Band to perform 175th anniversary concert at Bolton Parish Church
The concert will include the community choir and community band, led by Chris Wormald.
The event, on Saturday, July 5, at 7.30pm, will be attended by the new Mayor and Mayoress of Bolton.
The concert will include a range of musical pieces, featuring selections from West Side Story, Mission Impossible and Procession to the Minster, along with works by Gershwin, Rutter, Waespi, Toto, and Mike and the Mechanics, among others.
Tickets are priced at £5 and can be purchased from Booth's Music Shop in Churchgate, online at eagleyband.co.uk, or at the door on the night of the event.
READ MORE:
Bolton's top 10 chippies voted by YOU – now it's time to pick your favourite
Entrepreneur and partners unite to help people with 'bravest step you can take'
Meet Nya -the newest recruit for TransPennine Express
Similar to previous years, interval refreshments will include a selection of wines, hot and cold drinks, and biscuits.
Cllr John Walsh OBE, the former mayor of Bolton, has announced that this year, for the first time, beer will also be available during the interval.
The church has three car parks within its grounds, all offering flat access with no need for stairs, ramps or lifts, and situated next to all church entrances.
Free overflow parking will be available on all nearby side streets after 6pm.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNN
20 hours ago
- CNN
Phil Collins jetted across the ocean to perform in two Live Aid concerts, but it wasn't without drama
With the help of helicopters and a supersonic turbo jet, Phil Collins pulled off a series of performances worthy of a 'Mission Impossible' movie at Live Aid forty years ago. The singer and drummer participated in the benefit concerts organized by musicians Bob Geldof and Midge Ure to draw attention to a famine in Ethopia and raise money for relief efforts. Collins didn't perform on just one stage, but two – on two different continents. The Genesis frontman initially took to the stage in London at Wembley Stadium, where he performed 'Against All Odds (Take a Look at Me Now)' and 'In the Air Tonight.' He also played played drums for Branford Marsalis and Sting. That would have been enough for most artists, but not Collins. Instead, he hopped on a helicopter to Heathrow Airport in London, boarded The Concorde to New York City, then took another helicopter to Philadelphia, where he joined superstar Eric Clapton for his set and performed three songs with Led Zeppelin's Robert Plant, Jimmy Page and John Paul Jones. (The Concorde was a supersonic airliner that allowed passengers to cross the Atlantic in under three and a half hours. It made its first test flight in 1969 and was officially retired in 2003.) Backstage after the London performance, Collins gave an interview in which he said he thought the first performance had 'gone very well, considering' and expressed his pride in participating. 'I'm very proud to be asked to do it because everybody's involved and it's just great to be a part of something like this,' he said. 'It's just too obvious to say it's for a good cause.' There was, however, some drama in regards to the second show, and how the multiple performances came about. Collins explained that both Plant and Sting had separately asked him to participate in Live Aid, with a UK-based promoter suggesting he take The Concorde in order to play both shows. But Collins explained to Classic Rock in 2021 that the second show with Led Zeppelin was less than smooth, in part because he neglected to rehearse with the band beforehand, and also due to the bandmates' strained relationships. 'By the time I got there, me and Robert and Jimmy playing together had become The Second Coming Of Led Zeppelin – (bassist and keyboardist) John Paul Jones was there too. Jimmy says: 'We need to rehearse.' And I said: 'Can't we just go on stage and have a play?'' Collins recalled. 'So I didn't rehearse when I got there, but I listened to 'Stairway To Heaven' on Concorde.' He said the end result was messy, partially due to the fact that co-drummer Tony Thompson 'had rehearsed for a week, and I'm about to steal his thunder – the famous drummer's arrived! – and he kind of did what he wanted to do. Robert wasn't match-fit. And if I could have walked off, I would have done, cause I wasn't needed and I felt like a spare part.' 'Anyway, we came off, and we got interviewed by MTV. And Robert is a diamond, but when those guys get together a black cloud appears,' Collins continued. 'Then Page says: 'One drummer was halfway across the Atlantic and didn't know the stuff.' And I got pissed off. Maybe I didn't know it as well as he'd like me to have done, but… I became the flagship, and it looked like I was showing off.' It ended up becoming a Led Zepplin reunion that Collins wrote about not wanting to be a part of in his 2016 autobiography, 'Not Dead Yet.' 'I didn't come here to play with Led Zeppelin, I came here to play with a friend of mine who has morphed back into being the singer of Led Zeppelin – a very different animal to the one that invited me,' Collins wrote. 'Now I'm caught up in the ceaselessly toxic, dysfunctional web of Led Zeppelin interpersonal relationships.' While his second performance perhaps did not go quite as Collins had hoped, Live Aid raised more than $125 million for famine relief. His transatlantic flight also included a very famous fellow passenger. 'When I got on Concorde, Cher was on it,' Collins recalled in the CNN original series 'Live Aid: When Rock 'n' Roll Took On the World.' Cher asked Collins what he was up to. 'There's a live gig in London today and in Philadelphia,' Collins said he told Cher. 'She said, 'Oh, could you get me on it?'' Hours later, Cher joined a star-studded group of artists on stage to close out Live Aid with a performance of 'We Are the World.' Mission accomplished.
