
AEW All In Texas 2025 Results As Hangman Adam Page Dethrones Jon Moxley
Hangman Adam Page beat Jon Moxley in a bloody and emotional main event at AEW All In Texas. Hangman Adam Page entered this high-stakes match as a massive -850 favorite over Jon Moxley as AEW entered the doorstep of a Great White Hope.
With help from friends, enemies and old faces, Hangman Adam Page brought the AEW Championship home.
Jon Moxley Vs. Hangman Adam Page And Everything That Happened
Hangman Adam Page was played out by a live whistling theme. He then walked out to his old theme music to an enormous pop.
Jon Moxley entered Globe Life Stadium in what Jim Ross called a Redneck Chariot. The chariot housed the Deathriders in the bed of the truck. There were two barbed wired tables outside of the ring. Fittingly, there hasn't been a single table bump all night.
Justin Roberts clarified that the only way to win a Texas Death Match was by knockout or submission.
There was a small sign that read 'If Mox Wins We Riot!'
Hangman is 4-1 in Texas Death Matches, the best record in AEW history.
Hangman Adam Page pulled out a fork. After being trapped in a Triangle choke, Hangman stabbed Mox in the head with the fork, immediately bloodying Jon Moxley. As Jim Ross reminisced about calling Texas Death Matches from back in the day, Excalibur cut him off as Moxley attepmted to strangle Hangman with barbed wire IRL.
Moxley succeeded in a second attempt to bloody Hangman with barbed wire. Shafir followed up by biting at Hangman's forehead. Five minutes into this match—and 15 minutes into WWE SNME, and both combatants were bleeding.
Marina Shafir brought out glass bottles in a bucket. She stomped shards of glass throughout the corner of the ring. Jon Moxley rubbed the glass in Hangman's face. Mox then dragged Mox's body through the broken glass as fans chanted 'you sick F!'
Fans rallied behind Hangman as Moxley set up two chairs sitting nest to one another perpendicularly. Moxley wanted a powerbomb, a bloody Hangman headbutted his way out. Hangman turned the chairs around back-to-back and hit a powerbomb at the apex of the chairs.
Moxley hit multiple clotheslines on Moxley before Wheeler Yuta hit The Hangman in the back with a steel chair. Page no-sold it and knocked out Yuta. Hangman hit the Angel's Wings on Moxley—an homage to Christopher Daniels—but did not get the full 10 count.
Marina Shafir Jumped on the back of Hangman as he attempted the Buckshot Lariat. Hangman answered with a Cowboy driver through the table. Hangman continued like Mario with the Super Star and hit a Deadeye on Moxley. Yuta and Castagnoli finally cut Page off with a two-on-one advantage.
Ospreay came to Hangman's aid, but was pillmanized by the Deathriders. This brought out a stretcher for Ospreay. A bloody Mox followed up with a suplex through two barbed-wired tables.
The announce team talked about how shocked they were with the amount of blood in this match, and Excalibur—frustrated—lectured them about how this is exactly what they should expect in a Texas Death Match.
Mox trapped Hangman Adam Page in a Bulldog Choke. Hangman beat the count by one. After taking a Death Rider through a steel chair, Hangman beat the 10 count again.
As Moxley and the Death Riders prepared to finished off Page, Darby Allin appeared from atop Mount Everest. Darby said he was going to take everything from him. This brought out Daniel Bryan, who attacked the Deathriders.
Darby Allin ascended from the top of the Globe Life Field to a huge pop. Moxley looked like he had seen a ghost.
Hangman hit two Buckshot Lariats and a Deadeye through the table. The referee counted to nine and Marin Shafir pulled Moxley to his feet. Shafir flipped off Hangman, and the Young Bucks hit the ring with a double superkick.
Moxley and Shafir brought out a bed of nails to a big reaction. Moxley hit a Stomp on the bed of nails followed by a Paradigm Shift on the nails. Page barely answered the 10-count yet again.
Moxley asked Shafir for the key to the briefcase. Shafir was handcuffed to the timekeepers table by Prince Nana. This brought out Swerve Strickland, who knocked out both Young Bucks with the chain Hangman gave him at Collision. Swerve gave Hangman his chain back in a peace offering, and Hangman lynched Jon Moxley with the chain.
Hangman hit a Buckshot Lariat onto the bed of nails. Hangman lynched Moxley again, who submitted to the biggest pop of the night.
