
'I used to drop people off at fancy homes - now I've got my own with Omaze win'
A former cabbie has been floored after winning a £4million mansion, saying the last thing he won was a "soft toy from Hull fair."
James Moughton, 71, bagged the keys to a luxury West Sussex property in the latest Omaze Million Pound House Draw. He has since swapped his modest, cramped home in Hull for panoramic sea views, declaring it as "the best tip I've ever had."
James will also have direct direct beach access from his four-bedroom home and a Skargards wood surround hot tub. His stunning new property comes mortgage free and with all legal fees covered.
James, who spent 20 years driving a cab in Hull, has also been given a whopping £250,000 in cash to help him settle in. James, who bought his £4M winning entry for just £25 as part of his Omaze subscription, said he purchased the ticket in the hope of winning a house that would change his family's lives, but never thought it would ever become a reality.
'It's a feeling I couldn't even have dreamed of before,' he said. 'When I was a cabbie, I used to drop people off at fancy homes—now I've got one of my own." He can decide whether to live in the house, rent it out for a supplementary income or sell it whenever he wishes to become a cash multi-millionaire.
If James decides to keep the stunning property, it is estimated that the £250,000 would enable him to run the house for many years. If he decides to rent it out, local estate agents estimate that the property could achieve a long-term rental value of approximately £6,000 per month.
James, who lives in his one-bedroom council flat in Hull, has two children, daughter Katie,28, and son Michael,29, and a granddaughter Harper, 4 and grandson, Kasper, 3. Now he plans to bring the whole family together at the home for 'a big seaside celebration'.
The ecstatic grandad said: 'I've got a daughter, a son and grandchildren— they're all over the moon for me. I can't wait to have the family come and stay - everyday will feel like a holiday here. I'm from a council estate, but now I own a coastal paradise. I can't believe I'm going from a one-bedroom flat to a £4 million mansion! Things like this just don't happen to people where I come from. The last thing I won was a soft toy at the Hull Fair.
'I used to be a cabbie and it's safe to say this is the best tip I've ever had! When I was working I'd spend my days navigating traffic—now all I'll have to navigate is my best route to the hot tub.' James revealed what he'd been doing prior to his big win: 'I was having such an uneventful and boring week before Omaze turned up—I think the highlight had been nipping to the shops and avoiding getting sunburnt.
'Then all of a sudden I get a knock at the door and someone tells me I've won a prize—initially I thought it must be a wind-up! I was gobsmacked, I could've fallen through the floor! I went to see my daughter afterwards to crack open a bottle of fizz to celebrate."
The retired cabbie continued: 'The house is absolutely stunning. The sea views are something else—it's literally right on the beach. I've even got a hot tub looking out across the sea—my grandson's going to love that. Now I've got the beach as my back garden, I think it's time I learnt to swim. My son said he's going to teach me, but I'll just dip my toes in for the time being.
'The place is massive, especially compared to my little flat; the dog shower in the garage is bigger than my current bathroom. The births of my children and grandchildren were the best days of my life, but winning this place is running it close."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
18 hours ago
- Daily Mirror
Superman director James Gunn reveals 'terrible' way Henry Cavill was fired from DC
Superman director James Gunn recalled the 'terrible' way Henry Cavill was fired from his role as iconic superhero, Clark Kent Superman director James Gunn revealed the "terrible" way Henry Cavill was fired from his role as the iconic superhero. The Scooby Doo director was hired by Warner Bros to oversee the studio's DC movies after a series of failed projects, and one of his first jobs was to hire a new actor to take on the role of Clark Kent. However, Warner Bros rashly told Henry he would come back as the beloved comic book character, leaving James the job of telling him he was actually fired. During his appearance on the Happy Sad Confused podcast, Guardians of the Galaxy director James said Henry was treated "unfairly" by the studio. 'It's terrible – believe it or not, the day we were dealing with trying to figure out if we could take the job at DC Studios, the day the deal closed, all of a sudden, they were announcing that Henry was back," he explained. 