
Kamikaze: An Untold History review – a bewilderingly brutal act of collective desperation recalled
Kamikaze: An Untold History is a documentary by the Japanese public broadcaster NHK that could have been a very powerful film at 60 minutes but is still impactful at an exhaustive hour and a half. It starts with the first suicide pilots who flew in October 1944, as the Americans advanced inexorably across the Pacific towards mainland Japan. The programme is determined to commemorate individuals who perished, beginning with 20-year-old Hirota Yukinobu. There is clear footage of his plane hitting an aircraft carrier and creating a large explosion on deck, having taken a hit to the wing on its descent: we can well imagine the last moments of a young man's life being filled with fear of failure and perhaps the physical pain of fire in the cockpit, followed by a final split-second of realisation that his mission had been accomplished.
What is even more extraordinary was what happened once the first wave of kamikaze pilots had flown. Newsreel propaganda, shown in cinemas nationwide, lauded the men as something beyond heroic: 'With your departure,' said one proud announcer, 'you have joined the gods.' It was thought that a nation that was willing to resort to such measures could not possibly lose, and that if Emperor Hirohito were forced to negotiate for peace, this show of strength would enable a more favourable deal.
The men became superstars. The home village of 19-year-old Terashima Tadamasa erected a stone monument to his memory, and local dignitaries attended his funeral. In one of several interviews recorded in the 2000s and 2010s with first-hand witnesses, who have since died, the sister of 23-year-old Ishii Mitoshi recalls how hordes of well-wishing strangers made it hard for her family to grieve for him. Pilots had their final written statements read out on national radio ('Mother, are you well? I will not squander the 21 years of life you have given me!'). As the slogan '100 million kamikaze' became popular, schoolchildren wore headbands expressing support for the men, while adults who were not physically fit to serve often proved to be particularly fervent amateur agitators, urging the kamikaze on.
The film is a straightforward historical account, so it doesn't debate the spiky moral and philosophical conundrums the kamikaze phenomenon raises. War requires the mass sacrifice of human life, often in the form of strategies that will certainly lead to heavy losses for your own side. The emotional pull of last year's American-made second world war drama Masters of the Air, for example, was provided largely by the idea of men being sent on missions from which many would not return. What is the logic in feeling inspired by the selflessness of soldiers who had a tiny chance of survival, but horrified by those who had none? Clear answers are not to be found here but, as we gaze at photographs of squadrons of men under the age of 25, whose whole adult lives were rehearsals for their death, we have to ask why.
The slightly baggy back half of the film does give us more to chew on, as it looks at those who weren't selected, or who volunteered with some reluctance. Documents are found that suggest the Japanese navy rejected some men's applications if they had scored top marks in aptitude tests: at a time when few Japanese families could afford higher education, university graduates saw their peers become kamikaze pilots and wondered whether the country really wanted to turn its brightest minds into ammunition.
More distressing than the tales of those whose privilege didn't protect them are reports of kamikaze mania driving men of all backgrounds to sign up unwillingly. We hear how they felt that the political climate gave them no choice: the dynamic that is always in place during conflicts, where it is treasonous to criticise the war effort, crushed any dissent. The kamikaze strategy gave Japanese citizens hope. The film ends by glimpsing the atomic bombs hitting Hiroshima and Nagasaki, brutal events that showed that hope to be false. Whether that made the gestures of the kamikaze pilots more or less noble than any other war death is a question that can't ever be answered, but this film shines new light on it.
Kamikaze: An Untold History aired on BBC Four and is available on iPlayer.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
17 minutes ago
- The Sun
World's sexiest powerlifter ‘Little Beast' shows off shocking body transformation from 5st 3lbs to hulking bodybuilder
WEIGHTLIFTING fans were left stunned by the dramatic body transformation of powerlifter Ru. Hikaru Komiyama, who is better known as 'Little Beast', has built a massive following on social media with her incredible feats of strength and pulse-racing bodybuilding posts. 4 4 4 Fitness has been part of her life for several years and has helped her get through some testing periods of health. And Ru, who is able to squat, bench and deadlift more than two, three or four times her 56kg body weight, respectively, reflected on her incredible journey in an emotional Instagram post. Along with a side-by-side image of her years-long body transformation, she wrote: "Left is before the ED got bad and my hair started falling out in clumps as I lost even more weight and cruised at a bodyweight of around 76lbs (34kg). "Your reminder that our bodies are not a trend. "We're not meant to look the same at our 'happy weight', where we are healthy and functioning well. "So while some people can properly nourish their bodies and, with genetics, have a predisposition to stay incredibly lean. "It may take an extreme, unsustainable diet for another. "Lean doesn't constitute beautiful. And neither does a grumpy attitude from being hungry 24/7. 4 "So if you haven't already, I hope you let yourself learn your body well enough and learn what it looks like to have a physique well taken care of." Little Beast's legion of followers commented on her inspirational post detailing her previous health battle. Another said: "So incredibly proud of your journey!! You always keep shining like a star." And another said: "Wow, girl!!!! You are amazing." Another chmed in: "Get it, girl. Looking all mmmmm."


Daily Mail
17 minutes ago
- Daily Mail
Blake Lively, Millie Bobby Brown and the explosive research exposing a myth that divides America
After decades of decline, the traditional American family is mounting an unexpected comeback. Once dismissed as a relic of the 1950s, the married-with-children model is suddenly back in fashion - in homes, on screens and in the hearts of a new generation of Americans.


Telegraph
3 hours ago
- Telegraph
RAF prisoners of war played bulldog to boost morale, pictures reveal
Never-before-seen photos taken by a British airman inside a German PoW camp during the Second World War show how the officers kept up morale. The black and white snaps show that the imprisoned men played games and staged theatre shows to beat the boredom. One image shows the captured RAF officers playing games of British bulldog while cooped up within the barbed-wire confines. The playground game was taken so seriously that referees had to adjudicate. Other snaps reveal theatre productions with PoWs dressed as women to boost morale and alleviate boredom. The camp's band were also a key part of the entertainment scene as musicians posed with their instruments. The newly discovered photos were taken by an unknown British PoW at Stalag VIIB, near the village of Lamdorf in south west Poland. Prisoners were moved there from Stalag Luft III in Sagan, the Great Escape camp, which became overcrowded by 1943. A PoW later recalled their first impressions of Stalag VIIIB: 'There, before our startled eyes, was the forbidding spectacle of Stalag VIIIB. It was gigantic. 'In the form of a square, each side measured about half a mile in length, with formidable double-banked barbed-wire fences and sentry boxes on stilts. 'Inside the perimeter were eight large compounds, four on each side of the central roadway, and each wired off from the other. 'Each compound contained four long single-storey brick-built barracks, each accommodating 150/200 men in three-tier wooden bunks, with ablutions in the centre. 'All that could be seen through the wire was a thick pine forest to the east; a wide open plain to the north and west – away on the horizon, a small settlement could be made out – while many miles away to the south, a range of hills filled the skyline.' The album has come to light eight decades on at auctioneers Sworders, of Stansted Mountfitchet, Essex, with a £400 estimate. The vendor, a private collector, bought it from a military fair 15 years ago, and it is being sold alongside a cigarette case which apparently belonged to the same PoW. The album also contains what is believed to be a previously unseen photo of Winston Churchill inspecting British troops at Cologne in Germany in August 1919 while he was Secretary of State for War. Mark Wilkinson, head of sales at Sworders, said: 'I always find it fascinating to see the extraordinary work that went into the theatre productions that were produced by the troops during their time in captivity.' In January 1945, the camp inhabitants were sent on a notorious forced march westwards, which killed many of them.