
‘Andor' and ‘Tracker' close chapters, plus the week's streaming picks
The highly anticipated final arc of 'Andor' arrives next week, with a three-episode block that brings Cassian's epic journey to a conclusion — cue the galactic grief. In this week's 'Catch Up,' our trusty 'Star Wars' expert Tracy Brown is here to entice you to join the bandwagon before Season 2's last installment.
Also in Screen Gab No. 180, our experts recommend a TV show about young love set in Los Angeles that'll make you want to take a drive and listen to a playlist of yearning and heartbreak, and a collection of telecasts of notable Broadway and West End productions. Plus, Justin Hartley stops by Guest Spot to talk 'Tracker.'
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This superfan is buying VHS copies of 'The Mummy.' The size of his collection is shocking: A Long Beach resident is using social media to chronicle his mission to amass the world's largest VHS collection of the 1999 film starring Brendan Fraser and Rachel Weisz.
Recommendations from the film and TV experts at The Times
'Next to Normal' (PBS App/ pbs.org)
I love covering the Los Angeles theater scene, but I don't love braving rush hour traffic before taking in a live show. Thankfully, 'Great Performances' is streaming freshly filmed productions from Broadway and the West End, starting with the Tony Award- and Pulitzer Prize-winning work 'Next to Normal.' This 2024 staging of Tom Kitt and Brian Yorkey's 2008 rock musical stars Caissie Levy, Jamie Parker, Jack Wolfe and Eleanor Worthington-Cox as a suburban family coping with crisis and mental illness. (It's a tearjerker, so be sure to keep your blankets and tissues in tow.) The lineup continues weekly on Fridays, with David Henry Hwang's Broadway comedy 'Yellow Face' starring Daniel Dae Kim (May 16), the musical 'Girl From the North Country,' featuring 20 reimagined Bob Dylan songs (May 23) and a revival of Cole Porter's comedy 'Kiss Me, Kate' starring Stephanie J. Block and Adrian Dunbar (May 30). — Ashley Lee
'Forever' (Netflix)
You don't always get love right on the first try, but it can still be a powerful experience. This modern day reimagining of Judy Blume's groundbreaking 1975 novel from creator Mara Brock Akil captures the intensity of young love. Set in 2018 Los Angeles, the series follows the story of two high school students, Keisha (Lovie Simone) and Justin (Michael Cooper Jr.), who are trying to figure out who they're becoming while experiencing the joys and insecurities of being each other's first love. Keisha is a smart and confident track star whose circumstances pushed her to mature early, while Justin is a shy, music-loving guy who struggles with schoolwork. Their first phone call will transport you back in time and summon the butterflies. It helps, too, that L.A. plays a vital role in their love story. Production filmed in real neighborhoods — Keisha's family lives in Crenshaw, and Justin's family lives in the affluent View Park-Windsor Hills neighborhood. The pair visit places like the Fairfax District, the Santa Monica Pier and Little Tokyo as the season unfolds. And the soundtrack, which includes tracks from H.E.R, Nipsey Hussle and Victoria Monét, will have your ears in a love trance too. — Yvonne Villarreal
Everything you need to know about the film or TV series everyone's talking about
I have been shouting from every rooftop that 'Andor' is not only one of the best 'Star Wars' stories ever, but one of the best TV shows around. Now I'm here, in your inbox, ahead of Season 2's three-episode conclusion on Tuesday, to say it again.
The show follows Cassian Andor (Diego Luna) before the events of 2016's 'Rogue One: A Star Wars Story,' where he is introduced as a skilled spy and dedicated leader of the Rebel Alliance who helps steal vital information about the Empire's super weapon — the Death Star. Yes, the events of the original 'Star Wars' could not have happened without the actions of Cassian and his team.
'Andor' starts five years prior to 'Rogue One's' narrative and tracks the radicalization and transformation of Cassian from disaffected minor delinquent to resistance fighter. That makes the Disney+ show a prequel series of a spinoff prequel movie of the original 'Star Wars' — but don't let this cloak of IP-ified franchise jargon shroud its broader relevance and appeal. 'Andor' is more than just Cassian's origin story.
One of the most mature and overtly political installments of 'Star Wars,' the series is a meditation on how ordinary people respond to an increasingly oppressive authoritarian regime. It's a morally complex story that shows how the actions and inactions of some of these ordinary people can contribute to the rise and retention of said regime, as well as how even the smallest acts of insurrection by others in the bleakest of times can be the spark needed for more to fight back. You don't have to be a Jedi or wield a blaster to be a hero.