Yahoo
a day ago
- Yahoo
Pixar's Newest Film ‘Hoppers' Asks, ‘What if You Could Talk to Animals?'
We spoke with director Daniel Chong about his debut feature-length film releasing in spring of 2026, and how he compares the process to parenting. As Pixar has built a reputation on writing its own rulebook for crafting stories that are both relevant and timeless, the question, "What if?" has been a guiding light in many of their on-screen ventures. That question looms large in the idea behind their upcoming feature film, Hoppers, releasing in theaters March 6, 2026. The premise reads: What if you could talk to animals and understand what they're saying? In Disney and Pixar's all-new feature film Hoppers, scientists have discovered how to 'hop' human consciousness into lifelike robotic animals, allowing people to communicate with animals as animals! The adventure introduces Mabel, a college student and animal lover who seizes an opportunity to use the technology, uncovering mysteries within the animal world that are beyond anything she could have imagined. Have a look at the brand new teaser trailer: Now, if you're thinking that's giving some big James Cameron's Avatar vibes, you're not wrong. In fact, Daniel Chong, the director of Hoppers openly acknowledges the influence–though he calls it just a "soft jumping-off point" for where the movie is really headed. In addition, he mentions another big film franchise that he drew inspiration from. "One of the other biggest influences for us was Mission: Impossible," Chong tells Parents. "The movie becomes a bit of an espionage movie, where Mabel is going undercover. It will lead to a lot of crazy thrills that you did not expect." Chong goes on to describe the character of Mabel as being just as unpredictable as the adventure she's on, and how viewers who are animal lovers and rule-breakers (for a good cause) should get a lot of enjoyment from Hoppers. Character and Narrative Connections As with many of the directors in Pixar's filmography, Chong's relationship to his first feature film is a personal one. Having been a story artist at Pixar before becoming a director, he says it's only natural that a lot of himself would be sprinkled throughout the story. He points to his love for animals and his fascination with how they coexist with humans as the original thematic spark behind the movie. He also reveals how he leaned on his own close relationship with his mother to inform Mabel's relationship with her grandmother in the film. "I channeled a lot of that into the movie, because that's the relationship that grounds [Mabel] in her love of nature and why she wants to protect it so desperately," says Chong. "Mabel is also a bit unhinged, and a little chaotic, and unpredictable. She's led by her passions, so [viewers] can expect some unpredictability from her." As seen in the trailer, Mabel's protective instinct should serve her well at some points and not so well at others, as she navigates a world very different from her own. Chong speaks to how the characters treading into scientific innovation leads to them crossing wires with some established rules of nature. And while the two don't always mix, there are some lessons that can come from it. "A lot of the movie is about how [Mabel] coexists, not just with other animals, but with other people," Chong notes. "[It's about] how she relates to them, and the consequences of decisions she makes, good and bad. She's learning to navigate connection more than anything; and as she does, she'll learn how to build them over the process of the story." Research and Mystery As for how he chose a beaver to be the avatar animal for Mabel's experience, Chong says it came after a lot of trial and error, but it was a decision that made a ton of sense after doing research. "They call [beavers] one of the 'ecosystem engineers'", says Chong. "During the rewinding of Yellowstone National Park, wolves were a big part of that equation, but beavers played a big role also. Once the beavers set up their ponds and lodges, all these other animals began to return to the area because the ecosystem [they helped build] restored the habitat." Chong explains how the knowledge that these "little rodents can do engineering" inspired him to make them the focal point in the movie, highlighting that even the smallest among us can make a big impact. Diving a little deeper into the research Chong and the team did for Hoppers, he talks about a trip they took to Yellowstone where they immersed themselves in the wild with the animals, just like Mabel will be. "One of the cool things they tell you as you enter Yellowstone is, 'You are now entering the animals' world. This is not your place, so you need to respect it,'" Chong recalls. "It was a really grounding experience for all of us to recontextualize our place." The film's art team also went to Colorado to actually swim in beaver ponds, with the guidance of Emily Fairfax. Ph.D, Assistant Professor of Geography at the University of Minnesota and beaver expert. While there, they took photos and learned everything they could about beaver habitats. Chong laughs, saying, "I'm glad I didn't go because I have a feeling I would not have survived. But they went the extra mile for the research, and I hope it shows in the movie." Regarding Mabel's journey in the movie, Chong teases how she may get a rude awakening when it comes to respecting animals' habitats as well. "That's the thing about the animal world–there's still so much we don't understand. There's so much mystery; and we may not ever understand animal intelligence totally. But that's the fun of the movie–seeing how that all plays out." How the 'Village' Brings Everything to Life While Chong does not have kids, and doesn't profess to understand all that the parenting journey entails, he is a "parent" to this movie. And he draws a very clear connection to both processes needing a village. "Making a movie (especially one at Pixar) is a tough journey," he acknowledges. "It takes a long time, and you're basically iterating the same story over and over and over again [to the point that] you can lose your way and lose perspective so easily." Sound familiar? "The only thing that really helps me survive this process is the support of the people around me," Chong continues. "I felt very luck to have a great team–some of them I've known for quite a long time. Having a support system I can rely on really made it more plausible, so I didn't have to cary the burden of making the movie every day." Chong says he hopes the work this village put in on Hoppers will ultimately shine through next spring. Read the original article on Parents Solve the daily Crossword


Forbes
a day ago
- Forbes
How Soon Will ‘Mission: Impossible – The Final Reckoning' Begin Streaming?
