Judge orders rapper The Game to sell his Calabasas mansion to pay sexual assault accuser
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Rapper Jayceon Terrell Taylor, better known by his stage name The Game, has been ordered to sell his multi-million dollar Southern California mansion to pay back a woman who accused him of sexual assault.
Taylor, 45, was sued in 2015 by Priscilla Rainey, who alleged that the rapper inappropriately touched her during the production of his VH1 reality series She's Got Game, on which she was a contestant.
The 'Hate It Or Love It' rapper denied the allegations but failed to appear in court for the 2016 trial or any related hearings, leading to a default judgment. Rainy was awarded $1.13 million in compensatory damages for the alleged assault and an additional $6 million in punitive damages.
Following years of Taylor failing to make payment, a judge approved Rainey's request that the West Coast rapper sell his Calabasas home in order to help finance the more than $7 million judgment she was awarded.
Taylor fought back against the ruling, insisting that because the home is his primary residence, it is protected under California's homestead exemption.
The court, however, found that Taylor 'does not have a qualifying interest in the Property that would allow him to claim a homestead exemption,' the filing added. Therefore, 'the Court does not reach the question of whether [Taylor] has met his burden to prove that he has continuously resided at the property.'
Rapper The Game, real name Jayceon Taylor, was accused in 2015 of sexual assault by a former contestant of his 'She's Got Game' reality series (Getty)
The four-bed, five-bath property is currently valued at $4,009,800, according to Zillow. It's described as a 'gated 2+ acre estate' with views of the Canyon and Santa Monica Mountains. It also comes with a casita and its own private tennis court.
The Independent has contacted Taylor's representative for comment.
When Rainey first came forward with the accusations, Taylor vehemently denied them on social media, writing: 'Don't be fooled by these accusations or the dollar amount in the headlines cause I put that on my favorite aunties poodle this broad ain't gettin s***!
'Every girl on that show will tell u I never touched this chick or ever desired to be anywhere near her. She got kicked off the show & as a result she filed this lame lawsuit which was probably her intentions before the show was ever even started.'
Then, in 2020, Taylor took to social media again to hit out at Rainey.
'People out here dying from the rona n blogs out here creating false narratives for this Waffle House roach who doing anything her thirsty a** can to try n take money from me,' he wrote. 'I'm enjoying retirement !! Y'all been saying she got 7 million for 7 years & yet here I am, laid up tipsy off my 5th quarantine watching Tiger King lol.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Black America Web
2 hours ago
- Black America Web
What We Saw On Video Matters More Than The Sean Combs Verdict
Source: Kevin Mazur / Getty When news broke that Sean 'Diddy' Combs was found guilty of transportation to engage in prostitution but not guilty of sex trafficking and racketeering conspiracy, I knew exactly how this would play out. Some people would grab onto that partial verdict like a lifeline, ignoring every piece of truth we've seen and heard about who this man is and what he's done. Here's what I know: regardless of what the prosecution charged, we saw violence with our own eyes. Last year, from a 2016 surveillance video, we saw a man chase down, assault, and terrorize a woman. We saw him try to spin it. We saw him issue a hollow apology, not one rooted in real accountability but in crisis PR and damage control. What I also know is that our legal system is never the final word on whether something happened. Courtrooms are about what can be proven under narrow burdens of proof. But life, real life, is not always that neat. Some truths are so clear they do not need a courtroom to confirm them. This is not new. Time and again, we watch powerful men with money and nostalgia attached to their names dodge real accountability because too many people would rather protect an image than protect real people from harm. It happened with R. Kelly. It happened with Bill Cosby. It happens with Chris Brown. It's happening now with Diddy. And if we're honest, no verdict—not even a completely guilty one on every charge—would change the minds of some folks so long as they like the man's music, the vibe, the memories attached to a particular song. We need to sit with how dangerous that is. We can't keep screaming 'Protect Black women!' on our timelines while holding a permanent 'But not if I like his album' clause in our hearts. It doesn't work that way. It shouldn't. And yet it does — because this pattern is not just about celebrity. It's about what we've been taught to protect at all costs: the male ego, power, and image. Meanwhile, Black women and girls — and anyone else who dares stand up and say 'He hurt me' — are left to fend for themselves. To