Which "Thunderbolts" Character Are You Most Like?
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Are you more a Yelena? Or how about Bucky? Well, it's time to take this quiz to find out which member of the Thunderbolts* you actually are.
Which Thunderbolts* character did you get? Share your results in the comments below!
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Forbes
8 hours ago
- Forbes
There's An Obvious Reason Why ‘Fantastic Four: First Steps' Collapsed At The Box Office
It's been a rough year for Disney and Marvel's MCU. Captain America: Brave New World was met with tepid reviews and a sluggish box office. Thunderbolts was better received, but the relatively unknown characters and title almost guaranteed that it would flop. More on these two in a minute. Fantastic Four: First Steps seemed, at first, to be a rebound for Marvel. Positive reviews and audience reception fueled a strong opening weekend, though it fell short of DC's Superman, which released just two weeks earlier. The film's second weekend, however, was disastrous, plummeting 66% from $117.6 million to just $40 million, a significantly steeper decline than analysts predicted (55 to 60%). When it comes to box office numbers and superhero movies, quite a few factors have to be taken into account. There are some things that are completely outside the control of movie studios. The movie theater business was already on the decline prior to the COVID-19 pandemic thanks to the rise of streaming, but consumer behavior following the pandemic has only made matters worse. Fewer people are going to the movies now than during the MCU's heyday. Many movie studios began releasing films direct to streaming during the pandemic, and even though that's been reeled back significantly, the damage was done. A good chunk of the audience will simply wait until these movies come to Disney Plus or HBO Max. Even still, the decline Fantastic Four saw week-over-week cannot be pinned entirely on consumer behavior. Superman opened with a $125 million weekend and only dropped 53% the following weekend. Both movies had strong reviews and word-of-mouth. Both had A- Cinemascores. Critics mostly praised them. So why would Fantastic Four's decline be so much steeper than Superman's? The other theory posited by some online is that 'superhero fatigue' has set in, and moviegoers are simply getting tired of the genre. This certainly adds to the equation, but Superman has already crossed the $300 million domestic box office mark, topping Man Of Steel ($291 million) and The Justice League ($229 million) from DC, both films released during the height of the superhero craze. The truth is, people are not burnt out on superhero movies. Quite the opposite. People are so hungry for good superhero movies that they're gushing about films that are okay at best. Superman was a hot mess of a movie, but fans and critics alike raved about it. And I'll admit, despite all its flaws, I think it was a more enjoyable movie than Fantastic Four. People raved about that one, too, but aside from the cool retrofuturistic aesthetic, it's mostly just incredibly dull with a lackluster ending. People are so desperate for good superhero movies, they've convinced themselves that these qualify. But bad movies often do well at the box office (Aquaman $335 million domestically and over $1.1 billion globally) and good movies often do bad (Dungeons & Dragons: Honor Among Thieves $93.9 million domestically and $208.2 million globally) so even looking just at quality can't always explain a film's poor showing. If we want to get down to the number one reason Fantastic Four: First Steps declined so much in its second weekend, acknowledging all these other factors, it's simple: It's a Fantastic Four movie. These characters are not particularly popular. No Fantastic Four movie prior to this has been very good. These are not Batman or Superman or Avengers level comic book characters. It's more damning, ultimately, that Captain America did so poorly. Captain America ought to be a major hit for Marvel at this point, but Brave New World was a confusing mess and very few people are particularly excited about Anthony Mackie's Sam Wilson taking on the role of Captain America, while Bucky (Sebastian Stan) – a more sensible choice given his old friendship with Steve Rogers – is tucked away in Thunderbolts. The problem with superhero movies these days is that the people who make them are out of touch with the people who watch them. They have forgotten who the target audience is, and why moviegoers head to the movies in the first place. To his credit, James Gunn was right to go with a popular DC hero like Superman for his DCU reboot (and smart to choose mostly less-expensive stars to fill the roles, because budgets are absolutely out of control). He just happened to also write one of his worst scripts for the film. Between lousy scripts (Fantastic Four's is terrible) and characters most moviegoers don't care about, superhero fatigue and sluggish box office numbers are less about people not wanting these types of movies and more about the quality of the movies we keep getting from both Marvel and DC. Give the people what they want. Find better writers. There's plenty of life left in the genre. The question is whether the people in charge have the creativity and wherewithal to bring audiences back.
