Crisp White Suits Are Trending at 2025 Cannes Film Festival: Irina Shayk, Andi MacDowell, Hayley Atwell and More Tailored Looks
Often worn for daytime outings, white suits are a staple of the spring and summer seasons, fitting in with the Cannes breezy atmosphere. From Mango to Dolce & Gabbana to Schiaparelli, WWD takes a closer look at the suits from the 2025 Cannes Film Festival.
More from WWD
Alexander Skarsgard Evokes Thigh-High Drama in Saint Laurent's Fetish Boots at Cannes for 'The Phoenician Scheme' Premiere
Julianne Moore Does Dark Glamour with Brilliance in Bottega Veneta Knot Dress and Dangling Boucheron Diamonds for 'The Phoenician Scheme' Cannes Premiere
Zoey Deutch on Cannes, Chanel and Channeling Jean Seberg in 'Nouvelle Vague'
Irina Shayk was spotted at the Hotel Martinez on Day Two of the event. She was wearing a sharp white suit from the Mango capsule collection. She wore a white suit jacket with satin lapels and matching straight-fit suit trousers with a pair of black flip-flops. An emerald necklace decorated her neck.
Jessica Madsen attended the Vanity Fair Lunch in an all white and black look from Camilla and Marc, wearing the Palisade Blazer and pants. The structured, tailored, double-breasted blazer featured peaked lapels and four black buttons, which she paired with matching trousers. She wore the look with black pointed-toe pumps.
Hayley Atwell stepped out on Day One of the festival, where she was spotted outside of the Carlton Hotel wearing a white Max Mara double-breasted wool blazer and matching wide-leg trousers. She paired the look with the designer's Whitney bag, which is celebrating its 10th anniversary this year.
Speaking to WWD about her Cannes style, Atwell said: 'For me, I know that I suit structure, and I suit boldness of color, and asymmetry. I'm always kind of aware what doesn't work on me, and I can often feel it when I look back at images. I think you can always tell something that didn't feel quite comfortable.'
Ahead of the 'Mission: Impossible — The Final Reckoning' premiere, Andie MacDowell went for a sharp look on Tuesday wearing an ensemble from Schiaparelli's ready-to-wear by Daniel Roseberry. The actress' look featured structured tailoring and the designer's standout accessories in a head-to-toe look, including the brand's signature keyhole pumps. MacDowell wore a white single-breasted suit with a white cotton poplin shirt, with gold details throughout.
Working with stylist Arabella Boyce, Simon Pegg went for a cream Edward Sexton three-piece suit for the 'Mission: Impossible — The Final Reckoning' photo call on Wednesday. He went shirtless with a waistcoat and decorated his chest with a chain with a diamond pistol-shaped medallion. He paired the look with structured dress shoes in black.
Tramell Tillman went shirtless in a creamy three-piece suit from Dolce & Gabbana. He wore the look for the 'Mission: Impossible — The Final Reckoning' photo call on Wednesday. The actor paired the look with Jimmy Choo's 'Marti Reverse' loafers in stone velvet.
