Photos capture Chileans devotion and celebration for patron saint Our Lady of Mount Carmel
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Associated Press
11 minutes ago
- Associated Press
Early Hawaiian petroglyphs on a beach are visible again with changing tides and shifting sands
WAIANAE, Hawaii (AP) — Hawaiian petroglyphs dating back at least a half-millennium are visible on Oahu for the first time in years, thanks to seasonal ocean swells that peel away sand covering a panel of more than two dozen images of mostly human-looking stick figures. The petroglyphs are easy to spot during low tide when gentle waves ebb and flow over slippery, neon-green algae growing on a stretch of sandstone. This is the first time the entire panel of petroglyphs are visible since they were first spotted nine years ago by two guests staying at a bayside U.S. Army recreation center in Waianae, about an hour's drive from Honolulu. Native Hawaiian cultural practitioner Glen Kila, who traces his lineage to the aboriginal families of this coastal Hawaii community, said he believes the resurfacing of the traditional marvels are his ancestors sending a message. 'It's telling the community that the ocean is rising,' said Kila, a recognized expert on the local culture and history of Waianae who is consulting with the Army on the protection of the petroglyphs. Army officials are trying to balance protecting the petroglyphs with their accessibility on a public beach. John and Sandy Stone consulted tide charts and drove about 30 minutes from their home early Tuesday to get a glimpse after a watching a local TV report about the petroglyphs. 'It was so interesting to touch them,' said John Stone, who splits his time between Hawaii and California. 'It felt interesting to kind of have a connection with the past like that.' It is difficult to date petroglyphs, but an archaeological site in the area is from about 600 years ago, said Laura Gilda, an archaeologist with U.S. Army Garrison Hawaii. According to Kila, Hawaiians arrived in Waianae at least 1,000 years ago. Shift in waves caused petroglyphs to appear The beach here fluctuates in size and profile each year, with low-pressure weather systems that form in the eastern Pacific between May and November causing waves that cut away loose sand from shorelines and redeposit them further out, according to an Army report on the petroglyphs. That shift is likely what causes their temporary exposure. Archaeologists identified a total of 26 petroglyphs. Of the 18 anthropomorphic stick figures, eight are depicted with possible male genitalia and the remainder are of undetermined gender, the report said. The entire panel stretches about 115 feet (35 meters) long, Gilda said. When the petroglyphs first reemerged in July 2016, it was after late spring and early summer storms, including hurricanes, with a lot of wave action that swept the sand away, Gilda said. They remained visible for a period and then got covered again. 'So there's been portions that have ... been exposed since then, but this is the first summer that the whole panel has been exposed again,' Gilda said. Petroglyphs are telling a religious story, expert says Based on the teachings Kila learned, the lineal petroglyphs appear to be telling a religious, ceremonial story. He interprets the largest figure, which appears to include hands and fingers with one arm raised and the other down, to represent the rising and setting sun. Kila said that when the military in the 1930s took over the area and evicted Native Hawaiians, including his family who lived there for generations, his great-great grandmother refused to leave so his family exchanged mountain lands with a coffee plantation so she could remain near the bay. In an interview included in the Army's report, he recalled growing up in Waianae without television. So 'the ocean and mountains were our playground,' he said. The Army recreation center was off-limits to the pubic, and the seawall was the barrier between Native Hawaiians and the military, Kila said. Kila, now 72, recalled that if they walked on top of the wall, they were clubbed and pushed off by military police. 'We were proud and knew where we came from, so we never fostered any hatred for the military because one day we believed that the land will eventually return to us,' he said. Kila, while visiting the petroglyphs earlier this week, told The Associated Press that the Army's protection of them represents a shift in that community relationship. Officials have been grappling with how to share the petroglyphs with the community while also protecting them, Gilda said. 'How much attention do you want to bring to this area? You don't really want people to go digging for them when they're not exposed,' she said. 'But they're certainly awesome to come and see on the public beachscape.' Donald Kauliʻa, a Native Hawaiian who was born and raised in Waianae, snapped photos of the petroglyphs Tuesday. Seeing them, he said, feels like 'validation that our ancestors were from here.'
Associated Press
5 hours ago
- Associated Press
Photos of Paraguayans in feathered costumes paying homage to a 16th century saint
EMBOSCADA, Paraguay (AP) — Catholic parishioners in Paraguay don bird-like costumes and parade through the streets in the municipality of Emboscada, some 25 miles (45 kilometers) northeast of the capital of Asuncion, to honor St. Francis Solano who is said to possess miraculous powers. It is said that the feathers symbolize the Guaicurú Indigenous group who would attack smaller tribes and Spanish colonizers to prevent them from stealing their food and weapons. ___ This is a photo gallery curated by AP photo editors.
Associated Press
8 hours ago
- Associated Press
Behind AP's coverage of the Tour De France
The Tour de France - one of the world's biggest sports races - is a test of the mind and body. The 112th edition features over 180 riders covering 2,000 miles, ranging from flat surfaces to mountainous climbs, with significant elevation changes. On this episode of The Story Behind the AP Story, correspondent Gethin Coolbaugh explains how the race works, as well as some iconic moments. On the ground, AP photographers, Thibault Camus and Mosa'ab El Shamy capture the vibrant atmosphere and festive mood as the race passes through cities and towns.
