How Zendaya and Anna Sawai Accidentally Twinned in Tailored White Suits at 2025 Met Gala: ‘Great Minds'
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Zendaya and Anna Sawai both interpreted the 2025 Met Gala theme, 'Superfine: Tailoring Black Style,' in similar ways, but with different references. At Monday's event, the two actresses showed up in crisp white tailored suits and coordinated hats, creating a twinning moment on the red carpet.
Styled by Law Roach, Zendaya's outfit featured a custom Louis Vuitton suit and Bulgari jewelry. It included a vest with small silver buttons and a button-up shirt and coordinated tie for a wholly monochrome look.
More from WWD
Different fashion icons, including Diana Ross and Bianca Jagger, inspired Zendaya's look.
Diana Ross in 'Mahogany.'
On the red carpet, Zendaya watched Ross enter the event and said, 'She's the reference!' Ross wore a similar look in 'Mahogany' (1975).
On Instagram, Law Roach revealed his inspiration from Jagger's 1971 wedding suit for Zendaya's look.
Mick and Bianca Jagger at their wedding in 1971.
Jagger was known for favoring tailored silhouettes in her public appearances. During her wedding to Mick Jagger, she ditched the traditional wedding dress for a white suit made by Yves Saint Laurent.
Meanwhile, Anna Sawai's Met Gala outfit featured a custom Dior suit and Cartier jewelry. The look was a nod to '70s tailoring and could also be interpreted as a reference to Ross. Sawai was styled by Karla Welch, who also dressed Ross' daughter, Trace Ellis Ross, for the event.
Anna Sawai
On Instagram, Welch commented on the similarities between Sawai's and Zendaya's outfits. 'We can add homage to Zendaya as well,' she wrote. The stylist also tagged Law Roach in a different post, saying, 'Great minds.'
The 2025 Met Gala, held Monday at the Metropolitan Museum of Art, featured the theme 'Superfine: Tailoring Black Style.' The event highlighted Black dandyism and menswear, with a 'Tailored for You' dress code. Cochairs include Colman Domingo, Lewis Hamilton, A$AP Rocky, Pharrell Williams and Anna Wintour.
View Gallery
Launch Gallery: Met Gala 2025 Red Carpet Arrivals Photos, Live Updates
Best of WWD
Sign up for WWD's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Buzz Feed
an hour ago
- Buzz Feed
Tracee Ellis Ross Rejected Oprah Winfrey Calling Her The "Poster Child For Singledom": "I Don't Want To Be That"
Tracee Ellis Ross is reflecting on Oprah's comments about her ongoing single status. The moment came in an episode of Tracee's new series, Solo Traveling With Tracee Ellis Ross, which finds the Emmy-winning actor exploring the joys of the world as a single and childless woman. Reflecting on the freedom of solo travel, Tracee said, "So much of what traveling is about, is for me, not waiting for something in order to walk towards my life, in order to be in my life, in order to experience my life. I think that was why I took my first trip solo. And I know that in some ways — I mean, Oprah said it. She said that I'm the poster child for singledom. I don't want to be that." Instead, Tracee prefers to reframe the conversation as someone living on their own terms and not waiting for traditional things to add value and meaning to their life. "I want to be the poster child for being an inhabitant in your own skin," Tracee said. "For living in your own skin." Although some might see being single and childless at an older age as a negative, Tracee, 52, says it has afforded her a freedom and an experience that she might not have otherwise had. "Yes, I am a single Black woman who does not have children, but not having a relationship — long, long relationships — not having children has allowed me to explore things of my own humanity," she reflected. "It has deposited me here at 52 in an extraordinary experience that is filled with joy, loneliness, grief, exuberance, delight, like, literally all of it. And I feel available to it." While Tracee didn't specify when Oprah's comments occurred, they appear to be from a 2020 interview on her Your Live in Focus series, where Oprah told Tracee how many single women view her as "an example of what being an unmarried woman could and should look like." When asked if she ever imagined playing that role, Tracee laughed, "No. I, like many of us, was taught to grow up dreaming of my wedding, not of my life." She added, "I spent many years dreaming of my wedding, and also, waiting to be chosen. Well, here's the thing. I'm the chooser. And I can choose to get married if I want to, but in the meantime, I am choicefully single, happily, gloriously single." She repeated that message in a 2021 interview with Harper's Bazaar: "People are like, 'You're the poster child for being single.' And I was like, 'Great.' But what I would prefer is that I'm the poster child for living my life on my terms. And that there's a version of that for everyone. I don't live my life for other people. I just totally live it for me." You can (and should!) watch Solo Traveling With Tracee Ellis Ross now on Roku. Trust me when I say — it's great. Let me know what you think of her reflections in the comments below, too.