carry the weight of being believed or disbelieved. To hear people say, 'Well, they should've known what they were signing up for.' To watch whole communities twist themselves into moral pretzels to avoid facing the truth that sometimes the people we love to cheer for are the same people destroying lives behind closed doors — or, in this case, on camera. As an attorney, I take issue with what the prosecution charged in this case. Sex trafficking charges are notoriously hard to prove, especially against people of considerable wealth who've spent decades mastering the art of plausible deniability. It matters that we keep fighting for a system that works. But we can't let the courtroom be our only measure of the truth. We can't let the system's failures dictate what we know in our bones to be real. Source: Kevin Mazur / Getty Because the fact is, the legal system fails survivors every single day. And when the system does come through — when there is a video, when there is a confession, when there is a guilty plea, too many people still close their eyes and press play on the same old songs. I see people say, 'Well, everybody makes mistakes,' as if what we watched was a minor slip-up or an aberration of character, and not a pattern of calculated harm. I see people say, 'He apologized,' as if that insult of an apology did anything to repair what he caused. I see people say, 'He wasn't found guilty of sex trafficking, so it must not be true,' as if the truth begins and ends with a technicality in a courtroom. We need to tell the truth about how exhausting it is to watch Black women and girls and queer people be hurt again and again by the same type of man — only to see our own people run to protect him. To act like their empire matters more than our humanity. To act like the vibes are worth more than our safety. It shouldn't be this way. But the line we draw in the sand is ours alone to hold. So let me be clear about mine: Diddy will never get another dollar, another stream, another ounce of respect from me. Not because of what he was charged with, but because of what he did. Because of what I saw. Because sometimes the truth is undeniable — if we're brave enough to keep our eyes open. And to the people he's harmed — named and unnamed, known and unknown — I see you. I believe you. I send you my love and my solidarity. I know what it means to carry the burden of telling your truth, only to watch people pretend they didn't hear it. You are not alone. You are not invisible — not to me. Not to anyone willing to stand on what they know is right. To everyone still deciding what they'll do with this: What you do is yours to own. What you can live with is yours to carry. What your friends and family see when they watch you excuse this man—or any man like him—is up to you. As for me and my North Star? It's simple. I don't need a court to tell me what I know. I don't need a guilty verdict to validate what my eyes and my gut have already confirmed. I choose to stand on the side of the people he hurt. I choose to believe what I saw. I choose to let my values — not nostalgia or a playlist — guide me. Always and forever, it's a no. And it will remain a no. Because our community deserves better than this endless cycle of excuses and protection for violent men. Black women and girls deserve better. Survivors deserve better. And maybe if enough of us hold that line, one day we'll actually see the world reflect it too. Preston Mitchum is an attorney, writer, and advocate whose work focuses on the intersections of racial justice, gender equity, and LGBTQ+ rights. He is the Founder of PDM Consulting and a trusted voice on law, culture, and accountability. SEE ALSO: Why Sean Combs Was Never Going To Be Fully Held Accountable [Op-Ed] Diddy Please: Yes, You're A Bozo For Cheering For Sean Combs SEE ALSO What We Saw On Video Matters More Than The Sean Combs Verdict was originally published on


Black America Web
2 hours ago
- Black America Web
Kilmar Abrego Garcia Says He Was Beaten, Tortured And Terrorized In El Salvadorian Prison
Source: Alex Peña / Getty Early last month, we reported that Salvadorian migrant Kilmar Abrego Garcia, who was wrongly deported to a detention center in El Salvador by the brazenly unapologetic Trump administration, had finally been returned to the U.S., only to face an indictment on federal smuggling charges that, according to Abrego Garcia's attorney (and any objective observer), appears to be an attempt by the Justice Department to justify the White House's actions. Well, now, Abrego Garcia is speaking publicly about his experience in El Salvador's mega-prison known as the Terrorism Confinement Center, or CECOT, where he said he and other inmates were subjected to daily beatings, torture, terror and substandard living conditions, according to court documents filed Wednesday.. From the Associated Press: He said he was kicked and hit so often after arrival that by the following day, he had visible bruises and lumps all over his body. He said he and 20 others were forced to kneel all night long and guards hit anyone who fell. Abrego Garcia was living