
Alicia Keys brings the house down at jewellery gala in New York
She strode in confidently, wearing a sharply tailored Givenchy suit-no shirt, just a jacket, letting her diamonds do the talking.
Her necklace, a Jean Schlumberger 'Leaves' masterpiece, glistened on her collarbone. 'Some people want diamond rings,' she teased on Instagram, referencing her hit, If I Ain't Got You .
The guest list sparkled just as brightly as the jewellery. Anya Taylor-Joy channelled old Hollywood in 18k gold and over 10 carats of diamonds, according to Vogue .
Mikey Madison turned heads with a pendant featuring a Fancy Vivid Yellow Diamond- imagine a drop of golden sunlight.
Artist Anna Weyant wore a scarlet Alexander McQueen gown with Tiffany's iconic Bird on a Rock brooch. It featured a tanzanite of over 20 carats, a stone with deep roots in Africa.
Alicia Keys took the stage and opened with Diamonds Are Forever, her voice soaring through the marble halls.
Keys then launched into a medley of her hits, including If I Ain't Got You and Girl on Fire . 'This is some timeless New York energy,' she declared, before closing with Empire State of Mind .
Movie stars, creatives, and industry titans rose to their feet, swaying to the anthem of the city that never sleeps. Tiffany's Blue Book 2025 collection, Sea of Wonder, was the night's true star.
Each piece drew inspiration from the ocean-seahorses, starfish, and waves-crafted with the brilliance that has defined Tiffany since 1837.
'Fashion is such a representation of your energy, your style and your expression of art,' Keys said.
Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1.
Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The South African
2 days ago
- The South African
Nicki Minaj shows love to Mzansi - will she tour SA again?
US rapper Nicki Minaj has joined the scores of American artists who love South Africa's amapiano music genre. The Grammy-nominated star is particularly fond of Master KG's Ngishuteni, which she featured in a recent TikTok video. In the TikTok, Nicki Minaj added a South African soundtrack to a clip of her getting her nails done. The song was Amapiano hit, Ngishuteni. The Master KG collab features Eemoh and Goon Flavour, and has become an instant hit, particularly made famous by a TikTok dance challenge. In the comments section, the Limpopo-born music artist thanked the US rapper for her acknowledgement, posting: 'Wanitwa Mos', the name of his record label. Others claimed it was a major hint that Nicki Minaj could be coming to South Africa soon. A few weeks ago, French footballer Paul Pogba also used the soundtrack in a social media post. Meanwhile, South African fans of Nicki Minaj are eagerly awaiting news on whether she will bring her Pink Friday 2 World Tour to local shores. The artist last visited SA in 2016 as part of her Pinkprint tour. Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1. Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X, and Bluesky for the latest news.

IOL News
4 days ago
- IOL News
Tyla's 'Water' hits rough seas: songwriters file lawsuit over royalty claims
Tyla, the South African sensation, is facing a lawsuit from two songwriters over alleged unpaid royalties linked to her Grammy-winning hit 'Water'. Image: X Tyla is facing a lawsuit over royalties linked to the success of her 2023 breakout song. The South African sensation's Grammy-winning hit song 'Water' has been a game-changer for her career, but it seems the ripple effects of its success are now being felt differently. As reported by 'Billboard', two contributors to 'Water' have filed a lawsuit alleging they were unfairly excluded from proper royalty payments due to what they describe as a 'nefarious' plan orchestrated by one of the track's main producers. The California-based songwriters, Olmo Zucca and Jackson LoMastro, who worked on the chart-topping hit, filed a lawsuit on Friday, July 25, against the 23-year-old singer and her British producer, Sammy SoSo (real name Samuel Awuku), and Sony Music Entertainment, which owns Tyla's label, Epic Records. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Next Stay Close ✕ In March 2023, the duo collaborated with Awuku and producer Rayan El-Hussein Goufar, known as Rayo, during a recording session in Los Angeles, creating numerous audio recordings that were used in the final version of 'Water'. The lawsuit claims that Awuku intentionally sidelined them by signing an exclusive deal with Tyla to take sole credit for the song's production, offering the pair only 10% each in publishing royalties while keeping 15% for himself. The court filing further cites that the plaintiffs tried for months to resolve the matter with Awuku, but he refused to cooperate. According to the complaint, Awuku allegedly hid his involvement in the song's creation and duped them into agreeing to a lower royalty rate. The plaintiffs claim they only discovered the truth in a May 2024 meeting with Epic Records President Ezekiel Lewis, where they learned Awuku had never told the label about any co-producers. The plaintiffs are seeking official producer credits on the track and want their royalty rate adjusted to 12.5%, both retroactively and moving forward. They are also requesting a producer fee. 'Because the defendants have refused to recognise the plaintiffs' status as top-line producers of the song and have failed to pay the plaintiffs all the royalties owed to them, the plaintiffs have each suffered injury in fact,' the complaint reads. Zucca and LoMastro claim that being left out of the credits has cost them more than just money. It has also harmed their reputations and closed doors to new opportunities in the industry. Additionally, the suit states that 'Water' has generated over $10 million in revenue since its release, with estimated earnings potentially exceeding $50 million. The pair once filed a suit in March 2023 against the same defendants, which they voluntarily withdrew on Thursday, July 24, before refiling the next day with a new attorney. The lawsuit names Tyla as a defendant; however, it does not allege any misconduct on her part. She also has not made any public comments on the matter. The remarkable success of 'Water' Released in July 2023, 'Water' remained on the Billboard Hot 100 for 29 weeks and reached as high as No 7. It later earned a Grammy for Best African Music Performance, a win that was followed by many as she won various local and international awards. At the age of 22, 'Water' gave Tyla a groundbreaking 2024. She owned the year with incredible milestones going from strength to strength and cemented herself as a trailblazing global superstar. The song has racked up over 1 billion streams on Spotify and more than 200 million YouTube views since its release in 2023.


