AEW All In 2025: 10 biggest takeaways, including Hangman Adam Page (finally) rescuing AEW
A new World Champion was crowned in Hangman Adam Page, both MJF and Athena carved paths toward the top of the promotion, and Kenny Omega against Kazuchika Okada gave us exactly what we needed.
Advertisement
As AEW continues to build on its strong momentum from the first half of the year, here's 10 key takeaways from a wild night in Arlington.
1. This isn't a story about redemption
Hangman Adam Page and Jon Moxley was always going to be a war. Their Texas Deathmatch was violent, and it took mere minutes for Moxley and Page to cut into each other — literally. Forks, barbwire, glass, chairs, tables, everything was game as both men sported crimson masks.
The end followed the roadmap many anticipated, with run-ins from the Death Riders and the Young Bucks. A Will Ospreay save wasn't enough. Darby Allin and Bryan Danielson returning wasn't enough either.
Advertisement
It was never going to be about the "Avengers" saving AEW. And to Hangman's point, it wasn't about redemption either. It was about growth, transformation and the further development of AEW's biggest rivals between Page and Swerve Strickland. Through blood, sweat and war against each other, they've developed a certain respect for one another.
For now, Page is the champion and the face of the company yet again. Strickland will come for the title yet again. Same for Ospreay and Allin. But those chapters are for another day. Right now, it's all about Hangman Adam Page — and a chance for him to soak in a well-earned moment.
2. Toni Storm remains "Timeless"
It's rare to find a talent who can blend the intensity of a main-event level championship match with the humor that a character like 'Timeless' Toni Storm can evoke. Mercedes Moné played a perfect dance partner as the all-too-serious contender who's all about business and who grew infuriated as the champion paraded around the ring.
Advertisement
As the match continued to build, Storm and Moné drifted further from the comedic bits that opened the action and hit their stride with a hard-hitting, technical and a back-and-forth showdown that was about as evenly matched as possible. It was a match that would've been worthy of the main event and lived up to every expectation fans had for the two top women's wrestlers in AEW.
The question now is where Storm and Moné go from here. A new champion likely would have opened the door for a rematch, maybe a trilogy down the road. Does AEW go right back to the well here or do we see Storm move on to the next challenger in the way she has against the likes of Mina Shirakawa and Megan Bayne? Or perhaps the person to match Storm and dethrone the champ is Athena, which would open up an entire world of opportunities. (More on that in a moment.)
3. Okada vs. Omega served its purpose
Kenny Omega's tilt with Kazuchika Okada felt like it had unrealistic expectations coming into it, and it never quite reached the level that transcended the sport like many of these two's prior matches. That's not to discredit Saturday's latest whatsoever, though. It perfectly encapsulated the story that was relevant to this version of Omega and Okada.
Advertisement
The duo continued to play on real injuries that kept Omega on the shelf for over a year. Omega thrives in a place where he can make every move feel like it's the end, whether it was a DDT, a front dropkick into the turnbuckle, or a shot to his midsection, and he went all in to sell those moments.
They played with the pace, as Omega sold the injuries, starting slow, building fast and then slowing their movements down to let things breathe. Omega and Okada were the perfect conductors as the audience lived and died on their every move as they sprinted to the finish. They never quite reached the next gear though, and the outside interference from Don Callis muddied the waters of what could have been.
4. What are founding fathers without power? The Young Bucks
Earlier this week, the Young Bucks told me they're both leaner, moving younger and have no plans to get left behind. That couldn't ring more true after they put on another absolute classic with huge implications against Swerve Strickland and Will Ospreay.
Advertisement
The Bucks and Ospreay/Swerve put together a Match of the Year candidate that had everything — drama, near-falls, dirty tactics, emotions. Similar to the Death Riders run on top, there's no question it's time for the Bucks to navigate an EVP-less version of themselves on-screen again. The post-All In AEW offers an opportunity to reset the Bucks potentially as the top faces of the promotion, which currently feels heavily skewed with heel tag-teams. That's more of a long view, though, considering they both took out Page toward the end of the main event.
While it'll be refreshing to get the Bucks with a different character element eventually, it is a shame we won't see how AEW would have navigated a year without Strickland or Ospreay in the title picture. That likely would have been a travesty as both showed yet again why they're consistently right at the top of the card.
5. Athena has arrived
With a dominant Ring of Honor run under her belt, Athena's path to the AEW roster — and specifically the AEW Women's World Championship picture — has been a bit of an unknown. Her match against Mercedes Moné in the Owen Hart Foundation Tournament felt like a turning point. But in the weeks that followed, the only known was that she'd defend the ROH Women's Championship at Supercard of Honor the night before.
