
Bruce Springsteen's ‘Tracks II: The Lost Albums' has 83 unreleased songs. Icon shares big update on upcoming project
AP
On June 27, Bruce Springsteen will release 'Tracks II: The Lost Albums,' an epic seven-album box set filled with 83 unreleased songs
American icon Bruce Springsteen is finally answering the question fans have whispered for decades. What else is out there? Springsteen has never been one to toss out a good idea. On June 27, Bruce Springsteen will release 'Tracks II: The Lost Albums,' an epic seven-album box set filled with 83 unreleased songs that span over three decades of his career, from 1983 to 2018, according to a report in Entertainment Now.
"This was a really unusual collection of songs because I was commissioned to write them for a film… It was a western that dealt with spiritual issues." Learn more about "Faithless" in "Inside Tracks II: The Lost Albums," coming soon. #TheLostAlbums," his Instagram post read.The 9-LP collection also features a 100-page hardcover book, offering deeper insights into Springsteen's creative process through outtakes, B-sides, and demos.
ALSO READ: Kristi Noem's hospitalisation linked to her visit with RFK Jr to a controversial biohazard lab for Ebola, SARS-CoV-2?
In a new interview with the New York Times, ahead of his new 'Tracks II: The Lost Albums' box set release due out next Friday — an 83-song epic divided into seven distinct albums — Bruce Springsteen revealed that 'Tracks III' is 'already done.'
Yes, The Boss is already looking ahead to the next project, which he says will comprise an additional five albums of material ranging from sessions for his debut 'Greetings From Asbury Park, N.J.' in 1973 up to last year.'The past always weighs heavy on me. 'Our pasts have a lot to do with shaping who we are now and the things we're pursuing. So that is a theme that constantly recurs to me, and I'm always rewriting it, trying to get it right," he was quoted as saying by the NYT.
ALSO READ: VA spokesperson issues clarification on bombshell report claiming doctors can refuse treatment to Democrats
'It's basically what was left in the vault,' he said. 'So there was a lot of good music left.' While no release date has been announced yet for Tracks III , fans of Bruce Springsteen will have plenty to look forward to in the meantime.
Arriving alongside Tracks II on June 27 is a companion set titled Lost and Found: Selections from The Lost Albums , which includes 20 curated tracks from across the unreleased material. It will be available on two LPs or a single CD. 'These were full albums, some even mixed and ready for release,' Springsteen said earlier this year. 'I've shared this music privately for years. I'm happy you'll finally get to hear it — I hope you enjoy it.'
Wednesday also marked the release of the first trailer for Deliver Me From Nowhere , a biopic starring Jeremy Allen White as Springsteen. The film, due out October 24, chronicles the creation of Springsteen's 1982 album Nebraska and was primarily shot in New Jersey during the fall and winter of 2024–2025.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
&w=3840&q=100)

Business Standard
31 minutes ago
- Business Standard
How Anna Wintour reshaped fashion over 37 years at Vogue magazine
After 37 years at the helm, fashion industry heavyweight Anna Wintour is stepping down from her position as editor-in-chief of American Vogue. It's not a retirement, though, as Wintour will maintain a leadership position at global fashion and lifestyle publisher Condé Nast (the owner of Vogue and other publications, such as Vanity Fair and Glamour). Nonetheless, Wintour's departure from the US edition of the magazine is a big moment for the fashion industry – one which she has single-handedly changed forever. Fashion mag fever Fashion magazines as we know them today were first formalised in the 19th century. They helped establish the 'trickle down theory' of fashion, wherein trends were traditionally dictated by certain industry elites, including major magazine editors. In Australia, getting your hands on a monthly issue meant rare exposure to the latest European or American fashion trends. Vogue itself was established in New York in 1892 by businessman Arthur Baldwin Turnure. The magazine targeted the city's elite class, initially covering various aspects of high-society life. In 1909, Vogue was acquired by Condé Nast. From then, the magazine increasingly cemented itself as a cornerstone of the fashion publishing. The period following the second world war particularly opened the doors to mass fashion consumerism and an expanding fashion magazine culture. Wintour came on as editor of Vogue in 1988, at which point the magazine became less conservative, and more culturally significant. Not afraid to break the mould Fashion publishing changed as a result of Wintour's bold editorial choices – especially when it came to the magazine's covers. Her choices both reflected, and dictated, shifts in fashion culture. Wintour's first cover at Vogue, published in 1988, mixed couture garments (Christian