logo
Franck Muller and #FR2 unveil latest Vanguard Beach Limited Edition in summer hues

Franck Muller and #FR2 unveil latest Vanguard Beach Limited Edition in summer hues

CNA4 days ago
Back in 2023, Swiss watchmaker Franck Muller teamed up with provocative Tokyo streetwear label #FR2 for a rather unexpected collab. The result was the #Fr2nck Muller Vanguard watch, a bold timepiece featuring #FR2's signature cheeky rabbits motif, rendered in a sleek, monochromatic colourway.
And now, the duo have reunited for a second collaboration. In the spirit of summer, the new #Fr2nck Muller Vanguard Beach Limited Edition ditches the original monochromatic colour scheme for brighter hues, evoking the carefree vibe of sun-soaked days and sea breezes. The palette is also a throwback to the Franck Muller Vanguard Beach collection which was also released in 2023.
The #Fr2nck Muller Vanguard Beach Limited Edition comes in three colourways – Heatwave Red, Surf Blue and Tropical Green, each available in just 300 pieces. Creating these vibrant colours was no small feat – glass is first melted at 1,500 degrees Celsius and drawn into extremely fine threads, before being cooled and formed into sheets at 700 degrees Celsius. The sheets are then dipped in special colour baths and compressed into fibreglass composite blocks.
The iconic #FR2 rabbits are once again the star of the show, this time engaged in various summer activities – lying under a beach umbrella, relaxing amongst lush vegetation or surfing.
As a playful detail, the date window is positioned at 2 o'clock, a clever nod to the '2' in #FR2 and a visual stand-in for the blazing summer sun. The rabbit motif and skeletonised obelisk hands are applied with Super-Luminova to give the dial a luminous glow in the dark at night.
The watch is fitted with a nylon strap lined with leather, printed with various details that nod to classic Japanese streetwear aesthetics. Powering the watch is Franck Muller's self-winding MVT 2536-SCDT2H movement.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Love subtle and delicate scents? Discover 7 Japanese perfume brands to try now
Love subtle and delicate scents? Discover 7 Japanese perfume brands to try now