View Gallery
Launch Gallery: Cannes Film Festival 2025 Standout Shoes: Zoe Saldana's Saint Laurent Wedges and More [PHOTOS]
Best of WWD
Vittoria Ceretti's Runway Modeling & Red Carpet Photos Through the Years [PHOTOS]
Zara Tindall's Royal Style Through the Years: Equestrian Influences, Formal Occasions and More, Photos
'Queen of Cannes' Bella Hadid's Cannes Looks: All the Dresses, Live Updates [PHOTOS]
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
16 minutes ago
- Yahoo
Bill Moyers, Longtime PBS and CBS Journalist and Documentarian, Dies at 91
Bill Moyers, the onetime White House Press Secretary and newspaper publisher who spent four decades as a respected broadcast journalist and documentarian for PBS and CBS, died Thursday. He was 91. Moyers died at Memorial Sloan Kettering Cancer Center in New York after a long illness, his son William told the Associated Press. More from The Hollywood Reporter Lalo Schifrin, Acclaimed Composer of 'Mission: Impossible' and 'Mannix' Themes, Dies at 93 Lea Massari, Italian Cinema's Anti-Diva, Dies at 91 Thomas H. Brodek, Former Film Producer and ABC Executive, Dies at 86 Moyers hosted, wrote for and/or produced PBS programs like Bill Moyers' Journal, Moyers & Company, A World of Ideas, Frontline, Now With Bill Moyers, Creativity With Bill Moyers and A Walk Through the 20th Century in stretches from 1971 through 2010, winning two Peabody Awards, three Humanitas Prizes and four Primetime Emmys along the way. An eloquent speaker with a soft Texas twang, he was a skillful longform interviewer who confronted social and political issues with incisive, folksy exploration. He was not afraid to state his point of view and supported liberal causes and organizations, including Fairness and Accuracy in Reporting and Take Back America. 'In an age of television shouters, Mr. Moyers is an anomaly,' David Carr wrote for The New York Times in 2004. 'His delivery is measured and the rhetoric temperate. Yet he used the tools of the documentarian to wield a velvet sledgehammer, bludgeoning corporate polluters and government ne'er-do-wells with precision and grace. His tendentiousness in choice of targets has earned him the fealty of public television audiences and the enmity of conservative observers.' In 1976, Moyers exited PBS to become editor and chief correspondent for CBS Reports. He also did On the Road mini-documentaries as well as analysis and commentary for the CBS Evening News With Dan Rather starting in 1981, drawing a salary of $1 million a year. In a bitter split, Moyers exited CBS in 1986 — he said the line between entertainment and news at the network had 'steadily blurred' — and formed his own company, Public Affairs Television, to distribute his programs. Transcribed versions were published as books, including Joseph Campbell and the Power of Myth, which remained on the Times' best-seller list for more than a year. Moyers was hailed by some as 'the conscience of America,' a trusted public figure in the mold of Walter Cronkite. He was considered a possible Democratic Party presidential candidate but never took the bait. In 2006, he received a Lifetime Achievement Emmy from the National Academy of Television Arts & Sciences for 'devoting his lifetime to the exploration of the major issues and ideas of our time and our country, giving television viewers an informed perspective on political and societal concerns.' On Thursday night, his death was acknowledged by NATAS chairman Terry O'Reilly at the 46th annual Documentary Awards in New York. Moyers, he said, 'was a whole lot happier telling the truth [as a journalist] than he was trying to hide it [while working in politics].' The youngest of two sons, Billy Don Moyers was born on June 5, 1934, in Hugo, Oklahoma. His father, Henry, was a truck driver and his mother, Ruby, a housewife. Raised in Marshall, Texas, he began his journalism career as a cub reporter on the Marshall News Messenger and was the editor of the sports page while still a sophomore at Marshall High School. At North Texas State College, he spent the summer of 1954 interning for Lyndon B. Johnson in Washington, getting the job after writing an 'audacious' letter to the Texas senator. 'I said to him, 'I can tell you something about young people in Texas if you can tell me something about politics,'' he recalled in a 2001 chat for the Television Academy Foundation website The Interviews. Moyers graduated from the University of Texas with a degree in journalism in 1956. As a student in Austin, he also worked at KTBC-TV, a station owned by Johnson's wife, Lady Bird Johnson. He then studied in Scotland for a year before attending Southwestern Baptist Theological Seminary in Fort Worth, landing a Master of Divinity degree in 1960. (He officiated the wedding of George Lucas and Mellody Hobson at Skywalker Ranch in 2013.) Moyers rejoined Lyndon Johnson, soon to be John F. Kennedy's pick for vice president, as his 'Man Friday' during the 1960 presidential campaign. He helped create the Peace Corps during the JFK administration in March 1961, reporting to the president's brother-in-law, Sargent Shriver, as deputy director. When Johnson became president after Kennedy's assassination, Moyers stayed on as his adviser and special assistant. He was highly involved in Johnson's 1964 re-election campaign against Republican Barry Goldwater and approved the controversial 'Daisy' TV commercial in which a girl counts the petals she plucks from a flower before another countdown leads to a nuclear explosion on the screen. 