
Louvre Abu Dhabi's new VR experience will transport you from Baghdad to Rome and Mughal India
The Quantum Dome Project presents three digitally reconstructed environments from three completely different, historic corners of the globe and completely different time periods – ancient Rome, medieval Baghdad and Mughal-era India. You can experience them all through the medium of virtual reality. How does it work?
Essentially, each person is fitted with a wireless headset that tracks their full-body movements in real time. Developed with French production company Small Creative Studio, the technology requires no joysticks or other hand-held devices to control the setting.
Up to 10 people can enter the VR chamber at one time, and participants can move freely in between the action of the three eras – from the colonnades of a Roman forum to sifting through the books of the ancient House of Wisdom, and standing in the midst of battle on the lakes near the Jal Mahal.
But it's not all a VR experience. The defining points of each setting are real objects from the museum's collection itself. Each setting is tied to this specific object; in Rome, a marble sculpture of Emperor Augustus, in Baghdad, a manuscript page from De Materia Medica, and in India, suit of armour dubbed Four Mirrors. These pieces are your entry points, connecting the physical world of the museum to the virtual journey unfolding inside the headset.
Even the start of the narrative follows a sci-fi theme – the VR experience begins in Louvre Abu Dhabi itself, in an underground laboratory at the museum, where scientists attempt to extract the 'memory' of objects using experimental quantum technology. Things go south and visitors are flung across time and space, landing in an imperial Roman forum to begin with.
Why these three eras?
While history is rich and giving with many time periods to explore, these three eras are perhaps some of the most significant. The first Roman emperor, Augustus, is at the centre of the Roman setting. He was the founder of the Roman Empire and reigned as the first Roman emperor from 27 BC until his death in AD 14, after the fall of the Roman Republic led by none other than Julius Caesar.
Over in Baghdad, the House of Wisdom was once believed to be the largest library in the world and established Baghdad as a global centre of knowledge during the eighth and ninth centuries. It was said to hold tens of thousands of books and manuscripts, works on astronomy, medicine, philosophy and more. All of this was lost in the 13th century when the library was destroyed by the Mongol siege of Baghdad, and legend has it that so many books were thrown into the Tigris, that the river ran black with ink.
The Mughal era is also an important cornerstone of the history of the Indian subcontinent, imparting the region with architecture, culture, food, music, art and history it reveres to this day.
The individual price for the experience is Dhs120, including access to the museum, while booking in groups of four will cost Dhs95 per person.
@louvreabudhabi
Images: Louvre Abu Dhabi
> Sign up for FREE to get exclusive updates that you are interested in
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Al Etihad
13 hours ago
- Al Etihad
Louvre Abu Dhabi expands artwork collection with unique new acquisitions and loans
9 July 2025 12:35 ABU DHABI (ALETIHAD)Louvre Abu Dhabi has unveiled a new display of artwork collection that brings together additional acquisitions and prestigious international a first-century imperial cameo and a third-century Christian sarcophagus to a selection of paintings and modern works by Kandinsky, Giacometti, and Tàpies, the artworks now on display span centuries, cultures and artistic they invite visitors to experience the museum's universal narrative through the lens of creativity, connection, and the enduring power of of Scientific, Curatorial, and Collections Management at Louvre Abu Dhabi, Dr. Guilhem André, said, 'By continuously enriching Louvre Abu Dhabi's collection through carefully curated acquisitions, we ensure that the museum remains a dynamic space that resonates with art enthusiasts, families, and curious minds alike. We are also thrilled to bring to our visitors loaned masterworks that are considered priceless treasures in their respective museums, and we are grateful for the generosity of our partners. This ongoing renewal strengthens Louvre Abu Dhabi's role not only as a cultural anchor in the Saadiyat Cultural District, but also as a place where diverse stories and shared human experiences come together.'The curatorial team