CNA

timean hour ago

  • CNA

Love subtle and delicate scents? Discover 7 Japanese perfume brands to try now

It's no secret that Japan is a land of numerous cultural sensitivities – which include perfumes. While using them is not an absolute no-no, wearing a strong, overpowering scent is considered intrusive and rude, since it can be offensive to others while you're in a public space. Japan is known to have one of the smallest fragrance markets in the world. But while scents may not be as popular with the Japanese compared to folks from other countries, they do appreciate perfumes – albeit in subtle, delicate forms that allow them to express their personality quietly and politely, without intruding on other's personal (olfactory) space. This is why Japanese scents are generally known to be light, elegant and on the simpler side of perfumes – they also tend to reflect the nation's penchant for understated minimalism. If this sounds exactly like the type of perfume that you love, here are some fragrance brands that you need to put on your shopping list and experience personally when you next visit the country. 1. J-SCENT View this post on Instagram A post shared by J-Scent Global (@jscent_fragrance) This perfume brand draws inspiration from Japanese culture, traditions and nature – evident in its line-up that includes scents with names like Roasted Green Tea, Yuzu and Hydrangea. Besides fragrances that are based on familiar notes, J-Scent also carries several conceptual scents that will no doubt capture one's imagination by their names. Ramune, which refers to the traditional Japanese soda pop with a bottle that's sealed with a marble stopper, is a playful scent that projects the olfactory image of the beverage with fresh notes of lemon, mint and bergamot. Sumo Wrestler is one for those with a taste for the unusual – it evokes the 'dignified scent of a sumo wrestler that's passing by', by reimagining the scent of bintsuke oil (which wrestlers use on their hair) with powdery and floral tones. 2. SHIRO View this post on Instagram A post shared by SHIRO (@shiro_japan) Not just a maker of fragrances, this Hokkaido brand is well known for its cosmetics and skincare line that are made from natural ingredients including kelp, sake lees, rice bran and yuzu its key features. What's interesting about its fragrances is that they are divided into two separate ranges that can be layered together to create a unique, personalised scent. The Fragrance line comprises the Savon, White Lily, White Tea, Earl Grey and Kinmokusei (osmanthus) scents, while the Perfume collection features more abstract creations made by perfumers from around the world. With names like Smoke Leather, Take It Easy and Spice of Life, the fragrances from the latter are based on each perfumer's personal memories and experiences. Shiro says that it uses uses distilled yuzu and Japanese mugwort water in place of water for the Perfume collection – apparently, doing so adds richness to the ingredients and depth to the fragrance. Available at Shiro. 3. PARFUM SATORI View this post on Instagram A post shared by パルファンサトリ (@parfumsatori_official) You'll find a refined line of fragrances here, presenting the Japanese ideal of elegant yet unique perfumes. Parfum Satori's fragrances are light, airy, and blend gently into the skin – they are born from a deep respect for the Japanese aesthetic of 'harmony'. According to the brand, its scents subtly merge with the wearer and their surroundings – creating a beautiful sense of balance, instead of dominating the senses. The perfumer behind them, Satori Osawa, aims to share this uniquely Japanese approach to fragrance with the world. The signature of the brand is the namesake fragrance Satori, a classy woody oriental that 'paints' the image of a dignified woman. It features notes including bergamot, coriander, cinnamon, cacao, vanilla and sandalwood – these have been chosen to also express the five tastes of spicy, bitter, sweet, sour and salty, which, together, encapsulate a Zen sense of Japanese beauty. 4. SHOLAYERED Here's another Japanese perfume brand with scents that are made to be layered so that users can experiment and find their own unique scent. Sholayered refers to its fragrances as body sprays, since they are designed to be light, refreshing and 'easy to use', which makes them ideal for those who do not like strong perfumes. Its scents are kept simple, featuring familiar and distinctive notes, and are named quite literally in reflection of them. This makes them easier to mix and match – take your pick from Orange Blossom, Lemon Peel, White Musk, Soapy Rose and Sugar Lychee, among others, and find a concoction to suit your personality or mood of the day. Available at Sholayered. 5. MIYA SHINMA View this post on Instagram A post shared by Miya Shinma (@miyashinma) If you're looking for something truly exquisite, you'll appreciate what this niche luxury Paris-based fragrance brand has to offer. The scents are by Paris-based Japanese perfumer, Miya Shinma, who studied perfumery in France and then set out to her own brand of fragrances that are inspired by Japanese culture and the beauty of nature. You'll sense the connection to her homeland most in her Kimono line of scents – particularly in Kimono Kaze, which is inspired by the traditional Japanese tea ceremony and features notes of green tea, yuzu and pine needle among others. Prefer a floral fragrance? Kimono Sakura evokes spring in Kyoto with rose, iris and jasmine, instead of the actual scent of sakura blooms – which, apparently, do not have much of a distinct fragrance. 6. KITOWA View this post on Instagram A post shared by KITOWA (@kitowafragrance) Wood-based scents are what Kitowa focuses on, since the brand is founded on the idea of creating perfumes that represent the unique connection between the Japanese and the trees native to their country. This resulted in the creation of three signature eau de parfums – Hinoki (Japanese cypress), Hiba (white cedar) and Kusunoki (Camphor tree), which blend distinctive woody notes with citrus and floral notes that are specially selected to add depth and elevate the fragrances. Kitowa also has a range of alcohol-free perfumes that are skin-friendly – the Eau Eclosion line is largely wood-based, too, and is ideal for those with skin allergies. Alcohol-free perfumes are known to last longer, since they contain a higher concentration of fragrance oils. On the other hand, the absence of alcohol means that they have low projection – they wear close to the skin and are unlikely to be overpowering, which is exactly what most Japanese would prefer their perfume to be. 7. AHRES View this post on Instagram A post shared by AHRES official (アーレス) (@ahres_official) A relatively new name in the Japanese beauty scene, Ahres is a hip and modern brand with a skincare and makeup line, and an extensive range of fragrances. Its tagline of 'function and entertainment' describes the brand ethos, which is seen in how it presents its line of Sound Skin Perfumes. On its website, each of the scents from the range is paired with a short tune, which is intended to create a multisensory experience for the user – in the brand's words, to help one 'listen' to the scent and imagine the scene it projects. Even if you're not one for abstract concepts such as this, you'd surely be able to appreciate the fresh scent of Ahres' chic fragrances, which, in true Japanese fashion, are formulated to be light, airy and to meld well with the skin.

