
Moment man abandoned as baby in plastic bag finally meets birth family
A man who was abandoned as a baby inside a plastic bag had an emotional reunion with his birth family on Wednesday's (25 June) episode of Long Lost Family on ITV.
In September 1984, Jon Scarlett-Phillips was discovered in the toilet of a leisure centre car park in Bletchley, Milton Keynes, wrapped in a blanket.
Now 40, he enlisted the help of the show, presented by Davina McCall and Nicky Campbell, to trace his birth mother.
In an emotional scene, the chef finally met his two half-sisters, who explained that his birth mother felt unable to join them both physically and mentally following a long period of illness.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
32 minutes ago
- The Sun
Boris Johnson's wife Carrie treated in hospital for ‘severe dehydration' just a month after giving birth to fourth child
CARRIE Johnson has been treated in hospital for "severe dehydration". The former Prime Minister's wife spent two nights in hospital, a little over a month since welcoming her fourth child. Carrie revealed on Friday how she had been rushed in for treatment and warned fellow mums to "eat and drink enough in this heat". 'Being hospitalised for two nights for my severe dehydration was not on my postpartum bingo card," she wrote in an Instagram post. "Breastfeeding mums make sure you eat and drink enough in this heat. Especially if your babe is clusterfeeding.' The 37-year-old added: 'This week has honestly been brutal. Mastitis (me), reflux (her), dehydration (me). "What a pair we are! But thank you for all the kindest messages, especially all the brilliant advice on reflux. "Really appreciate it and made me feel way less alone going thru it all.' This is an inflammation of breast tissue, common in women who are breastfeeding. announced the latest member of their brood on Instagram with a sweet post in May. Carrie said in her baby post: "Welcome to the world Poppy Eliza Josephine Johnson born on 21st May." She went on to refer to her baby as "Pops" and "Pop Tart" as an adorable nickname. "Aka Pops, Pop Tart. "I can't believe how pretty and tiny you are. Feel so incredibly lucky. We are all totally smitten. "I can't believe how pretty and tiny you are. Feel so incredibly lucky. We are all totally smitten. "Not sure I've slept a minute since you were born as can't stop looking at how completely lovely you are. "Thank you so much to the amazing maternity team at UCLH and particularly to Asma and Patrick who have looked after me so well through all my pregnancies. I really cannot thank you guys enough. "Wilf, Romy and Frank are utterly delighted, particularly Romy who was desperate for a little sister. Bring on the matching dresses. "A final gang member. Back from hospital now and time for cocktails and pizza with my tiny baby snoozing on my lap. Life doesn't get any better." Boris also has four children with his ex wife Marina Wheeler and one with art adviser Helen Macintyre. Baby Poppy was born on May 21 and is Boris' ninth child. He and Carrie married in July 2021, and already share sons Wilfred, five, and Frank, one, and daughter Romy, three. is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video. Like us on Facebook at and follow us from our main Twitter account at @TheSun.


Telegraph
an hour ago
- Telegraph
The 1975, Glastonbury Festival, review: If you find it hard to like Matty Healy, watch this
The 1975 confused rather than commanded Glastonbury Festival, although that might well have been their intention. They are a post-modern pop group, so aware of the ironies, showbiz tropes and rock star hypocrisies of the celebrity business that they want you to know they don't take any of it too seriously… apart, that is, from their seriously impressive songcraft. Frontman, main songwriter and conceptualiser Matty Healy knows he is a divisive character: a mouthy, hyperactive, oversensitive contrarian constantly on the verge of being cancelled, and he chooses to lean into that persona. 'I have this thing where it's difficult to tell when I'm being sincere,' he announced early on in their spectacular, artfully designed set, before he then made a series of ludicrously pompous statements about being the greatest songwriter of his generation. 'These words I bleed for you,' he proclaimed, smoking a cigarette and swigging a Guinness. I'm pretty sure there would have been people watching the BBC broadcast at home ready to throw things at the screen, as the super slick band launched into early hit Chocolate with nonsense soundalike lyrics emblazoned on the big screens. The 1975's own fans grasp the joke, and sang along unperturbed by their complicated hero's displays of comedy ego. The first half of the show found Healy playing a kind of caricature of his controversial persona, dressed like a classic rock rebel in skinny jeans and a leather jacket. A short interlude commenced with a screen emblazoned with the legend 'MATTY IS CHANGING HIS TROUSERS'. He returned in a slick suit and tie, banging out big hits as if he genuinely wanted the crowd with him rather than against him. But even his sincerity is not to be trusted. He made a speech hoping that people wouldn't be disappointed by the lack of politics in their set, perhaps referring to several other Glastonbury performers leading Free Palestine chants. 'There's enough politics in the world, we want our legacy to be one of love and friendship,' he said. I think he means it, too. But I suspect the BBC won't have been too pleased with flashing images of riots, 9/11, dead children, flayed dogs and Kanye West during their fierce rock protest anthem Love It If We Made It. The 1975 formed at school in Manchester in 2002. The quartet have been together a long time and play like it, locking into slick grooves expanded with colour and scope by additional keyboards, horns and percussion. It's a very lush, hyperactive, mobile, richly melodious form of modern pop: big and daring songs full of challenging ideas but peppered with hooks. That the challenge extends to their artful presentation is to be applauded, albeit it can make them hard for the casual onlooker to love. It was a Glastonbury set that wobbled precariously between triumph and disaster, which I suspect might be exactly where Matty Healy and his loyal crew feel most comfortable.


Times
an hour ago
- Times
The 1975 at Glastonbury 2025 review: hard to take seriously
The 1975Pyramid Stage The first headliner of the weekend was a strange choice. The 1975 certainly made a big splash about ten years ago, combining rock, pop and everything in between as a reflection of the new genre-free era of music, but more recently they have been working on an album yet to be released and singer Matty Healy has become known for being immortalised by his ex-girlfriend Taylor Swift in her song The Smallest Man Who Ever Lived. Still, they were determined to make an impact, from the blinding lights of the multi screen setup to Healy arriving on stage with a pint of Guinness (a real glass one — where did he get that from? Did he bring it with him?) and a cigarette before leaping about in imagined rock star fashion. It was all very flash, but with their uptight white funk sound, and Healy coming across like a drunken George Michael, it was frankly hard to take seriously. • Glastonbury 2025 live: the 1975, Lewis Capaldi and Lorde kick off festival 'Love me if that's what you wanna do,' sang Healy on Love Me, strutting from one side of the stage to the other, and you did feel that he really would like you to love him. Sometimes that desire reaped dividends. She's American was a nice bit of 80s pop funk, Paris was a sweet love song featuring the line 'I think my boyfriend's a narcissist', and there was a certain charm to Healy and his mix of arrogance and insecurity. But then he had to ruin it all. Looking like he was about to cry, he announced, 'This moment has made me realise … that I probably am the best songwriter of my generation.' There followed a nonsense novelty pop song after which he announced, 'Only joking. I'm an idiot.' It was also hard to equate Healy's dissolute rocker image, complete with ever-present cigarette and tendency to wobble about like he was really out of it, with the word-perfect delivery, the way he knew exactly where the cameras were at all times, and the precise, clean, rather soppy pop coming out of the band. There were some good songs here, especially the state of the world address Love It If We Made It, although showing horrific current affairs scenes to accompany it was gratuitous. But this Glastonbury headline set was unconvincing, like Healy would love nothing more than to be cast in a film about a troubled rock star and this was his audition. It was all an act, in other words: not a bad act, and certainly a high budget one, but ultimately rather empty. ★★☆☆☆