Daily Maverick
4 days ago
- Daily Maverick
The incredible impact of Ozzy Osbourne, from Black Sabbath to Ozzfest to 30 years of retirement tours
Just weeks after a farewell tribute concert, one of the true originals of rock and heavy metal has died. Ozzy Osbourne, the 'prince of darkness' and godfather of heavy metal, has died aged 76, just weeks after he reunited with Black Sabbath bandmates for a farewell concert in his hometown of Birmingham in England. His family posted a brief message overnight: 'It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning.' John Michael Osbourne changed the sound of rock music and leaves behind a stellar career spanning six decades, numerous Grammy awards, multiple hall of fame inductions – and a wave of controversy. An agent of change In 1969, from the ashes of various bands, Geezer Butler (bass), Tony Iommi (guitar), Bill Ward (drums) and Osbourne formed the band Earth. Realising the name was taken, they quickly changed their name to Black Sabbath, an homage to the 1963 Italian horror anthology film. With the Summer of Love a recent memory, Black Sabbath were part of a heavy music revolution, providing an antidote to the free-loving hippies of the late 60s period. Despite making their first two albums cheaply, Black Sabbath, released in February 1970, and Paranoid, released in September that same year, they were a global success. Their approach was laden with sarcasm and irony. American audiences mistook this for satanic worship, positioning them as outsiders (albeit popular ones). After Black Sabbath's early successes, they were managed by the notorious Don Arden, whose daughter Sharon Levy was the receptionist. More than any musical bond, Osbourne had in his life, Sharon would be the most influential character throughout his life. Osbourne recorded eight albums with Black Sabbath (some to critical acclaim) and was then kicked out (by Sharon) due to his troubles with drugs and alcohol. Ozzy solo Osbourne's solo career has always been managed by Sharon. While recording his second solo album, Diary of a Madman, guitarist Rhodes died in a tragic light plane crash. Osbourne was close to Rhodes and fell into a deep depression after never having lost someone so close. Sharon and Osbourne married only months after this incident. His struggle with drug use did not stop him from making further solo records alongside various guitar players, continuing with moderate success throughout his career. On the road, Osbourne put John Farnham's last tour trope to shame. He held his last ever gig more times than one can count with names like No More Tours (1992–93), Retirement Sucks (1995–96) and No More Tours 2 (2018–19). This lament for touring led to the most successful era of Osbourne's career. After being rejected for the 1995 Lollapalooza festival bill, Sharon (and their son Jack) started Ozzfest; initially an annual two-day multiband festival headlined by Osbourne, held in Phoenix, Arizona, and Devore, California. Subsequently becoming a national – and then international – tour, Ozzfest led to a successful partnership with MTV, which led to the reality TV show The Osbournes premiering in 2002. Here, his previous and ongoing battle with drugs was obvious, proudly on display – and ridiculed – to huge global audiences. The spectacle of a rich rockstar and his family featured a constant barrage of swearing, battles with lavish TV remotes, canine therapy, never-ending chaos, and Osbourne constantly yelling ' Sharrrooon ' like a twisted maniacal loop of A Streetcar Named Desire. Struggles and controversies Osbourne suffered multiple health conditions over the years, rarely concealing the state of his physical or mental well-being. Notably he's struggled with drug and alcohol abuse his whole career, with drug recovery centres using Osbourne as an exemplar. In 2007, he disclosed he suffered from the Parkinson's adjacent condition Parkinsonian syndrome. In 2019, he was diagnosed with Parkinson's disease. This resulted in him being unable to walk for his final Back to the Beginning show in Birmingham on July 5 2025. And Osbourne's career had more than its fair share of controversy. He bit the head off a dove and a bat (celebrated with a commemorative toy), and urinated on the Alamo cenotaph. He was taken to court multiple times, but was never convicted. Ozzy and me As a white middle-class boy growing up in the Brisbane suburbs in the 80s, heavy metal music appealed to my testosterone and pimple-filled body. Exploring the secondhand record shops of Brisbane, I would've bought my first copy of Black Sabbath around 1985. The sound of thunder and a distant church bell before the first drop-D riff enters seemed like the antithesis to sunny Queensland and 80s pop. As my life became obsessed with the recording studio and the vociferous music scene in Brisbane in the post-Joh era, those drop-D riffs influenced a new style that swept the world in the early 90s. Osbourne's influence was huge, and through grunge, his sound was reborn. Grunge was a marriage of the Sabbath-like drop-D riffs with the energy of punk and the melody of the Beatles. Listening to Black Sabbath and Ozzy records equipped me with a sonic palette ready to capture the wave of alternative music emerging from the Brisbane scene. While Ozzy's death is no surprise (except for those who never thought he'd last this long), we should take pause and remember an icon with endless energy for entertaining, a passion for music, and changing the expectations of popular culture for more than 50 years. DM