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Not Rajesh Khanna, Rishi Kapoor, Sunny Deol, This actor was madly in love with Dimple Kapadia, used to look at her from distance, later worked with her in…, his name is…

Not Rajesh Khanna, Rishi Kapoor, Sunny Deol, This actor was madly in love with Dimple Kapadia, used to look at her from distance, later worked with her in…, his name is…

India.com08-06-2025
Dimple Kapadia is prominent figure in Bollywood, known for both her film career and her romantic relationships and audacity. During the 1970s, when makeup was all the rage, she popularized natural look with her minimal makeup choices. Dimple experienced young love with Rajesh Khanna, and her romantic connections have also been associated with Rishi Kapoor and Sunny Deol. However, are you aware that another iconic actor was also fond of her beauty, often gazing at her intently? Dimple Kapadia's Striking Debut
Dimple Kapadia is today marking her 68th birthday celebration. Even at this age, she remains a formidable competitor among the top actresses in terms of talent and beauty. Despite facing challenges in her personal life, Dimple has never backed down. At just 15 years old, she made her entry into Hindi cinema with the movie Bobby . Dimple's striking beauty attracted numerous filmmakers from a young age. After turning down several film offers, she finally made her debut with a cinematic work by Bollywood director Raj Kapoor . The Love Life Of Dimple Kapadia
While filming Bobby, Dimple Kapadia was just 14 years old, and Rishi Kapoor was 21. The two grew close during the shoot, and rumors of their romance made headlines, but their relationship ended when Rajesh Khanna entered the picture. Dimple fell for Rajesh Khanna and became the actor's better half before reaching adulthood.
She stepped away from the film industry to focus on her marriage with Rajesh, who preferred she not work and devote her time to managing the household. After some years, they separated without officially divorcing and eventually returned to acting. Dimple made her film comeback after an 11-year hiatus filled with marriage and motherhood, starring in Saagar alongside her first film co-star Rishi Kapoor and Kamal Haasan . The Alleged Relationship With Sunny Deol
After a while, Dimple collaborated with actor Sunny Deol on movies like Manzil-Manzil and Aitbaar . During this the two had developed a close bond. It is rumored that they were in a relationship for approximately 11 years, but when this romance began to affect Sunny's marriage, they ended their relationship. Publicly, they appeared to have parted ways, yet their connection persisted in private. Dimple Kapadia Was Idolized By…
This secret actor is none other than Jackie Shroff . He shared an intriguing story about Dimple Kapadia in an interview and said, 'I watched Dimple Kapadia's movie Bobby on its opening day and couldn't stop staring at her. During a month-long acting course in Mumbai, I would see Dimple visiting same building in evenings to meet Sadhna ji, and I would watch her from afar, captivated by her presence.'
He went on to say, 'When I found out that I would be collaborating with her on Allah Rakha , I couldn't help but gaze at her throughout the filming. She had a way of engaging with everyone on the set, whether it was a spotboy, a producer, or an assistant, making no distinctions in her treatment of them. After that, we ended up working together on 12 films .' He also mentioned that Dimple is very fond of her hair.
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Review: Muslim Identity in Hindi Cinema by Mohammad Asim Siddiqui
Review: Muslim Identity in Hindi Cinema by Mohammad Asim Siddiqui

Hindustan Times

time31 minutes ago

  • Hindustan Times

Review: Muslim Identity in Hindi Cinema by Mohammad Asim Siddiqui

The pervasive influence of new information and communication technology has transformed culture, literature, the fine arts, and other forms of entertainment into powerful transnational productions. Now, cinema serves as a reflective mirror to our rapidly evolving social landscape, illuminating and informing us about significant societal shifts. Ranveer Singh as Khilji in Padmavat. 'An unprecedented surge in structuring films on themes related to Muslim rulers reveals a sense of naivety on the part of the directors, who seem to believe that retelling the past or the imagined past settles the question of cultural identity.' (Film still) Films with their vivid characterisation, intriguing visuals, and gripping storylines transcend fantasies of desire and reveal what lies beneath the vicissitudes of life. Cinema appears to be the site of every twist in collective life, upending our settled understanding of lived experience. 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Pran and Amitabh Bachchan in Zanjeer. 'The issue of the Muslim gangster is explored in the fourth chapter, which provides a close reading of Zanjeer (1973), Angaar (1992), and numerous other films.' (Film still) The diacritics of cinematic aporia call for an objective delineation and insightful analysis, and it is what Asim Siddiqui's recently published book, Muslim Identity in Hindi Cinema does with academic rigour. The author rightly considers cinema a site of hybridity, diversity, and splitting, where relations, assimilations, and syncretizations are negotiated and renegotiated. Hindi films also did this in the portrayal of Muslim identity over the last eight decades. Now, however, the situation has changed. This book attempts to analyse 'how the inclusive vision presented in films like Mughal-e Azam (1960) has been replaced by a Hindutva vision in many films using history as a backdrop where Muslims appear in the image of the other.' 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The last chapter provides a panoramic view of the representation of Muslim women characters in Hindi cinema. 'Muslim women also appear in many interreligious romances where the man usually happens to be a Hindu and the girl a Muslim,' Siddiqui correctly points out, adding that the pattern 'guided by the demands of political correctness and market forces, reveals deep-rooted sexual anxiety about protecting and preserving women from defilement.' In sum, the book presents an insightful and multilayered analysis of the representational aspects of Hindi cinema. Shafey Kidwai, a bilingual critic, is the director of Sir Syed Academy, Aligarh Muslim University.

Did you know Deepak Tijori shot one scene whole day with Shah Rukh Khan in Kabhi Haan Kabhi Naa due to THIS reason?
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  • Time of India

Did you know Deepak Tijori shot one scene whole day with Shah Rukh Khan in Kabhi Haan Kabhi Naa due to THIS reason?

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Adivi Sesh and Mrunal Thakur injured during 'Dacoit' shoot, continue filming despite setbacks
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Time of India

time2 hours ago

  • Time of India

Adivi Sesh and Mrunal Thakur injured during 'Dacoit' shoot, continue filming despite setbacks

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