'Ek Do Teen' to being evergreen: Madhuri Dixit's legacy as legit Bollywood superstar
While her 'aadayein' and dance became the talk of the town, it was her acting chops that separated the actor from her contemporaries.Starting from her heartbreaking portrayal of Chandramukhi in 'Devdas' (2002) to a chirpy Nisha in 'Hum Aapke Hain Koun! (1994), she proved time and again that she was not just a glamorous star but a formidable actor. advertisement View this post on Instagram A post shared by Yash Raj Films (@yrf)Not just on the celluloid, the actor made a grand digital debut with Netflix's 'The Fame Game. Even after decades, her performance struck a chord, proving she can hold her own in any format, alongside younger actors in a transformed industry.While Sridevi left us too soon and Juhi Chawla took a back seat, Madhuri's popularity remained palpable. She's the last true blue superstar from that golden age still shining.Madhuri might not chase office numbers any more, but in a world of fleeting fame and viral moments, the actor remains unforgettable. The kind of superstar you don't just admire, you remember.Must Watch
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Hindustan Times
14 minutes ago
- Hindustan Times
A reminder that what I do matters: Shah Rukh Khan on winning National Film Award
New Delhi, Superstar Shah Rukh Khan on Friday said he was 'overwhelmed with gratitude, pride and humility' after being named best actor at the 71st National Film Awards, his first win at the prestigious film honours in a career spanning over three decades. A reminder that what I do matters: Shah Rukh Khan on winning National Film Award In a video message on Instagram, the 59-year-old actor said the National Film Award serves as a reminder that his work "matters" and encourages him to "keep going, working hard, keep creating and keep serving cinema". Shah Rukh, who shared the award with "12th Fail" actor Vikrant Massey, was rewarded for his performance in filmmaker Atlee's action drama "Jawan" . The movie, which minted over ₹1,100 crore at the worldwide box office, was a high-octane thriller and featured SRK in the dual role of Army officer Vikram Rathore and his jailor son Azad. "I am overwhelmed with gratitude, pride and humility. To be honored with the National Award is a moment that I will cherish for a lifetime," he said in the video message. In the video, the actor's right hand was in a sling following an injury he sustained while shooting for his upcoming film "King". "A national award is not just about achievement. It's a reminder that what I do matters. It tells me to keep going, keep working hard, keep creating and keep serving cinema. "In a world full of noise to be heard, truly heard, is a blessing. And I promise to use this recognition, not as a finish line, but as fuel to continue striving, learning and giving back. This award is a reminder for me that acting is not just work but a responsibility, to show the truth on the screen. I am grateful for all the love," Shah Rukh said. The actor extended his thanks to the award jury, the Ministry of Information & Broadcasting, and his recent collaborators directors Rajkumar Hirani , Siddharth Anand and especially Atlee. "Thanks to Atlee sir and his team for giving me the opportunity in 'Jawan' and trusting me to deliver and be worthy of this award. Atlee sir, this is like you say 'mass'," he said. Shah Rukh also gave a special mention to his team, acknowledging their patience and hard work. "I want to thank my team and management, which works tirelessly with me. They bear with me, my eccentricities and impatience and give me their full attention and make me look much better than I am... like even now in this video. This award, without their perseverance and love would not be possible at all. Thank you so much for everything you do," he said. Shah Rukh, who made his film debut with 1992's "Deewana", also expressed gratitude to his family. "My wife and kids who, over the last few years, give me so much more love and care as if I'm the kid in the house and want only the best for me. They know my obsession with cinema takes me away from them, but they all bear it with a smile and allow me the time. So thank you very much for that," he added. The actor also thanked his fans and said they will see him on screen soon. "Thank you for all the cheers and all the tears, and really, thank you for pausing your scrolling while watching my award. This award is for you, as each award is and yeah, I would love to spread my arms for you and share my love, but I'm a bit indisposed. But don't worry, just keep the popcorn ready. I'll be back in theaters and soon on the screen. So till then, just with one hand," he said. This article was generated from an automated news agency feed without modifications to text.
Pink Villa
15 minutes ago
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KPop Demon Hunters: BTS' Jungkook's Soda Pop cover earns BIG reaction from voice of Jinu, ‘Pointed out a mistake…'
KPop Demon Hunters is one of the most viral things to come out of 2025— we're looking at you, nine-toothed dolls— and anyone online would have caught a glimpse of the phenomenon by now. BTS have previously expressed their liking towards the movie, including impromptu covers and dance challenges. With 2 possible sequels and a live-action being eyed for the future of the story, it's unlikely that the connections would die down any time soon. It's no surprise that the stars behind the show have gotten utterly famous, and the man behind Jinu- not Ahn Hyo Seop - but the singer Andrew Choi, have gained a lot of fans. Reacting to Jungkook's cover of one of the songs in the Netflix film, he showered praise on the BTS member. KPop Demon Hunters star calls Jungkook a 'true vocalist' In a video shared by Straits Time Online, Andrew Choi, the 'The thing that I love about Jungkook is that he sings with such ease, which is a sign of a true vocalist. Jungkook's performance is 11 out of 10,' he said while reacting to a song cover of Soda Pop that the BTS member did casually during a livestream. Watching the video further, he noticed how a lyric error in the track was noticed by the K-pop star. 'Jungkook pointed out a mistake in the movie's OST Soda Pop. I didn't even notice it. No one seemed to have noticed it until Jungkook took a listen to it. So thank you, Jungkook, for that.' Moreover, another video showed the singer picking his own version of the Saja Boys lineup in real life. He started off with the BTS maknae Jungkook with his superstar power and all-rounder base, and then moved to another maknae from NCT, Mark, for his rapping skills. He continued by adding Cha Eun Woo for visuals, often believed to be the biggest inspiration for the character of Jinu, especially after his Free OST cover with Arden Cho, the voice actor for Rumi. Strong vocalists in the form of EXO's Baekyun or D.O. were his next pick, and adding to that DAY6's Young K, would form his version of the perfect demon group from the animated film.