And if the show's timely themes weren't enough of a draw, 'Andor' also has more than its fair share of incredible monologues. — Tracy Brown
A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching
The Season 2 finale of the hit CBS show 'Tracker' is Sunday. But is its titular character any closer to learning the truth about his father's death? Based on the novel 'The Never Game' by Jeffery Deaver, the series stars Justin Hartley as Colter Shaw, a professional problem solver who travels the country and uses his tracking expertise to help crack mysteries for private citizens and law enforcement. While the standalone cases keep the season moving, the backstory about Colter's father has been the slow burn looming in the background. Hartley stopped by Screen Gab recently to discuss his penchant for characters with absent daddy issues, whether he'll direct on 'Tracker' and more. — Yvonne Villarreal
As the season nears its end, it seems like we're getting closer to the mystery of what happened to Colter's father. With 'This Is Us,' Kevin knew how his father died, but the audience didn't. In 'Tracker,' Colter is in the dark too. How did your work on 'This Is Us' inform how you thought about Colter and how he moves in the world with that added burden?
I think sometimes the burden of the unknown becomes a kind of engine. It drives how you go about your business. I know that's true for Colter. What happened to his father, the mystery surrounding his death — who might be responsible, who might be hiding the truth from him — all of that weighs heavily on him. Colter has spent his entire life finding missing people, yet the one person who continues to elude him is his father. The story behind his father's disappearance, whether he passed away, died under mysterious circumstances or was murdered, remains unresolved. The way Colter approaches his work, the choices he makes, are directly connected to what he went through as a child. The trauma, the unanswered questions, they shape everything he does. In that sense, I think there's definitely a comparison to Kevin Pearson on 'This Is Us.' And, you know, I've kind of made it a thing: I don't do projects unless the dad dies.
You've directed before on 'This Is Us' and 'Smallville.' Do you see yourself directing an episode of 'Tracker' next season or in the future?
The thing about 'Tracker' that's different from 'This Is Us' and 'Smallville' as well, is that my character is in so many of the scenes. I'd love to direct, as long as it doesn't take away from the production or the limited time we have on set.
I don't know if it will happen next year. Maybe. But again, it would need to be set up properly.
What have you watched recently that you're recommending to everyone you know?
There's just so much good television out there right now. My wife and I watch most of these together. 'Mayor of Kingstown' [Paramount+] — Jeremy Renner is amazing in it, and the whole cast is just incredible. I love that show. For something a bit lighter but still really entertaining, 'The Residence' [Netflix] is fantastic. My friend Susan [Kelechi Watson] is in it, and she's absolutely brilliant. 'Paradise' [Hulu] — my friend Sterling [K. Brown], my brother, is in that. He's fantastic. James Marsden is fantastic, the whole cast really delivers. '1923' [Paramount+] — I loved that. It's got two really solid seasons, limited series style, but really well done. And then 'Reacher' [Prime Video] — my friend Alan [Ritchson] plays Jack Reacher and does a great job. That show's a lot of fun.
What's your go-to comfort watch, the film or TV show you return to again and again?
I actually just watched this again last night, for probably the fourth night in a row. I've probably seen it over a hundred times. I could quote the entire movie. 'As Good as It Gets' [VOD]. I think it's probably the best movie ever made, in every way.
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USA Today
9 hours ago
- USA Today
Cleo Laine, Grammy-winning jazz singer, dies at 97: Reports
British jazz singer Cleo Laine, who performed with musical greats such as Frank Sinatra and starred as an actor in London's West End and on Broadway, has died at 97, according to reporting from multiple outlets. The Guardian and The New York Times reported the news July 25, citing a statement from Laine's children, musicians Jacqui and Alec Dankworth. "It is with deepest sadness that we announce the passing of our dearly beloved mother, Cleo, who died peacefully yesterday afternoon," the statement to The Guardian read. "We will all miss her terribly. The family wish to be given space to grieve and ask for privacy at this very difficult time." The Stables Theatre, a U.K. music venue that Laine co-founded with her late husband, confirmed the news in a statement posted to its website. Born to an English mother and a Jamaican father in a suburb of London in 1927, Laine initially worked as a hair-dresser, a hat-trimmer and a librarian. She first married in 1946 and had her first son, Stuart. Driven by her dream of becoming a singer, she divorced and got her big break in 1951, when she joined the band of English saxophonist and clarinetist John Dankworth at 24. How Clementine