at Louvre Abu Dhabi, particularly Amna Al Zaabi, Fakhera Alkindi, Aisha Al Ahmadi, Mariam Al Dhaheri, and Rawdha AlAbdouli, played a key role in developing the new displays, working closely with partner institutions on everything from research to securing loans and acquisitions. Their contributions reflect the museum's commitment to empowering local talent and fostering cross-cultural exchange on a global Abu Dhabi continues to expand its world-class collection through the addition of exceptional artworks that reflect the museum's universal new acquisitions include significant paintings, sculptures and finely crafted objects that are now on display in the museum's permanent galleries, including a Kota Reliquary Figure from Gabon (end of 19th or beginning of 20th century) attributed to the Sébé River Master of the Skull Head resonates with global traditions of ancestor veneration and spiritual guardianship; a Roman Cameo possibly depicting Agrippa Postumus (c. 37-41 CE) is displayed alongside other masterpieces of precious gold jewelry from the museum's collection; a limestone Head of an Ephebe (5th century BCE), from Cyprus is shown alongside other busts representing diverse cultures and civilisations; a Casket from the Kingdom of Kotte, Ceylon (ca. 1543) showcases hybrid aesthetics and reflects the global reach of South Asian courtly art; a collection of paintings including The Rialto Bridge from the South (c. 1720) by Giovanni Antonio Canal, capturing a serene, precise Venetian cityscape; The Farewell of Telemachus and Eucharis (1800), a rare Neoclassical painting by Charles Meynier exploring themes of duty, love and moral virtue; and a Portrait of Kosa Pan (1686) by Antoine Benoist, portraying the first ambassador from Siam to the French court of Louis XIV and Wassily Kandinsky's White Oval (1921), a composition of colours and forms reflecting the artist's strong belief in the power of colour, form and composition to evoke emotion, rhythm and addition to the newly unveiled acquisitions, unique masterpieces on loan from Musée du Louvre, Centre Pompidou, and the National Museum of the Philippines bring fresh depth and global perspective to Louvre Abu Dhabi's highlights include the Sarcophagus of Livia Primitiva (c. 250 CE), a sculpture on loan from the Musée du Louvre, and one of the earliest known examples of Christian funerary art; Portrait of the Artist (1825) by French painter Antoinette Cécile Hortense Haudebourt-Lescot, on loan from the Musée du this painting, Haudebourt-Lescot presents herself firmly as a professional artist and emphasises her identity as a portraitist; Una Bulaqueña (1895), painted by Juan Luna, one of the most celebrated Filipino artists, is on loan from the National Museum of the Philippines. Leaving its home country for the first time, this painting was declared a National Cultural Treasure in is celebrated not only for its technical excellence, but also for the sense of cultural pride it embodies, representing an idealised Filipina woman who radiates strength and dignity. There will also be two bronze figures, introducing the theme of reimagining the human figure, are on loan from Centre Pompidou: Femme de Venise V (Woman of Venice V, 1956) by Alberto Giacometti is an elongated, fragile figure that captures the paradox of presence and vulnerability; and L'Orage (The Storm, 1947 – 1948) by Germaine Richier portrays a monumental male figure embodying resilience in the face of elemental forces. Also on loan from Centre Pompidou will be the Grand blanc horizontal (1962), a monumental mixed-media work by Antoni Tà work adds a contemporary dimension to the museum's narrative of material experimentation and new display at Louvre Abu Dhabi is curated to foster dialogue between civilisations, across time, and through universal stories. Through thematic juxtapositions and cross-cultural comparisons, the museum continues to offer a dynamic and inclusive space for discovery for both first-time and returning visitors. For more information about the galleries and to book tickets, please visit:


The National
13 hours ago
- The National
Kandinsky art, Roman jewels and a 5,000-year-old statue: Louvre Abu Dhabi's latest loans and acquisitions
