Kesha and Scissor Sisters' 'The Tits Out Tour' 2025: How to get tickets, dates, presale info and more
The majority of the tour will be held in the states, with the exception of one Toronto performance. Joining her on stage for all shows will be the Scissor Sisters, which includes Jake Shears, Babydaddy and Del Marquis. Slayyyter and Rose Gray will also be performing on select dates.
"I'm going tits out this summer to bring as much safety, fun, acceptance, love, connection and celebration to this country," Kesha said in a press release about her tour. If you're ready to dance along and become a free spirit with the pop star, here's where she'll be touring this year.
Starting tomorrow, April 8 at 10 a.m. local time, you can preorder tickets to Kesha and Scissor Sisters' The Tits Out Tour via Kesha Official or Scissor Sisters. The general sale date is April 10 at 10 a.m. local time. You can sign up today for pre-sale.
Pre-order tickets
We don't know how much the general admission tickets will cost yet for Kesha and Scissor Sisters' The Tits Out Tour, but Vivid Seats shows prices start out at $38 for a lawn ticket at the tour's first show.
Pre-order tickets
The tour will kick off July 1 in West Valley City, UT. Here's the full list of touring locations and dates.
July 1, 2025 — West Valley City, UT — Utah First Credit Union Amphitheatre
July 3, 2025 — Mountain View, CA — Shoreline Amphitheatre
July 5, 2025 — Inglewood, CA — Kia Forum
July 6, 2025 — Phoenix, AZ — Talking Stick Resort Amphitheatre
July 8, 2025 — Dallas, TX — Dos Equis Pavilion
July 10, 2025 — The Woodlands, TX — The Cynthia Woods Mitchell Pavilion
July 12, 2025 — Tinley Park, IL — Credit Union 1 Amphitheatre
July 13, 2025 — St. Louis, MO — Hollywood Casino Amphitheatre
July 15, 2025 — Nashville, TN — Riverfront Park - Ascend Amphitheater
July 16, 2025 — Cincinnati, OH — Riverbend Music Center
July 18, 2025 — Noblesville, IN — Ruoff Music Center
July 19, 2025 — Clarkston, MI — Pine Knob Music Theatre
July 21, 2025 — Toronto, ON — Budweiser Stage
July 23, 2025 — New York, NY — Madison Square Garden
July 24, 2025 — Mansfield, MA — Xfinity Center
July 26, 2025 — Burgettstown, PA — The Pavilion at Star Lake
July 28, 2025 — Cuyahoga Falls, OH — Blossom Music Center
July 29, 2025 — Philadelphia, PA — TD Pavillion at The Mann
July 31, 2025 — Buffalo, NY — Darien Lake Amphitheater
August 2, 2025 — Virginia Beach, VA — Veterans United Home Loans Amphitheater
August 3, 2025 — Raleigh, NC — Coastal Credit Union Music Park at Walnut Creek
August 5, 2025 — Charlotte, NC — PNC Music Pavilion
August 7, 2025 — Alpharetta, GA — Ameris Bank Amphitheatre
August 9, 2025 — West Palm Beach, FL — iTHINK Financial Amphitheatre
August 10, 2025 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
a day ago
- Yahoo
Scooter Braun Opens Up About The One Taylor Swift Song Many Swifties Believed Was Be About Him
Scooter Braun doesn't seem too worried that pop superstar Taylor Swift has written any songs about him. During a recent podcast appearance, the music executive, known for working with artists such as Justin Bieber, Ariana Grande, and, at one point, Swift, addressed fan theories that the singer had slammed him in a song from her album "Midnights." Scooter Braun Reveals His Thoughts About Taylor Swift Potentially Slamming Him In A Song After Swift released her 10th studio album in October 2022, many believed the song "Vigilante Sh-t" was about Braun and his ex-wife, Yael Cohen. In the pop track, Swift sings about helping a woman get revenge on a man who did her wrong. "Draw the cat eye, sharp enough to kill a man / You did some bad things, but I'm the worst of them," Swift sings over the beat, later adding, "She needed cold hard proof so I gave her some / She had the envelope, where you think she got it from?" According to Braun, however, there's no way Swift's track could be about him and Cohen, considering they talk "every day." Braun Says Taylor Swift's Song Is Not About Him And His Ex-Wife "My ex-wife is one of my best friends. So, me and my ex-wife laugh at that stuff," Braun said on an episode of the "Question Everything" podcast. Braun shared that he and Cohen, who share three kids together, Jagger, Levi, and Hart, are in such a good place that they hardly refer to each other as "ex" partners. "That's the mother of my children," he said. "That is my family for life. I have a tattoo on my finger that says 'same team' after my divorce, because she and I are the same team for life. It's what we say to each other." Braun doubled down on his denial, stating that he and Cohen "never thought [the song] was about us." "Great strategy move," he stated, "but no." Taylor Swift And Scooter Braun Have Had A Complicated