Hangman revealed the vintage AEW World Championship for a great moment.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
17 minutes ago
- Forbes
Morgan Wallen Pushes One Huge Hit Past Another
Morgan Wallen's 'I Had Some Help' with Post Malone ties 'Last Night' as his second longest-charting ... More Hot 100 hit, both with 60 weeks on the list. KNOXVILLE, TENNESSEE - SEPTEMBER 22: (EDITORS NOTE: Image has been converted to black and white, color version not available) Morgan Wallen performs onstage for night two of his One Night At A Time tour at Neyland Stadium on September 22, 2024 in Knoxville, Tennessee. (Photo byfor for Morgan Wallen's One Night At A Time 2024) Morgan Wallen scored the hit of a lifetime with "Last Night," which earned the country singer-songwriter his first ruler on the Hot 100. That tune debuted on the chart in February 2023 and only needed a few weeks before it became the biggest song in America. "Last Night" still holds as one of the longest-running No. 1s of all time, with 16 weeks spent on the competitive tally's summit. Even the biggest tracks see their lengthy stays matched at some point, including Wallen's. While "Last Night" may be steady in its position when it comes to the longest-ruling tunes, another one of the musician's singles matches it this week in terms of overall longevity on the Hot 100. "I Had Some Help" Lives on the Hot 100 "I Had Some Help," Wallen's collaboration with Post Malone, keeps on the Hot 100 for a sixtieth week. This frame, the duet holds at No. 13, sitting just below the top 10. With 60 weeks on the Hot 100 to its credit, "I Had Some Help" ties "Last Night" as Wallen's second longest-running Hot 100 smash. Both have managed 60 stays on the ranking, but that likely won't be the case for very long. Since "I Had Some Help" is still present inside the top 15, it seems destined to live on the Hot 100 for at least another frame, if not several more, or perhaps even months. There are multiple tracks on the chart at the moment that have managed stays much longer than "I Had Some Help," so a continuation of its stretch on the tally isn't impossible. 'You Proof'' Continues to Lead Wallen's longest-charting Hot 100 hit remains "You Proof," which only beats "I Had Some Help" and "Last Night" by two weeks. In a few days, when Billboard refreshes its rankings, it's likely that "I Had Some Help" will break out of its tie with "Last Night" and stand alone as Wallen's second-longest-charting track — and then, a week or so later, match "You Proof." "I Had Some Help" Remains Inside the Top 20 "I Had Some Help" is currently still present inside the top 20 on both the Streaming Songs and Radio Songs charts. The Hot 100 is composed using a methodology that blends sales, streams, and radio activity, so the fact that the year-plus-old cut is still performing well enough to live within that competitive region on the general streaming and radio tallies shows that consumption is still high to this day.


Forbes
44 minutes ago
- Forbes
Kenny Chesney's Blockbuster Album Earns Its First New Award In Decades
Kenny Chesney's No Shoes, No Shirt, No Problems reaches five-times platinum status, marking its ... More first new RIAA certification in over 20 years. Kenny Chesney performs during the first ever CMT Flameworthy Video Music Awards at the Gaylord Entertainment Center in Nashville, Tennesee. 6/12/02 Photo byIn 2002, Kenny Chesney released No Shoes, No Shirt, No Problems, and the album would prove to be not only his breakout commercial success, but also one of the biggest country releases of its era. Years after the project turned Chesney into a star and a household name, Americans are still consuming the full-length — and the title earns a special new award from the RIAA (Recording Industry Association of America) that shows that no matter how much time goes by, people haven't moved on from the project. No Shoes, No Shirt, No Problems: 5x Platinum No Shoes, No Shirt, No Problems has been certified five times platinum by the RIAA, which means it has now shifted five million equivalent units between actual sales and streaming activity. Many of those — several million copies — are pure purchases, while the most recent million were likely largely made up of plays on platforms like Spotify and Apple Music, which have taken over as the go-to consumption site for millions of Americans. First Certification in Over 20 Years No Shoes, No Shirt, No Problems earns its first certification from the RIAA in more than two decades. The full-length was named a four times platinum winner in April 2004, and now, in July 2025, it's advanced to five times platinum status, adding another one million equivalent copies. The set was first named gold, and then platinum, on June 4, 2002, just months after its release. Later that year, it went double platinum, and it only needed about two years to hit four-times platinum status. Kenny Chesney's Most Successful Albums Three of Chesney's albums are tied as his highest-certified, at five-times platinum each. No Shoes, No Shirt, No Problems matches both When the Sun Goes Down and his Greatest Hits compilation. Neither of those efforts has advanced in several years, so this ranking could change again soon. Multiple New Certifications for Kenny Chesney At the same time that No Shoes, No Shirt, No Problems reached quintuple platinum, Chesney's The Road and the Radio pushes from triple platinum to quadruple platinum. 20 of his songs also score new awards from the RIAA, with a handful going gold for the first time, while his biggest hit jumps to five-times platinum.
