
Go beyond Charleston's King Street to explore the working-class neighborhood redefining southern cool
The couple found their answer in Park Circle, a 110-year-old historic garden neighborhood in a fast-changing, working-class community called North Charleston with a gritty heritage standing in stark contrast to the genteel, steeple-stippled skyline, expensive boutiques, and luxury hotels further south. For Wang, who starred in the most recent season of Bravo's Top Chef, that difference felt right.
"Park Circle is Charleston's Williamsburg," he says, drawing parallels to Brooklyn's once-scruffy creative enclave.
In 2010, Park Circle was the first to celebrate LGBTQ+ Pride in Charleston, and it has become the home to annual music events such as the Riverfront Revival and Rockabillaque.
Photograph By North Charleston, via Flickr Creative Commons
Charleston's new artist district
The couple opened Jackrabbit Filly on Spruill Avenue five years ago (recently relocating it to nearby East Montague Avenue). They weren't alone. Only a 16-minute Uber ride from downtown Charleston's Marion Square, Park Circle has quietly become the Holy City's vibrant magnet, drawing residents priced out of living "below the neck"—the stretch of peninsula wedged between the Ashley and Cooper rivers and separating North Charleston from the bourgeois world of the historic city.
No such airs are on display in Jackrabbit Filly, the 1970s wood-paneled walls furnished with quixotic thrift-store finds contrast with intricate wood screens imported from China. There's a clatter of plates and the hum of conversation coming from the 44 tables, all booked. The air is filled with aromas of soy vinegar and chili oil, and there is anticipation for dishes such as glass noodles and the Japanese fried chicken known as karaage, so popular devotees drive from miles around to enjoy the food and atmosphere. That's no surprise to Pearce Fleming, whose airy microbrewery Commonhouse Aleworks sits around the corner.
"Park Circle's a place that fosters community," he says. 'It's what we try to do at our brewery. We exist to bring people together to celebrate over a pint of social lubricant."
Located in the Park Circle neighborhood, Riverfront Park features the Greater Charleston Navel Base Memorial and an 800-foot boardwalk along Cooper River.
Photograph By Brooke Becker, Shutterstock
To encourage that conviviality, Fleming, whose brews include IPAs 'Navy Town' and 'Park Circle' named for his neighborhood, helped establish one of the community's biggest festivals. In 2010, Park Circle was the first to celebrate Pride in Charleston, which it continues to do to this day with more than 40 participating organizations. Now, other annual events like the musically minded Riverfront Revival and Rockabillaque, featuring rockabilly music, classic cars, and barbecue, draw thousands of people.
Music is center stage throughout the year at other venues including Holy City Brewing and the Firefly Distillery, famous for its sweet tea vodka. Visitors can sample the lemony-flavored drink, and its bourbons and whiskeys, in its tasting room. Outside, Firefly's five-acre music space regularly hosts bands. Past performers included Chappell Roan and Willie Nelson.
Firefly Distillery has a five-acre music space to host music concerts. Previous performers include Chappell Roan, Willie Nelson, Vampire Weekend, and Lupe Fiasco.
Photograph By Firefly Distillery
The history of a streetcar suburb
While a Roan concert wasn't what its founders could ever imagine, Park Circle is finally fulfilling its original intention in some ways. The neighborhood began as a genteel gamble in the 1910s when city businessmen envisioned a streetcar suburb that would lure young professionals and their families north of Charleston's traditional boundaries. "They couldn't kick start interest in moving there," says Brittany Lavelle Tulla, an architectural historian at BVL Historic Preservation Research. "It couldn't just get off its feet."
Instead, the US Navy took center stage. Its base, the Naval Complex, employed 25,000 workers at its World War II peak. Workers performed a variety of duties from disassembling Nazi U-boats to maintaining Cold War fleets. Their communities—which would incorporate as the city of North Charleston in 1972—earned a brawling, blue-collar reputation immortalized in Pat Conroy's novel "The Lords of Discipline."
(Related: Charleston's newest museum reckons with the city's role in the slave trade.)
A burgeoning neighborhood with ties to its historic past
Yet Park Circle's original garden city design endured. The central circular park, that gave the neighborhood its name, still anchored streets that radiated outward like spokes. When the base closed in 1996, that historic blueprint, combined with the bungalows, worker cottages, and mid-century buildings left behind, created perfect conditions for renewal. Young entrepreneurs and artists soon discovered East Montague Avenue's wide, herringbone-bricked sidewalks—perfect for outdoor cafes, kids, and dogs—and a new chapter began.
