Cave creations: French artists join 'Deep Time II' to work without any links to outside world
The aim of the project is for researchers to study how the artists work without any links to the outside world, no natural light and no real-time information.
Over the next two weeks, the members of Deep Time II will work dozens of metres underground in the Lombrives cave at Ussat-les- Bains to make diverse works. Unfinished projects must be completed outside within two months to be ready for an exhibition that's open to the public.
It's the second such test of this type. Four years ago, a group of eight men and seven women volunteered to spend 40 days in confinement in a dark, damp and vast cave in the Pyrenees. They had no clocks, no sunlight and no contact with the world above.
Scientists at the Human Adaption Institute leading the project say the experiment will help them better understand how people adapt to dramatic and drastic changes in the wake of the coronavirus pandemic.
Related
Why a 'sleep divorce' could fix your relationship and bring extra benefits
According to the organisers, our relationship with time has become one of the world's biggest concerns as many struggle with doomscrolling. We're faced with more devices and screens vying for our attention and offering us all non-stop content for our eyeballs and minds. More than 80 per cent of people believe that "time passes too quickly" and "that they don't have enough time".
During the previous experiment, speaking from underground project director Christian Clot said: 'It's really interesting to observe how this group synchronizes themselves,'
In partnership with labs in France and Switzerland, scientists monitored the 15-member group's sleep patterns, social interactions and behavioral reactions via sensors. One of the sensors was a tiny thermometer inside a capsule that participants swallowed like a pill. The capsules measured body temperature and transmitted data to a portable computer until they were expelled naturally.
Although the participants looked visibly tired, two-thirds of them expressed a desire to remain underground a bit longer in order to finish group projects started during the expedition, Benoit Mauvieux, a chronobiologist involved in the research, told The Associated Press.
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San Francisco Chronicle
18 minutes ago
- San Francisco Chronicle
What to Stream: Madonna, 'Happy Gilmore 2,' Judge Judy and Jenna Ortega and Paul Rudd team up
Adam Sandler's hockey player-turned-golfer Happy Gilmore returning for a second movie and Madonna's long-rumored album 'Veronica Electronica' are some of the new television, films, music and games headed to a device near you. Also among the streaming offerings worth your time, as selected by The Associated Press' entertainment journalists: Jenna Ortega and Paul Rudd playing father and daughter in the horror-comedy 'Death of a Unicorn,' gamers get a pirate adventure with Wuchang: Fallen Feathers and Judge Judy rules on true crime in her new series for Prime Video, 'Justice on Trial.' New movies to stream from July 21-27 — It's been almost 30 years since we first met Adam Sandler's hockey player-turned-golfer Happy Gilmore, but Sandler finally got the gang back together for a sequel. 'Happy Gilmore 2,' coming to Netflix on Friday, July 25, brings back many familiar faces, including Julie Bowen, Ben Stiller and Christopher McDonald as Shooter McGavin, alongside an army of new co-stars from Bad Bunny to Post Malone as well as a few familiar faces in the golf world. This time around, Happy also has kids, including four hockey goon sons played by Ethan Cutkosky ('Shameless'), Conor Sherry ('Shake Shack'), Maxwell Jacob Friedman (a pro wrestler) and newcomer Philip Schneider. Here's hoping it's as quotable as the first — we've been needing some new Sandlerisms. — November, and 'Wicked: For Good,' is coming fast. What better time to catch up with 'Wicked,' which begins streaming on Prime Video on Friday, July 25? In her review for The Associated Press, Jocelyn Noveck wrote that it might convert a non-musical lover into one, but that, 'if people breaking into song delights rather than flummoxes you, if elaborate dance numbers in village squares and fantastical nightclubs and emerald-hued cities make perfect sense to you, and especially if you already love 'Wicked,' well then, you will likely love this film.' — Jenna Ortega and Paul Rudd play father and daughter in the horror-comedy 'Death of a Unicorn,' about, well, just that (and also exploitative billionaires). It was met with mixed reviews: Some enjoyed the chemistry of the characters and the fun it has with its outlandish plot, while others saw those efforts as strained and hollow. You can decide for yourself when it hits HBO Max on Friday, July 25. Richard E. Grant and Will Poulter also star. — AP Film Writer Lindsey Bahr New music to stream from July 21-27 — It is the