'I was like, 'What is going on? We know what the plan is. The plan was to come in and do Superman. It was really unfair to him and a total bummer.' James, whose Superman reboot was recently released, said: "There was a vacuum at the time and a lot of people had a take on what they wanted to do at DC and they were trying to force their way and it was just never part of the equation. 'We came in, and that was really unfortunate. I'm like, 'This poor guy.'' Thankfully, Henry took the difficult news like an "absolute gentleman", as James praised the actor. 'He said, the only thing I ask is that I'm able to reveal it myself as opposed to coming from you guys.' And I'm like, 'That's a class act'," James added before saying he wants to work with Henry in a DC film in the future. The current Clark Kent is David Corenswet, who recently admitted he tried to think of reasons not to take on the iconic role. In a recent interview, David revealed there was a moment he was hesitant about taking the role. 'A role like Superman seems like something that everybody would want, and that's not true. There are some people who wouldn't want that role and who would, if given the opportunity, say no. I am obviously not one of those people," he told GQ Hype. "But I certainly tried to think of reasons not to. Ultimately, what I landed on for myself was, if this is the only role I get to play for the rest of my life, and that means whether I get to play it once or get to play it 10 times, would I still say yes? And the answer was yes." During the same interview, director James discussed the box office pressure on the movie and said the movie "isn't the riskiest endeavour in the world". It was reported online that the movie would need to earn $700 million minimum to be successful, but James called the reports "just complete and utter nonsense".


Daily Mirror
21 hours ago
- Daily Mirror
ITV Midsomer Murders star Neil Dudgeon reveals one storyline he thought 'went too far'
Midsomer Murders actor Neil Dudgeon has shared his thoughts on the long-running ITV crime drama and admitted that there was one occasion where he thought the show had "gone too far" Neil Dudgeon has shared the one Midsomer Murders plotline where he felt ITV chiefs might have pushed the crime drama "a bit too far". ITV broadcast a rerun of James Martin's Saturday Morning on July 19, with the celebrity chef welcoming the actor into his kitchen. The 64-yea- old is best known for his role as DCI John Barnaby in the crime drama since 2010, and James was keen to hear Neil's candid thoughts on the show. James queried Neil: "Do you ever look at some of the storylines and think 'it's a bit far-fetched'? Neil responded: "The only time I did think that a bit was when I was first reading the script and a UFO crashed and then me and the sergeant turn up and examine this site and I thought 'even we've gone too far'. "You can say here's a place where all the people believe that there's UFOs and 'oh there's lights in the sky what does that mean?' but you can't actually go 'oh look i think there's a alien' it's just that bit too far", reports the Manchester Evening News. Inquiring about the secret to enduring TV success, James asked: "What do you put it down to? Because we were talking about successful shows and 'successful' nowadays is about three or four years? "I can't put my finger on this one, to be honest. 18 years I've been cooking on Saturday mornings. What would you put it down to?" Neil jested: "If I may say so, the success of your show is even more of a mystery than the success of our show! James shared a laugh with Neil as he succinctly responded: "Precisely." Neil then quickly elaborated: "The reason I say that is because, I think the great thing about Midsomer Murders is... the people who originally created the show. "Neil offered an insight into the enduring series' structure, explaining: "I mean the formula of Midsomer is something - not necessarily a murder - happens in a rural location and two policemen turn up to see what's going on." He further commented on the creative leeway given to writers, which allows for continuous narrative innovation within the show's straightforward yet adaptable format. Discussing the charm of the series, Neil remarked: "You've got this wide formula for what the story of the show could be," highlighting that "You can have endless variety within it and - always there's something people find comforting about seeing the same thing over again - but the same thing is so different!