Lacroix) with mainstream brands (stonewashed Guess jeans) – something which had never been done before. It was also the first time a Vogue cover had featured jeans at all – perfectly setting the scene for a long career spent pushing the magazine into new domains. Wintour also pioneered the centring of celebrities (rather than just models) within fashion discourse. And while she leveraged big names such as Beyonce, Madonna, Nicole Kidman, Kate Moss, Michelle Obama and Oprah Winfrey, she also featured rising stars as cover models – often helping propel their careers in the process. Wintour's legacy at Vogue involved elevating fashion from a frivolous runway to a powerful industry, which is not scared to make a statement. Nowhere is this truer than at the Met Gala, which is held each year to celebrate the opening of a new fashion exhibit at the Metropolitan Museum of Art's Costume Institute. The event started as a simple fundraiser for the Met in 1948, before being linked to a fashion exhibit for the first time in 1974. Wintour took over its organisation in 1995. Her focus on securing exclusive celebrity guests helped propel it to the prestigious event it is today. This year's theme for the event was Superfine: Tailoring Black Style. In a time where the US faces great political instability, Wintour was celebrated for her role in helping elevate Black history through the event. Not without controversy However, while her cultural influence can't be doubted, Wintour's legacy at American Vogue is not without fault. Notably, her ongoing feud with animal rights organisation PETA – due to the her unwavering support for fur – has bubbled in the background since the heydays of the anti-fur movement. Wintour has been targeted directly by anti-fur activists, both physically (she was hit with a tofu cream pie in 2005 while leaving a Chloe show) and through numerous protests. This issue was never resolved. Vogue has continued to showcase and feature fur clothing, even as the social license for using animal materials starts to run out. Fashion continues to grow increasingly political. How magazines such as Vogue will engage with this shift remains to be seen. A changing media landscape The rise of fashion blogging in recent decades has led to a wave of fashion influencers, with throngs of followers, who are challenging the unidirectional 'trickle-down' structure of the fashion industry. Today, social media platforms have overtaken traditional media influence both within and outside of fashion. And with this, the power of fashion editors such as Wintour is diminishing significantly. Many words will flow regarding Wintour's departure as editor-in-chief, but nowhere near as many as what she oversaw at the helm of the world's biggest fashion magazine.


Mint
an hour ago
- Mint
Zarna Garg's memoir: The super-sad story of an immigrant comedian
It is a truth universally acknowledged that if you are a female American comedian of any standing, you must write a memoir. Tina Fey and Amy Poehler have written best-selling ones, Mindy Kaling has written no fewer than three, and chances are every female comic you've heard of, from Ellen Degeneres to Hannah Gadsby, Caitlin Moran and Ali Wong, has had a memoir out. Obviously, at some point, someone in publishing decided that this was a bankable genre and guided by the spirit of the late, great Nora Ephron, went full steam ahead. I'm not complaining here; I've read Fey, Poehler and Kaling and they were all immensely satisfying. Beyond such cynical calculations, however, I think the reason comedy memoirs work is because all of us who consume comedy are seeking to answer one question: where does comedy come from? Male comedians observe people around them from a great height and find them absurd; female comedians examine the absurdity of their own lives with a microscope and turn the sad bits into funny bits. This is what Zarna Garg does with This American Woman: A One-in-a-Billion Memoir, and she has so much material to work with. Those who have watched her standup routines might be already familiar with parts of this story: Garg grew up in an affluent, traditional, steeped-in-patriarchy business family in Mumbai as the youngest of four siblings in what we today call a 'blended family" (her mother was her father's second wife whom he married to look after his three older children). She was the pampered youngest till she was not—her mother died when she was 14 and her father immediately wanted to marry her off. Also read: 'Gunboy' review: A bloody good thriller set in the badlands of Maharashtra Garg ran away from home and couch-surfed for two years, drifting between relatives' and friends' homes till she gave up, returned to her father's house and agreed to get married. Then, a miraculous call from a US college allowed her to get away to her step-sister in Akron, Ohio and start life all over. In someone else's hands, this could have turned into a very different kind of memoir. Though Garg was a late bloomer, having started her comedy career less than a decade