Yahoo
an hour ago
- Yahoo
Backstreet Boys deliver stunning concert to devoted fans at Sphere in Las Vegas: Review
LAS VEGAS – 'Sometimes I wish I could turn back time, impossible as it may seem,' the Backstreet Boys crooned on their 1997 smash 'Quit Playing Games (With My Heart).' At their Sphere residency, which kicked off its 21-date run July 11 at the visual playground in Las Vegas, the quintet absolutely reveled in nostalgia, turning back time for a sold-out crowd that proudly rocked Backstreet Boys T-shirts or all-white outfits in a nod to the "Millennium" album cover. The sight of Nick Carter, Kevin Richardson, Brian Littrell, Howie Dorough and AJ McLean caused a level of ear-splitting adoration that has been trailing the guys for 30 years. But, as with every live performance at the Sphere, this was more than a mere concert, it was a thrill ride, and the vibrating haptic seats and nonstop visuals elicited shrieks in their own right. More: Backstreet Boys setlist: All the blissful pop songs from Sphere Las Vegas residency The nearly two-hour joyride came with a futuristic spaceship theme – a nod to their bazillion-selling 'Millennium' album, the celebratory theme of these Vegas shows – from the moment the fivesome launched from below the stage for the wonky pop-funk of 'Larger Than Life.' From there, this mission control was set to stun – as in stunning – for a romp through pristinely sung ballads overflowing with yearning (Carter and Littrell can still sell an emotion with clenched eyes and balled fists) and gleaming pop anthems buffed to a melodic sheen. As challenging as it can be to appreciate the artists as much as the visual elements at the Sphere, the Backstreet Boys kept fans' enraptured with a set design that maximized fan interaction. A pair of catwalks jutted from the oval stage, allowing the guys to roam into the crowd while hitting their dance moves. 'We are full of gratitude tonight,' said Richardson, who pulled his shoulder-length cascade of hair into a man bun during the show. 'I've cried at least four times tonight already,' added McLean, his tough guy exterior counterbalanced with a pink knit cap and blue painted nails. Those emotions were evident in Richardson and Littrell during 'The Perfect Fan,' an ode to moms (earlier in the concert, Dorough gave a shoutout to his 91-year-old mom who was in the audience). As childhood photos of the guys scrolled by, Richardson choked up missing some opening lyrics and Littrell pinched the bridge of his nose to prevent tears. The joy emanating from the largely millennial devotees was palpable, from the white clothing blanketing the stands to the breathless commentary throughout the concert. 'I can't breathe!' shrieked one woman at the opening of 'Show Me the Meaning of Being Lonely,' while 'No One Else Comes Close,' a silky early-career ballad that teeters on its tenuous sexuality, prompted commentary usually heard at Chippendales. And, let's face it, the Backstreet Boys were – and still are – masters of perfectly harmonized bridges ('I Want It That Way') and glorious key changes (the underappreciated 'Shape of My Heart'). While the Sphere setlist aimed to appease every level of fan – 'Hey' from 'Millennium 2.0' and the deep album track 'Siberia' from 2005's 'Never Gone' being the two mavericks of the bunch – the adrenaline of the final batch of songs would enthrall even the snarkiest music purists. 'I Want It That Way' marked the first time a Sphere concert has involved a moving apparatus. The guys stood atop a platform that rose astoundingly high (seriously, who could blame Littrell for leaning against a metal bar anchored in front of him?) during the finger-snapping pop behemoth while lasers zigzagged around them. View this post on Instagram A post shared by Sphere (@spherevegas) They remained aloft for 'Get Down (You're The One for Me')' in a recreation of the song's 1996 video, including a massive mirror ball and hundreds of video squares that stacked to the top of the venue. The Backstreet Boys own the distinction as the first pop act to play the Sphere, which has hosted U2, the Eagles, Dead & Company, Phish and Kenny Chesney. That their popularity has barely waned in nearly 30 years is commendable. But this new triumph is proof that what might feel like a fad in the moment can become a legacy. This article originally appeared on USA TODAY: Backstreet Boys bring futuristic concert to nostalgic fans at Sphere