
Maa Review: Kajol leads a gripping and convincing, but slightly overlong supernatural thriller celebrating the valour of Maa Kali
Plot
Forty years ago in Chandarpur village, a baby girl is sacrificed to Maa Kali, feeding a demon called the Daitya. The Daitya dwells in a cursed tree in the village. Ambika (Kajol) and Shuvankar (Indraneil Sengupta) belong to the cursed family where newborn girls are offered to this demon. To protect their daughter Shweta (Kherin Sharma), they live far away. After Shuvankar's sudden death, Ambika and Shweta return to Chandarpur to sell their ancestral house.
The village feels eerie and hostile. Despite their efforts to sell the house, no buyers emerge. The sarpanch (Ronit Roy) promises assistance but even he finds himself unable to get Ambika a deal. Ambika discovers that the Daitya kidnaps girls during their first period, leaving them cursed and unable to menstruate. When Shweta gets her first period, she becomes the demon's target, especially since she escaped the family's sacrificial ritual. As Ambika attempts to flee with Shweta, cursed village girls seize Shweta for the Daitya.
Channeling Maa Kali's fierce spirit, Ambika confronts the demon, in an effort to set her daughter free. Will she save her daughter and break the village's curse? Watch Maa to find out.
What Works for Maa
Maa grabs you with its exciting story based on folklore. It feels fresh yet rooted in tradition. The creepy atmosphere and eerie sounds pull you into its scary world. The dialogues pack a punch. They echo what Maa Kali stands for. The action scenes thrill, especially the car chase in the second half where Ambika and her daughter race to escape the village.
Maa has all the trappings of a commercial horror film. Jump scares, drama, flashback episodes, and big emotions raise the stakes. For a film with a limited budget, the visual effects look great. The Kali Shakti song gives goosebumps. It lifts the energy instantly. Lastly, adding the name of every mother for the middle name, in the end credits, is a nice, subtle touch.
What Doesn't Work for Maa
The film feels a bit long, especially the first 40 minutes. It could be trimmed by 20 minutes for a faster pace. Most visual effects are smooth, but a few scenes need more polish. The final fight with the demon is intense. However, it's not as gripping as it should be, given the high stakes. Lastly, the connection to Shaitaan feels weak. It's hard to care about that storyline. Had Shaitaan been linked throughout the film, it could have been much better.
Maa Plays In Theatres Now
Performances in Maa
Kajol is fantastic as Ambika. She brings fierce energy and deep emotion to the role. She owns every scene, balancing strength and heart perfectly. Kherin Sharma, as her daughter Shweta, acts very naturally. Indraneil Sengupta, as Shuvankar, adds warmth and depth. Ronit Roy shines. His character arc keeps you hooked.
Jitin Gulati, as Sarfaraz, delivers a rooted performance. Roopkatha Chakraborty, as Dipika, is a revelation. She deserves more powerful roles. Vibha Rani, as the priestess, adds gravitas. Other actors do their jobs well.
Final Verdict of Maa
Maa classifies as a definite watch for supernatural horror fans. It boasts strong production quality and a story tied to Indian roots. Kajol leads the way as a star. Despite some slow parts and minor flaws, it delivers thrills, action, and heart.
If you love spooky films with a commercial twist, catch Maa at a theater near you.