in Maryland when he was mistakenly deported and became a flashpoint in President Donald Trump's immigration crackdown. The new details of Abrego Garcia's incarceration in El Salvador were added to a lawsuit against the Trump administration that Abrego Garcia's wife filed in Maryland federal court after he was deported. The Trump administration has asked a federal judge in Maryland to dismiss the lawsuit, arguing that it is now moot because the government returned him to the United States as ordered by the court. In the new court documents, Abrego Garcia said detainees at CECOT 'were confined to metal bunks with no mattresses in an overcrowded cell with no windows, bright lights that remained on 24 hours a day, and minimal access to sanitation.' He said prison officials told him repeatedly that they would transfer him to cells with people who were gang members who would 'tear' him apart. Abrego Garcia said he saw others in nearby cells violently harm each other and heard screams from people throughout the night. As previously reported, President Donald Trump and his administration violated a 2019 court order barring the removal of Abrego Garcia to El Salvador due to credible fears of gang persecution based on credible evidence that MS-13 gang members had already targeted him and his family. Instead of simply admitting their mistake, Trump and U.S. Attorney General Pam Bondi have been on a campaign to portray Albrego Garcia as an MS-13 member himself. Trump even went as far as to present an image of the tattoos on Abrego Garcia's fingers with the letters and numbers 'M,' 'S,' '1' and '3' photoshopped over each knuckle. (Trump, our 'stable genius' of a president, didn't seem to understand that the letters and numbers were, indeed, photoshopped.) Experts on gang membership have consistently reported that the tattoos on Abrego Garcia's hand are largely unremarkable and that there is no evidence that they are gang-affiliated. As for the new (and suspiciously convenient) indictment against him, Bondi portrayed Abrego Garcia as a central figure in an 'international smuggling ring.' Interestingly enough, sources close to the case claimed the indictment prompted the resignation of Ben Schrader, a respected federal prosecutor out of Tennessee, who allegedly stepped down over concerns that the prosecution was being pursued for political reasons, not legal merit. Here's what we reported on that previously: Indeed, the government's narrative has been riddled with inconsistencies. When Abrego Garcia was stopped in Tennessee in 2022 for a traffic violation — in a vehicle with eight undocumented passengers — he was released with a warning, not arrested. Three years later, that same incident is being used as part of the foundation of the indictment, despite no charges being filed at the time. Federal agents reportedly traced the vehicle's ownership to Jose Ramon Hernandez-Reyes, a convicted felon who later told investigators that Abrego Garcia was hired for migrant transport jobs — claims the defense has not yet had a chance to confront in court. Whether Abrego Garcia is ultimately found guilty or not, we should all be concerned that he was possibly tortured and terrorized inside a prison he was never supposed to be sent to by an administration that is doing its best to avoid any accountability whatsoever. SEE ALSO: The Great Diversion: Kilmar Abrego Garcia Returned To Face Human Smuggling Charges Kilmar Abrego Garcia's Wrongful Deportation Is More About Individual Rights Than Trump's Foreign Policy SEE ALSO Kilmar Abrego Garcia Says He Was Beaten, Tortured And Terrorized In El Salvadorian Prison was originally published on


Black America Web
3 hours ago
- Black America Web
Michael Madsen, Iconic Actor Known for 'Reservoir Dogs' and 'K...
Source: Paul Archuleta / Getty Michael Madsen, Iconic Actor Known for 'Reservoir Dogs' and 'Kill Bill,' Dies at 67 Michael Madsen, the celebrated actor known for his tough-guy roles in films like Reservoir Dogs, Kill Bill, and Donnie Brasco, has passed away at the age of 67. Madsen was found unresponsive at his Malibu home on Thursday, July 3, 2025, and was pronounced dead at the scene. Authorities believe his death was due to natural causes, with no foul play suspected. Madsen's career spanned over four decades, during which he became a frequent collaborator with director Quentin Tarantino, appearing in films such as The Hateful Eight and Once Upon a Time in Hollywood. Known for his enigmatic and intense performances, Madsen also had a passion for poetry, publishing several volumes, and was preparing to release a new book titled Tears For My Father: Outlaw Thoughts and Poems. In recent years, Madsen had been actively working on independent films, including upcoming projects like Resurrection Road and Concessions. His representatives described him as 'one of Hollywood's most iconic actors, who will be missed by many.' Madsen leaves behind a legacy of memorable performances and a profound impact on the film industry. Michael Madsen, Iconic Actor Known for 'Reservoir Dogs' and 'Kill Bill,' Dies at 67 was originally published on