The avenue's shops reflect the neighborhood's eclectic spirit. Neighborly modern furniture shares space with local artisans' work. Odd Duck Market sells food and coffee, while Black Octopus Mercantile transformed surf wear into streetwear. The shop is a cheery place, probably due to the ebullience of owner Missy Johnson, who designs most of the merchandise herself. Some of it is regularly featured on the hit teen drama The Outer Banks.
'I love being in Park Circle,' she says. 'We may be off the beaten track but we're quite the gem of the realm sitting between the pine trees and the river.'
The river that Johnson is referring to is Cooper River, where the old naval facilities are also undergoing a metamorphosis.The 140-acre Riverfront Park now occupies part of the former base, including grounds initially landscaped in 1896 by the famed Olmsted Brothers firm for a project predating the naval yards. Walking paths crisscross beneath century-old live oaks, leading to a 1,200-foot boardwalk jutting into the water.
In North Charleston, the 55-foot-tall steel arches of the Noisette Creek Pedestrian Bridge connects Riverfront Park to the River District North development, 70 acres of former naval land that will be transformed into a village with housing, offices, and retail spaces.
Photogrpah By Charlotte Evelyn, Shutterstock
The former base commander's Colonial Revival mansion and its columned porches, or 'piazzas' in local parlance, is now an event space overlooking the river where anglers cast for red drum, spotted sea trout, and flounder. The graceful Noisette Creek Pedestrian Bridge and its two 55-foot-tall steel arches connect the park to the River District North development, an ambitious plan where 70 acres of former naval land will become a mixed-used village with housing, offices, and retail spaces.
While the River District North promises a glossy future, Park Circle's past isn't forgotten. Kelsey Bacon, a floral designer at Roadside Blooms, bridges both. Her great 'grand mamie' Virginia Kirkland toiled in the naval factories during WWII. Bacon thinks she would have been amazed to see the transformations that have turned the community into the one now on travelers' itineraries.
'It's a melting pot of different lives and different people, says Bacon. 'As long as I'm in Charleston I'll be in Park Circle.'
(Related: Discover the best of Charleston with these top 10 things to do.)
What you should know
Where to eat: The tide-to-table Walrus Raw Bar inside Holy City Brewing offers the chance to slurp local oysters and quaff an array of artisanal beers. On East Montague, Southern Roots Smokehouse features brisket, chicken wings, and traditional barbecue sides. Across the street, EVO Pizza offers wood-fired pies like pistachio pesto or the pork trifecta with a farmer's salad.
Where to stay: Airbnbs on offer in the neighborhood. Something new in North Charleston: The Starlight Motor Inn, an authentic 1961 motel with strong mid-century modern design vibes and live music in its upstairs bar The Burgundy Lounge (Rates from $100). Downtown, The Ryder, which opened in 2021, offers a contemporary vibe different than many of the traditional hotels (Rates from $203)
What to do: New last year, The Park Circle Playground is the country's largest inclusive playground designed to allow full accessibility to children with autism, sensory issues, or in wheelchairs full accessibility. For playful adults, retro Pinky and Clyde's Arcade Bar on East Montague lets patrons play vintage video games like Donkey Kong and Pac-Man. On Spruill Avenue, the Station offers shoppers vintage housewares and clothing as well as new art and fashions curated by a changing mix of some 30 artists, designers, and thrifters.
(Related: 10 of the best hotels in Charleston, from historic landmarks to hipster hotspots.)
Andrew Nelson is the author of National Geographic's recently published travel book Here Not There. Follow him on
is the author of National Geographic's recently published travel bookFollow him on Instagram
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Newsweek
an hour ago
- Newsweek
Almost 20 Years After Katrina, a Filmmaker Visited New Orleans. Everyone Told Her the Same Thing.