stuff of pop music mythology. Madonna's long-rumored album 'Veronica Electronica' — originally conceived as a remix companion to 1998's blockbuster 'Ray of Light' — finally arrives Friday, July 25. It is that and more. Begin with the new-to-fans, original demo of 'Gone, Gone, Gone.' — The second and final part of an expansive documentary series on the life and career of Billy Joel hits HBO Max on Friday, July 25. And it's not too late to catch up on the first half of 'Billy Joel: And So It Goes,' either. It's an in-depth look at the beloved singer-songwriter, replete with never-before-seen performance footage and more. — Rock 'n' roll fans, listen up. On Friday, July 25, the original Alice Cooper band lineup reunites to release 'The Revenge Of Alice Cooper,' the first album in over 50 years to feature that original lineup. It gives the album a sort of revived spirit — all high-octane riffs. — AP Music Writer Maria Sherman New series to stream from July 21-27 — Judy Sheindlin, beloved for her syndicated series 'Judge Judy' that ended production in 2021 after 25 years, rules on true crime in her new series for Prime Video. In 'Justice on Trial,' actual criminal court cases are recreated by trial lawyers with Sheindlin presiding over the courtroom. Will she find the right decision was made? Find out Monday when all eight episodes drop. — Malin Akerman and Brittany Snow star in 'The Hunting Wives' for Netflix. It's based on a thriller mystery novel by May Cobb. Snow plays Sophie, a woman whose husband's job requires trading the East Coast for east Texas. She's a fish out of water until she meets Margot (Akerman,) the queen bee of a group of women known as the Hunting Wives. These wives aren't trading recipes or having tea — they like to party. Sophie finds Margot's carefree lifestyle and confidence to be intoxicating until she gets caught up in a murder investigation. All eight episodes drop Monday. — A new Hulu miniseries called 'Washington Black' is also based on a book of the same name, but this one was shortlisted for the Booker Prize in 2018. Set in the early 1800s, Wash — short for George Washington Black — is born into slavery in Barbados. Wash's talent for art and curiosity catches the attention of a scientist named Titch (played by Tom Ellis), who encourages his education and creativity. When danger strikes, Titch and Wash escape in a hot-air balloon that lands in Nova Scotia. The series follows Wash's adventures as he grows into a man played by newcomer Ernest Kingsley Jr. Sterling K. Brown is an executive producer and also has a role in the show. Stream the episodes beginning Wednesday. — An acclaimed British crime drama called 'Code of Silence' comes to BritBox on Thursday. Rose Ayling-Ellis plays a deaf cafeteria worker who begins working with the local police because of her ability to read lips. This new world is exhilarating but also dangerous. The show has already been renewed for a second season. New video games to play from July 21-27 — Last year's Black Myth: Wukong turned Chinese folklore into a blockbuster game, and another Chinese studio is hoping to repeat that success with Wuchang: Fallen Feathers. It tells the tale of a pirate who wakes up with amnesia and a bad case of 'feathering' — not only is she sprouting blue plumage, but it's driving her insane. The adventure takes place during the end of the Ming Dynasty in the 1600s, and Chengdu-based developer Leenzee Games promises a mix of historical figures and supernatural monsters. Take flight Thursday, on PlayStation 5, Xbox X/S or PC. — Lou Kesten
San Francisco Chronicle
18 minutes ago
- San Francisco Chronicle
Discovery 'Shark Week' has breaching great whites, looks back at 'Jaws' and starts with some dancing
NEW YORK (AP) — Fifty years ago, 'Jaws' unlocked dread in millions about man-eating sharks. This summer, that fear may be somewhat reduced as they become contestants on a TV dance show. Former 'Dancing With the Stars' host Tom Bergeron steps up for a marketing masterstroke by Discovery Channel's 'Shark Week' — 'Dancing with Sharks,' where humans and 20-foot-long hammerhead sharks do a little mambo. 'I had a decade and a half experience of hosting a dance show, but this one was different,' Bergeron tells The Associated Press. 'I'd often thought on 'Dancing With the Stars,' wouldn't it be great if we could incorporate another species? And here I've finally got my dream come true.' In the show, five scuba-diving shark handlers use bait to twirl and guide various sharks into mini-waltzes, in what's being billed as 'the world's most dangerous dance competition.' One contestant wraps his arms around a nerf shark and spoons it. Another takes off her air tank and does a double backflip. A third — a hip-hop loving shark handler — does an old school head spin on the ocean floor as sharks swirl. 