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Rupert Murdoch's new tabloid to bring New York Post attitude to California

Rupert Murdoch's new tabloid to bring New York Post attitude to California

Reuters9 hours ago
LOS ANGELES, Aug 4 (Reuters) - "Headless body in topless bar"-type headlines made famous by the iconic New York Post tabloid could soon greet Californians as Rupert Murdoch's News Corp (NWSA.O), opens new tab prepares to expand to the West Coast with its biggest U.S. daily newspaper launch in nearly 15 years.
The California Post, to be headquartered in Los Angeles and set to launch in early 2026, said Sean Giancola, CEO and publisher of the New York Post Media Group, which will include the new publication. California news industry experts say the tabloid would seek to capitalize on the struggles of the incumbent Los Angeles Times, which has shed subscribers and staff.
The California Post will offer a familiar mix of what it calls "common-sense journalism," celebrity and entertainment news and sports reporting across multiple platforms, including mobile and desktop, audio, social media and print," Giancola said in an interview.
"We already reach 3 million people in the L.A.(market) and over 7 million in California, so there is a base of audience there that already engages in our brand," Giancola said in an interview.
Murdoch, the company's chairman emeritus, recognized California as a market opportunity and gave the venture his blessing, said one source with knowledge of the matter.
"You don't launch a newspaper without getting feedback from one of the best guys in the business," the source added.
The last daily newspaper launched in the U.S. by News Corp, owner of the New York Post and the Wall Street Journal, was the Daily, a digital newspaper for Apple's then-new iPad tablet, in 2011. It folded the following year.
A Los Angeles Times spokesperson did not respond immediately to a request for comment on the California Post.
California news industry veteran Jonathan Weber said the state's newspapers adhere to a mainstream approach to journalism, which could present an opportunity for a different kind of voice that reflects this moment in the country's evolution.
"Maybe there is room for a sort of pugilistic, more right-wing, kind of sensationalist sort of approach," said Weber, a former Reuters editor and serial entrepreneur who founded the San Francisco Standard and the tech business-focused Industry Standard. "There might be an opening for that."
But he said the California Post also faces challenges.
The New York Post is popular with readers who buy the tabloid at a newsstand before jumping on the subway, whereas Californians tend to drive to work, Weber said.
Giancola said the New York Post Media Group has a much broader reach online than through its print edition, via a trio of digital brands including celebrity-focused Page Six, an entertainment -and pop-culture guide, the Decider and its main website. These sites attracted a combined 90 million monthly unique visitors in June, the company said.
The Post achieved profitability in 2022 by monetizing these audiences, and running a "lean" news operation, Giancola said. It also has expanded into new formats, including podcasts, video and e-commerce.
"L.A. and California - like a lot of geographical areas in the country - are news deserts," said Giancola. "We think we can come into L.A. with the same formula and really cover California in a bespoke way."
Ken Doctor, the California-based CEO of Lookout Local, a community journalism organization, said the New York Post could simply rebrand the tabloid for California and boost its readership and advertising.
It could also fill a void for a niche set of readers in a state that is dominated by left-wing politicians but where 38% voted for President Donald Trump in the last election.
"There is a place for a culturally conservative publication, and one that is populist and fits the populist times," said Doctor.
Los Angeles Times owner Patrick Soon-Shiong has said he plans to bring in more conservative voices as he seeks "balance" to correct what he perceives as a left-leaning bias ahead of an initial public offering of the publication within the next year.
The loss-making 143-year-old newspaper laid off more than 20% of its newsroom staff in January 2024.
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'When you work there you're constantly under attack internally, except when something like this happens,' the executive says. 'They tend to fight hard amongst themselves in normal times, but when there's a crisis they say, 'We're backing you 100 per cent.'' Murdoch's support is not always longstanding, however. James Harding, the former Times editor who now runs The Observer, was quietly pushed out in late 2012 – reportedly after the tycoon baulked at his support for Obama in the presidential election. Could Tucker face a similar fate? It is far from the first time that Murdoch – a key inspiration for Logan Roy, the ruthless media patriarch in HBO hit Succession – has courted controversy or gone into battle against powerful foes. His reputation was cemented during the Wapping dispute, a year-long stand-off with print workers in 1986 in which the tycoon eventually broke the powerful unions. Perhaps most notorious, however, were revelations that journalists at the News of the World had eavesdropped on private messages. While Murdoch has always insisted that he did not know phone hacking was going on at his publication, he was forced to shutter the tabloid and his UK publishing empire has paid out more than £1bn in compensation and other related costs to victims. In the Murdoch empire, even family members are not off-limits in pursuit of victory in business. The patriarch last year clashed with three of his children – Prudence, Elisabeth and James – over his attempt to change the family trust to hand over complete control to Lachlan. Following a high-profile legal battle that