Yahoo
3 hours ago
- Yahoo
Rihanna's Pregnancy Era Has Entered Its Softest Phase Yet — Thanks to a Very Hands-On A$AP Rocky
Rihanna is glowing — and no, it's not just the baby bump. As she prepares to welcome her third child with A$AP Rocky, the Fenty founder and Smurfs star is getting a whole lot of love, support, and late-night snack deliveries from her partner of five years. According to People, the couple is 'thrilled' to be growing their family again, and sources close to the pair say this pregnancy feels different — softer, slower, and somehow even more full of love. 'He's completely tuned into her needs,' the insider shared of Rocky, who's been 'incredibly attentive and nurturing' as Rihanna rests and gets ready for baby no. 3. More from SheKnows Rihanna's Baby Bump Is on Full Display at the Met Gala After Revealing Her 3rd Pregnancy While some dads might think diaper duty earns them a gold star, Rocky's in full-service mode. He's reportedly handling bedtime routines, entertaining sons RZA, 3, and Riot Rose, almost 2, and running baths for Rihanna at the end of the day. Yes, baths. With foot rubs. And snacks. 'He always makes her laugh,' the source added. 'He keeps things light and full of love.' The couple revealed the pregnancy just ahead of the 2025 Met Gala — in true Rihanna fashion, by casually stepping out of The Carlyle in a powder-blue two-piece with her bump on full display. It marked her third major pregnancy reveal in as many years, following her viral 2023 Super Bowl moment and her first pregnancy announcement in 2022, when she wore a $29K outfit in a paparazzi photo, per Us Weekly. Still, this time seems more intimate. Back in December, Rihanna joked that the only thing she hadn't achieved yet was having a daughter. 'I'm batting at 75 percent for a boy next time,' she told E! News. 'So, we'll just keep our fingers crossed.' And in April, she doubled down: 'I would try for my girl,' she told Interview. 'But of course, if it's another boy, it's another boy.' Either way, Rocky's right there next to her. Even if he doesn't help dress the kids — 'That's their mother by herself,' he admitted last year — he still plays muse. 'Sometimes she dresses them like me… kilts and all of that,' he said. Now, with a third baby on the way and a nightly foot rub seemingly locked in, it's safe to say this might be Rihanna's coziest pregnancy of SheKnows AP Scores Just Came Out — Here's What to Do If Your Teen's Upset About Theirs Celebrate Freedom With These Perfectly-Patriotic Americana Baby Names July 4th Printable Coloring Pages to Keep Kids Busy All Day Solve the daily Crossword


Forbes
5 hours ago
- Forbes
Beyoncé's Cowboy Carter Is Rewriting American Culture — And Boosting The Economy
PARIS, FRANCE - JUNE 24: Beyoncé Knowles / Beyonce wears a cowboy hat, a burgundy faux fur fluff ... More coat on one shoulder, a blue denim shirt, during the Louis Vuitton Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 24, 2025 in Paris, France. (Photo by) It was a humid night in Houston when Beyoncé Knowles-Carter moved financial markets—a role typically reserved for the Federal Reserve, the president, or Congress. In the 48 hours surrounding her Cowboy Carter Tour stop, the Bayou City raked in more than $50 million in local spending. Hotels and restaurants were booked to capacity. Surge pricing broke ride-share apps. And local boot stores had lines wrapped around the block. No bill was passed. No policy enacted. This boom came courtesy of a Black woman in a cowboy hat, singing and dancing on horseback. The Cowboy Carter Tour, spanning eight cities and 32 stadium shows, is now winding down in Las Vegas. But it has left more than just cowboy boots and hats behind. In every city it touched, the economic glow still lingers. In a time of seismic shifts in the marketplace and the political landscape, Knowles-Carter has become more than a cultural icon—she's an economic force. With Cowboy Carter, the Grammy-winning artist isn't just reclaiming country music's Black historic roots, she's staking a bold claim on American identity itself, all wrapped in the American flag. It's a masterclass in ownership, scarcity, and cultural disruption—with real implications for micro- and macro-economics nationwide. As cities see real economic impact from Beyoncé's presence, cultural economist Thomas Smith argues her tour is a lesson in modern market behavior, civic stimulus, and the future of 'event economics' in divided times. 