Advertisement
She was a last-minute addition to the Women's Casino Gauntlet Battle Royal and the overwhelming favorite as soon as she hit the ring. The roar that followed the referee's hand hitting the count of three was deafening, and for the first time, it feels like we have clarity on where Athena goes from here.
6. MJF has a path back to the top
The Casino Gauntlet Battle Royal concept continues to be an absolute home run for AEW, structuring these multi-person matches in a way that doesn't feel overboard, all while weaving in elements of different stories together without things feeling completely out of control.
Advertisement
Konosuke Takeshita felt like a star who does the most with whatever screen time he's had between his ROH Supercard of Honor match Friday night against Bandido and his participation in Saturday's Men's Battle Royal.
Pairing the Gates of Agony with Ricochet continues to pay off. It was a fun false finish to bring them down and set the win for their group leader, only for the Gunns to make the save for Juice Robinson. The trios division could use some substance and these teams are just that.
What really stood out throughout the match was the emphasis on MJF vs. Mark Briscoe, starting and ending with the fierce rivals. The opening sequence perfectly encapsulated what MJF is right now, with attempt after attempt to win the match early signaling he wants to move up as fast as he can. The finish, with Briscoe hitting his brother's Jay Driller only for MJF to toss him out of the ring and steal the victory, opened the door for that rivalry to continue to have legs.
MJF really thrives in a way that feels very reminiscent of Rick Rude, with his own special twist. He's refreshed as a member of the Hurt Syndicate, and it'll be fascinating to see how his dynamic plays out with an AEW World Championship title shot in his control.
Advertisement
7. AEW plays to the home crowd … again
At the very first All In, Saraya captured the AEW Women's Championship in a Fatal 4-Way against Hikaru Shida, Toni Storm and Britt Baker, in a match that felt very much like it was playing to the home crowd without necessarily a clear long-term direction. She went on to hold the belt for 44 days, defending it just once before Shida earned it back.
When it was announced that Adam Cole was relinquishing the TNT championship earlier in the evening, it was a gut punch to see someone who'd worked so hard suffer another setback (potentially ending his career). When the replacement match was announced though, what followed was a realization that maybe history would repeat itself.
Credit to Dustin Rhodes for continuing to press forward and putting himself in a position to win on AEW's biggest stage, and AEW CEO Tony Khan's logic of giving Rhodes another shot at a title he's come so close to before makes sense. But it was a shocking conclusion to a match that seemed gift-wrapped for Kyle Fletcher to win — only for Rhodes to capture the TNT Championship. I can't wrap my head around the long-term play of Rhodes holding the title, either. Perhaps it opens the door for Fletcher to dispatch him quickly before going on a dominant run as the clear future of the men's division. Or Sammy Guevara turns heel again, as was teased shortly after the bell signaled the end of the match. For right now, this one was a head-scratcher.
Other thoughts:
8. Outrunners vs. FTR had all the makings of an All In main-card match, and they put on an excellent bridge between Zero Hour and the main card. FTR is at their best as despicable heels, with underhanded tactics to find ways to win. The Outrunners remain one of the most over and entertaining acts in AEW. Also, their Newports cosplay was top-tier.
Advertisement
9. Big Justice and Big Boom AJ were a really fun part of the Zero Hour show. They've totally bought in on being an entertaining part of the show without necessarily needing the entire spotlight.
10. The Hurt Syndicate keeps running through everyone. At some point, there has to be some resistance to make this interesting. Is that through Edge and Christian? Perhaps, as the wheels finally appear to be in motion for the tag team that totally reeks of awesomeness to reunite.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNET
6 minutes ago
- CNET
Get Ready for These New Emoji, Which Are Coming Out This Fall
The Unicode Consortium is a nonprofit devoted to developing, maintaining and promoting software standards and data, and it also releases new emoji once a year. And on July 17, also known as World Emoji Day, Unicode announced that the newest emoji will debut this September as part of Unicode 17.0. Here are the new emoji you can expect to see later this year. Trombone Treasure chest Distorted face Hairy creature (Sasquatch) Fight cloud Apple core Orca Ballet dancers Landslide "These new emoji have long-standing symbolic meanings, are visually distinctive and contain multitudes of expression," the Unicode Consortium wrote online. These new emoji were proposed in November 2024. According to Unicode, the data files for these emoji will be made available this fall as part of Unicode 17.0. Then, the emoji will likely appear on your device in spring 2026. Emojipedia, an online encyclopedia of emoji managed by people who research emoji, announced on World Emoji Day that the distorted face emoji won the award for Most Anticipated Emoji 2025. In 2024, the Unicode Consortium debuted new emoji in September 2024, including the face with bags under eyes and the splatter emoji. You can find those emoji now on your Android and iPhone devices, as well as across the internet. Correction, July 18: An earlier version of this story incorrectly listed the number of emoji that had been approved for the Unicode 17.0 update. Unicode has since confirmed that nine emoji have been approved, including the Landslide emoji. For more on emoji, here are all the emoji award winners for 2025, the favorite emoji among the CNET staff and how to decipher every emoji.


