
Thousands of voices unite in song at traditional choir festival celebrating Estonia's culture
The Song Festival Grounds, a massive outdoor venue in the Estonian capital, Tallinn, was packed on Saturday evening despite the downpour. The traditional Song and Dance Celebration, that decades ago inspired resistance to Soviet control and was later recognized by the U.N.'s cultural agency, attracted tens of thousands of performers and spectators alike, many in national costume.
The four-day choir-singing and dancing event centers around Estonian folk songs and patriotic anthems and is held roughly every five years. The tradition dates back to the 19th century. In the late 1980s, it inspired the defiant Singing Revolution, helping Estonia and other Baltic nations break free from the Soviet occupation.
To this day, it remains a major point of national pride for a country of about 1.3 million.
This year, tickets to the main event -– a seven-hour concert on Sunday featuring choirs of all ages -– sold out weeks in advance.
Rasmus Puur, a conductor at the song festival and assistant to the artistic director, ascribes the spike in popularity to Estonians longing for a sense of unity in the wake of the global turmoil, especially Russia's war in Ukraine.
'We want to feel as one today more than six years ago (when the celebration was last held), and we want to feel that we are part of Estonia,' Puur told The Associated Press on Friday.
The first song celebration was held in 1869 in the southern city of Tartu. It heralded a period of national awakening for Estonians, when Estonian-language press, theater and other things emerged, says Elo-Hanna Seljamaa, associate professor at the University of Tartu.
The festivals continued throughout a period of Estonia's independence between the two world wars and then during the nearly 50 years of Soviet occupation.
The Soviet rulers were into 'mass spectacles of all kinds, so in a way it was very logical for the Soviet regime to tap into this tradition and to try to co-opt it,' Seljamaa said in an interview.
Estonians had to sing Soviet propaganda songs in Russian during that time, but they were also able to sing their own songs in their own language, which was both an act of defiance and an act of therapy for them, she said.
At the same time, the complicated logistics of putting together a mass event like that taught Estonians to organize, Seljamaa said, so when the political climate changed in the 1980s, the protest against the Soviet rule naturally came in the form of coming together and singing.
The unity extended beyond Estonia's borders. During the Singing Revolution, 2 million people in Estonia, Latvia and Lithuania joined hands to form a 600-kilometer (370-mile) human chain that protested Soviet occupation of the Baltics with a song.
In 2003, the United Nations' cultural body, UNESCO, recognized Estonia's folk song festival and similar events in Latvia and Lithuania for showcasing the 'intangible cultural heritage of humanity.'
'We sang ourselves free'
Marina Nurming recalls attending the Singing Revolution gatherings in the 1980s as a teenager. This year she travelled to Tallinn from Luxembourg, where she currently lives, to take part in the Song and Dance Celebration as a choir singer –- her longtime hobby.
The Singing Revolution is a time 'when we sang ourselves free,' she told AP.
Seljamaa says the song and dance celebration may have suffered a drop in popularity in the 1990s, a somewhat difficult time for Estonia as it was emerging as an independent country after the Soviet Union collapsed, but has since bounced back.
There is a tremendous interest in it among young people, she says, and always more performers willing to take part than the venue can fit in, and there are people who had left Estonia to live abroad, but travel back to take part.
Nurming is one example. She is part of the European Choir of Estonians – a singing group that unites Estonians from more than a dozen countries.
Many opportunities to sing
This year's four-day celebration, which started on Thursday, included several stadium dancing performances by over 10,000 dancers from all around the country and a folk music instrument concert.
It culminates over the weekend with the song festival featuring some 32,000 choir singers, preceded by a large procession, in which all participants -– singers, dancers, musicians, clad in traditional costumes and waving Estonian flags –- march from the city center to the Song Festival Grounds by the Baltic Sea.
Those taking part come from all corners of Estonia, and there are collectives from abroad, as well. It's a mix of men, women and children, with participants aged from six to 93.
For most, singing and dancing is a hobby on top of their day jobs or studies. But to take part in the celebration, collectives had to go through a rigorous selection process, and months worth of rehearsals.
For Karl Kesküla, an electrical engineer from Estonia's western island of Saaremaa, this is the first time taking part in the song celebration as a singer -– but he attended it before as a spectator.
'I got the feeling that what they did was really special and almost, like, every person you meet has gone to it or been a part of it at least once. So I just wanted that feeling too,' Kesküla, 30, told the AP at the procession on Saturday.