Past It's no surprise that many believed Swift's song "Vigilante Sh-t" was about Braun, considering their contentious history dates back to 2019, when Braun acquired Swift's former label, Big Machine, in a $300 million deal that included the rights to her first six albums. In a letter shared to her Tumblr page, Swift expressed her disappointment with the deal, saying she "wasn't given an opportunity to buy" her masters before they were sold. "Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it," she wrote. Swift Was Able To Buy Her Masters Back In 2025 Eventually, Braun sold Swift's catalog to Shamrock Capital in 2020, and in 2025, the "Cruel Summer" singer was finally able to purchase it herself after completing her record-breaking "Eras Tour." 'I almost stopped thinking it would ever happen, after 20 years of having the carrot dangled and then yanked away,' she wrote. 'But that's all in the past now. I've been bursting into tears of joy at random intervals ever since I found out that this is really happening. I really get to say these words.' 'All I've ever wanted was the opportunity to work hard enough to be able to one day purchase my music outright with no strings attached, no partnership, with full autonomy,' she continued. 'I will be forever grateful to everyone at Shamrock Capital for being the first people to ever offer this to me.' Swift went on to praise Shamrock Capital for handling their business deal in an "honest, fair, and respectful" manner. "... I really felt like they saw it for what it was to me: my memory and my sweat and my handwriting and my decades of dreams. I am endlessly thankful. My first tattoo might just be a huge shamrock in the middle of my forehead," she added. Braun Paid His Ex-Wife $20 Million In Divorce Settlement Based on a report from PEOPLE, Braun paid Cohen $20 million as part of their divorce settlement. Although the music executive walked away with assets including more than 100 pieces of art, a 2018 Porsche Cayenne, a 2019 Tesla Model X, and a $65 million mansion, Cohen also retained several luxury items. According to the report, the F-ck Cancer founder was able to remain inside their $30 million Brentwood home, as well as keep a 2021 Land Rover Defender and several pieces of art. Solve the daily Crossword
Yahoo
2 days ago
- Yahoo
With her app Smash, Kesha can be whoever she wants – even a tech CEO
Kesha – yes, brush my teeth with a bottle of Jack Kesha – is now a startup founder. But if you think her journey from raunchy pop star to CEO is unexpected, then you haven't been paying attention. Kesha has always embraced contradictions. She exploded onto the pop scene in 2010 with irreverent ear candy like 'Blah Blah Blah' and 'TiK ToK,' stylizing her name with a dollar sign despite throwing shade at the egregious wealth of Hollywood. She didn't let people dismiss her as a one-dimensional, glitter-clad party girl. As beleaguered high schoolers studied for exams amid Kesha's rise to fame, they whispered in frustration about how the world's most famous party girl got a near-perfect score on the SAT, but turned down a full-ride to Barnard College to sing about peeing in champagne bottles. The biggest contradiction of Kesha's story is that despite living the dream of a pop star on the surface, her years in the spotlight were nightmarish behind the scenes. Now, drawing from her own experience suffering at the hands of predatory record contracts, Kesha is building an app called Smash, which is a way for musicians to find one another, make music together, and establish clear, artist-friendly contracts among collaborators. Smash aims to set itself apart by using a built-in system to generate contracts between artists. The terms of the contracts depend on what each artist decides — for example, a musician may decide to license a beat for set fee, or request a percentage of royalties over time. Smash would fund itself by taking a small cut of payments made through the app. 'One of the pieces of leverage, especially over younger music creators, is you need a way into the club,' Kesha's brother and Smash co-founder Lagan Sebert told TechCrunch. 'With Smash, we want to give music creators the keys to get into this club of professionals and other creators without them feeling like they have to sign anything away, or make any large decisions about the rest of their lives.' After establishing herself as a powerhouse pop star, Kesha sued her producer Dr. Luke in 2014 for alleged sexual, physical, and emotional abuse. He immediately countersued her for defamation, sparking a high-profile legal battle and reckoning with the dark side of pop music. Though Kesha sought to get out of her recording contract with Dr. Luke, the court ruled against her, forcing her to release three more albums with him. It was only this month — on July 4, a date chosen very intentionally — that Kesha released an album without Dr. Luke for the first time. But regaining her own artistic agency isn't enough. Now that she is a fully independent artist, she wants to help ensure that other young musicians don't fall victim to exploitative record deals like she did. 