Commentary: Tough to make a living writing books, but Singapore needs storytellers
Commentary: Tough to make a living writing books, but Singapore needs storytellers

CNA

time2 hours ago

  • CNA

Commentary: Tough to make a living writing books, but Singapore needs storytellers

SINGAPORE: As an author, one question I always get when I give talks at secondary schools is: How much does an author earn? I usually smile and say, 'It can vary widely for different authors and well, most of us are not James Patterson or Stephen King.' Authors earn royalties, which means we get a small percentage from every book sold. In Singapore and globally, royalties typically fall between 5 to 15 per cent of the book's selling price. That price could be based on the gross retail price or a net figure after costs. So if a book sells for S$20, a 10 per cent royalty earns you S$2 per book. And if that royalty is based on the net price, it's even less. Then there's the big question: How many books can an author sell? That depends on many things – whether the book is sold locally or internationally, how many titles the author has, their audience reach. But generally speaking, lifetime sales often range from a few hundred to a few thousand copies. Some books never even sell out their first print run of 1,000 copies or less. That first advance – which is basically a prepayment of royalties for a projected number of sales – might end up being the only money an author ever sees from their book. They only earn more once their book has 'earned out' the advance. So when aspiring writers ask if this is a sustainable career, my answer is: Honestly, not usually; many authors write while holding down a full-time job. Of course, there are occasional headlines about Singaporean authors landing lucrative book deals overseas. Jemimah Wei's The Original Daughter recently sold at auction for more than US$500,000. TOUGH LOCAL MARKET Singapore writers face some unique challenges. First, the market is small, so there are only so many people to sell to. Authors don't have many publishers to choose from, which limits their bargaining power during contract negotiation. Add to that Singapore's well-stocked libraries, which make readers more inclined to borrow than buy books. On top of it all, bookstores are dwindling, which means fewer places for local writers to sell their books. Singapore has made efforts to support its literary scene – largely through the National Arts Council and various grants. The SG Culture Pass, a scheme that will give each Singaporean S$100 to spend on the arts, including local literature, is a positive step. Organisations like Sing Lit Station and the Singapore Book Council have helped fuel ground-up initiatives, from school programmes and mentorships to community events. Major festivals like the Singapore Writers Festival and the Asian Festival of Children's Content (AFCC) have provided vital platforms for local authors to connect with readers and showcase their work. While these efforts have opened doors, sustaining a writing career in Singapore is still tough. Grants are helpful for specific projects, but they don't solve the bigger issue of long-term sustainability. What local authors need are more direct and consistent forms of support like better book advances, more robust marketing efforts and broader distribution channels. One area that was recently talked about is Public Lending Right (PLR) – a system used in countries like Canada, Australia, New Zealand, and across Europe. Through government funding, it compensates writers when their books are borrowed from libraries. This could provide a modest but meaningful income stream for local writers, especially in a market where book sales are limited. WHY SUPPORT SINGLIT? For every person who champions SingLit, there's probably someone else who doesn't read local books, nor sees the need to. But to say we can do without SingLit is shortsighted. When a country lacks stories written by its own people, it begins to lose its place in the global narrative. Without those voices, people grow up surrounded by borrowed perspectives, which slowly shapes how they see themselves and their culture. Young readers, especially, start to feel invisible. If no one in the stories they read looks like them, talks like them, or faces the same challenges, it sends a quiet message: Your life isn't worth writing about. That kind of absence chips away at self-worth and imagination. The impact of local stories is hard to measure – but it's real. I've seen it firsthand with my middle grade series, My BFF Is An Alien. The story follows a Singaporean girl and her unlikely friendship with an alien, and the adventures they go on together. Is this the kind of story that would score me a massive publishing deal? Probably not. Is it Booker Prize material? Again, probably not. But I've had young readers come up to me and say that my books made them want to become writers. I've had parents tell me it was my books that finally got their children hooked and sparked their interest in reading. That's not nothing. There are so many great middle grade books – but what made mine hit home for these readers wasn't just their fun plot or relatable themes. It was the fact that the readers could see themselves in the pages. They connected with my stories because it reflected something true about their lived experience. The voices sounded familiar. The setting felt like home. And that recognition – that 'hey, this is about me!' moment – is powerful. THE LOVE OF STORYTELLING One might ask: If writing pays so little, why do it at all? The simple answer for most is that we do it for the love of storytelling. We write stories we wish existed, stories we want to read and see out in the world. For me, My BFF Is An Alien was the story I wish I had when I started secondary school. That period in my life was incredibly lonely, and I would've loved to lose myself in a book that felt like it understood me. I also wrote it for my own children, so they had more choices beyond the Eurocentric stories I grew up with. Representation matters. When you see someone like you – a kid from your neighbourhood, someone who sounds like your friends – as the hero of a story, it changes what you believe is possible. That's not just fiction. That's hope. But for those stories to keep coming, writers need support – whether it's PLR schemes, grants, or just making sure their books are on shelves and in homes. Without enough backing, even the most passionate authors can burn out. In a time when artificial intelligence is creeping into creative spaces, the human voice has become even more precious. There's a soul behind stories that only people can bring – our humour, heartbreaks, quirks and lived truths. And in Singapore, that voice is rare. That's worth preserving and supporting.