High emotional point
The theme of the song festival this year is dialects and regional languages, and the repertoire is a mix of folk songs, well-known patriotic anthems that are traditionally sung at these celebrations and new pieces written specifically for the occasion.
The festival's artistic director, Heli Jürgenson, says that although the audience won't know all the songs -– especially those sung in dialects -– there will be many opportunities to sing along.
The main concert on Sunday will end with a song called 'My Fatherland is My Love' –- a patriotic song Estonians spontaneously sang at the 1960 festival in protest against the Soviet regime. Every song celebration since 1965 has concluded with this anthem in what both performers and spectators describe as the highest emotional point of the whole event.
An emotional Jürgenson, who this year will conduct a combined choir of about 19,000 people singing it, said: 'This is a very special moment.'
She believes that what drove the tradition more than 150 years ago still drives it today.
'There have been different turning points, there have been a lot of historical twists, but the need for singing, songs and people have remained the same,' she said. 'There are certain songs that we always sing, that we want to sing. This is what keeps this tradition going for over 150 years.'
'We forget our troubles'
Participants described the celebrations as being an important part of their national identity.
'Estonians are always getting through the hard times through songs, through songs and dances. If it's hard, we sing together and that brings everything back together and then we forget our troubles,' singer Piret Jakobson said.
'It's really good with all Estonian people to do the same thing,' said engineer Taavi Pentma, who took part in the dance performances. 'So we are, like, breathing in one and the heart is beating (as one).'
Some 100 members of the European Choir of Estonians came to the Song Celebration this year from various corners of Europe. Among them is Kaja Kriis, who traveled from Germany, where she's been living for the last 25 years.
'Estonia is my home,' she said, adding that it's important for her 'to be together with my friends, to keep my Estonian language, to maintain the Estonian language and Estonian culture.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hamilton Spectator
an hour ago
- Hamilton Spectator
Cierra Ortega exits ‘Love Island USA' villa following backlash over resurfaced racial slur posts
LOS ANGELES (AP) — Cierra Ortega, a contestant of this summer's 'Love Island USA' left the villa just a week before the finale of the hit reality series is set to air on Peacock. Her departure, announced Sunday, followed weeks of uproar from viewers after old posts from Ortega resurfaced that contained a racial slur against Asian people. The show's narrator, Iain Stirling, announced Ortega had departed 'due to a personal situation' early in Sunday's episode. Ortega becomes the second contestant this season to depart the show amid controversy due to past social media posts. Yulissa Escobar abruptly exited last month in the second episode after clips of her using racist language resurfaced online. Her departure was also not explained in the show. A spokesperson for the show declined to comment Monday. Ortega's family posted to her Instagram story Sunday evening following the announcement of her departure, asking the public 'for compassion. For patience. For basic human decency. 'While Cierra is not in the villa anymore, she is still away. She hasn't had the chance to process any of this or speak for herself,' her family wrote. 'But we know our daughter. We know her heart. And when she returns, we believe she'll face this with honesty, growth, and grace.' Her family said they, along with Ortega's friends and online supporters, have received threats, attacks and cruel messages on social media, noting that 'no one deserve that kind of hate, no matter what mistakes they've made.' 'Love Island USA' is an American spin-off of the original U.K. series and is airing its seventh season . The show airs daily except Wednesdays and brings young singles together in a remote villa in Fiji to explore connections with the ultimate goal of finding love. Couples undergo challenges and are encouraged test their romantic connections as new contestants are introduced. Islanders are routinely 'dumped' from the villa throughout the series as stronger couples form. The winning couple receives $100,000. The show, which strips contestants of their phones or access to the outside world, has previously asked fans to avoid cyberbullying contestants. Host Ariana Madix called for fans to stop doxxing and harassing the show's stars in a recent interview with The Associated Press. Ortega entered the villa at the end of the first episode as a bombshell, one of the first in a steady stream of new contestants who come in after the show began, often expected to disrupt existing couples and create new relationship dynamics. Ortega quickly coupled up with Nic Vansteenberghe, whom she remained with up until her departure. Her exit broke up one of the few consistent couples of the season. The couple had just announced a few episodes prior they were 'closed off,' a popular 'Love Island' phrase to indicate neither contestant was interested in exploring a connection with any other islander. 'Before Cierra had left, my mind was clear. I knew what the future would look like, and now, I'm lost,' Vansteenberghe said during Sunday's episode. Vansteenberghe stayed on the show as a single islander after Ortega left, and he ultimately re-coupled with fellow contestant Olandria Carthen before the end of the episode. Belle-A Walker, a contestant who was dumped earlier this season, took to Instagram to express heartbreak over Ortega's resurfaced posts. Walker, who is Asian American, said she is 'deeply appreciative' of the show's producers 'for taking a stand and making it clear that racism of any kind is not tolerated.' 'Asian hate is oftentimes overlooked and dismissed. But being a first-generation American, I have personally witnessed and experienced how real and hurtful comments like these are,' Walker wrote on her Instagram story page. 'It is my hope that this situation can help shed light on how big of an issue anti-Asian hate really is.' Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .


Hamilton Spectator
6 hours ago
- Hamilton Spectator
Novak Djokovic's 11-year-old son, Stefan, is getting Wimbledon players' autographs. But not Dad's
LONDON (AP) — Novak Djokovic's 11-year-old son, Stefan, seems to be having the time of his life at Wimbledon, where he has been wearing a white hat with autographs of several players. One valuable signature he's missing? His father's. Djokovic said after his 1-6, 6-4, 6-4, 6-4 victory over Alex de Minaur in the fourth round Monday that his kid did most of the work himself to gather the names scribbled on the cap. 'It was himself, independently of me, approaching and asking for autographs,' the 24-time Grand Slam champion said. 'I think I might have asked only Jannik (Sinner) or someone, but everyone else he's approached.' Stefan is even having fun on the court, hitting recently with Flavio Cobolli, the 22nd-seeded Italian who will take on Djokovic in the quarterfinals. 'He's over the moon. Obviously, he loves tennis. Yeah, he has everyone's signature, except mine,' Dad said. 'But that's OK. I'll accept that.' Djokovic and his wife, Jelena, also have a daughter, 7-year-old Tara, who got attention earlier in the tournament by doing a postmatch dance . ___ AP tennis:


Hamilton Spectator
6 hours ago
- Hamilton Spectator
Among couture's last independents, Iris Van Herpen unveils ‘living' algae dress in Paris
PARIS (AP) — For years, Dutch wunderkind and celebrity favorite Iris Van Herpen has occupied fashion's edge — not just with boundary-pushing designs conjured from banana leaves, cocoa beans and 3D-printed polymers, but also by standing apart as one of couture's rare independents. Blurring the lines between biology, art and design, Van Herpen has built a legacy outside the powerful luxury groups that dominate Paris. Monday's collection at Paris Couture Week , 'Sympoiesis,' felt like the culmination of her restless experimentation: A show that dared to imagine clothing as both organism and artifact. In a shadowy Paris venue, Van Herpen sent out a series of gossamer gowns spun from alternative fibers so fine and insubstantial that they seemed conjured from air itself. At the collection's heart, a luminous 'living dress,' animated by millions of bioluminescent algae, quietly stole the scene. The algae, thriving within a custom-molded nutrient matrix, glimmered in electric blue as if stitched from the deep sea — offering an eerie, captivating spectacle that went beyond mere artifice. Elsewhere, Van Herpen introduced wedding gowns crafted from lab-grown bio-protein, a futuristic Japanese fiber that's biodegradable and endlessly recyclable — a glimpse of a fashion industry reimagined for a new era. Independent woman and star power If the show dazzled, it also underscored a rare feat in modern couture: independence. In a world where most designers rely on billion-dollar groups to bankroll their dreams, Van Herpen stands nearly alone, thriving outside the grip of giants like LVMH Moët Hennessy Louis Vuitton and Kering . Her creations have become magnets for pop royalty and rule-breakers: Lady Gaga , Beyoncé, Björk, Scarlett Johansson and Natalie Portman have all worn her sculptural gowns on the world's biggest stages. At the Met Gala, Hailee Steinfeld stunned in a Van Herpen dress made from ocean plastic. Dove Cameron shimmered in her work in 2022. Star power helps sustain the atelier, but it's invention that defines her legacy. While many independents have vanished from the couture calendar, Van Herpen survives by never playing it safe. Every season, she proves that true originality is not only possible — but essential — in Paris. By harnessing living organisms and boundary-pushing textiles, Van Herpen's latest collection doubled down on her signature ethos: couture not just as spectacle or skill, but as an open question — what might fashion, and nature, become next? In a world obsessed with spectacle, Van Herpen continues to ask not only what we wear, but how we care for the world that makes it possible.