'These are some of the best shark handlers in the world. These are people who know the nuances of sharks, know how they move, know how to behave, know how to safely move with them, and they're guiding these sharks along as you would a partner,' says Kinga Philipps, a TV correspondent and one of the three judges. 'It is so fluid and beautiful, all they really had to do is put a little bit of music to it and they're actually dancing.' It's a shark-a-thon 'Dancing with Sharks' kicks off the week of programing, which includes shows on how to survive a shark attack, why New Smyrna Beach in Florida has earned the title of 'The Shark Attack Capital of the World' and whether a mysterious dark-skinned shark off the coast of California is a mako, mutant or possibly a mako-and-great white hybrid. The seven nights of new shows — and a related podcast — ends off the Mozambique coast with a once-a-year feeding frenzy that turns into a showdown between the sharks and their massive prey, the giant trevally. One highlight is Paul de Gelder's 'How to Survive a Shark Attack,' which he has intimate knowledge about. He lost his right hand and leg in 2009 during an attack by a bull shark in Sydney Harbor. 'If you're in the jaws of a shark, you want to fight for all of your life. You want to go for the soft parts. You want go for the eyeball. You want to go for the gills,' he says. 'But if you're not being attacked by a shark and you're just encountering a shark, then you just want to remain calm.' De Gelder debunks one myth: Punching a charging shark will stop its attack. 'If you really want to hurt your own hand, go ahead,' he says. A better approach is to not thrash about and gently redirect the animal. 'The secret I got taught many years ago was don't act like food and they won't treat you like food.' 'Shark Week' has become a key part of the summer holiday TV schedule, a place where humans safe on land can see ancient apex predators unnervingly glide into view and snap open their jaws. This year's highlights also include the hunt for a 20-foot great white that can leap into the air — 'Air Jaws: The Hunt for Colossus' — and a show about male and female great whites competing in a series of challenges to determine which sex is the superior predator, naturally called 'Great White Sex Battle.' Joseph Schneier, senior vice president of production and development at Discovery, says the shows are born from listening to what the diving and science community is seeing, like pro divers moving artistically with the sharks as they fed them, leading to 'Dancing With Sharks.' 'We realized, well, there's something here that we can go further with,' he says. 'We're lucky that sharks continue to surprise us. Which helps us get kind of new stories and new things to focus on. That's been the mantra for us — the sharks are the stars, not the humans.' As always, there is a deep respect for the creatures and strong science beneath the amusing titles, sharky puns, dramatic music and racy titles like 'Frankenshark' and 'Alien Sharks: Death Down Under.' 'It's like putting your vegetables in a dessert,' says Bergeron. 'You get all the allure of a 'Dancing With Sharks' or other specific shows, but in the midst of that you do learn a lot about sharks and ecology and the importance of sharks in the ecosystem. It's all in your strawberry sundae.' Discovery's 'Shark Week' has a rival — National Geographic's 'SharkFest,' which also has hours of sharky content. There's also the unconnected shark horror comedy 'Hot Spring Shark Attack' and a movie earlier this summer that added a serial killer to a shark movie — 'Dangerous Animals.' Born from 'Jaws' 'Shark Week' was born as a counterpoint for those who developed a fear of sharks after seeing 'Jaws.' It has emerged as a destination for scientists eager to protect an animal older than trees. ''Jaws' helped introduce this country and this world to a predator we're all fascinated with,' says Schneier. 'But we also feel 'Jaws' went too far. These are not creatures that are out to hurt humans by any means, but they have had 50-plus million years of evolution to get to this place where they are just excellent predators. It's fun to celebrate just how good they are at their job.' Kendyl Berna, who co-founded the ecology group Beyond the Reef, and is a veteran on 'Shark Week,' says studying the ancient beasts can teach humans about changes to the planet. 'So much of the programming this year speaks to what's happening with the rest of the world — climate change and how much that affects where sharks are and when they're there and what they're eating,' she says. 'As a keystone apex predator, sharks do set the tone for what's happening.' Bergeron says being a part of 'Shark Week' for the first time and meeting some of the divers who interact with sharks has actually made him braver. 'I don't think I'm at a point where I could go down there with them and have the sharks swirling around me without a cage. But with a cage, I think I am ready to do that,' he says. 'Just don't tell my wife.'