Washington Post
7 minutes ago
- Washington Post
She's the bassist in a band of strangers. It's their first (and last) show.
Maddy Knoth shifts back and forth in her red and pink Converse high-tops. She's busy debating early-aughts pop hits with the bandmates she met only a few weeks ago, but can already feel the adrenaline that builds before a live performance. Their set isn't for another three hours, and the members of newly formed Legends of Limewire are killing time before doors open to the public. Knoth paints her chipped nails with baby blue polish, and waves a piece of notebook paper with a handwritten set list to dry them. She hardly needs the note. She's played these songs dozens of times. The bass line grooves have sunk into her fingers. She's ready to play her first concert in her new city. After living in Memphis for three years, the city's music scene felt small. Knoth knew the other performers at open mic nights and the people who would come see her queer, femme punk band play backyard shows. When she moved to D.C. with her partner in December, she knew she had to start over. She had to find her way back into a creative scene, to take an active role in forming her identity beyond the corporate world that dominates much of D.C. culture. So she signed up for Flashband. The 13-year-old program, run by music school 7DrumCity, is a launchpad for Washington's hobbyist musicians. Participants enter a lottery for a slot. Winners attend a meet-and-greet event — speed dating, basically, for musicians. Everyone from young teens to retirees leaves as a member of a new band. About a month later, they perform in public. Knoth, 25, sort of knows the people she's taking the stage with tonight. This evening they've met each other's significant others for the first time, and learned what their day jobs are. But she trusts them, if not their penchant for Limp Bizkit. For the past month, they've met up for weekly rehearsals, and Knoth has spent hours in between plucking away in her bedroom. So now, as ticket holders of the sold-out show come pouring into the Atlantis — a grubby venue that holds 450, she feels ready. The bands have names like the Recessionists, Vote for Pedro and Mom's Spaghetti, and the first ones warm up the crowd with interpretations of Myspace-era hits. The third band begins, and the Legends of Limewire members get their cue to sneak backstage. Knoth meets them at the entrance to a yellow-lit hallway. 'Okay,' she mutters to herself, lifting her shoulders up with a deep breath. She climbs the stairs to the green room. A Flashband organizer runs through the checklist: 'Chords, cables, pedals, picks…' Knoth grabs a pair of green sunglasses — part of the band's outfit, a nod to the music-pirating site LimeWire that they're named for — and straps her bass guitar over her crop top. 'I really want eight more bars of cowbell,' one of her bandmates says. They were allotted 15 minutes for their set, and it's tight — they've factored in only 15 seconds for claps. 'They're probably not gonna pull us offstage,' Knoth responds. She talks herself through the set list: 'Take Me Out,' 'Can't Get You Out of My Head,' 'Electric Feel.' 'Let's make it count,' singer Aaron Conrado says. Their hands fall into the circle formed by their bodies and instruments, then shoot into the air. The beer Knoth sipped helped ease her nerves, but some are bubbling back up. Her bandmates are depending on her bass's steady pulse to keep them together. When she takes the stage, though, all she feels is excitement — the ease of being back in a spotlight she finds addictive. She looks out to the crowd, which ravels out to the bar at the far end and up across a balcony. It's at least twice the size of any she's played before. She locks eyes with her partner in the front row, who is wearing a shirt with the logo of the band Knoth had in Memphis. Conrado sings: So if you're lonely You know I'm here waiting for you. I'm just a crosshair I'm just a shot away from you Knoth lets her mind and fingers disconnect. Her body leads the groove. She shakes her wavy bob and shouts backup vocals. She hits every note in her 'Murder on the Dance Floor' solo, and dances as hard as anyone in the crowd. The audience erupts into cheers.