ago, she decided to mine her story for its comedic potential. All female comics need a narrative Garg with her daughter Zoya. (male comics? They can get by with disjointed jokes and stray observations) and Garg's became her transformation into an American woman. If our idea of NRI women is shaped by popular culture (and embarrassing videos of our NRI friends dressing up and dancing to Bollywood songs on every suitable and unsuitable occasion) as largely conventional people who did well in engineering college and work in IT while dealing with crushing cultural isolation, Garg defies the stereotype. Her story is full of dysfunction and uncertainty. This material works great on stage— Garg clearly knows how to land a joke and play the audience—but does it work well as a book? Well, broad generalisations about life in India tend to do better in a stand-up setting, whether it's something as banal as bathing out of a bucket because of water rationing or more readily come dy-friendly material, such as arranged marriages. Garg is 50 and it is difficult to accept when she says, in the book, that 'in India" everyone gets married in their teens or that it's unusual for chil dren to be inter ested in books and magazines, as she was. The parts of the book that are really riveting and bene fit from Garg's sharp observation skills are the account of her relationship with her husband and their harum-scarum wed ding, and then, later in the book, the story of how she became a writer and performer of comedy. Also read: The continuing stranglehold of Indian film censorship This section of the book—a quintessential American success story about an Indian housewife who becomes a stand-up sensation opening for the likes of Poehler and Fey—is not quite stage material, but works fantastically in this form. These are the bits comedy lovers will lap up—the kind of stuff watching five seasons of The Marvellous Mrs Maisel, about a 1950s housewife who becomes a standup comic, and Hacks, about a legendary female comedian's comeback, has primed us for. There's the story of how Garg's teen age daughter Zoya convinces her stay at-home mom to start working on comedy; the one about doing open-mic at a New York comedy club; and the details of finding her writing voice and winning a prestigious award for her first ever screenplay. What could be more American than the story of a woman who tries her hand at match making and ends up making fun of arranged marriages? And yet, her growing up years are where her comedy essentially comes from, I think. In fact, one does not work without the other—among the first jokes Garg ever wrote was 'I am an immigrant living in America. People often wonder if I have some sad, depressing backstory. And I do."


Time of India
2 hours ago
- Time of India
‘Squid Game' creator CONFIRMS Gi-hun's fate; Teases potential spinoff
The creator of Squid Game, Hwang Dong-hyuk, is the one who is most excited about the release of the show's final season. The writer and director of the popular show opened up in a recent interview about his relief on the show coming to an end. "There hasn't been a single day that went by without me thinking about Squid Game,' he said to The Hollywood Reporter and admitted, 'This is something that has completely consumed me. " Although Squid Game's ending is not meant to set up any future stories "at this time," sources tell THR that director David Fincher is reportedly working on an English-language spinoff. The story of his main character, eager hero Seong Gi-hun (Lee Jung-jae), the indebted father who won the deadly Squid Games in season one and returned to defeat them in seasons two and three, is finally concluded in the final episodes, as Hwang had promised. But despite his heroic efforts, Gi-hun leaves this story unharmed. Rather, he gives his life to ensure the survival of Jun-hee's (Jo Yu-ri) newborn child. In the end, the infant assumes his mother's role as Player 222 and wins the games. His mother and father, Lee Myung-gi (Yim Si-wan), also known as Player 333, both meet tragic ends during the games. With Oscar-winning actress Cate Blanchett making a surprise appearance in the series' final scene as the Recruiter for an American version of the Squid Games, the combination of hope and gloom in Hwang's anti-capitalist thriller leaves viewers with a lot of thoughts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Perdagangkan CFD Emas dengan Broker Tepercaya IC Markets Mendaftar Undo With an ongoing point that the Games will continue, the scene either closes the book on the story or allows the wildly popular franchise to continue with a potential spinoff series. While also sharing the thing he found most difficult to write in Gi-hun's ending, he said, "If season three is met with as much love as people loved season one, then I think I'm definitely going to feel less empty about saying goodbye.' Although he is open to future spin-offs that dive deeper into the recruiters' world, Hwang Dong-hyuk affirms that this concludes Gi-hun's arc and the original Korean narrative.