Los Angeles Times
an hour ago
- Los Angeles Times
Where artists tippled, an ode to Cole's French dip: L.A. arts and culture this weekend
Artists are formed by the spaces they spend time in — and in the case of countless Los Angeles artists, writers and musicians, that place was the city's oldest restaurant and bar, Cole's French Dip, which is slated to close on Aug. 2. Founded in 1908 by Harry Cole in downtown's historic Pacific Electric building, then the city's primary railway transit hub, the legendary public house is credited with inventing the French dip sandwich after its chef dipped bread in au jus to soften it for a patron who had trouble chewing. (Note: Philippe the Original in Chinatown takes issue with this story, claiming full credit for the juicy culinary delight.) The possibility of an apocryphal legend aside, Cole's went on to become one of the very best bars in the area, attracting a solidly blue-collar crowd over the years, including the notoriously ribald, drunken poet Charles Bukowski. The restroom even sported a placard that read, 'Charles Bukowski pissed here,' an unflinchingly literal claim to fame frequently mentioned in self-guided tours of literary L.A. (Barney's Beanery in West Hollywood has a less off-color plaque at its bar in reference to Jim Morrison, who allegedly relieved himself on the spot without heading for the urinals.) I like to think of Bukowski with a beer and a shot of whiskey in front of him, scribbling away on a napkin at the bar in Cole's. I've done the same over the years, having discovered the bar in 1999 when I first moved to Los Angeles. Downtown was not on the up-and-up in those days, and Cole's had fallen on hard times but was still beloved. My rock band played a few shows in its back room, and I fell in love with what was at the time a true dive bar — a place where the occasional unhoused patron spent his Social Security check alongside a smattering of unknown, paint-spattered artists who stopped by from nearby studios. I remember meeting a musician there one night who invited me and a friend to his 6th Street loft and showed me literally thousands of records stacked like a maze throughout the space, so high that you couldn't see over them, so many that I wondered if he had space to sleep. Cole's was that kind of bar — a refuge for artists and misfits, a place that didn't care what your story was as long as you had a good one. The last time I went to Cole's before downtown bar magnate Cedd Moses (artist Ed Moses' son) bought it and restored it to its early 20th century glory, a rat ran over my foot as I sat at a torn, tufted banquette. I love a good dive (my husband proposed to me at the now-shuttered Brown Jug in San Francisco's Tenderloin District), but that was a bridge too far, even for me. Moses has long had a deep affinity for dive bars and, in the aughts, went about transforming and resurrecting a number of spaces in downtown L.A., including Cole's, in ways that stayed true to their historic integrity. His 213 Nightlife Group (now called Pouring With Heart), was integral to downtown's prepandemic boom. That downtown is once again suffering from the kind of trouble and malaise that beset it in the '80s and '90s should be cause for great concern. On the bright side, it's times like these when artists can again afford to move in. Maybe they can rally to save Cole's. I'm arts and culture writer Jessica Gelt, warning you that there is now often a line to get into Cole's, but encouraging you to go anyway. Paying your respects to the classic institution is worth the wait. Bring a good book and a sketch pad. 'Kill Bill: The Whole Bloody Affair'Quentin Tarantino presents rare screenings of the complete version of his four-hour martial arts epic that brought together 'Vol. 1' and 'Vol. 2,' with additional flourishes. Uma Thurman stars as the Bride in a quest for revenge against the title character (David Carradine) and his band of assassins (Lucy Liu, Daryl Hannah, Vivica A. Fox and Michael Madsen). Added flair: It's the filmmaker's personal 35 mm print screened at the Cannes Film Festival in 2006, so it has French Thursday-July 28. Vista Theater, 4473 Sunset Drive. Artemisia Gentileschi in NaplesCurator Davide Gasparotto discussses the Italian artist's work from the period she spent in Naples beginning in 1630. Gentileschi quickly became one of the most in-demand painters in the region, and Gasparotto illustrates the large-scale works, including the newly restored 'Hercules and Omphale,' she completed during this time.2 p.m. Saturday. J. Paul Getty Museum, 1200 Getty Center Drive, L.A. George StraitChris Stapleton and Little Big Town join the country legend on this stadium tour in support of his latest album, 'Cowboys and Dreamers.'5:45 p.m. Saturday. SoFi Stadium, 1001 S. Stadium Drive, Inglewood. TaikoProjectThe L.A.