the presentation turns it into a contemporary conversation. How has India and UAE influenced you as an artist? The India-UAE axes gave me a unique blend of deep tradition and modern aesthetics. India inspires the craft, colour, memory and devotional content; the UAE sharpens aesthetics, scale and global visibility. The dialogue between the two is what gives my pieces a cutting edge. Why do you use bold colours? In Islamic calligraphy, hues like lapis blue or radiant gold, evoke divinity and awe more powerfully than muted tones. I use bold colours because I want the message in my work to come through loud and clear. How does architecture inspire you as an artist? I am drawn to painting architecture, because buildings hold so much meaning. Islamic architecture is not just about structures - they are symbols of faith and connection to the divine. Architectural geometry and patterns provide me a sense of order and harmony. What is the role of calligraphy in your art? Calligraphy is the heart of my work. I use sacred words because they instantly give meaning to the composition. It's worship in a visual form. Is Art a profession for you or is it only a hobby? Art isn't just a hobby for me — it's my profession, my practice, and my purpose. I see art as service. Whether through conversation, workshops, or simply sharing my work, my goal is to bring art into people's lives in a meaningful way.