The Herald Scotland
a day ago
- The Herald Scotland
Scotland needs a new kind of festival to take on the liberal elite
In the arts world, composer and conductor Sir James McMillan could walk down any Scottish street without recognition, except possibly in his native Cumnock, despite being one of the most significant cultural figures to emerge from this country for decades. Also 65, there's time yet, but Sir James is not just a national but a global treasure, his deep Catholic faith inspiring modern choral works of astounding beauty on a par with the 19th Century Austrian giant Anton Bruckner, also a devout Catholic. At 95 and widely regarded as the keeper of the Edinburgh Festival soul, Richard Demarco can lay justifiable claim for national beatification and the closest he came to controversy was his early support for Jimmy Boyle, the convicted killer who found redemption as a sculptor in Barlinnie prison's special unit. A long-running and now forgotten dispute with [[Edinburgh]] Council in the 90s about rent arrears for housing his archive in an empty Old Town school hardly counts these days. I recall several conversations with him 20 years ago when at Scotland on Sunday, we campaigned to revive the moribund visual arts festival, hoping it would become a Scottish version of the Venice Biennale and attract the kind of A-list high rollers who don't grace the August season unless they have a kid performing on the Fringe; 21 years on, the [[Edinburgh]] Arts Festival is very much alive, but the oligarchs' super yachts off Granton Harbour are noticeable by their absence. Always very much part of [[Edinburgh]]'s arts scene, but somehow detached from it, his vigour for an argument is undimmed, and in an interview in The Scotsman with Martin Roche, one of many executive committee members of the pro-EU campaign, the European Movement in Scotland, he called for [[Edinburgh]] to host a new annual 'Festival of Thought' because of the threat of the 'far right' in Europe, Donald Trump, and the rise of Reform in the UK. Read more Visitor levy group will have good intentions but may collide with reality A vote of no confidence in Labour council is now a real possibility The inside story of the battle for control of Edinburgh The idea is to assemble a cast of 'liberal thinkers' from across academic disciplines in defence of liberal democracy, but he does not want politicians involved and instead of the language of politics he favours 'the language of the arts' because it is 'the language of love for our fellow human beings'. Whether it's laudable depends on your point of view, and his interviewer needed very little persuasion, but it struck me that the whole August shooting match, if that's an appropriate phrase, is already a celebration of liberal thought, particularly the Book Festival. The exclusion of politicians at first glance sounds timely, especially in a year when having dumped fund manager Baillie Gifford because of its minimal investments in oil companies, the Book Festival will be giving pride of place to the most divisive politician of the last 20 years, Nicola Sturgeon. In what is supposed to be a celebration of free speech, it would be strange to ban politicians, but there should be a rule that if they are cashing in on their record by writing a retrospective reputation booster then they should get a damn good grilling, not the patsy chats the Book Festival likes to stage for its favourites. I don't know if he was invited, but I can't imagine Boris Johnson getting an easy ride if he came up to promote his memoir, Unleashed, if he was being cross-examined by Kirsty Wark. How she approaches her conversation with Nicola Sturgeon remains to be seen, but there would be a roaring trade for tickets on Viagogo if the inquisitor was JK Rowling. Richard Demarco (Image: Newsquest) A Festival of Politics was tried a few years ago, with a series of crashingly dull discussions at Holyrood which received the audiences it deserved, but now politicians are everywhere on the Fringe, most notably as guests on Iain Dale's 'All Talk' show for LBC radio at the EICC, and indeed The Herald's Unspun Live at Summerhall – now home of the Demarco Archive – with John Swinney and Anas Sarwar lined up for conversations with Herald journalists. None of it should be as cringeworthy as the Alex Salmond Show at the Assembly Rooms, at which the late SNP leader told sexist gags which would get him banned from MasterChef. Without a politician in sight, this year's Arts Festival itself is way ahead of the Demarco plan, with events like Decolonosing the Outdoors, another about 'the histories of masculine-leaning gender diversity in Scotland' and My Blood Runs Purple, a short experimental film 'questioning the inequalities and barriers in healthcare offered to artists in so-called black, gendered bodies', putting it well in the liberal vanguard. Its finale is a conversation event in which artists, 'thinkers' and local groups assemble to 'imagine a world where art bridges the knowledge of the past with a sustainable, interconnected future.' At 95, Demarco can be forgiven if this has all passed him by, as it will have done for 95 per cent of the population, the kind of people who adore Lorraine Kelly. But this is the problem with the Scottish liberal elite – they spend so much time talking to each other that the rejection of their world view is so bewildering that the best they can come up with is to turn inwards in an ever-tightening circle. Looks like the job's a good'un, Ricky, but it's enough to make me vote Reform.