
Review – Krypto: Last Dog of Krypton #1
Krypto: Last Dog of Krypton #1 cover, via DC Comics.
Ray: Superman is riding a hot streak like no character has at DC in a long time. Every book in the line has been good to fantastic, and that means spin-offs aplenty. Including one for comics' ultimate Good Boy! Ryan North, making his DC writing debut, is the perfect choice for this – so many of his comics have an all-ages edge to them, with funny animals aplenty. But this first issue doesn't treat Krypto as a comic book character – it treats him, very simply, as a good dog. He's the loyal pooch of Jor-El and Lara, quickly bonding with baby Kal-El, and Krypton's dog culture seems to be very similar to ours – complete with snooty society ladies bragging about their purebred's roots. Krypto is blissfully unaware of the more serious conversations happening between his masters, about the frequent Kryptonian groundquakes and the mysterious space shuttle they're building – at least, until it's time to go for a ride. Napping away. Via DC Comics.
As we all know, dogs are not at all shy about getting in the car when they're asked to! But this isn't an ordinary ride – and it makes perfect sense that Jor-El and Lara used their dog as a test pilot before putting their son in an experimental rocket. While the Science Council here doesn't seem to be as villainous or threatening as it's often portrayed (with Lara openly talking about the crisis to a friend), time is still running out. And while the rocket works, things go haywire and Krypto winds up going on a much longer journey than expected – landing on Earth before Superman did and discovering that this planet may not be all that friendly. That is, until he meets an unexpected and familiar face. This issue got off to a slightly slow start, but it has a great central concept. And of course, how could anyone dislike a comic that has a dog as loyal and friendly as Krypto at its heart?
To find reviews of all the DC issues, visit DC This Week.
GeekDad received this comic for review purposes. Liked it? Take a second to support GeekDad and GeekMom on Patreon!

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CTV News
39 minutes ago
- CTV News
Key moments from the closing arguments at Sean ‘Diddy' Combs' sex trafficking trial
Music mogul and entrepreneur Sean "Diddy" Combs arrives at the Billboard Music Awards, May 15, 2022, in Las Vegas. (Photo by Jordan Strauss/Invision/AP) NEW YORK — A jury will begin deliberations on Monday over the fate of Sean 'Diddy' Combs after hearing wildly differing views from prosecutors and a defense lawyer over whether he engaged in sex trafficking for two decades. Two prosecutors insisted that he had coerced, threatened and sometimes viciously forced two ex-girlfriends to have sex with male sex workers to satisfy his sexual pleasure. They cited multiple acts of violence he carried out against them as proof that they had no say. A defense lawyer then mocked the government's closing argument and warned that prosecutors were employing a novel approach to sex crimes that risked turning the swinger lifestyle that Combs and his girlfriends enjoyed into potential crimes for all Americans. Combs, 55, the founder of Bad Boy Entertainment, has pleaded not guilty to sex trafficking and racketeering conspiracy charges in the trial, which continues Monday when the judge will read instructions on the law to jurors before they begin deliberations. Here are key moments from closing argument on Thursday and Friday: Prosecutors showed they weren't withdrawing claims against Combs Prosecutors triggered headlines last week that they had backed off or eliminated claims of arson and kidnapping against Combs when they said they were removing instructions on the law regarding them to be given jurors on Monday in response to the judge's request to streamline the case for the jury. 'The Government is no longer planning to proceed on these theories of liability so instructions are no longer necessary,' prosecutors wrote in a letter to the judge. But when Assistant U.S. Attorney Christy Slavik launched closings on Thursday, she gave the allegations of arson and kidnapping a starring role in her first sentences, naming them before any others. 'Over the last several weeks, you've learned a lot about Sean Combs. He's the leader of a criminal enterprise. He doesn't take no for an answer. And now you know about many crimes the defendant committed with members of his enterprise: Kidnapping of one of the defendant's employees; arson by trying to blow up a car; forced labor, including of an employee the defendant repeatedly sexually assaulted; bribery of a security officer to keep damning evidence against the defendant buried; and of course, the brutal crimes at the heart of this case — sex trafficking,' she said. The arson claim stemmed from evidence that Slavik said showed Combs was behind the firebombing of rapper Kid Cudi's Porsche in 2012. The kidnapping allegation also related to Cudi. Slavik said Combs kidnapped an employee to join him when he broke into Cudi's home after learning the rapper was dating his girlfriend. A defense lawyer strikes back, belittling government's case Attorney Marc Agnifilo in an at-times folksy presentation spared few theatrics in mocking the government's case against Combs as overreach, saying hundreds of agents poured into Combs' residences in Miami and Los Angeles to seize hundreds of bottles of baby oil and Astroglide lubricant. 