drew comparisons to Succession, Murdoch was ultimately defeated, setting the scene for an almighty tussle over his legacy. But his battle with Trump highlights the conflicting positions Murdoch is required to hold as the owner of news outlets that are, variously, sycophantic to Trump and doggedly determined to hold him to account. What's more, it raises fundamental questions about whether it is his commercial interests or passion for journalism that will ultimately win out. Murdoch once claimed that the reputation of his media outlets was 'more important than the last hundred million dollars'. Yet the tycoon has previously been accused of cosying up to China's communist regime and indulging censors in Beijing in an effort to protect his business interests. Ahead of his takeover of Dow Jones in 2007, a group of China-based WSJ writers accused the mogul of 'sacrificing journalistic integrity to satisfy personal and political aims'. In 1998, he ordered publisher HarperCollins to kill a book by Chris Patten, Hong Kong's last British governor, because of its critical stance towards Beijing. In his latest legal battle, it is not Chinese authorities that Murdoch must be sensitive to, but his own Trump-supporting audiences. In a sign that Murdoch is looking to expand his influence in new areas, News Corp this week unveiled plans to open a new outpost of the New York Post based in Los Angeles. Robert Thomson, the News Corp boss, vowed the new title, dubbed The California Post, would be an 'antidote to the jaundiced, jaded journalism that has sadly proliferated'. Playing both sides While Dow Jones has said it will 'vigorously defend' against any lawsuit, both Fox and the New York Post have remained silent on the issue, suggesting Murdoch may be trying to play both sides. DeGroote says: 'Would it be in his commercial interest to wreck the relationship between his own viewers, his own readers and his titles by being seen to pursue an anti-Trump agenda?' The WSJ is by no means a struggling newspaper business. It had more than 4.3 million subscribers at the end of March, while Dow Jones posted quarterly revenues of $31m. Fox, which pulled in $1.6bn from its cable network in the same three month period, remains the real money-spinner, however. While British broadcasters are struggling to retain viewers in the streaming age, Fox News continues to dominate the US ratings with an average primetime audience of 2.6 million in the second quarter. At the same time, it has been making advances in its digital offering. Fox recently struck a licensing deal with Ruthless, a popular podcast hosted by Republican influencers, while it is set to launch a new streaming service this autumn. Murdoch's supporters argue that he will not be swayed by commercial interests. 'The value of those companies has only grown and I think he takes a really long view – certainly long for someone who's 94 years old,' says the former News Corp executive. Others believe Trump's decision to take on the mogul will backfire. Stephens says: 'By taking this suit he's potentially putting the entire Murdoch press offside. Is that sensible for a Republican president? Essentially the megaphone to Trump's base is held by Rupert Murdoch.' He adds that this is an example of the so-called Streisand effect, where efforts to cover something up only result in greater public awareness. It is not lost on many, however, that Murdoch may prove to be the last true press baron. The role of the newspaper proprietor has traditionally been a powerful one, steering a title's editorial direction and wielding influence over presidents and prime ministers. William Randolph Hearst, the inspiration for the titular character in Orson Welles' classic film Citizen Kane, is often considered to have helped push the US into the Spanish-American war at the end of the 19th century thanks to sensationalist reporting in his tabloids. Lord Beaverbrook, the Canadian-British newspaper publisher whose empire included the Daily Express, has taken credit for the downfall of David Lloyd George's post-war government in 1922. Murdoch must now decide whether he is up for a blockbuster fight with the president that would almost certainly define his legacy as a newspaper man. His stance will also be crucial for Tucker, whom he elevated from editorship of The Sunday Times to lead the WSJ newsroom in 2023. The Briton's willingness to make difficult decisions appears to have impressed Murdoch and she is generally well-regarded at the US newspaper, despite a backlash last year, when journalists plastered her office in Post-it notes in protest against job cuts. That was a minor skirmish from which she emerged unscathed. The stakes for Tucker now, as she comes under Trump's legal assault, could scarcely be higher. For Murdoch, the reputation he has cast for himself over decades as a bulwark of a free press is on the line. Murdoch's status is unique. Jeff Bezos, owner of The Washington Post, is undoubtedly a mogul and a far wealthier one, but with tech rather than media values. His tendency to intervene in his publication in ways that have pleased Trump has already come under scrutiny. 'This is the last of the big tycoons in newspapers,' says Murdoch's former lieutenant. 'There's just a lot less money to be made in newspapers than there was and so it won't produce these very powerful media tycoons in a world where the media landscape is pretty fragmented and atomised.' 'Any number of people might have more money than Murdoch and they might even desire to have that level of influence, but they may not know how to do it. It's a skill to remain relevant and ultimately what he's done is stay relevant.' As a result, the newspaper proprietor in its traditional sense – as a wielder of political power and influence – seems an endangered species. So as Murdoch faces down the president of the United States, it may be the last stand for the last press baron.

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