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A visitor in New Orleans might frolic around the French Quarter, revel in Mardi Gras culture or get lost in a blues performance. When trying to track down the tastiest jumbo, it is easy to forget the trauma that meanders the Mississippi. But for residents, there is no getting away from the impacts of Hurricane Katrina, which still haunts the city two decades on. Filmmaker Traci A. Curry visited Essence Festival in 2023, a behemoth of Black American culture hosted annually in the city. She soon uncovered a startling truth, uttered by pretty much everyone in New Orleans—from Uber drivers to bartenders. "What was interesting was that all of them said some version of the same thing, which was that for those of us who come to New Orleans as visitors, it looks and feels as the New Orleans we all know. The one of our imagination. It's the Mardi Gras, it's the drinking, it's the food, it's the music. "But for us, they describe this bifurcated experience of the city—of before Katrina and after Katrina, that continues to this day," Curry told Newsweek in an interview at the London pre-screening of the upcoming five-part documentary Hurricane Katrina: Race Against Time, premiering July 27 on National Geographic and streaming July 28 on Disney+ and Hulu. Anthony Andrews and Traci A. Curry during a Q&A event at the London pre-screening of "Hurricane Katrina: Race Against Time". Anthony Andrews and Traci A. Curry during a Q&A event at the London pre-screening of "Hurricane Katrina: Race Against Time". Lydia Patrick/Lydia Patrick It soon became clear to her that the city's recovery is somewhat surface-level. Curry's series—a five-part documentary—peels back the veneer of post‑Katrina New Orleans to reveal the lingering scars. A Man-Made Disaster Most Americans remember the mayhem when Katrina made landfall off Louisiana on August 29, 2005. Broadcasts aired stampedes of people trapped in the Superdome, overhead footage of submerged streets, and looted grocery stores. Now, the storm is memorialized as a "man‑made" disaster, noting the failure of the emergency response and the maintenance of the aging levee system that was supposed to protect the low‑lying neighborhoods from being utterly deluged. Curry told Newsweek: "So many of the things that happened during Katrina and the story that we tell were not things created by the storm. They were things that were revealed and exacerbated by the storm," noting how it disproportionately impacted poorer Black communities. A mandatory evacuation order was put in place; tens of thousands of the city's 480,000 residents fled, but more than 100,000 remained trapped. Many made their way to the Superdome, which descended into unbridled chaos as survivors were left without means to survive. Stranded New Orleans residents gather underneath the interstate following Hurricane Katrina in 2005. Stranded New Orleans residents gather underneath the interstate following Hurricane Katrina in 2005. KTVT - TV/KTVT - TV "When you're talking about class and race and, you know, all these things—so much of the reason that there were so many people left behind is because they could not afford to just because you are working class and don't have money, you are more likely to perish during Katrina," Curry added. A crowd of stranded New Orleans residents are gathered outside of the Superdome following Hurricane Katrina in 2005. A crowd of stranded New Orleans residents are gathered outside of the Superdome following Hurricane Katrina in 2005. ABC News/ABC News The Personal Stories Curry and her team sifted through hundreds of hours of footage to reframe the narrative of Katrina with humanity. Curry explained during a post‑screening Q&A hosted by Anthony Andrews, co-founder of arts company We Are Parable: "I used to be a news producer, and I understand how it goes. If you're on a deadline, you get your shot and go. If you run the same footage of one guy taking the TV over and over, that becomes the story." But she believes something more nefarious took place, too: dangerous stereotypes against Black people were perpetuated, dehumanizing victims of the unfolding tragedy. "There's a pre‑existing narrative about Black people in the U.S.—violence and pathology—that the media can easily lean into. News cycles don't incentivize a nuanced human story," she said. A military helicopter arrives to rescue stranded New Orleans residents in the aftermath of Hurricane Katrina in 2005. A military helicopter arrives to rescue stranded New Orleans residents in the aftermath of Hurricane Katrina in 2005. John Keller/John Keller The Oscar-nominated director counteracted this with personal and individualized footage. "You can either look at footage, look through hundreds of hours and see like shirtless Black men running crazy and say like, 'That's a criminal,' or you say 'that's a human being that's trying to survive' and allow that to inform the storytelling, which is what I and the team did," she explained. "You as the audience member must look into the eyes of the human being." Personal stories include that of Lucrece, a mother trapped in her attic with her children. Her daughter wrote their names on the walls, believing they were going to die. They were rescued by boat, but had to confront her haunting reality, a submerged city. Lucrece Phillips, resident of the 8th Ward at the time of Hurricane Katrina, who shared her harrowing rescue story in the documentary series. Lucrece Phillips, resident of the 8th Ward at the time of Hurricane Katrina, who shared her harrowing rescue story in the documentary series. Disney/National Geographic/Disney/National Geographic "There's a point at which she sees the body of a dead baby in the water. She says, 'Stop the boat, we have to get her.' The man goes, 'We have to focus on the living,'" Curry recalled. Lessons Learned? Fast‑forward 20 years and New Orleans is a city forever etched by disaster. The Lower Ninth Ward was completely decimated by Katrina, and today the area once populated by working‑class Black residents remains largely vacant. "It looks like it just happened," Curry said. "There's footage in the fifth episode we shot last year: block after block of concrete steps leading nowhere—houses that no longer exist. That neighborhood has never recovered." Meanwhile, gentrification has "turbo‑charged" the displacement of the original community, as rising housing costs