'It never mentioned Goldwater, it wasn't a personal attack,' Moyers said in his TV Archive interview. 'It was an assertion of concern over whose hand was on the nuclear trigger. It was a subliminal ad, though I didn't even know the meaning of that term then. [Goldwater] never forgave me for what he understood was my role in it, right up until the end of his life.' After Johnson's landslide triumph, Moyers served as White House Press Secretary from 1965-67 — a media darling, he was on the covers of Time and Newsweek during his first year on the job — before resigning to become publisher of Newsday in 1967. The Long Island newspaper hired columnist Pete Hamill and won two Pulitzer Prizes during his three-year tenure, which ended when Newsday was sold to the Times Mirror Co. (Moyers had put together a higher offer to buy the paper but was rebuffed.) He then traveled around the country for Harper's magazine for four months in a 'swing of rediscovery,' from which he wrote 1971's Listening to America, which became a best-seller. From that, New York public TV station WNET hired him to host a weekly half-hour that would become Bill Moyers' Journal. The program included the first major interview with Jimmy Carter before he was known outside of Plains, Georgia, as well as an acclaimed 'Essay on Watergate' in 1973. Moyers had a 'five years and out' philosophy, considering that for people to 'renew' themselves, they should move on every five years. That philosophy originated when he persuaded Congress to make that period of time the maximum for volunteer employment in the Peace Corps. He held that policy for public broadcasting, too. 'It's very important for [it] to open itself constantly to new people, to renew it,' he said. 'And that's not going to happen unless us old-timers move on.' He also worked for NBC and MSNBC in the mid-1990s. Moyers married North Texas State classmate Judith Davidson in December 1954 — she went on to serve as president of Public Affairs Television — and they had three children, William, John and Alice. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Forbes
4 hours ago
- Forbes
Wes Anderson's ‘The Phoenician Scheme' Gets Streaming Date, Report Says
Benicio Del Toro and Mia Threapleton in "The Phoenician Scheme." The Phoenician Scheme — an offbeat comedy starring Benicio Del Toro, Scarlett Johansson, Tom Hanks and Bryan Cranston — is reportedly coming soon to digital streaming. Written and directed by Wes Anderson, The Phoenician Scheme opened in theaters in limited release on May 31 before expanding to a wide release on June 6. The official logline for The Phoenician Scheme reads, "The story of a family and a family business." The Phoenician Scheme follows the story of European businessman Zsa-zsa Korda (Del Toro) and his only daughter and sole heir, Sister Liesel (Mia Threapleton) as they are being pursued by financial schemers and assassins. Rated PG-13, The Phoenician Scheme also stars Michael Cera, Riz Ahmed, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Benedict Cumberbatch, Rupert Friend and Hope Davis. The Phoenician Scheme is expected to be released on Tuesday, July 8, according to When to Stream. Although When to Stream is typically accurate with its PVOD reports, the streaming tracker noted that the film's studio, Focus Features, has not announced or confirmed The Phoenician Scheme's digital release date and it is subject to change. When The Phoenician Scheme arrives on PVOD, it will be available to purchase or rent on such digital platforms as Apple TV, Fandango at Home, Prime Video and YouTube. Digital purchase prices generally run from $19.99 to $29.99, while rental prices are generally anywhere between $14.99 to $24.99 for a 48-hour period. How Did Audiences And Critics React To 'The Phoenician Scheme'? The Phoenician Scheme has earned $18 million in North American theaters and $16.9 million internationally for a worldwide box office gross of $34.9 million to date. Official numbers for the film's production budget are not available. The Phoenician Scheme earned a 78% 'fresh' rating from Rotten Tomatoes critics based on 259 reviews. The RT Critics Consensus for the film reads, 'A caper made with all the intricacy of a Rube Goldberg machine, The Phoenician Scheme doesn't deviate from Wes Anderson's increasingly ornate style but delivers the formula with mannered delicacy.' The film also earned a 71% 'fresh' score on RT's Popcornmeter based on 1,000-plus verified user ratings. The audience summary for the film on RT reads, 'Another meticulously staged production by Wes Anderson, The Phoenician Scheme is an A-list variety show that will particularly tickle Andersonites with its whimsical deadpan delivery of verbal delicacies.' The Phoenician Scheme is expected to be released on PVOD on July 8.