Associated Press
7 minutes ago
- Associated Press
Joe Cameron, The Song Doctor, Announces New Songwriting Coaching Program for Aspiring and Professional Songwriters
Joe Cameron, known as The Song Doctor, unveils a new personalized coaching program aimed at songwriters seeking to break into sync licensing and elevate their craft. United States, July 20, 2025 -- Joe Cameron Launches New Coaching Program for Songwriters, Offering Exclusive Guidance and Networking Opportunities Joe Cameron, a Billboard-charting songwriter, music producer, and voting member of the Recording Academy, has announced the launch of an exclusive songwriting coaching program aimed at helping songwriters take their craft to the next level. As a seasoned professional with over 20 years of experience in the music industry, Cameron's new program is designed for both aspiring and established songwriters looking to navigate the competitive world of sync licensing and grow their careers. Known for his work on numerous major projects, including placements on over 50 TV shows such as The Big Bang Theory, The Today Show, The Voice, and the NBA and contributions to Sesame Street, Cameron is leveraging his deep expertise and extensive network to provide targeted, Cameron is leveraging his deep expertise and extensive network to provide targeted, high-level coaching to clients around the world. His program promises to offer personalized attention and expert guidance in developing songs that can succeed in the sync licensing world, where music is placed in film, television, and advertisements. A Seasoned Professional With Proven Industry Success Joe Cameron's impressive career is marked by a series of high-profile accomplishments. In addition to his extensive experience in songwriting and music production, Cameron was the first unsigned songwriter to perform live on The Ellen DeGeneres Show and has received an Official Honoree recognition at the Webby Awards. He has also been nominated for multiple Hollywood Music in Media Awards, cementing his reputation as a leader in the music industry. 'I've spent over 20 years in this industry, and I've learned the ins and outs of what it takes to succeed, especially in the world of sync licensing,' Cameron said. 'This program isn't just about helping songwriters improve their craft – it's about giving them the tools, guidance, and network to thrive in today's competitive market.' Breaking Into the Sync Licensing Market Sync licensing is one of the most competitive sectors of the music industry, and Cameron has a deep understanding of how to secure placements in this space. He entered the sync licensing market early in his career, securing his first placement in 2007. Over the years, Cameron has placed music in more than 50 TV shows and has written for major label artists across the United States and Asia. Cameron is now offering his expertise to songwriters who want to break into the sync licensing space. The new coaching program will teach clients how to craft songs that meet the specific needs of TV, film, and commercial placements, while also providing strategic advice on how to approach music supervisors and industry professionals. 'I'm committed to teaching songwriters how to write songs that will stand out in the sync licensing world,' Cameron explained. 'But more than that, I'll show them how to build relationships, pitch their music effectively, and create opportunities to have their work featured in the industry's top outlets.' Tailored Coaching for Songwriters at All Levels The Song Doctor program is designed to help songwriters at every stage of their careers, from beginners just starting out to seasoned professionals looking to refine their craft. Cameron has worked with a wide range of clients, including major label artists, independent songwriters, and beginners, helping each of them reach their full potential. 'I've helped songwriters at all levels of experience,' Cameron said. 'Whether you're just getting started or looking to take your career to the next level, I can help you develop the skills you need to succeed in the competitive world of songwriting.' Exclusive Network Access Beyond songwriting coaching, Cameron's program offers access to a network of industry professionals, including music supervisors, producers, and fellow songwriters. With more than 20 years in the industry, Cameron has cultivated relationships with key players in the music world, and he's extending these connections to his clients. 'By joining my program, songwriters will not only gain valuable insights into the craft of songwriting but will also tap into my extensive network,' Cameron said. 'My network becomes their network, opening doors to collaboration and career opportunities.' A High-Quality, Investment-Driven Approach While the Song Doctor program is not the most affordable coaching option available, Cameron emphasizes that it is an investment in both the craft and the career of his clients. With his years of experience and proven track record, Cameron's services are tailored for serious songwriters who are committed to improving their skills and advancing their music careers. 'My clients are serious about their craft, and I'm only interested in working with songwriters who are ready to make a long-term investment in their careers,' Cameron shared. 'Success in the music industry doesn't happen overnight. It requires dedication, hard work, and a willingness to learn.' About Joe Cameron - The Song Doctor Joe Cameron, known as The Song Doctor, is a Billboard-charting songwriter, music producer, and voting member of the Recording Academy. With over 20 years of experience, Cameron has written for major artists and placed music in over 50 TV shows, including SESAME STREET. He offers personalized coaching to songwriters of all skill levels, helping them improve their craft and navigate the sync licensing market. Cameron has received multiple accolades, including an Official Honoree recognition at the Webby Awards and nominations for Hollywood Music in Media Awards. Media Contact: Joe Cameron Author Email: [email protected] Website: Instagram: @kokomojojo Contact Info: Name: Joe Cameron Email: Send Email Organization: Joe Cameron Website: Release ID: 89165080 In case of identifying any problems, concerns, or inaccuracies in the content shared in this press release, or if a press release needs to be taken down, we urge you to notify us immediately by contacting [email protected] (it is important to note that this email is the authorized channel for such matters, sending multiple emails to multiple addresses does not necessarily help expedite your request). Our dedicated team will be readily accessible to address your concerns and take swift action within 8 hours to rectify any issues identified or assist with the removal process. We are committed to delivering high-quality content and ensuring accuracy for our valued readers.