The Print
29 minutes ago
- The Print
Stranded in the desert of pop culture
The rise of science and technology has transformed the way we live and the way we engage with culture. Entertainment is now just a click away. From curated Spotify playlists and YouTube shorts to Netflix recommendations, we are constantly surrounded by algorithm-driven choices that fit neatly into our fast-paced lives. We've taken convenience for granted, and in doing so, culture — once rooted in tradition, lived experiences, and community memory — has been reduced to surface-level aesthetics. Your Turn is a unique section from ThePrint featuring points of view from its subscribers. If you are a subscriber, have a point of view, please send it to us. If not, do subscribe here: Tradition today is increasingly absent from daily life. Songs at weddings, once filled with meaning and memory, have become just another background track. The dhol and algoza have been replaced by speakers and DJs blaring Bollywood remixes. Even the role of music has shifted; no longer a medium of storytelling or shared emotion, it is now about volume, beats, and engagement. Loud, fast, westernised rhythms dominate. Entertainment is customisable, quick, and disposable — a reflection of the broader consumerist culture we inhabit. The Manganiyar community of western Rajasthan stands as a poignant example of this shift. A Muslim folk group known for their innate talent for music, the Manganiyars once held a place of honour in Rajput courts. Their songs echoed through grand events, royal gatherings, and crowning ceremonies. Their music was not entertainment; it was legacy, memory, emotion, and devotion. But today, that legacy stands diluted and is struggling to survive. Once royal performers, the Manganiyars are now mostly reduced to singing for tourists in desert camps and hotels. While a handful of Rajput families still call upon them for special occasions such as childbirths, weddings, and religious festivals, the regular patronage that sustained their dignity and livelihood has shrunk drastically. The transformation is stark and painful. Worse than the loss of income is the loss of dignity. Some Manganiyar families now survive by working under MGNREGA as daily wage labourers. For a community whose identity was once steeped in art, being forced to dig roads to make ends meet is not just an economic blow but a deep cultural wound. Yet, despite this erasure, the community remains determined. Children are still taught the ragas, rhythms, and instruments of their ancestors. They sit with their elders, learning not from apps but through oral tradition. Their art is a gift, one they want to pass on, regardless of how the market values it. They refuse to 'sell out' or remix their music to suit the tastes of modern audiences. They resist commercialization, even when it costs them everything. And it does cost them. There are almost no buyers for pure, authentic Manganiyar music anymore. The generation that grew up on Bollywood dance numbers, EDM beats, and viral remixes no longer connects with the slow, emotive storytelling of folk. The little space that remains for folk performances is in tourist camps, where even there, the Manganiyars are now asked to perform filmy songs, sometimes molding their music to include item numbers just to hold the crowd's attention. This is not just the story of a community. It reflects a broader cultural shift. Rising pop culture and Western influence, along with fast, urban lifestyles, have altered our tastes. We are a generation of quick fixes — fast food, short videos, 30-second songs. Traditional art and cultural engagements are now confined to occasional stage shows, often repackaged as 'experiences' for tourists. Art is no longer about connection or emotion; it's about clicks, likes, and views. People have not only lost touch with their roots — they no longer desire to reconnect with them. The authenticity of cultural expression is dying quietly, replaced by hyper-produced imitations that are easier to digest. If this trend continues, future generations will inherit a remix of culture — a distorted version, passed off as heritage, stripped of context, ritual, and depth. They will call it folk, but it will be far from it. The price of convenience is not just economic. It is existential. When a culture is reduced to aesthetics and tradition becomes a performative act, we lose more than music or memory. We lose identity. The Manganiyars still sing, in fading corners of Rajasthan, in quiet ceremonies, and in their homes. They sing not for fame or fortune, but because their art is their inheritance. But for how long can they hold on? And when they are gone, what will remain — a remix? Bio: Mahima Duggal is a researcher and pursuing her PhD at the Department of Political Science, Panjab University, Chandigarh. She focuses on tourism and sustainable tourism practices through field-based studies in Jaisalmer. These pieces are being published as they have been received – they have not been edited/fact-checked by ThePrint.