21 hours ago
"The Fantastic Four: First Steps" holds its lead atop the box office
LOS ANGELES -- LOS ANGELES (AP) — Marvel's first family stumbled in theaters in its second weekend, but still held on to the top spot at the box office. 'The Fantastic Four: First Steps' earned $40 million from 4,125 North American theaters, a 66% drop from a healthy $117.6 million debut. The film was accompanied by comedies 'The Bad Guys 2' and 'The Naked Gun" in the top three box office rankings. The superhero movie dipped significantly more than Marvel's previous film, 'Thunderbolts,' which took a 55% dive in its second weekend. 'First Steps' is the last major blockbuster of the summer. It added nearly $40 million internationally in its second weekend, bringing thefilm's global total to $369 million. The movie's box office drop off was surprising given its strong reviews, said Paul Dergarabedian, senior media analyst for the data firm Comscore. Though the movie's debut weekend may have given box office results a strong push toward the $4 billion summer benchmark, August is off to a slow start, he said. 'It's a tough lift, but we might be able to get there. It really means that all the films are gonna have to stand on their own,' Dergarabedian said. 'It's gonna be about getting great reviews, having that staying power, that longevity in the marketplace.' Newcomer comedy 'The Bad Guys 2' earned second place at the box office this weekend, with $22 million from 3,852 North American theaters. That was on par with projections and also in line with the first movie in the series, which brought in $23 million in 2022. Paramount's slapstick comedy, 'The Naked Gun,' also in its debut weekend, snagged the third box office spot, earning $17 million from 3,344 locations. Jim Orr, president of domestic distribution for Universal Pictures, said the solid debut for 'The Bad Guys 2,' coupled with strong audience reaction scores, 'should point to a very long, very successful run through not only the rest of the summer, but really, I think into the fall." James Gunn's 'Superman,' which opened four weekends ago and already crossed $550 million globally, earned $13.8 million domestically this weekend, taking the fourth spot. 'Jurassic World Rebirth' followed with $8.7 million. The horror movie 'Together' had a strong debut weekend, coming in at sixth place and earning $6.8 million domestically, proof that August is a month for edgier and off-beat films, Dergarabedian said. 'That's what this month is about. It's not just about box office," Dergarabedian said. "It's also about providing really interesting, rewarding movie-going experiences for audiences.' Dergarabedian said he expects highly-anticipated movies hitting theaters in the next few weeks — including 'Freakier Friday,' and Zach Cregger's horror movie 'Weapons' — to give August a needed boost. The box office is currently up 9.5% from last year. With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'The Fantastic Four: First Steps," $40 million. 2. 'The Bad Guys 2,' $22.2 million. 3. 'The Naked Gun,' $17 million. 4. 'Superman,' $13.8 million. 5. 'Jurassic World Rebirth,' $8.7 million. 6. 'Together,' $6.8 million. 7. 'F1: The Movie,' $4.1 million. 8. 'I Know What You Did Last Summer,' $2.7 million. 9. 'Smurfs,' $1.8 million. 10. 'How to Train Your Dragon,' $1.4 million.
Forbes
a day ago
- Forbes
The Three Crumbling Pillars Of The MCU: What's Going On?
It has not been a great year for Marvel, with three films ranging from 'not great' to 'pretty decent' at the box office in the space of Thunderbolts, Captain America: Brave New World and now Fantastic Four. Add onto that a couple shows that were lobbed out without much fanfare (Ironheart, Eyes of Wakanda) and a supposed fan-favorite that was underwatched (Daredevil: Born Again), and 2025 was not ideal. But of course, the general sense is that post-Endgame, the MCU has been lost at sea to some extent, and has not and likely will not reach the peak of Endgame and everything that came before. Why? You can say the ever-cited 'superhero fatigue' or the fact that movie tickets cost too much, but in the context of Marvel, it's more than that. In my view, there are three main pillars of the MCU that have had cracks shooting through them for years now. Too Many Releases, And Too Many Disconnected Releases Even Marvel realized eventually that dumping out something like three shows and three movies a year was overkill, and will allegedly tone that down from here, but it took more than a half decade to figure it out. It was overwhelming and many fans would just throw up their hands and be content to miss one film or another. Marvel has previously said that their movies felt too much like 'homework,' where'd you have to watch X other movie or show to know what's happening in the next movie. While that was true to some extent, The Marvels had three characters that required viewing of a first film, and two separate TV shows to know all the leads, that didn't happen all that often. Rather, it was that the stories were mostly disconnected, not leading toward any sort of ultimate goal that made any amount of sense. There was this vague idea for a minute that Kang would be the new Big Bad, first introduced in Loki, of all places, and then he showed up in the third Ant-Man movie, of all places, and was beaten by…ants. You can see the problem. Elsewhere, what did we have? Black Widow, a prequel film that should have been made years earlier for it to make sense. The Eternals, a moonshot full of people no one had ever heard of. Now more recently Thunderbolts, an assembled cast of C-listers from over the past 6-8 years or so. While they are throwing many of these characters together for the new Avengers movies, this has not been a coherent, connected plan. Abandoned Heroes This has two meanings, namely that post-Endgame, characters were simply lost. Iron Man was famously killed. Captain America time traveled, aged and has never been seen again. Hulk showed up in co-star and cameo roles at best, and was never the full focus of a film. Thor had one great movie and one so bad it killed hype for his character. There has not been an ability to build up a core cast like this again. Recently, Sam Wilson's new Captain America (mantle passing, in that case, was also a big problem) was tasked with assembling a new Avengers. Which would be…who, exactly? After all these years, it feels like we don't have a re-formed cast that makes any sense. Also by 'abandoned heroes,' we have one-and-done offerings. That would be the aforementioned Eternals, but also Shang-Chi, who was built up to be a hugely important character and then never got any sequel. None of these new-era heroes have gotten more than one movie focused on them specifically, something that was not the case with Iron Man, Captain America and Thor especially in the run-up to the various Avengers movies. The Nostalgia Trap Card One point here is that well, there are still huge-earning movies in this era, two of the highest being Spider-Man: No Way Home and Deadpool and Wolverine. These movies were entertaining, sure, but they both relied heavily on audience connections not with the story, but with the mere appearance of characters they used to love. In Spider-Man, of course, that was two previously Spider-Man in the form of Tobey Maguire and Andrew Garfield. In Deadpool and Wolverine, it's easy to even lose count, from Chris Evans taking up the mantle of Johnny Storm, Ben Affleck-era Jennifer Garner Elektra, Blade. They threw everything at the wall. You are eventually going to run out of nostalgia to pull from here. Even now, what's the big focus of the upcoming Avengers Doomsday? The return of a slew of FOX-era X-Men past the Deadpool and Wolverine ones, and then the return of Robert Downey Jr. himself, which I would consider a different form of nostalgia, in this case for a better era of the MCU itself, even if he's playing a different role. The story is that the MCU's biggest star is somehow back. Those are my takeaways from what's going on. There's more past that, but it's been rough, and I'm not sure when it's going to get better from here. Follow me on Twitter, YouTube, and Instagram. Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.