transform shotgun doubles into Airbnbs with skyrocketing rents. Natural disasters are still having devastating effects. Before production wrapped, Hurricane Helene made landfall in September 2025, causing extreme flooding in Asheville, North Carolina. Crushed vehicles and storm debris sit along the Swannanoa River in a landscape scarred by Hurricane Helene on March 24, 2025, in Asheville, North Carolina. Crushed vehicles and storm debris sit along the Swannanoa River in a landscape scarred by Hurricane Helene on March 24, 2025, in Asheville, North Carolina. AFP/Getty Images "There were different weather events—the fires in Hawaii and Los Angeles. All very different. Katrina was singular in many ways, but we've seen the same contours: a weather event exacerbated by man‑made environmental impacts, an infrastructure unfit to sustain it, and harm that disproportionately affects the most vulnerable. As severe weather worsens with climate change, this will only continue unless we center the needs of the most vulnerable before the storm," Curry warned. Curry added that, while Katrina's impact is New Orleans‑centric, similar inequalities plague other communities—like the predominantly Black "Cancer Alley" upriver, where higher-than-average cancer rates have been blamed on factory pollution, or neighborhoods saddled with heat‑intensive data "server farms" and tainted water. "Katrina's story just has so much to teach us about related issues that are continuing to happen today. I hope people wake up," she added. Highlighting this point is footage of President George W. Bush flying over the apocalyptic scenes of New Orleans. The series cuts in near‑identical footage from 1965's Hurricane Betsy—when the Lower Ninth Ward was submerged similarly—yet that time President Lyndon Johnson came immediately, and emergency operations began at once. Curry notes that the Federal Emergency Management Agency (FEMA), whose response was heavily criticized, has since learned from Katrina and adjusted policies to better serve those most vulnerable before a storm. But today the agency faces significant financial cuts, and its survival hangs in the balance as political pressures threaten to dismantle the system altogether. Yet the bigger story Curry wants to tell—decades on from disaster—is one of community. "Even in the most inhumane conditions, when all of these systems had failed and civil society broke down, these people did not lose their humanity. They held onto it, expressed it through care for one another, and used whatever agency they had to maintain the tight bonds of kinship and community that characterize New Orleans."
Yahoo
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London Trans Pride sees ‘record-breaking turnout of 100,000 people'
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Bobby Harding, fundraising lead for London Trans+ Pride, said they were delighted at the large number of people, adding: 'It's so clear how much it's needed and how much it's wanted. 'It's a total honour to be part of history like this, because this is now the largest Trans Pride event in history, in the world. 'We are more determined than ever to show up and let people know that we deserve a place on this earth, and we are entitled to dignity and privacy, as is our human right.' Harding expressed concern at the consequences of the Supreme Court ruling on trans people, saying the community was increasingly worried about being subjected to violence and discrimination in public spaces. 'People have got a lot of confidence, especially from the ruling, that they think that they have the right to tell someone what toilet they can and can't use, and what spaces they can and can't be in,' Harding said. 'It's really dangerous. 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'The main concern really here is that it feels like there's not been a consideration of trans members of the community, and that this guidance will pass behind closed doors, without the scrutiny, and without visibility, and without democracy. She added: 'With the large number of people here today, and it being potentially the largest Trans Pride event in the world, I think it's a real key moment and focal point to go and really concentrate that feeling and that message.' Ms Parmar-Yee also raised concerns about the rhetoric used in public and online discussions of trans rights, saying: 'The rhetoric is not helping. There is a lot of hate which is amplified. 'And I think you sort of see this happening around the world, and then you see it mirrored in the policy. 'You look at the bathroom ban that's being proposed, and you sort of realise that, although we may consider the UK quite different from a country like America, it's a bathroom ban that would make someone like (US President) Donald Trump proud.' She said the next step for Trans+ Solidarity Alliance, a not-for-profit organisation supporting trans rights organisations and activists, was a call for transparency over the guidance in the wake of the Supreme Court ruling. 'There is a lack of transparency and I think we cannot be a nation that accepts a bathroom ban becoming law behind closed doors,' she said. The EHRC is expected to put forward a more detailed code of practice for ministerial approval this summer. Lewis G Burton, one of the founding members of London Trans+ Pride, said in a statement on Saturday: 'This year's London Trans+ Pride made history once again, with over 100,000 trans+ people and allies marching through central London – smashing our own world record of 60,000 and continuing our legacy as the biggest trans+ pride event in history. 'It was an emotional and powerful day. 'At a time when the Supreme Court is making sweeping decisions about trans people without consulting a single trans person or organisation, and when a small, well-funded lobby of anti-trans campaigners continues to dominate headlines and waste public resources, our community came together to show what real strength, solidarity and care looks like. 'The message was clear: we will not be erased. 'Our existence is natural, historic, and enduring. 'You can try to take away our rights, but you will never remove us from society. 'We are a part of humanity – and the public will not stand by while harm is done to our community.'
Yahoo
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Huge crowds celebrate Pride event across city
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