'Beyonce coming to town gets everyone riled up, and for cities that means folks converge on areas around the stadium and spend bunches of money,' Smith said. 'This makes her concert more than just entertainment, she's an economic event.' LOS ANGELES, CALIFORNIA - FEBRUARY 02: Beyoncé accepts the Best Country Album award for "COWBOY ... More CARTER" onstage during the 67th Annual GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo byfor The Recording Academy) While her work has drawn fierce criticism from the same forces intent on dragging America back to a time when artists were expected to sing, dance, and stay silent about politics, Knowles-Carter has transcended the noise. Thanks to a loyal fan base and her unapologetic embrace of every facet of her identity—mother, daughter, Black woman, global citizen, and soundtrack supplier for the resistance—she remains a cultural force. Knowles-Carter's voice became even more pronounced with the 2016 release of Lemonade, her sixth studio album, which featured the single 'Formation.' She shook the culture and electrified her fanbase during the Super Bowl 50 halftime show, where she appeared in a Black Panther–inspired bodysuit with a golden 'X' emblazoned across the top. Her dancers wore Black berets—a symbol of global Black resistance, from the Panthers in the U.S. to Caribbean revolutionaries like Che Guevara and Fidel Castro. Lemonade landed at a moment of national reckoning—after the murder of Trayvon Martin, amid the rise of #MeToo, and during a surge of high-profile police killings of unarmed Black men. That album became a cultural inflection point, giving voice to demands for both social and political change. It also marked a strategic shift: Beyoncé released the visual album exclusively on Tidal, the streaming platform owned by her husband, Jay-Z. Football: Super Bowl 50: Celebrity singer Beyonce performing during halftime show of Denver Broncos ... More vs Carolina Panthers game at Levi's Stadium. Santa Clara, CA 2/7/2016 CREDIT: Robert Beck (Photo by Robert Beck /Sports Illustrated via Getty Images) (Set Number: SI-123 TK1 ) The album was released with no press, no leaks, and flawless execution, a bold pivot that cemented Knowles-Carter not just as a performer, but as a CEO and cultural entrepreneur. It marked a strategic shift from traditional promotion to surprise drops, using scarcity and precision to meet and shape market demand. More than a response to a cultural moment, Lemonade embodied Knowles-Carter's 'joy-as-resistance' ethos, offering a vibrant counter to a nation that had just elected Donald Trump as its 45th president. While Trump sold grievance and nostalgia for a mythologized 1950s, Knowles-Carter offered a future-facing vision. Still capitalist, yes, but one rooted in diversity, pride, and cultural ownership. Her music, visuals, and merchandise became part of a larger narrative: that joy, style, and identity are not just aesthetic choices, but political acts. Singing about generational wealth, freedom from historical bondage, and the alchemy of turning lemons into lemonade, Knowles-Carter claimed her space as an artist unafraid to challenge, evolve, and expand her audience's worldview. Back on the Cowboy Carter Tour, while promoting music from her second studio album since Lemonade, Knowles-Carter's role in the so-called 'quiet resistance' has been anything but quiet. Leaning into her southern roots and the crucial role of Black Southerners in shaping American culture, the album serves as a reclamation of global Blackness as foundational to country music. According to Francesca T. Royster, author of Black Country Music: Listening For Revolutions, country music originates from a creole musical tradition deeply rooted in African-American styles. 'The banjo, often associated in pop culture as an instrument for white people who live in rural areas, was an African instrument brought here by enslaved people,' Royster says in her book. In 2022, while speaking with Leo Weekly, Royster delved deeply into the history and politics of country music. 