'One of the things that really motivated her was when she went through this long legal battle to regain the rights to her voice, regain rights to her music,' Sebert said. 'I think the motivation behind Smash more than anything was to try to give music creators access to the community they need to create music independently.' Building the Band If Kesha and her brother were going to build an app, they were going to need some technological expertise. Years ago, Kesha attended an ACTAI Ventures event and met Lars Rasmussen, who co-founded Google Maps and was one of the first investors in design unicorn Canva. The two stayed in touch, and when it came time to build Smash, Rasmussen introduced her to Alan Cannistraro, who would become the app's CTO. Cannistraro spent over 12 years at Apple, where he worked on products for creatives like Final Cut; he also managed a team of engineers to build the first ever apps for iOS, like Remote, iBooks, iTunes, and Podcasts. He went on to start Rheo, a social video startup, but he has always had an interest in music. 'In the late '90s, when my friends were all using Napster, I was saying to them, 'What the hell, you like this music, why are you screwing the artist?'' Cannistraro told TechCrunch. 'It's always just been in my value system that artists need to be supported.' When Kesha, her brother Lagan, and Cannistraro started working together, Rasmussen became one of their first investors. Kesha even announced the app as part of Rasmussen's Panathēnea festival in Greece. 'Smash is a community platform for music creators. It's a place where you can go to connect, to create, and to hire, all while retaining the rights to what you create,' Kesha said at the festival. 'The goal is to shift the power back to the hands of the creators.' 'The contracting is safe — it's all transparent, and then you get to choose, and you get consent over where your art and where your voice goes, and how it goes into the world, all while retaining the rights to what you have just created,' she added. The Smash app remains a work in progress, intending to open to some artists later this year. But to test some of the tech tools that the company has created thus far, Smash hosted a contest where artists could submit remixes of Kesha's song 'Boy Crazy' — the five winners of the contest will have their remixes released on Kesha's record label for what Sebert calls an 'industry standard remix fee.' 'I regained the rights to my voice back for the first time in my adult life about one year ago, as a 37-year-old woman,' Kesha said at Panathēnea. 'Predatory deals like that are normal.' Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
TechCrunch
2 days ago
- TechCrunch
With her app Smash, Kesha can be whoever she wants – even a tech CEO
Kesha – yes, brush my teeth with a bottle of Jack Kesha – is now a startup founder. But if you think her journey from raunchy pop star to CEO is unexpected, then you haven't been paying attention. Kesha has always embraced contradictions. She exploded onto the pop scene in 2010 with irreverent ear candy like 'Blah Blah Blah' and 'TiK ToK,' stylizing her name with a dollar sign despite throwing shade at the egregious wealth of Hollywood. She didn't let people dismiss her as a one-dimensional, glitter-clad party girl. As beleaguered high schoolers studied for exams amid Kesha's rise to fame, they whispered in frustration about how the world's most famous party girl got a near-perfect score on the SAT, but turned down a full-ride to Barnard College to sing about peeing in champagne bottles. The biggest contradiction of Kesha's story is that despite living the dream of a pop star on the surface, her years in the spotlight were nightmarish behind the scenes. Now, drawing from her own experience suffering at the hands of predatory record contracts, Kesha is building an app called Smash, which is a way for musicians to find one another, make music together, and establish clear, artist-friendly contracts among collaborators. Smash aims to set itself apart by using a built-in system to generate contracts between artists. The terms of the contracts depend on what each artist decides — for example, a musician may decide to license a beat for set fee, or request a percentage of royalties over time. Smash would fund itself by taking a small cut of payments made through the app. 