Every summer, changes take place at Louvre Abu Dhabi without fanfare. There are no big banners or special announcements, yet the permanent galleries undergo a subtle shift. New loans and acquisitions are peppered throughout – not to disrupt the museum's focus, but to expand and enrich its universal narrative. While there are changes in the museum's galleries year-round, a lion's share of shuffling takes place now, during the summer, says Guilhem Andre, director of scientific, curatorial and collections management. 'We refresh our new loans from partnering institutions and rotate our collections as well,' he adds. This year, the additions range from a delicate Roman cameo and a Gabonese reliquary figure to artworks by Russian painter Wassily Kandinsky, Swiss sculptor Alberto Giacometti and Catalan artist Antoni Tapies. Placed among the museum's existing displays, they invite new dichotomies and connections. Among these is a Menhir statue, dating to 3,000 BCE. It stands small beside the towering image of Egyptian pharaoh Ramesses II (which is about 11 metres tall), but equally intriguing. The sandstone figure was carved more than 5,000 years ago in what is now southern France. The statue has a triangular face, arms etched flat across the body and legs marked by two straight lines. A belt with chevron patterns wraps the waist. Its features are minimal, but enough to suggest the outline of a person, most likely someone of importance. Similar to its neighbouring pharaoh, it may once have stood as a marker of identity or power, though its form is pared down, and is more symbolic than representative. "This is interesting because this is again a man of power that is represented here,' Andre says. 'So again, this is putting civilisations in dialogue.' The menhir is on loan from the National Archaeological Museum in Saint-Germain-en-Laye. A Roman Cameo is a highlight acquisition by Louvre Abu Dhabi. Carved in layered stone no bigger than a palm, it shows a young man in a tunic and toga. He is thought to be Agrippa Postumus, the grandson and adopted heir of Emperor Augustus, founder of the Roman Empire. Originally a sign of imperial loyalty, it was remounted in 18th-century Britain in a gold setting. While this piece could have been worn on the body, generally, they were more frequently inlaid into furniture. Another notable addition is Una Bulaquena (1895) by Juan Luna, on loan from the National Museum of the Philippines. The painting is regarded as a Filipino national treasure. Its arrival at the Louvre Abu Dhabi marks the first time the work has left the country. Una Bulaquena is, which is one of Luna's most enigmatic works, depicts a young Filipina woman, poised and composed in traditional attire. In one hand she holds a handkerchief and in the other, an ivory fan. Luna is perhaps best known for his epic paintings, which reframe moments from ancient history as allegories of colonial oppression. Una Bulaquena is a rare example of one of his softer, more introspective works.


Time Out Abu Dhabi
a day ago
- Time Out Abu Dhabi
Fouquet's Abu Dhabi is throwing a huge celebration for Bastille Day
Say bonjour to the most elegant brunch of the summer – Fouquet's Abu Dhabi is celebrating Bastille Day with a lavish French affair under the iconic dome of the Louvre Abu Dhabi. For the first time ever, the Parisian fine-dining institution is marking France's national day with a Bastille Day brunch on Saturday July 12 and trust us – it's set to be très magnifique. Expect red velvet interiors, crystal chandeliers, flowing champagne and a four-course menu packed with Fouquet's favourites. You can expect Burgundy snails, foie gras terrine with fig chutney and melt-in-the-mouth Wagyu carpaccio to kick things off. We're salivating. Main courses come in a sharing-style – perfect for some friendly Francophile bonding – with dishes like grilled rib-eye steak with coin de rue fries and morel mushroom vol-au-vent stealing the spotlight. Naturally, there's an extravagant cheese board (bien sûr) and desserts that double as edible art: vanilla mille-feuille, raspberry-lychee macarons and crêpe suzette flambéed with Grand Marnier. It's all washed down with premium French grape, apple hops, house bubbly and classic mixed drinks, plus themed décor and live entertainment to set the mood. Whether you're French, fancying France, or just here for the cheese, this is one brunch you won't want to miss. Dhs299 (soft drinks), Dhs399 (grape and apple hops), Dhs499 (premium bubbly & mixed drinks). Sat Jul 12, 1pm to 4pm. Fouquet's Abu Dhabi, Louvre Abu Dhabi, Saadiyat Island. contact-fouquets-abudhabi@ (02 205 4200). Other top-notch restaurants in Abu Dhabi 10 of the best European restaurants in Abu Dhabi Taverna feels in the heart of the city Bookmark: the 10 best Italian restaurants in Abu Dhabi Transport to the Mediterranean, one plate at a time The 10 most amazing Korean restaurants in the capital Where to go for some fantastic soul food