Campbell became Cleo Laine At the time, she had thought she'd been born Clementine Campbell, though a passport application later revealed her mother had used her own surname Hitching on the birth certificate. The men of the Dankworth Seven band thought her name was too cumbersome for a poster, and that her nickname Clem was too cowboy-like. They settled on a new stage persona for her by drawing "Cleo" and "Laine" from hats. In 1958, she and Dankworth married. Their home became a magnet for London's jazz set: Friends included stars from across the Atlantic such as Oscar Peterson and Ella Fitzgerald, Lester Young and Dizzy Gillespie. After acting as well as singing in Britain through the 1960s, Laine toured Australia in 1972 and performed at New York's Lincoln Centre. The recording of a further show, at Carnegie Hall, won her a Grammy Award. Her recordings included "Porgy and Bess" with Ray Charles. In 1992, she appeared with Sinatra for a series of shows at the Royal Albert Hall in London, but she was best known for her work with Dankworth's bands. He later became her musical director. The couple built their own auditorium in the grounds of their home near London and were friends with Princess Margaret, the sister of the late Queen Elizabeth II. Their two children went on to become musicians. Dankworth – who Laine described as being "joined at the hip" with her – died in 2010. Hours after his death, Laine performed a scheduled show in their auditorium, announcing the news about her husband only at the end of the concert. Contributing: KiMi Robinson, USA TODAY


San Francisco Chronicle
10 hours ago
- San Francisco Chronicle
2025 is the year of Pedro Pascal. Here's why he's having a moment
A light, drizzly rain had started to pour, interrupting what began as a balmy March evening in Oakland, and Pedro Pascal was wistful. In exactly two weeks, he would turn 50, and he was feeling it. 'I chase nostalgia a lot, now that I'm getting older,' Pascal told the Chronicle. 'I'm a moviegoer more than I am anything else in life, to be honest.' As he walked the red carpet, then attended the premiere of the Oakland-shot ' Freaky Tales ' at the Grand Lake Theatre, and gently held court at the after-party at Dragon Gate in Jack London Square, Pascal seemed to be treasuring the experience, as if taking a career victory lap. But the end is hardly near. If Pascal is truly an alpha moviegoer, then he's been seeing a lot of Pedro Pascal movies lately. Over the past four months, beginning with April's release of ' Freaky Tales,' the Chilean-born actor has starred in four movies and one limited series. In May, he was featured in the second season of HBO Max's epic post-apocalyptic series ' The Last of Us,' for which he earned his fourth Emmy nomination. In June he co-starred with Dakota Johnson and Chris Evans in ' Materialists,' Celine Song's sharp takedown of the New York dating scene. In July, he is co-headlining in Ari Aster's pandemic potboiler ' Eddington ' and the Marvel superhero reboot ' The Fantastic Four: First Steps,' which opened Friday, July 25, and has already pulled a 2025-best $24.4 million in Thursday previews. It is so obvious: 2025 is the Year of Pascal. He's even on the cover of this month's Vanity Fair with the title, 'Everyone wants a piece of Pedro.' Indeed. Dial it back to 2024, when he appeared in four movies, including ' Gladiator II,' and that's eight movies in a year and a half. That's an amazing run for a longtime journeyman actor who began as a Spanish-speaking immigrant, although a privileged one: His aristocratic parents fled Augusto Pinochet's military dictatorship and eventually settled in San Antonio, then Southern California. But for more than a quarter of a century he had struggled, cobbling together a career with credits that include TV guest shots in 'Buffy the Vampire Slayer,' 'Touched By an Angel' and 'NYPD Blue' to name just a few. So why Pedro Pascal, and why now? Strangely, his big breakthrough was a role that hid his face. The Disney+ 'Star Wars' spinoff ' The Mandalorian ' (2019-23) starred Pascal as Din Djarin, the helmeted bounty hunter charged with protecting the Yoda-like Baby Grogu. He's never been off the A-list since. Pascal had been in high profile projects before — a recurring role in Season 4 of 'Game of Thrones' in 2014 and a co-lead in the Netflix series ' Narcos ' (2015-17). But 'The Mandalorian' made him flaming hot. To capitalize, he accepted the role as the villain in the 2020 pandemic box office casualty 'Wonder Woman 1984,' opposite Gal Gadot. To prove his versatility, he shaved off his trademark mustache. Big mistake. 'Strongly disagree with a clean shaven me,' Pascal groused to Variety recently. 