Hamilton Spectator
6 hours ago
- Hamilton Spectator
Movie Review: In ‘The Old Guard 2,' Charlize Theron and Uma Thurman get half a movie
About 80 minutes into 'The Old Guard 2,' I found myself wondering how the filmmakers were going to wrap things up. There were a lot of threads dangling with Charlize Theron'sgang of immortal warriors, split up and facing extinction, and she still had yet to face off with the new villain, Discord (apparently the first immortal), played by Uma Thurman. The promise of a showdown between The Bride and Furiosa may not justify the existence of this sequel, now streaming on Netflix , but it was something to look forward to nonetheless. And while they do fight, for a little, something even crazier happens not too long after: The movie ends or, rather, stops mid-climax. An ending was never part of the plan. This might be an attempt at a cheeky nod to the life of an immortal — what is an ending after all, I guess? But unlike the first film, which merely left the door open for the possibility of a sequel, 'The Old Guard 2' cuts off mid-movie. Not only is there no option to 'continue watching,' there's no promise we'll even get an 'Old Guard 3.' Moviegoers endure a lot of partial stories in these days of franchise filmmaking, ever desperate for a built-in audience. With some, you know a resolution is coming at a later date, as with 'Mission: Impossible' or 'Wicked.' With others, like 'Dune,' a part two or three might have been a question mark, but the intention was unambiguously there. There's nothing fun or enjoyable about being surprised that you've been watching a 'part one' the whole time, especially on a service that has helped train us to click next episode. Perhaps that also has to do with the quality of 'The Old Guard 2,' which feels like a step down from the first movie, which provided much-needed escapism in the summer of 2020 as we met Theron's Andromache the Scythian (Andy, for short) and welcomed KiKi Layne's new immortal Nile. It ended with Booker (Matthias Schoenaerts) being exiled for a betrayal and the tease that Andy's old companion Quynh (Vân Veronica Ngô), was still alive. Quynh is, understandably, not thrilled that she was left at the bottom of the ocean for centuries. She wants to punish Andy the most — the movie heavily implies that they were more than sisters in arms, but never quite goes so far as to confirm that their love was romantic, which is especially strange given that it doesn't shy away from letting Nicky (Luca Marinelli) and Joe (Marwan Kenzari) be an out gay couple. One of the most significant behind-the-scenes changes is that Gina Prince-Bythewood ( 'The Woman King,' 'Love & Basketball') ceded directing duties to Victoria Mahoney, who has directed episodes of 'Queen Sugar' and 'You' and served as second unit director on 'Star Wars: The Rise of Skywalker.' Working off Greg Rucka and Sarah L. Walker's screenplay, the movies opens with a lively action sequence in which the immortals attempt to nab an arms dealer. Nicky and Joe are the distractors, getting their own James Bond-esque car chase, while Nile, Andy and Copley (Chiwetel Ejiofor) get more hand-to-hand combat on the property. It sets a fun tone and allows for some (mostly) welcome exposition — 'remember, you're not immortal anymore' — for those who might not have the best memory of something they watched at the height of the pandemic. But the film never recaptures that energy again and devolves into an increasingly tedious meditation on time, death and the science of why Andy lost her immortality power (which is approaching 'Face/Off' levels of insanity). Thurman has a mighty good scowl as the 'bad immortal' who long ago decided she didn't have any desire to help the humans who persecuted her kind, but the movie seems to be saving her big moment for later. Overall 'The Old Guard 2' is fine, a bit of a background movie that's probably easy enough to tune in and out of (though Schoenaerts, a standout, gives it some real pathos). Its greatest sin is the non-ending, which might have moviegoers engaging in their own rants about wasted time. Cliffhangers are a gamble — when the movie is satisfying on its own, it can leave them wanting more. In this case, it might just leave them angry. Audiences in 2025 deserve better. 'The Old Guard 2,' a Netflix release now streaming, is rated R by the Motion Picture Association for 'sequences of graphic violence and some language.' Running time: 105 minutes. Two stars out of four.
