logo
NZSO And Wairea Company To Headline Aronui Arts Festival 2025

NZSO And Wairea Company To Headline Aronui Arts Festival 2025

Scoop3 days ago
Rotorua-based Wairea Company, in collaboration with the New Zealand Symphony Orchestra, will headline Aronui Arts Festival 2025 this September with their bold new work Atua Wahine. An ode to the revival of Atua Wahine stories through contemporary dance, classical orchestration and traditional Māori instruments.
Following the success of Aronui's Matariki Drone Show, which drew over 35,000 people across two nights, the festival returns with a curated programme that focused on high-impact, deeply grounded works that highlight Indigenous storytelling and creativity.
Atua Wahine is part of a wider offering from Aronui Arts Festival. The festival will showcase an inspiring lineup of live music, performance art, and solo works. Aronui Creative Director and Founder, Cian Elyse White says,
'It's an honour to announce the 2025 festival lineup headlined by the NZSO and Wairea, who are delving into a new work seeded at last year's festival.
Arts are an essential service, and after the success of the ARONUI Matariki programme, including our drone show, we are stoked to bring our September festival back to the community.'
Created and directed by acclaimed artist Rangipo Ihakara, Atua Wahine breathes life into the stories of Māori goddesses through an immersive performance that features wāhine of all ages. The production blends contemporary dance, taonga puoro, and the orchestral power of the New Zealand Symphony Orchestra.
'Atua Wahine is an offering. A coming together of wāhine across generations to embody the essence of our ancient Māori goddesses through movement, sound, and spirit,' says Ihakara.
'Through Māori contemporary dance, classical music and taonga puoro, we allow the audience to feel and sense their way through the piece. To foster a space where they are able to tap into their own consciousness to create, to add their own intentions, to have conversations, to get uncomfortable, and to be comforted.'
This piece is the second phase of Wairea's exploration into Atua Wahine, following their debut collaboration with Heipūkarea - an event that celebrated wāhine Māori creatives across disciplines and supported the launch of Hana Tapiata's book Atua Wahine - The Ancient wisdom of the Maori goddesses. The experience inspired the company to go deeper, reconnecting with Atua through movement, music, and story.
'In te ao Māori and Indigenous cultures, feeling, sensing, and language are vital forms of communication and connection. Concepts such as mahi a te wairua (spiritual work), te mauri o te tangata (the life force of a person), and te reo me ngā tikanga (language and customs) are foundational to this performance. By embracing wairua (spirit) and mauri (life force), we navigate the creative process - crafting an Indigenous musical that resonates with all audiences,' says Ihakara.
Aronui Arts Festival will be held from 11 - 21 September at the Sir Howard Morrison Centre and Thurston Theatre. Atua Wahine will run from 11 - 13 September in Sir Owen Glenn Theatre/Matangi Rau in the Sir Howard Morrison Centre. For tickets and more information, visit aronui.nz.
About Wairea Company:
Wairea Company is dedicated to presenting innovative and culturally significant performances
highlighting Indigenous narratives and fostering community collaboration. They aim to inspire and empower audiences by showcasing the richness of Māori and other Indigenous cultures.
About Aronui Arts Festival:
The Aronui Arts Festival celebrates indigenous cultures' diversity and creativity through various artistic expressions, including music, dance, theatre, and visual arts. The festival aims to foster understanding and appreciation of cultural heritage while providing a platform for artists to share their stories and talents.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Te Ao Māori Steps Onto The World Expo Stage Once Again; Carries The Full Force Of Mana Motuhake O Te Ao Māori
Te Ao Māori Steps Onto The World Expo Stage Once Again; Carries The Full Force Of Mana Motuhake O Te Ao Māori

Scoop

time18 hours ago

  • Scoop

Te Ao Māori Steps Onto The World Expo Stage Once Again; Carries The Full Force Of Mana Motuhake O Te Ao Māori