'This genre was founded on a kind of logic of segregation,' Royster told Leo Weekly. 'In the 1920s when the genre was kind of invented more or less by talent scouts and record label labels, they were distinguishing hillbilly music as kind of a white music that was meant for white audiences, and 'race' music, you know, blues, rhythm and blues, and jazz for Black audiences.' Reimagining rural America and redefining 'Americanism' beyond the white-centered lens it's so often framed in, the Cowboy Carter tour and album offer audiences a striking new association with the American flag—one draped across the body of a Black woman. The Cowboy Carter Tour's DC stop happened over 4th of July weekend in Landover, MD. While the album isn't explicitly partisan, its iconography subtly reshapes national identity. It points to an America—and a broader Western Hemisphere—built on the backs of Black labor, inspired by Black innovation, and powered by Black ingenuity. When Beyoncé rolled into Houston's NRG Stadium on June 28 and 29, her hometown got more than it bargained and budgeted for. According to Axios, hotels near the stadium hit 79 percent occupancy -- a sharp increase from 61 percent the prior year, OpenTable reported a 43 percent increase in Houston-area reservations over that three-day period compared to the same stretch last year. Beyoncé's economic impact extended well beyond Texas. During her stop in the nation's capital over Fourth of July weekend, restaurants surrounding Northwest Stadium (formerly Fedex Field) in Landover, Maryland saw nightly profit spikes of $15,000 to $20,000. All gains that Tom Smith described as beneficial for local economics. 'You gotta have the boots, you gotta have the shirt, you gotta have the hat,' said Smith, an economist at Emory University. 'You gotta have all the things. It's not even worth—it's not even worth going if you don't have all the things making the concert an economic driver for local business in the region.' Beyond uplifting local business, Smith, a bass guitar player himself, also emphasized the broader importance of the tour economy as a catalyst for the industries that power live entertainment. That includes stagecrafters, electrical engineers, lighting designers, dancers, musicians, publicists, costume designers, and the full teams that support them. 'A lot of those jobs were decimated during the COVID-19 pandemic, when no one was going on tour,' Smith said. 'And now, these big, mammoth tours, these big stadium tours are spending millions of dollars every night on the people that make sure that the sound and the lights and the ancillary element are working.' SYDNEY COLEMAN (L) and JESSICA HANNAH (R) traveled from Houston, TX. Fans of Beyonce queue to enter ... More SoFi Stadium in Los Angeles on April 28, 2025 to watch her first concert of her newTour named "Cowboy Carter." (Photo by Bexx Francois/For The Washington Post via Getty Images) Cowboy Carter is Beyoncé's second U.S. tour since the pandemic. And while it's most definitely different in tone, the financial punch for America's big cities remains the same. It couldn't come at a more convenient time, either, as cities across the country are seeing a decrease in crime and are searching for new sources of revenue amid a cavalcade of budget cuts from Washington, D.C. As Beyoncé's golden horse, floating horseshoe, and many of her now-iconic Cowboy Carter costumes make their way to the storage units, it's likely her economic impact — not just her spectacle — that cities and states will remember. Beyoncé's name was never on the ballot. She never passed a bill or rage-tweeted on X. And yet, her version of disruption has managed to move both culture and the economy. In her song 'American Requiem,' Knowles-Carter asks listeners to confront the complex and often painful history of race and culture in America. It's a counter narrative to today's political moment, one that treats historical truth as a liability. Through it all, Beyoncé may be proving something radically different: that reckoning with the past isn't just necessary, it might also be profitable.