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Mint
21 minutes ago
- Mint
Maa Box Office Collection Day 3: Kajol starrer thriller film crosses ₹10 crore mark, mints THIS amount so far
Maa Box Office Collection Day 3: Kajor starrer film 'Maa' has performed decently after the first two days at the box office and earned an estimated ₹ 10.83 crore in India. The Bollywood movie hit the theatres on June 27. According to industry tracker Sacnilk, Maa earned ₹ 11.23 crore after the first three days of release. On Sunday, Day 3, the film earned ₹ 40 lakhs, according to early estimates by Sacnilk. The Kajol-starrer film opened to ₹ 4.65 crore. On Saturday, Day 2, Maa minted ₹ 6.18 crore. The film faces tough competition from Aamir Khan's Sitaare Zameen Par, which has grossed ₹ 95.5 crore in nine days. Along with Kajol, the ensemble cast of Maa features Ronit Dolly Boseroy, Indraneil Shubhra Sen Gupta, Jitin Jyoti Gulati, Dibyendu Bhattacharya, Kherin Sharma, Gopal Singh, Surjyasikha Das, Yaaneea Bharadwaj, Roopkatha Chakraborty and others, in key roles. Film trade analyst Taran Adarsh gave the movie a 3.5-star rating and stated in a post on X, '#Maa isn't your typical horror flick... Yes, there are jump scares and terrifying moments, but at its heart, it's a gripping tale of a mother battling the paranormal.' Adarsh further added, '#Maa is a well-crafted horror film that leaves an impact... Watch it not just for the thrills, but for #Kajol's powerhouse act that stays with you long after the end credits roll.' Produced by Devgn Films and Jio Studios, the film will debut on digital platforms following its theatrical release. Movie fans can enjoy Maa from home by streaming it on an OTT platform after its theatrical run.


New Indian Express
22 minutes ago
- New Indian Express
'Maa' movie review: Kajol's dramatic deity act in loosely assembled horror film
Last month marked the 50th anniversary of the release of Jai Santoshi Maa (1975), a cultural phenomenon which turned theatres into temples. I am not joking. The film was such a craze that villagers reached their nearby towns in bullock carts, took off their slippers at the entrance of the cinema hall and possibly prostrated when Anita Guha, as the titular Santoshi Maa, appeared on screen. It wasn't a sleeper hit, the film managed to score big at the box office in a year of Sholay and Deewar. It even surpassed the latter in collections. Everytime the glowing imagery of Kaali turned up in Maa, the Kajol-headliner supernatural-horror film, I couldn't help but think of some theatre where a viewer might be putting their popcorn aside to fold hands and seek blessings from the deity. It's strange to feel both dread and divinity in such a quick succession. Fear gives in to reverence, a microcosm of how religion operates. There are some questionable plot developments, some VFX which screams VFX but who cares? It's like PK turning the other cheek with Shiva's sticker on it. Objectivity logs out when faith enters the chat. Maa claims to be set in the world of Shaitaan (2024) which made me deduce three things: a girl will have to be saved from the horrors of patriarchy, there will be blaring BGM and we should all wait for a post-credit scene. The film revolves around Ambika (Kajol), her husband Shuvankar (Indraneil Sengupta) and their daughter Shweta (Kherin Sharma). Shuvankar hails from a rajbari-owning family of West Bengal's Chandrapur, a place he and his wife are hush-hush about in front of their curious daughter. A death in the family makes Shuvankar pay a visit to his ancestral house but he predictably doesn't make it back. While dealing with the grief of losing him, Ambika gets a call from Chandrapur's sarpanch Joydev (Ronit Roy) informing her that selling the rajbari was Shuvankar's final wish. Skeptical, Ambika and Shweta soon land in Chandrapur. Regular horror-isms kick in once the narrative shifts to the rajbari. There is a creepy banyan tree in the woods behind. The caretaker's family, which lives in the mansion, gives off strange vibes. We see teenage ghost girls peep at Shweta and often appear on the side of a frame to offer a lousy jump scare. Maa is directed by Vishal Furia, who has previously helmed Chhorii (2021) and Chhorii 2 (2025). He seems to be going over the same themes of patriarchy and female infanticide with this one. Infants cry in the jungle, little girls are offered as a bali, we see Kajol drown under a mob of