'I guess it's all worth it because they found the Astroglide. They found it in boxes, boxes of Astroglide taken off the streets. Whew, I feel better already,' he said, before adding: 'The streets of America are safe from the Astroglide!' From the start, Agnifilo tried to portray prosecutors as unjustly targeting Combs after a former girlfriend of nearly 11 years — Casandra 'Cassie' Ventura — sued him in November 2023. She testified for four days in the trial's first week. The lawsuit was settled for $20 million the next day but she touched off a criminal probe with her allegations of being subjected to hundreds of drug-fueled 'freak-offs' in which she alleged she was forced to perform sexually for days with male sex workers while Combs watched, filmed and directed the action. A woman who testified under the pseudonym 'Jane' also testified during the trial that she experienced 'hotel nights' similar to 'freak-off' in a relationship with Combs from 2021 until his arrest. Agnifilo maintained the prosecution was an unjust attack on a prominent and wildly successful Black entrepreneur. 'They took Astroglide and they took baby oil, and that ends up being the evidence in this case, because his businesses are outstanding. There's nothing about the businesses to find. There's nothing about the businesses to make into a criminal case,' he said. Defense personalizes the case for jurors, calling it attack on 'your bedroom' Agnifilo tried to cast the case for the jury as an attack on everyone's bedroom and the secrets of one's sex life. 'They go into the man's bedroom. They go into the man's most private life. Where is the crime scene? The crime scene is your private sex life. That's the crime scene,' he said as he stood before jurors, who were largely expressionless as they took occasional notes and watched the closings. The lawyer said it was not uncommon that Combs liked to film sexual events with his girlfriends, calling it 'sort of typical, you know, homemade porn' and adding that 'I don't think by any stretch of the imagination this is the only man in America making homemade porn.' Still, he said, investigators 'take yellow crime scene tape, figuratively, and they wrap it around his bedroom. Crime scene — your bedroom, your hotel rooms, where you go with your girlfriends. Crime scenes. A lot of yellow tape.' Then, he gave a nod to the 50th anniversary of the movie 'Jaws,' resurrecting a classic line from Hollywood history when he said: 'We need a bigger roll of crime scene tape, because that's just not going to be enough.' Judge agrees defense went too far saying prosecutors targeted Combs Just after Agnifilo told jurors that it 'takes a lot of courage to acquit,' he ripped the government's case a final time in stark terms, saying the trial was 'very different' from any other trial. 'I think that the evidence shows, and you can conclude, that the government targeted Sean Combs,' he said, noting that nobody complained to the government to instigate a probe, but investigators instead began their work a day after Cassie filed her lawsuit. After the jury left the room at the conclusion of Agnifilo's four-hour summation, his statement about targeting drew an outcry from the prosecutor, Slavik. When the jury returned, Judge Judge Arun Subramanian noted the remark Agnifilo had made about targeting Combs and told jurors that 'the decision of the government to investigate an individual or the decision of a grand jury to indict an individual is none of your concern.' In rebuttal, a prosecutor tells jurors that Combs is 'not a god' Assistant U.S. Attorney Maurene Comey got the final word with a rebuttal presentation to jurors, telling them: 'The defendant is not a god.' She said that Combs in his mind 'was untouchable.' She noted that one former personal assistant even described him as a 'god among men.' 'For 20 years, the defendant got away with his crimes. That ends in this courtroom,' she said. 'He is a person. And in this courtroom, he stands equal before the law. Overwhelming evidence proves his guilt. It is time to hold him accountable. Find him guilty.' Michael R. Sisak and Larry Neumeister, The Associated Press


CTV News
3 hours ago
- CTV News
‘F1' opens with $55 million, delivering Apple its biggest big-screen hit
This image released by Apple TV+ shows Damson Idris as Joshua Pearce, left, and Brad Pitt as Sonny Hayes in a scene from "F1 The Movie." (Apple TV+ via AP) NEW YORK — Apple has its first box-office hit. 'F1 The Movie' debuted with $55.6 million in North American theaters and $144 million globally over the weekend, according to studio estimates Sunday, handing the tech company easily its biggest opening yet. Though Apple Original Films has had some notable successes in its six years in Hollywood — including the 2021 Oscar-winner 'CODA' — its theatrical results have been decidedly mixed. Misfires like 'Argylle' and 'Fly Me to the Moon' and big-budget awards plays like Ridley Scott's 'Napoleon' and Martin Scorsese's 'Killers of the Flower Moon' have been better at driving viewers to Apple TV+ than movie theaters. But 'F1' was Apple's first foray into summer blockbuster territory. It won a bidding war for the project from much of the production team behind the 2022 box-office smash 'Top Gun: Maverick.' Apple then partnered with Warner Bros. to distributed the film starring Brad Pitt, Damson Idris and Kerry Condon. With a production budget over $200 million, 'F1' still has several laps to go to turn a profit. But for now, 'F1' is full speed ahead. ''F1 The Movie' puts the pedal to the metal in an impressive overperformance for this original summer movie that had one of the most comprehensive and exciting marketing blitzes in recent memory and it paid off big for the film,' said Paul Dergarabedian, senior media analyst for data firm