More than 70 Māori delegates from Aotearoa are arriving in Osaka to celebrate Te Aratini: Indigenous Peoples Week at Expo 2025 Osaka, Kansai from 4–10 August 2025. They will be joined by over 170 Indigenous representatives from across the globe. 'This global delegation is a declaration that Indigenous Peoples are not peripheral to global conversations. We are central to its future,' says Ngahiwi Tomoana, Kaihautū for Te Aratini. From Aotearoa, iwi leaders and Māori executives to performing artists and entrepreneurs, this dynamic Māori delegation embodies the diversity, determination and vitality of our living culture. More than $1 million NZD has been collectively invested through self-funded travel, direct contributions, and the gift of our delegates' time, affirming a shared commitment to a kaupapa that stretches across oceans, generations, and worldviews. 'Our people are not waiting to be invited. We are investing in our own future, standing in our own sovereignty, and carrying the weight of our tīpuna with us,' proclaims Tomoana, echoing the sentiments he voiced at Expo 2020 Dubai: 'Māori will be at every World Expo, whether or not Aotearoa has an official presence.' Five years in the making, Te Aratini builds upon its successful launch at World Expo 2020 Dubai. Formidable partners from Japan's Playground of Life: Jellyfish Pavilion, Australia and Canada have generously shared their spaces on the world stage, grounded in an Indigenous ethic of connection and care. This next chapter would not have been possible without the foresight and advocacy of Professor Kenji Yoshida, Senior Cultural Adviser to Expo 2025 Osaka, and Professor Emeritus and former Director-General of the National Museum of Ethnology and Japan's Thematic Project Producer 'Invigorating Lives' Expo 2025 Osaka, Kansai, Sachiko Nakajima. Reflecting on these pivotal relationships, Tomoana shares: 'We travel to Japan as manuhiri and acknowledge the Ainu people as an Indigenous Peoples of Japan, joining in shared spirit and mindful of the deep tikanga and kawa that shape our engagement. Each delegate is an ambassador. Together, we are future-focused, frontier-exploring, and fiercely Indigenous,' explains Tomoana. 'Through the vision of Professor Yoshida and our friends in Japan, doors began to open. Through his advocacy, we established an early connection to Sachiko Nakajima and laid the foundation for Te Aratini: Indigenous Peoples Week . Our relationship is built on shared purpose and the belief that Indigenous voices belong at the heart of the global conversation.' Building on that foundation, Professor Yoshida and Sachiko Nakajima recognised that the week of 4– 10 August, culminating in the United Nations International Day of the World's Indigenous Peoples (9 August), would offer the most powerful and resonant moment to honour and elevate Indigenous Peoples globally through Expo. Te Aratini invites the world into a future where Indigenous values of reciprocity, responsibility, and relationality are remembered and reimagined at scale. Former Minister of Foreign Affairs, Hon. Nanaia Mahuta, also joins the delegation to support this kaupapa. Mahuta was an instrumental partner in the inaugural Te Aratini: Festival of Indigenous & Tribal Ideas at Expo 2020 Dubai, and an advocate for continued engagement between Te Aratini and Japan in the years leading up Expo 2025 Osaka. 'Te Aratini is a unique opportunity to promote Indigenous-to-Indigenous relations and cross-cultural diplomacy. During this time of significant geo-political tension Indigenous Peoples provide a different advantage to promote peace, prosperity and planetary wellbeing. I look forward to promoting the Tauhokohoko a research project, which is designed to inform Indigenous trade policy" said Mahuta. For Tomoana, 'Expo is not the destination, it's the waka. And we are paddling together toward futures forged in tino rangatiratanga, mana motuhake, and whanaungatanga. Tū Māori mai, e te iwi. The world is watching. And we are ready!' Programme Highlights: Across the week, Te Aratini partners will deliver a compelling programme of events that honour Indigenous ingenuity, cultural resurgence, economic aspiration and leadership. Monday 4 August: Te Aratini launches at the Australia Pavilion with keynote speakers including Australia's Ambassador for First Nations People, Justin Mohamed, Hon. Nanaia Mahuta, Canada's High Commissioner to New Zealand, Keith Smith, and Indigenous Partnership Council members of the Indigenous Peoples Economic and Trade Cooperation Arrangement (IPETCA). Performances will feature Kahurangi Māori Dance Theatre, Baka people from Cameroon, First Nations performers from Australia, and Indigenous musicians from Canada. Tuesday 5 August: The day begins with a Water Ceremony led by Elder Gerard Sagassige (Curve Lake First Nation, Canada) and concludes with Confluence, a performance showcase curated by Canada's National Arts Centre at Expo 2025 Osaka's EXPO Hall (Shining Hat), celebrating the diversity and unity of global Indigenous voices. Wednesday 6 August: Focuses on dialogue across Indigenous economies, trade, and intellectual property, and features a cross-cultural collaboration between Indigenous musicians and performers at Life Plaza. Thursday 7 August: Centres on Indigenous knowledges, climate resilience, Indigenous women entrepreneurs, and Indigenous business dialogue and networking events. Friday 8 August: Builds on the themes of Indigenous innovation through fashion, cultural expression, and global connection, including an Indigenous Fashion Show and a Cultural Showcase spotlighting Indigenous voices and performances from across the globe. Saturday 9 August: The UN International Day of the World's Indigenous Peoples will bring the week to a crescendo, culminating in a full day of dialogue, performance, and strategy at the Canadian Pavilion. The programme will include a forward-looking focus on Expo 2030 Riyadh, where Te Aratini will mark a decade of presence at World Expos. Indigenous performers, including the Kahurangi Māori Dance Theatre and Waiata Māori Music Ambassadors, will also take the stage at the Matsuri Arena to open the Inochi Music Festival in a powerful display of visibility and solidarity. The day will conclude with a celebratory evening at the Australian Pavilion, featuring a special menu of canapés created by a leading First Nations guest Chef.