women, an image similar to what Nushrratt Bharuccha endures in Chhorii 2, a literal representation of how patriarchy makes women pull down women. Maa is what you get if you cross Bulbbul (2020) with a Maddock horror film. Its themes feel dated, explored so often in the Stree films. The build-up is effective, but only in parts. The lore of the film is derived from the indigenous tale of deity Kaali and her battle with the demon Raktbeej but its visual design seems borrowed. The villain looks like if the Night King from Game of Thrones decided to join the Children of the Forest. There are some impressive set-pieces though and two of them involve cars. One is when Shuvankar's vehicle is attacked by a bunch of rogue tree vines (can't explain) and another is when Kajol's Ambika and her daughter Shweta are trapped inside an SUV being zombie-hoarded by over a dozen ghost girls. The film seems constantly in a bid to exhibit its special effects (VFX by Devgn Films) which, although competent, often pops out like a sore thumb in an otherwise lacklustre plot. Maa sets it up decently but then messes up the gameboard stating that it doesn't want to play. Its lore doesn't hold and the plotline is predictable, derivative and often confusing at times. I sighed once the dramatic exchanges on nari shakti and a mother's power began. Kajol was soon levitating with her hair flying in the wind. The villain utters something along the lines of 'you are a mere mortal, woman.' There are only two options. You can either laugh loudly at the silliness unfolding on the screen and invite the ire of the believers in your theatre or you can sit back, relax, crunch on that popcorn, and pray. It will be over soon. 'Maa' Rating 2/5 Directed by: Vishal Furia Written by: Saiwyn Quadras Cast: Kajol, Ronit Roy, Indraneil Sengupta, Kherin Sharma and Dibyendu Bhattacharya


NDTV
33 minutes ago
- NDTV
Maa Box Office Collection Day 2: Progress Report On Kajol's Film
New Delhi: Kajol's latest film Maa, a fantasy-horror-mythological thriller, opened in theatres on Friday, June 27, with a solid start at the box office. The Vishal Furia directorial picked up further steam on its first Saturday, earning an impressive Rs 6 crore, as per a report by Sacnilk. With a total runtime of 2 hours and 13 minutes, Maa has now collected Rs 10.65 crore in just two days. Directed by Vishal Furia, known for his genre-mixing work in Chhorii, Chhorii 2, Lapachhapi, and Forensic, the film appears to be setting its sights on its next box office milestone. As per the same report, the film registered an overall 26.38% Hindi occupancy on June 28. While morning shows had a modest turnout of just 9.94%, audience footfall steadily climbed throughout the day. Afternoon shows recorded a 26.87% occupancy, evening shows reached 30.26%, and night shows peaked at an impressive 38.45%. Banked by Ajay Devgn FFilms and Jio Studios, the movie has an emotional yet spiritual storytelling that pays a heartfelt tribute to Maa Kali, the Goddess of powerful feminine power. Written by Ajit Jagtap, Aamil Keeyan Khan, and Saiwyn Quadras, Maa 's plot revolves around the story of a mother (played by Kajol) who transforms into the fierce goddess Kali to battle a demonic curse rooted in fear, blood, and betrayal. In a post on Instagram, film critic Taran Adarsh has also evaluated Maa 's box office performance on the opening day despite strong competition. He penned, "#Maa [#MaaTheFilm] fares better than expected... Pre-release expectations and trade projections had pegged its Day 1 total at a modest Rs 3.50 cr, but the actual figures have surpassed estimates," adding, "Despite a limited release across 1500 screens in #India, #Maa held its own against strong competition - the holdover title #SitaareZameenPar, as well as new releases #Kannappa and the #Hollywood biggie #F1TheMovie... Yet, #Maa managed to draw a respectable number of footfalls." He also talked highly about marketing strategies that is likely to contribute to the film's turnout. "The 'Buy 2 - Get 1' free ticket offer [valid only on Friday] also boosted turnout... That said, the real test begins now - all eyes are on the Saturday and Sunday business," he concluded. View this post on Instagram A post shared by Taran Adarsh (@taranadarsh) The mythological horror thriller also features Yaaneea Bharadwaj, Roopkatha Chakraborty, Surjyasikha Das, Jitin Gulati, Ronit Roy, Indraneil Sengupta and Gopal Singh in key roles.