'One of the pieces of leverage, especially over younger music creators, is you need a way into the club,' Kesha's brother and Smash co-founder Lagan Sebert told TechCrunch. 'With Smash, we want to give music creators the keys to get into this club of professionals and other creators without them feeling like they have to sign anything away, or make any large decisions about the rest of their lives.' After establishing herself as a powerhouse pop star, Kesha sued her producer Dr. Luke in 2014 for alleged sexual, physical, and emotional abuse. He immediately countersued her for defamation, sparking a high-profile legal battle and reckoning with the dark side of pop music. Though Kesha sought to get out of her recording contract with Dr. Luke, the court ruled against her, forcing her to release three more albums with him. Techcrunch event Tech and VC heavyweights join the Disrupt 2025 agenda Netflix, ElevenLabs, Wayve, Sequoia Capital — just a few of the heavy hitters joining the Disrupt 2025 agenda. They're here to deliver the insights that fuel startup growth and sharpen your edge. Don't miss the 20th anniversary of TechCrunch Disrupt, and a chance to learn from the top voices in tech — grab your ticket now and save up to $675 before prices rise. Tech and VC heavyweights join the Disrupt 2025 agenda Netflix, ElevenLabs, Wayve, Sequoia Capital — just a few of the heavy hitters joining the Disrupt 2025 agenda. They're here to deliver the insights that fuel startup growth and sharpen your edge. Don't miss the 20th anniversary of TechCrunch Disrupt, and a chance to learn from the top voices in tech — grab your ticket now and save up to $675 before prices rise. San Francisco | REGISTER NOW It was only this month — on July 4, a date chosen very intentionally — that Kesha released an album without Dr. Luke for the first time. But regaining her own artistic agency isn't enough. Now that she is a fully independent artist, she wants to help ensure that other young musicians don't fall victim to exploitative record deals like she did. 'One of the things that really motivated her was when she went through this long legal battle to regain the rights to her voice, regain rights to her music,' Sebert said. 'I think the motivation behind Smash more than anything was to try to give music creators access to the community they need to create music independently.' Building the Band If Kesha and her brother were going to build an app, they were going to need some technological expertise. Years ago, Kesha attended an ACTAI Ventures event and met Lars Rasmussen, who co-founded Google Maps and was one of the first investors in design unicorn Canva. The two stayed in touch, and when it came time to build Smash, Rasmussen introduced her to Alan Cannistraro, who would become the app's CTO. Cannistraro spent over 12 years at Apple, where he worked on products for creatives like Final Cut; he also managed a team of engineers to build the first ever apps for iOS, like Remote, iBooks, iTunes, and Podcasts. He went on to start Rheo, a social video startup, but he has always had an interest in music. 'In the late '90s, when my friends were all using Napster, I was saying to them, 'What the hell, you like this music, why are you screwing the artist?'' Cannistraro told TechCrunch. 'It's always just been in my value system that artists need to be supported.' When Kesha, her brother Lagan, and Cannistraro started working together, Rasmussen became one of their first investors. Kesha even announced the app as part of Rasmussen's Panathēnea festival in Greece. 'Smash is a community platform for music creators. It's a place where you can go to connect, to create, and to hire, all while retaining the rights to what you create,' Kesha said at the festival. 'The goal is to shift the power back to the hands of the creators.' 'The contracting is safe — it's all transparent, and then you get to choose, and you get consent over where your art and where your voice goes, and how it goes into the world, all while retaining the rights to what you have just created,' she added. The Smash app remains a work in progress, intending to open to some artists later this year. But to test some of the tech tools that the company has created thus far, Smash hosted a contest where artists could submit remixes of Kesha's song 'Boy Crazy' — the five winners of the contest will have their remixes released on Kesha's record label for what Sebert calls an 'industry standard remix fee.' 'I regained the rights to my voice back for the first time in my adult life about one year ago, as a 37-year-old woman,' Kesha said at Panathēnea. 'Predatory deals like that are normal.'