'I was so appalled by the way I look in 'Wonder Woman 1984.'' Which brings up another part of the Pascal mystique. Has there been a Hollywood star as defined by his mustache since Burt Reynolds? That might be one key to Pascal, who in the eyes of many of his growing number of fans is getting better looking with age. Every scraggly facial hair, every crinkly wrinkle around the eyes, every graying hair of his unruly mop adds depth. The guy increasingly feels lived-in, like an REI-outfitted dreamboat. In 'Materialists,' Johnson, as a Manhattan matchmaker, calls his character 'perfect,' one who 'checks every box.' In 'The Last of Us,' he is confronted by a young woman seeking revenge for her father's death, a man he killed. Even as she is consumed by vengeance, the woman, played with wonderful bloodlust by Kaitlyn Dever, stops for a moment and observes, 'You actually are pretty handsome. Congrats on that.' In 'Eddington,' Joaquin Phoenix's sheriff with an inferiority complex is intimidated by the charisma of Pascal's small-town New Mexico mayor. And obviously, Pascal's role as Mr. Fantastic, stud scientist and astronaut in 'The Fantastic Four: First Steps,' speaks for itself. Forget the Silver Surfer; he's the Silver Fox. Yet sex appeal only partially explains Pascal's popularity. What has really made him a star is that we have come to instinctively trust him. In 'The Mandalorian,' 'The Last of Us' and 'The Fantastic Four: First Steps,' he's a protector. Pascal, who has a transgender sister, is that way in real life, too. In April he slammed an anti-trangender Instagram post by 'Harry Potter' author J.K. Rowling, calling it ' Heinous LOSER behavior,' just one example of his willingness to engage on social and political issues. But even in 'Freaky Tales,' in which he's a contract killer looking to reform, he's a man holding on to hard-won truth and experience. And that's ultimately what Pascal brings to the table. He doesn't have time for B.S. He's lived a life, and it shows, especially in those melancholy eyes that seem to say so much. That experience informs the sixth episode of the second season of 'The Last of Us,' which features some of his best acting and is one of the best hours of television this year.


New York Post
11 hours ago
- New York Post
‘South Park' creators reveal battle with network over wild Trump depiction, joke they're ‘terribly sorry'
'South Park' creators Trey Parker and Matt Stone discussed their controversial season 27 premiere at San Diego Comic-Con on Thursday, revealing a behind-the-scenes battle with network executives over airing a less-than-flattering depiction of President Donald Trump's penis during Wednesday's episode. The duo behind the long-running Comedy Central series spoke alongside a panel of other adult cartoon creators at the event, including 'Beavis and Butt-Head' creator, Mike Judge, and 'Digman!' co-creator, Andy Samberg. When asked if they had been following the reaction to their season 27 premiere by the panel's moderator, Josh Horowitz, Parker jokingly replied, 'We're terribly sorry.' As reported by The Hollywood Reporter, that's about as far as the creators went in responding to the controversy stirred by the episode, although Stone did address Trump more directly later in the discussion when the duo were asked about how they originally met. 'For me and Trey, we met over 'Monty Python,'' he said. 'In this day, when PBS is getting their funding cut, that's how I found 'Monty Python.'' Stone's comments on PBS come on the heels of a congressional vote last week to cut funding for public broadcasting. Trump signed the $9 billion spending cuts package into law on Thursday. 'South Park' creators Trey Parker and Matt Stone revealed they went toe-to-toe with network executives before airing their controversial season 27 premiere at San Diego Comic-Con. Getty Images According to Parker, the show's team finalized the season's premiere episode just shortly before it aired. 'Just three days ago, we were going, 'I don't know if people are going to like this,'' Parker said, adding that the duo were reading news headlines and said to each other, 'Let's put that in there.' Horowitz questioned the 'South Park' creators about whether there were any concerns about the season premiere from higher-ups at Comedy Central, with Parker detailing a discussion with the network about showing Trump's penis on the show. The creators of the long-running Comedy Central series detailed how the executives wanted Trump's penis blurred, as the duo told them, 'No, you're not gonna blur the penis.' REUTERS 'They were like, 'We're gonna blur the penis,' and we're like, 'No, you're not gonna blur the penis,'' Parker responded, adding that the show's team agreed to add eyes to the depiction of the president's penis to make it a character. The White House, however, did not seem thrilled about the season 27 premiere of 'South Park.' White House Assistant Press Secretary Taylor Rogers issued a statement regarding Wednesday's episode to Fox News Digital on Thursday. 'The Left's hypocrisy truly has no end — for years, they have come after South Park for what they labeled as 'offense' [sic] content, but suddenly they are praising the show,' Rogers stated. 'Just like the creators of South Park, the Left has no authentic or original content, which is why their popularity continues to hit record lows. This show hasn't been relevant for over 20 years and is hanging on by a thread with uninspired ideas in a desperate attempt for attention. President Trump has delivered on more promises in just six months than any other president in our country's history — and no fourth-rate show can derail President Trump's hot streak.'