Greg Tarzan Davis, Tom Cruise, Simon Pegg and Hayley Atwell in "Mission Impossible: The Final ... More Reckoning." Since Tom Cruise's Mission: Impossible – The Final Reckoning was released in theaters nearly two months ago, how soon will it be available on digital streaming? Starring Cruise as Impossible Mission Force Agent Ethan Hunt for the eighth and possibly final time, Mission: Impossible – The Final Reckoning opened in theaters on May 23. The film picks up after the events of 2023's Mission: Impossible – Dead Reckoning, where Ethan and his fellow IMF agents including Grace (Hayley Atwell), Benji (Simon Pegg), Luther (Ving Rhames) and new allies Paris (Pom Klementieff) and Degas (Greg Tarzan Davis) attempt to thwart the self-aware AI program The Entity from taking over the world's nuclear stockpile. Directed by Christopher McQuarrie, Mission: Impossible – The Final Reckoning also stars Esai Morales, the main villain who is trying to gain possession of The Entity and Angela Bassett as U.S. President Erika Sloane. Generally, the Mission: Impossible franchise's studio, Paramount Pictures, releases its films on digital streaming via premium video on demand about a month after they open in theaters, no matter the size of the release. For example, Ridley Scott's big-budget spectacle Gladiator II was released in theaters on Nov. 22, 2024, and arrived on PVOD just over a month later, on Dec. 24. After that, the studio's live-action and animated hybrid Sonic the Hedgehog 3 opened in theaters on Dec. 20, 2024, and arrived on PVOD on Jan. 21. In the lower-budgeted realm, Paramount released Jack Quaid's action comedy Novocaine in theaters on March 14 and it debuted on PVOD about three and a half weeks later, on April 8. Since Cruise is without question one of the industry's biggest proponents of the theatrical experience (which he speaks about in a May interview with BFI), it shouldn't come as a big surprise that he wants moviegoers to see Mission: Impossible – The Final Reckoning on the big screen without any quick home entertainment options. However, since the film's theater count is down to 705 venues this weekend (it debuted in 3,857 theaters on May 23) and looks to be dropping out of the domestic top 10 this weekend (on Friday it earned $230,000 for a No. 11 finish, per The Numbers), a transition to PVOD would seem to be imminent. However, the pattern for Cruise's last M:I film suggests otherwise. Released in theaters on July 12, 2023, Mission: Impossible - Dead Reckoning, Part 1 —the film was later rebranded and dropped the Part 1 from the tite — it took nearly three months for the film to arrive on PVOD on Oct. 10. If Mission: Impossible - The Final Reckoning were to follow the same release pattern of its predecessor, that would put the digital release's debut sometime between Aug. 19 and Aug. 26, since new films generally arrive on PVOD on Tuesdays. When to Stream, however, believes that Mission: Impossible - The Final Reckoning will arrive a bit quicker on PVOD. In the site's latest Streaming Tracking Report, When to Stream — which is typically accurate with its PVOD reporting — is estimating an early to mid-August digital release for the film. How Was Mission: Impossible – The Final Reckoning Received By Audiences And Critics? Mission: Impossible – The Final Reckoning to date has earned nearly $195.2 million domestically and $389.7 million internationally for a worldwide box office tally of $584.9 million. The film had a production budget of $400 million before prints and advertising, according to The Numbers. Mission: Impossible – The Final Reckoning had an 80% 'fresh' rating from Rotten Tomatoes critics based on 408 reviews. The RT Critics Consensus reads, 'Gargantuan in action, runtime, and scope, The Final Reckoning is a sentimental sendoff for Ethan Hunt that accomplishes its mission with a characteristic flair for the impossible.' The film also earned an 88% 'fresh' audience score based on 10,000-plus verified user ratings. The RT audience summary for Mission: Impossible – The Final Reckoning simply reads, 'Mission: Accomplished.' The official PVOD release date for Mission: Impossible – The Final Reckoning will be reported on as soon as the information becomes available.