-based taiko drumming group marks its 25th anniversary with a one-night-only concert featuring its innovative percussion work, plus guests including the Grammy-winning Latinx group Quetzal and multi-instrument soloist Sumie Kaneko, performing vocals, on the koto and the shamisen.7 p.m. Saturday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. 'Bye Bye Tiberias'Filmmaker Lina Soualem portrays four generations of Arab women, including her mother, actor Hiam Abbass, who carry the burden of history within them and deal with an evolving meaning of home. Preceded by a 1988 short, 'Measures of Distance,' in which filmmaker Mona Hatoum combines letters from her mother in war-torn Beirut with layered images and voice to question stereotypes of Arab womanhood. Both films are part of the UCLA Film and Television Archive's series '(Dis)placement: Fluctuations of Home.'7:30 p.m. Saturday. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. 'Berta, Berta'Andi Chapman directs the West Coast premiere of Angelica Chéri's love story about a Black man seeking redemption in 1920s Mississippi. DeJuan Christopher and Kacie Rogers ('Furlough's Paradise' at the Geffen) 19-Aug. 25; 8 p.m. Fridays, Saturdays and Mondays; 4 p.m. Sundays. The Echo Theater Company. Atwater Village Theatre, 3269 Casitas Ave. GiselleAmerican Ballet Theatre dances this romantic tale set in the Rhineland forests where betrayal, revenge and forgiveness play out. With the Pacific Symphony.7:30 p.m. Thursday and July 25; 2 and 7:30 p.m. July 26; 1 p.m. July 27. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. The Los Angeles Philharmonic opened its 103rd season at the Hollywood Bowl earlier this month, and all was not well, writes Times classical music critic Mark Swed, noting low attendance, the cancellation of highly anticipated shows featuring Gustavo Dudamel with the Simón Bolívar Symphony Orchestra and a general edginess that has taken root in the city since the intensive ICE raids began. ''A Beautiful Noise' is a jukebox musical that understands the assignment,' begins Times theater critic Charles McNulty's review of the show playing at the Hollywood Pantages Theatre through July 27. Anyone familiar with McNulty's taste knows this is high praise coming from a critic who often doesn't take a shine to the genre. This musical gets a pass because it exists simply to pay tribute to Neil Diamond's beloved catalog with 'glorious' singing of 'American pop gold.' Former American Idol winner Nick Fradiani delivers a 'thrilling vocal performance,' McNulty notes. The New Hollywood String Quartet celebrated its 25th anniversary with a four-day festival at the Huntington's Rothenberg Hall, and Swed was there to capture the scene. The festivities conjured the magic of the legendary studio musicians who first formed the quartet in the late 1930s. Classical music fans and lovers of cinematic scores didn't always see eye to eye, but it was Hollywood that 'produced the first notable American string quartet,' Swed writes. McNulty also reviewed two shows in Theatricum Botanicum's outdoor season: 'The Seagull: Malibu' and 'Strife,' both of which are reimagined in the American past. Ellen Geer directed the former, setting Chekhov's play in the beach city of Malibu during the 1970s. Geer co-directs John Galsworthy's 1909 social drama alongside Willow Geer — moving the action from the border of England and Wales to Pennsylvania in the 1890s. The plays are ambitious, if uneven, writes McNulty. The Hammer Museum is back with its annual summer concert series, which is free as always. There are two upcoming shows: Very Be Careful with Healing Gems and DJ Eléanora, July 31; and Open Mike Eagle with Jordan Patterson and Aug. 19. Ann Philbin, former director and current director emeritus of the Hammer Museum at UCLA, was named this year's Getty Prize recipient. She chose to donate its accompanying, pay-it-forward $500,000 grant to NPR and its Los Angeles member stations, KCRW and LAist. The 'Jesus Christ Superstar' casting news keeping coming. Earlier this week, it was announced that Josh Gad will play King Herod and Phillipa Soo will play Mary Magdalene in Andrew Lloyd Webber's iconic musical, staged at the Hollywood Bowl in early August and starring Cynthia Erivo as Jesus and Adam Lambert as Judas. The Carpenter Center announced its 2025–2026 season, including an evening with Sandra Bernhard and Mandy Patinkin in concert; a cabaret series that opens with Melissa Errico performing Barbra Streisand's songbook; a dance series featuring Alonzo King LINES Ballet; a 'Wow!' series that includes the Peking Acrobats; and a Sunday afternoon concert series with a special tribute to the songs of John Lennon and Harry Nilsson. — Jessica Gelt Hot cheese bread and meat pies? Count me in!