Is filial piety ever enough? Comic strip on 'Why I gave up on my mother' goes viral
Is filial piety ever enough? Comic strip on 'Why I gave up on my mother' goes viral

Independent Singapore

time12 hours ago

  • Independent Singapore

Is filial piety ever enough? Comic strip on 'Why I gave up on my mother' goes viral

SINGAPORE: A recent comic strip about the limits of filial piety from The Woke Salaryman has garnered significant attention online, not just from Singaporeans but also from other Asians. This should come as no surprise, given that respect and reverence for elders is one of the key values in this part of the world. Captioned 'Is filial piety ever enough?' and based on a person's real-life experiences, the comic strip is about the relationship between a woman and her mother, who, although she was capable of being affectionate at times, also had a dark side that caused her to mistreat her daughter. Screenshot For example, her mum threw a phone at her when she behaved naughtily when she was seven years old, although she claimed it was an accident, and when she was 15, her mum kicked her out in the middle of the night. When she started working, her mum made her give her half of her salary, as well as pay for all their utility bills and mortgage payments, which meant the woman had very little to show for it after working for 10 years. One day, after a particularly difficult fight between them, the woman finally left their home. When she realized how badly her mother had been treating her, continuing to harass her even at work, she filed a Personal Protection Order. Although she built a new life for herself, she said she still loves her mum and tries to understand why she treated her so badly. However, she wrote that she can't forgive her mother quite yet. 'Am I unfilial? Depending on who you ask, the answer might be yes. I grew up in a society where filial piety was seen as a virtue,' she wrote, adding that while this used to bother her, she has come to realize that relationships are a two-way street. 'Mak, maybe I am a bad daughter like you always said, but I'd rather be a bad daughter for now if it means I can get my life back at the end,' she wrote. The post has since been viewed, liked, and shared on Facebook and Instagram thousands of times, and netizens have not held back on commenting as well, suggesting that the strip has struck a chord with so many. 'Thanks for this. Seen too many people passing empty platitudes of 'you only have 1 mother/father' when they should be feeling gratitude that their parents are good,' wrote a Facebook user. 'I feel this.. no matter how hard I try to satisfy my mom, to give in to all of her demands — it is still not enough. My dad knows this, even my close relatives too — but all they can say is 'sabarlah' (be patient)… When I had my daughter, I swore that she would never experience all those gaslighting,' a woman chimed in. 'You cannot love and hug a roll of barbed wire,' another commented. The Independent Singapore has reached out to The Woke Salaryman for further comments. /TISG Read also: Xishan Primary School says boy was assaulted by his own sibling after mother makes police report about bullying

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store