Kerikeri's world-class events facility, the Turner Centre, turns 20
Kerikeri's world-class events facility, the Turner Centre, turns 20

NZ Herald

time2 days ago

  • NZ Herald

Kerikeri's world-class events facility, the Turner Centre, turns 20

'I remember driving into Kerikeri, what I thought was a reasonably small town, and seeing this massive events centre. And I was like, 'Wow, these guys are lucky'. Little did I know a few years later I'd be up here running the place. Careful what you wish for, eh?' While that initial surprise may have worn off after three years in the job – following a stint running Wellington's popular CubaDupa festival – Paul said he still found it remarkable. 'For a town under 10,000 people, to have a 400-seat theatre and an event centre that can accommodate 1000 people is just amazing. It's probably one of the very few towns around the world that [has] a facility of this size for the population.' With the Turner Centre widely regarded as the best performing arts venue north of Auckland, many touring groups bypassed Whangārei and headed straight for little Kerikeri instead. 'It's meant that we've had access to performances that you would never otherwise get in a small town. The capability of the stage and the capacity of the fly tower and the rigging system means we can bring up the likes of the Royal New Zealand Ballet or the [New Zealand] Symphony Orchestra.' The Kerikeri-based Northern Dance Academy perform The Nutcracker in 2015. Photo / Peter de Graaf The other thing that made the Turner Centre unusual was that it was planned and paid for by locals, not by the council or Government. 'That's a big part of the Turner Centre story. The whole building was built and fundraised by the community. So there's a real investment in the place, and that's why we see it so well attended.' The dream began in the 1970s when arts enthusiasts John Dalton and Doug Turner were putting on shows in the Memorial Hall, a possum-infested former fruit-packing shed. As the population and interest in the arts grew in the 1980s, they decided something bigger and better was needed. Doug Turner in 2011. Photo / Peter de Graaf Aided by fellow volunteers, they spent the next two decades planning, lobbying, cajoling and fundraising. What was initially known as The Centre at Kerikeri was opened on August 5, 2005, by Prime Minister at the time, Helen Clark. Its bold design, by local architect Martyn Evans, included a distinctive swooping roof to create space for stage machinery. The roof also gave the centre its early nickname, 'the ski ramp'. John Dalton died in 2012, followed by Doug Turner just late last year. The venue was renamed the Turner Centre in 2011; the main auditorium had already been named after Dalton. The centre's distinctive roof led to its nickname, "the ski ramp". Photo / Peter de Graaf, RNZ Turner's daughter, Susan Corbett, said her father would have loved to see this weekend's 20th anniversary show. 'He would have thought it was absolutely wonderful. And he'd be very pleased to see that everything that he and John dreamt about all those years ago has come to fruition, and is still happening – and in very exciting ways with Gerry keeping things moving on.' Corbett said her parents owned Kerikeri's Cathay Cinema for 35 years. They would host art exhibitions and plays at the cinema before joining Dalton organising shows in the Memorial Hall. Corbett said their legacy showed the value of dreaming big. 'Why not dream big? And it's just as well they did, because we probably wouldn't be able to afford it today. Their dream has happened, and the community has got this wonderful asset because of it.' A scene from Kerikeri Theatre Company's The Sound of Music in 2021. Photo / Peter de Graaf In total, building the two stages of the Turner Centre – The Plaza event centre was completed in 2012 – cost around $20 million. Gerry Paul said a commercial building expert had told him building the same venue today would cost more than $100m. Operating a large venue in a small town was not without its problems, however. In 2024, with rising maintenance costs and the after-effects of the Covid pandemic threatening to overwhelm the Kerikeri Civic Trust, the Far North District Council took over ownership of the building. The trust was still responsible for equipment, staff and programming. In the past year, Paul said the centre had been used by 43,000 people, had 558 bookings and given away 5000 free event tickets to youth. A shift since 2022 towards greater inclusion had included a series of 'pay what you can' events and initiatives such as community kapa haka. Bay of Islands College cultural group Te Roopu o Pewhairangi perform at the Turner Centre's 10th anniversary celebration in 2015. Photo / Peter de Graaf John Oszajca, a US-born actor and singer-songwriter who now lived in Kerikeri, said the town was 'incredible lucky' to have a venue like the Turner Centre. Now the president of Kerikeri Theatre Company, Oszajca said he had performed at the centre as a musician and actor, as well as bringing plays to life on the stage. One of his personal highlights was co-producing the musical Little Shop of Horrors in 2024. He said the venue had become a second home to him. 'I think having high-calibre performing arts, which you couldn't have without a venue like this, makes the quality of life notably better. It's one thing to live in a beautiful town. It's another thing to live in a beautiful town that has amenities, and it's another thing again to live in a town that offers inspiration to the people that live there, both as artists and as patrons.' The centre had also served as a springboard for young performers who had gone on to forge careers in the arts. One of those hoping to follow in their footsteps is 17-year-old Jack Laird, a Year 13 student at Kerikeri High. Laird had just played the part of Scuttle the Seagull in The Little Mermaid; this Saturday he would be one of more than 100 performers taking part in the centre's 20th anniversary show. On this occasion he would be playing drums for hard rock band Bandwidth Riot, winners of the recent Far North Smokefreerockquest. Having a venue like the Turner Centre meant a lot to Kerikeri youth, he said. 'It's so nice to have that venue, that outlet, to be creative and just give us a voice. I don't know what we'd do without the Turner Centre.' Also performing in Saturday night's anniversary show would be the Bay of Islands Singers, Kerikeri Theatre Company, Taylah Barker from Fly My Pretties, a duo from Americana folk band T Bone, local rocker Merv Pinny and Ngāti Rehia Community Kapa Haka, with local legend Troy Kingi the headline act. - RNZ