Comscore. Car racing movies have often struggled in theaters; crash-and-burn cases include Ron Howard's 'Rush' (2013) and Michael Mann's 'Ferrari' (2023). But 'F1' built off of the Formula 1 fandom stirred up by the popular series 'Formula 1: Drive to Survive.' And it leaned on 'Top Gun: Maverick' director Joseph Kosinski and producer Jerry Bruckheimer to deliver another adult-oriented action thrill ride. Like they did in 'Top Gun: Maverick,' the filmmakers sought an adrenaline rush by placing IMAX cameras inside the cockpit in 'F1.' IMAX and large-format screens accounted for 55% of in its ticket sales. IMAX, whose screens are much sought-after in the summer, has carved out a three-week run for the movie. Reviews have been very good for 'F1' and audience reaction (an 'A' via CinemaScore) was even better. That suggests 'F1' could hold up well in the coming weeks despite some formidable coming competition in Universal Pictures' 'Jurassic World Rebirth.' Universal's 'M3gan 2.0' had been expected to pose a greater challenge to 'F1.' Instead, the robot doll sequel didn't come close to matching the 2022 original's box-office launch. 'M3gan 2.0' collected $10.2 million in 3,112 theaters. Memes and viral videos helped propel the first 'M3gan' to a $30.4 million opening and a total haul of $180 million, all on a $12 million budget. Still, the Blumhouse Productions horror thriller could wind up profitable. The film, written and directed by Gerald Johnstone, cost a modest $25 million to make. A spinoff titled 'Soulm8te' is scheduled for release next year. M3gan 2.0' ended up in fourth place. The box-office leader of the last two weekends, 'How to Train Your Dragon,' slid to second with $19.4 million. The DreamWorks Animation live-action hit from Universal Pictures has surpassed $200 million domestically in three weeks. After a debut that marked a new low for Pixar, the studio's 'Elio' gathered up $10.7 million in sales in its second weekend. That gives the Walt Disney Co. release a disappointing two-week start of $42.2 million. Top 10 movies by domestic box office With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'F1 The Movie,' $55 million. 2. 'How to Train Your Dragon,' $19.4 million. 3. 'Elio,' $10.7 million. 4. 'M3gan 2.0,' $10.2 million. 5. '28 Years Later,' $9.7 million. 6. 'Lilo & Stitch,' $6.9 million. 7. 'Mission: Impossible — Final Reckoning,' $4.2 million. 8. 'Materialists,' $3 million. 9. 'Ballerina,' $2.1 million. 10. 'Karate Kid: Legends,' $1 million. Jake Coyle, The Associated Press


National Post
10 hours ago
- National Post
Opinion: Please, no more straights who call themselves 'queer'
Back during the second season of the first iteration of the Sex and the City series, prim and proper Charlotte — then York, now York Goldenblatt — unexpectedly finds herself caught up in a circle of wealthy, stylish 'Power Lesbians.' Fed up with Manhattan's heartless heterosexual dating pool, she's drawn to the Lesbians' autonomy and elan — their #wedontneedaman bravado paired with a strong dose of sisterhood and fun. Article content Article content The trouble is that Charlotte is straight — the Lesbians are not and they're not too keen on posey interlopers. By episode's end, Charlotte is sent packing by the group's queen bee who makes clear that only actual homosexual women can be Lesbians, let alone the television-worthy 'power' variety. Article content Article content Article content What a difference 25 years makes. Today, Charlotte would not be dismissed as hetero, but welcome as #queer — much like her two children on the SATC rebook 'And Just Like That' currently streaming its third season. Her daughter, Lily, is dating a hunky male ballet dancer —— but he also has a boyfriend. #queer! Meanwhile, her second child — Rose — is now Rock, who came out as non-binary in the series' earliest episodes. Also #queer! As a straight mom-friend of mine who had a son with a gay man would say, the Goldenblatts are living a #queer lifestyle. Article content Indeed, nothing epitomizes the shift in LGBT liberation and politics like the rise of the word 'queer.' I first encountered queer during my coming-out days in the '90s and then — like now — I loathed it. Queer was a tool for liberation, I was told, to be reclaimed from the centuries of homophobia that had sent actual queers to prison, exile and often death. Article content Article content But I never bought it. Along with being Gay — plain, old gay — I am also Jewish and African-American. No Jew is 'reclaiming' the slurs used again us — same with Black folk (the popular 'n—a' that so often appears in rap songs is very much not the same thing as the N-word). Article content Because even in my 20s, I instinctively understood that rather than a tool of liberation, queer is a tool of timidity, confusion — capitulation. Straight people like Charlotte and Lily can be queer — the married (to a man) female curator at the LGBT art museum whose board I once served on was also 'queer.' Hipster hetero dudes who once drunk-kissed a fellow fraternity brother call themselves queer. But ultimately, it's a word that means nothing — a verbal vehicle for those seeking the benefits of minority status with none of the backlash. It's transitory and ephemeral — a sensibility rather than actual identity or orientation. Article content Black people can't opt out of being black when it suits them. But queer can be discarded quickly and conveniently. There's little risk to calling yourself queer — scant cost nor consequence. With little concern for commitment, let alone discrimination, queer isn't brave, queer isn't noble. Queer is a tool of privilege.