Layoffs ‘imminent' for Wellington staff at Wētā FX
Layoffs ‘imminent' for Wellington staff at Wētā FX

Newsroom

time2 days ago

  • Newsroom

Layoffs ‘imminent' for Wellington staff at Wētā FX

Around 100 employees are to lose their jobs at digital visual effects and computer animation company Wētā FX. A spokesperson at the Miramar-based company, founded by Sir Peter Jackson, says Wētā FX yesterday informed their crew that they are proposing changes to around 100 roles in its support departments, largely based in Wellington. 'A consultation period has since started with the crew that are proposed to be impacted. Following a period of feedback and review, the changes will be confirmed and impacted crew will be informed,' they say. 'If the proposed changes are confirmed, they will be phased in with specific dates or role transitions dependent on individual agreements and circumstances. 'Wētā FX currently has approximately 2200 crew globally, most of which are contracted artists that are not impacted by the proposed change process. As with all visual effects houses, artist numbers fluctuate based on the needs of current projects, so it is not uncommon for crew numbers to shift over time. 'A number of macro factors have led to the proposed changes, including current challenges facing the global entertainment industry. 'In addition to unexpected delays in projects being greenlit due to financial considerations, the industry continues to feel the long-tail impact of the pandemic, industry strikes, and changes in audience content consumption habits. 'As a leader in visual effects, which happens at the end of a film's creation in the post-production process, Wētā FX is navigating the after-effects of these disruptions to ensure ongoing sustainability.' A Wētā employee, who asked to remain anonymous, says while this round of layoffs doesn't impact artistic departments, contractors in these departments have been told their work agreements will not be renewed at the end of this year. 'This is might seem normal for the way the VFX industry works but this is happening at a completely different scale than it usually would,' they say. 'Managers are asking their crew members if they would consider taking extended unpaid leave of up to nine months with no guarantee that their job would be there after the nine months.' Another employee at Wētā, who does not want to be named, also believes the restructure will also impact contractors, who are expecting to have their work agreements discontinued. 'Understandably, many of us are anxious about the scale of this move and what it means for the future of our careers, our families, and the local creative industry,' they say. News of the job losses comes just two years after another substantial round of layoffs. In 2023 billion-dollar global game tech company Unity Software terminated its service agreement with Wētā, causing 265 redundancies. A number of staff were hired back by Wētā, though there were further redundancies several months later, an employee tells Newsroom. The San Francisco-based company purchased Wētā Digital in 2021 for US$1.625 billion (NZ$2.64b), while its VFX teams continued under the Wētā FX arm – of which Jackson holds majority ownership. Wētā, which earlier this year announced plans to establish a permanent Melbourne headquarters, has provided visual effects to Avatar, Game of Thrones, The Lord of the Rings and Planet of the Apes.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store